Ancient Sculptures and Puppetry

A collection featuring ancient sculptures, including Venus figures and intricate shadow puppets, showcasing cultural artistry in stone and ivory.

Dragon from Set of Zodiac Figures, 386-535, Earthenware with white slip and traces of pigment, China, 4th-6th century

The Lespugue Venus. 23rd mil. BC. FRANCE. Lespugue. Sculpted in mamut tusk. Upper Paleolithic. Gravettian. Sculpture on ivory. FRANCE. ëLE-DE-FRANCE. Paris. MusŽe de l'Homme (Museum of Man).

Shadow Puppet (Wayang Kulit) of Gandamana, from the set KyaiNugroho. Maker: Ki Kertiwanda Maker: Ki Bekel Prawirasucitra

Saint Anne Gegenbauer, Antoni ( 1773)

Shadow Puppet (Wayang Kulit) of Hanoman or Romodhoyopati, from the set KyaiNugroho. Maker: Ki Kertiwanda Maker: Ki Bekel Prawirasucitra

Grotesque 15th century French. Grotesque 468436

Bronze plaque of a warrior 2nd half of the 6th-5th century B.C. Etruscan The projection at the top of the head is probably a helmet crest. The articulation of the entire figure is engraved.. Bronze plaque of a warrior 246390

Flute playing Krishna (Venugopala), Anonymous, 1600 - 1800 Playing krishna; flute is missing; Right leg over the left. Bengal bronze (metal) Playing krishna; flute is missing; Right leg over the left. Bengal bronze (metal)

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia94. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Dragon from Set of Zodiac Figures, 386-535, Earthenware with white slip and traces of pigment, China, 4th-6th century

Male Figure 3rd century B.C.-A.D. 4th century Chupicuaro. Male Figure 313171

Figure of Fertility Goddess ca. 2700-2000 B.C. Baluchistan. Figure of Fertility Goddess. Baluchistan. ca. 2700-2000 B.C.. Terracotta. Ceramics

PUREZA ESCULTURA. Author: VENANCIO BLANCO. Location: FUNDACION SANTANDER CENTRAL HISPANO. MADRID. SPAIN.

Puppet (Wayang Klitik) ofBima

Ryūjin: Ruler of Seas and Tides. Japan, late 19th century. Costumes; Accessories. Wood

Puppet (Wayang Klitik) ofBaladewa

Puppet (Wayang Klitik) ofMenakjingga

Hermanus van Keulen, Clay pipe, marked, embossed with an image of Prince William IV and Anna of Hanover, clay pipe smoking equipment earthenware foundry pottery h 5,2, pressed finished baked Clay pipe marked in relief decorated with image of Prince William IV and Anna of Hanover their children Princess Carolina and the later Willem V on lap Between the couple the lion in the Dutch garden with drawn scimitar and bundle of arrows in the claws Above the picture pennant with text. Heel mark In pennant: HORRIBLE HOUSES OF ORANGE under the image: I BATTLE TRUE archeology indigenous pottery smoking tobacco marriage Willem IV Anna van Hannover Oranjehuis Orange royal family Dutch garden

Campania Napoli Naples S. Lorenzo Maggiore02. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Close up detail of african artefact, South Africa

Ogre-Headed Guardian Beast (Zhenmushou). China. Date: 701 AD-750 AD. Dimensions: 90.5 × 37.5 × 26.5 cm. Earthenware with three-color (sancai) lead glazes and traces of pigments. Origin: China. Museum: The Chicago Art Institute, Chicago, USA.

ESCULTURA DE ARCILLA. Author: ANTONIO BALLESTER BALLESTER.

Roman Art. Artemis of Ephesus. 2nd century AD. Sculpture. Farnese Collection. The head, hands and feet, all in bronze, are 19th-century restorations by Giuseppe Valadier (1762-1839). The crown on the head is also modern, restored by Carlo Albacini (1739-after 1807). National Archaeological Museum, Naples. Italy.

lion man from Stadel, upper paleolithic mammoth ivory sculpture, replica, Museo de la evolución humana, MEH, Burgos , Spain.

Sculptural Element from a Reliquary Ensemble (mbulu ngulu), probably 1800s. Africa, Central Africa, Gabon, Kota-style maker. Wood, copper alloy, and iron; overall: 61 x 27.5 x 3 cm (24 x 10 13/16 x 1 3/16 in.). The ethnic map of eastern Gabon is extremely complicated as a result of continuous migratory movements since the 17th century. Kota is the name of one of three culturally closely related people. All share the tradition of commemorating and honoring ancestors through the preservation and worship of sacred ancestral relics within cylindrical bark containers or bound in fiber packets. Covered with sheets of copper and brass, this abstract wooden human-shaped figuredistilled to a planar surfaceserved as a guardian set atop a basket container holding the skull, certain bones, and other relics of a deceased man. It belonged to a religious institution that honored the memory of individuals who made major contributions during their lifetime. The luminosity of the copper and brass cov

Aimé-Jules Dalou (1838-1902). Vase "the golden age". Ceramics, Pérame sandstone, 1888. Museum of Fine Arts in the city of Paris, Petit Palais. Ceramic, gres cerame, base, vase

Monumental sculptures of two sphinxes The sculptures were made from a boulder worked as a figurative decoration of the southern city gate of the Hittite capital Hatruscha and broken by the action of fire into numerous fragments.

Shadow Puppet (Wayang Kulit) of Setiyaki, from the set KyaiDrajat

ARTE ROMANO. ESPAÑA. S. III-IV (S. III-S. IV). 'MUÑECA DE MARFIL ARTICULADA'. Hallada en un sarcófago de la necrópolis paleocristiana de Tarragona, junto a una niña fallecida a la edad de cinco o seis años. Museo Nacional Arqueológico de Tarragona. Cataluña.

FETICHE DE NIGERIA. Location: MUSEOS VATICANOS-MUSEO ETNOGRAFICO. VATICANO.

Boy Holding up a Carp. Culture: Japan. Dimensions: H. 10 3/4 in. (27.3 cm); W. 6 in. (15.2 cm); D. 4 in. (10.2 cm). Date: 1860. Museum: Metropolitan Museum of Art, New York, USA.

CABEZA DE CABALLO PROCEDENTE DE FUENTE LA HIGUERA (VALENCIA) - SIGLOS IV-II AC. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.

Standing Octopus. Ikkyū (Japan, active early to mid-19th century). Japan, early 19th century. Costumes; Accessories. Wood with inlays

Anonymous. Marquee (fragment), white marble. Iv-six century. Paris, Carnavalet museum. Fragment coming from a type of marquee, the restitution of which was proposed the basket was decorated with four large leaves which supported the angle volunts (the fragment of the Carnavalet museum corresponds to the lower part of one of the faces of the basket, where two of the leaves are born and share). Marquee, fragment, white marble, archeological vestige

Johann Joachim Kändler (1706-1775). "Young man playing the cello". Polychrome porcelain, around 1744. Paris, Cognacq-Jay museum. Arts Decoratives, 18th 18th 18th 18th 18th 18th 18 CENTURY

Shadow Puppet (Wayang Kulit) ofWisnu

USA, Colorado, Blanca. A 15-foot tall, upturned, tree trunk with root ball has been artistically transformed into a tall violinist.

BANDIDO - FIGURILLA DE BARRO POPULAR DE MALAGA - SIGLO XIX - ROMANTICISMO ESPAÑOL. Author: JOSE CUBERO GABARDON (1818-1877). Location: MUSEO DEL ROMANTICISMO-CERAMICA. MADRID. SPAIN.

Shadow Puppet (Wayang Kulit) of Alien II or Planet II. Maker: Ki Enthus Susmono, Indonesian, 1966-2018

ARTE AFRICANO. REINOS NEGROAFRICANOS. YORUBA. Pueblo que habita en Benin, Togo y sur de Nigeria. MASCARA ANTROPOMORFA. De madera tallada y pintada. Utilizada en el rito "gelede". (Pueblo yoruba). AFRICA. Museu Etnològic. Barcelona. Cataluña.

Chōhi

Campania Caserta Capua Museo Campano02. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Puppet (Wayang Klitik) of a Dutch Soldier orHolländer

Statuette. Dated: 1935/1942. Dimensions: overall: 40.8 x 30.7 cm (16 1/16 x 12 1/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Yolande Delasser.

Figurehead of the frigate Theresia, Maritime Museum in Schloss Erlahof Castle, Spitz an der Donau, Wachau, Waldviertel, Lower Austria, Austria, Europe

Rhyton (Drinking Vessel) in Shape of Sheep's Head. Greek; Tarentum, Apulia, Italy; Attributed to the Painter of Leningrad 955. Date: 320 BC-310 BC. Dimensions: 20.9 × 11.4 × 12 cm (8 1/4 × 4 1/2 × 4 3/4 in.). Terra-cotta, decorated in the red-figure technique. Origin: Southern Italy. Museum: The Chicago Art Institute, Chicago, USA. Author: ANCIENT GREEK.

CERAMICA DE IBIZA.

Shadow Puppet Head, 20th century, 5 in. (12.7 cm), China, 20th century

Funerary figure on horseback, Tang Dyn. 618-907 AD, China.

Shadow Puppet (Wayang Kulit) of Cakil, from the set KyaiDrajat

Shadow Puppet Head, 20th century, 5 in. (12.7 cm), China, 20th century

Walking Man II. Alberto Giacometti; Swiss, 1901-1966. Date: 1960. Dimensions: 187.96 × 27.94 × 111.76 cm (74 × 11 × 44 in.). Bronze, number two from an edition of six. Origin: Switzerland. Museum: The Chicago Art Institute, Chicago, USA.

Shadow Puppet (Wayang Kulit) of Gagak Bongkol, from the set KyaiDrajat

Shadow Puppet (Wayang Kulit) of Overseas Soldier II or Prajurit Sebrang II. Maker: Ki Enthus Susmono, Indonesian, 1966-2018

Wooden protective figure from the Nicobar islands. Artist: Unknown

ESCULTURA. Author: LEANDRO MBOMIO (1938-). Location: PRIVATE COLLECTION. MADRID. SPAIN.

The Astana Graves (Chinese: , Pinyin: Asitanà Gumù) are a series of underground tombs located 6km from the ancient city of Gaochang, and 42km from Turpan, in Xinjiang, China. The tombs were used by the inhabitants of Gaochang, both commoners and locals, for about 600 years from 200 CE - 800 CE. The complex covers 10 square kilometres and contains over 1,000 tombs. Different plots for separate castes and families are marked by gravel dividers. Due to the arid environment many important artifacts have been well preserved at the tombs, including natural mummies. A typical tomb is entered by a 10 metre sloping staircase. The tombs are not very large, usually only 2 metres high. Some tombs also have murals inside. The deceased were laid on a small raised platform in the back of the tomb, surrounded by possessions and even food. Their faces were covered by cloths, some of which have distinct Persian motifs. A small funeral brick was placed to next to each body, on which was written the

LA TARDE DE LA FAUNA - SIGLO XIX. Author: PAUL GAUGUIN. Location: PRIVATE COLLECTION. France.

Anatomical fugitive sheets

GIACOMETTI, ALBERTO. ESCULTOR SUIZO. 1901-1966. ESCULTURA. ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE CON LOS ORGANISMOS TITULARES DE LOS MISMOS.

Shadow Puppet (Wayang Kulit) of Sang HyangSuratma

Russia, St. Petersburg, Peterhof Palace (aka Petrodvorets), White Dining Room. (Editorial Usage Only)

Costume design by Leon Bakst (1866-1924) for Soma, the High Priest in Le Dieu Bleu (The Blue God), produced in 1911 by Sergei Diaghilevs Ballets Russes. Music by Reynaldo Hahn, Choroegraphy by Michel Fokine.

Aimé-Jules Dalou (1838-1902). "Tenchairs pushing a block". Terracotta, between 1889 and 1898. Museum of Fine Arts of the city of Paris, Petit Palais. Bloc, deburring, worker, stone, pushing, terracotta

PIEZAS DE LA EXPOSICION "ARTE SIN ARTISTAS": PROPULSOR DEL CERVATILLO CON PAJAROS, DE LA CUEVA DE MAS D'AZIL, ARIEGE (FRANCIA). TALLADO SOBRE ASTA DE RENO. MAGDALENIENSE MEDIO.

Clam digger (painted bronze) by Willem De Kooning (1904-1997) a Dutch American abstract expressionist artist who was born in Rotterdam, the Netherlands.

Emilia-Romagna Bologna Bologna Museo Civico Archeologico Sale III, IV, V52. Hutzel, Max 1960-1990 Specific Location: Sale III, IV, V (Egyptian antiquities) Owner: Museo Civico Archeologico Antiquities: III: basalt sculptural fragments; reliefs from the tomb of Horemheb; funerary stele; dynasties XVIII, XIX, XX, Ptolomeic dynasty reliefs, generally in limestone. IV: XVIII, XIX dynasty sculptures in granite, limestone, sarcophagi, statuette in basalt, statuette in wood, statuettes in bronze, statuette faience, mummy mask: V: basalt sculptures of Horus, Sekhmet, limestone stele (Antiq. count: 202); Republican portrait sculpture, Republican cippi with portrait bust, cippus with portraits (single and group), cippi with inscriptions from all periods, architectural fragments, basin with inscription, torso fragment of cuirassed figure of the 1st century AD (Nero) (Antiq. count: 185); disk lamps from the late republic to 6th century, with erotes, animals, erotica, mythological scenes, menorah,

Prince of lilies. Stucco relief. About 1550 BC. Minoan art / Cretan art. Late Minoan period. Fresco. GREECE. CRETE. IRAKLION. Iraklion. Archaeological Museum. Proc: GREECE. CRETE. IRAKLION. Knossos. Knossos Palace.

Lazio Rieti Cantalupo in Sabina Palazzo Camuccini. Hutzel, Max 1960-1990 Post-medieval: Architecture. The palazzo was built by the architect Giovan Domenico Bianchi (16th century) for Cardinal Pierdonato Cesi, on the site of a medieval castle, parts of which were used in the new structure. The facade consists of a portico surmounted by a loggia. Antiquities: Sculpture. A collection of ancient artifacts is housed in the palazzo. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Shadow Puppet (Wayang Kulit) ofDemengung

Prehistoric Anatolian cultural relic from Catal Huyuk, 5750 BC. Artist: Unknown

Glass Fragment 15th century European. Glass Fragment. European. 15th century. Pot metal glass. Glass-Stained

Shadow Puppet (Wayang Kulit) of Baladewa, from the set KyaiDrajat

Shadow Puppet (Wayang Kulit) of RX King orMotor. Maker: Ki Enthus Susmono, Indonesian, 1966-2018

Tomb guard (Zhenmuyong). 8th century, Tang dynasty (618-907 AD) ceramic (materials), glazed terracotta from North China

MEDUSA, 2017, NOUREDDINE AMIR, Sa Bassa Blanca Museum (msbb) Yannick Vu and Ben Jakober, Alcudia, Majorca, Spain, Europe

Figurehead. Dated: c. 1938. Dimensions: overall: 42.1 x 30.7 cm (16 9/16 x 12 1/16 in.). Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Frances Cohen.

Shadow Puppet (Wayang Kulit) of RajaKediri

Père Paillard. Dated: 1902. Dimensions: overall: 67.9 x 18 x 20.7 cm (26 3/4 x 7 1/16 x 8 1/8 in.). Medium: painted miro wood. Museum: National Gallery of Art, Washington DC. Author: PAUL GAUGUIN.

Fragment from the Backplate of an Icon 16th century Nepal (Kathmandu Valley) This openwork panel depicts a mélange of fantastic animals riotously placed in foliage, one upon the other: an elephant on a rocky mountain, a lion standing on his back, above a rhinoceros-like creature with bulls head, ridden by a demigod. The beaded strapwork frame has a makara, a fantastic sea creature, as its terminal.. Fragment from the Backplate of an Icon 38346

Cigar Store Figure: Punch. Dated: c. 1939. Dimensions: overall: 41 x 26.1 cm (16 1/8 x 10 1/4 in.) Original IAD Object: 84" high. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Elmer R. Kottcamp.

Shadow Puppet (Wayang Kulit) of Setiyaki, from the set KyaiDrajat

DIOSA DE LAS SERPIENTES - LOZA - ARTE MINOICO RECIENTE (1700 AL 1400 AC) - 29,5 CM - PROCEDE DE CNOSOS. Location: ARCHAEOLOGICAL MUSEUM. HERAKLION. GREECE.

Shadow Puppet (Wayang Kulit) of Tambak Ganggeng, from the set KyaiDrajat

Jean-Baptiste Carpeaux (1827-1875). "The wrestlers". Wax, 2nd half of the 19th century. Museum of Fine Arts of the City of Paris, Petit Palais. Wax, fight, wrestler, 19th 19th 19th 19th 19th 19th century, fight

Decorative sulpture mobile floating in foyer. The Westin London City, London, United Kingdom. Architect: Studio Moren, 2022.

three dimensional mixed media composition, by French-Algerian artist Yves Baume; Born 1933

Tadpole. "Portrait-charge of Pierre-Mathieu Ligier (1796-1872), actor, role of Louis XI in" Louis XVI ". Polychrome plaster. Paris, Carnavalet Museum. 72099-57 French actor, bust, cold french, polychrome plaster, portrait-load, role

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia92. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bronze fibula depicting horsemen. Artefact from the Benvenuti Tomb in Este (Veneto). Etruscan civilization, 7th Century BC.

Shadow Puppet Head, 20th century, 5 in. (12.7 cm), China, 20th century

Shadow Puppet (Wayang Kulit) of Manten, from the set KyaiNugroho. Maker: Ki Kertiwanda Maker: Ki Bekel Prawirasucitra

Lazio Viterbo Viterbo Museo Civico15. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Kylix (Drinking Cup) 530 BCE-520 BCE . This vase honors Dionysos as the god of both wine and the theater. When the drinker raised the cup to his mouth, it doubled almost as a theatrical mask, with the handles serving as ears and the circular hollow representing a mouth. The round, wide eyes staring back at the viewer symbolize the intoxicating effects of the drink, the wine godís gaze, or both. Drinking vessels decorated in this manner are called eye cups.Sometimes a nose appeared between the eyes, but the painter of this cup drew boxers, perhaps to celebrate the winner of a local match.. terracotta, decorated in the black-figure technique . Ancient Greek

ESCUDO DE CARLOS V - SIGLO XVI. Location: PALACIO REAL-REAL ARMERIA DE MADRID. MADRID. SPAIN.

Lazio Roma Rome S. Paolo48. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Depiction of the god Bes. Terracotta and greywacke. Ptolemaic Period (304-30 BC). Bes was one of the most popular deities in ancient Egypt. His figure tends to appear in contexts related to sexual activity. Likewise, his role as a protector was also aimed at women in childbirth

The Shadow by Hansen Jacobsen, Niels (1861-1941) Statens Museum for Kunst, Copenhagen 1897-1898 Bronze 76,5x275 Denmark Symbolism Mythology, Allegory and Literature Sculpture

Mask, by Unknown, 19th Century, wood . Italy, Lombardy, Milan, Private Collection. Whole artwork. Mask face eyes nose nostrils carving wood.

Ancient Egyptian figurine of goddess Selket

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