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Antique Glassware and Candlesticks

Showcases exquisite antique glassware and candlesticks, featuring intricate designs and historical styles, perfect for highlighting elegance and craftsmanship.

Jar with lid, with a hunting scene, anonymous, c. 1850 - c. 1875 Flat, octagonal, faceted foot. Facet cut, baluster -shaped tribe. Funnel -shaped, rounded and faceted chalice at the bottom. Vaulted, faceted lid with overhanging edge and a facet cut, baluster -shaped button, ending in a point. On the chalice, in Neo-Louis XV style, in gold a hunting scene with a hunter with a shot duck. On the foot and the lid a deer, a stork and a dog surrounded by rocaille ornament. The facets on foot, trunk and button with gold. Bohemia glass glassblowing / grinding / gilding Flat, octagonal, faceted foot. Facet cut, baluster -shaped tribe. Funnel -shaped, rounded and faceted chalice at the bottom. Vaulted, faceted lid with overhanging edge and a facet cut, baluster -shaped button, ending in a point. On the chalice, in Neo-Louis XV style, in gold a hunting scene with a hunter with a shot duck. On the foot and the lid a deer, a stork and a dog surrounded by rocaille ornament. The facets on foot, trunk
Jar with lid, with a hunting scene, anonymous, c. 1850 - c. 1875 Flat, octagonal, faceted foot. Facet cut, baluster -shaped tribe. Funnel -shaped, rounded and faceted chalice at the bottom. Vaulted, faceted lid with overhanging edge and a facet cut, baluster -shaped button, ending in a point. On the chalice, in Neo-Louis XV style, in gold a hunting scene with a hunter with a shot duck. On the foot and the lid a deer, a stork and a dog surrounded by rocaille ornament. The facets on foot, trunk and button with gold. Bohemia glass glassblowing / grinding / gilding Flat, octagonal, faceted foot. Facet cut, baluster -shaped tribe. Funnel -shaped, rounded and faceted chalice at the bottom. Vaulted, faceted lid with overhanging edge and a facet cut, baluster -shaped button, ending in a point. On the chalice, in Neo-Louis XV style, in gold a hunting scene with a hunter with a shot duck. On the foot and the lid a deer, a stork and a dog surrounded by rocaille ornament. The facets on foot, trunk
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Vase (vase à perles) (one of a pair) ca. 1767-68 Sèvres Manufactory French This model of vase, introduced at the Sèvres factory in 1766, represents one of the earliest neoclassical forms produced there. In contrast to the relative severity of the vase's form, the military scenes of the oval reserves do not reflect the prevailing neoclassical taste of the 1760s and 1770s. This lack of correspondence between the painted decoration and the neoclassical form was typical of the factory's production during this period.Jeffrey H. Munger, 2008. Vase (vase à perles) (one of a pair) 202186Middle piece of a salt barrel from tin, anonymous, c. 1590 - c. 1596 salt (condiment vessel) Middle piece of a Tin salt barrel. At the top a cavity for salt or herbs. Traces of cashing are visible. Forms a salt barrel together with an under- and middle section. England tin (metal) casting / soldering Nova Zembla. Saving Huyshanger hanging; Crystal and mirror glassworks (Urzecze; 1737-1846); 1764-84 (1764-00-00-1784-00-00);. Bell-shaped head of porcelain with a straight wall, painted on the glaze in black and gold. On the outside twice a representation of the crucifixion with the two Maria's; the bottom with a sprig; On the inner edge a band with a decorative pattern. Part of a tea service. European performance in Encre de Chine.Box, well, with sawn tendrils ornament and lid of mother-of-pearl on which a representation of the birth of Christ. In the box three buses with lid. Box of silver with cordless lid. A round box with sawn tendrils ornament. Three cylinder-shaped vans galle with lids in this. The lid of the box or well has a performance in mother of the birth of Christ: Maria kneels with folded hands on a ground of grass. To her state Joseph. Between them, the Christ child lies in a braided basket against a wall with two windows with the OS and the donkey. Left of the stable a bastion with shepherds. Above this scene an angel with spell band.Bowl. Stany Zjednoczone Ameryki Północnej, creatorTwo candelabra. These porcelain swans are small versions of the famous large porcelain birds from the Meissen porcelain factory. From 1749 onwards, the successful Paris dealer Lazare Duvaux had several pairs of similar swans fashioned into candelabra. This pair may have come from his shop.Europe, England, London, Victoria and Albert MuseumEtrog (citron fruit) box, early 20th century, . (10.8 x 15.24 x 13.34 cm), Silver, enamel, United States, 20th centuryTorah finial, one of a pair, late 19th century, 14 × 4 1/2 × 4 1/2 in. (35.56 × 11.43 × 11.43 cm), Silver, 19th centuryBowl. Maker: Ball, Black and Company, New York, active ca. 1851-76Pendant in the shape of a fragrance ball. Hanger of gold. The egg-shaped hanger hangs on four chains that come together in a ballroom. There is also a flying amor figure. Decorated with pearls and precious stones.Arm of a candle crown in two heights, Anonymous, 1650 - 1675 chandelier The S-shaped arm is equipped with a ridge on the trunk side with an opening to secure it with a pin in the stand ring. At the trunk, the arm is decorated at the end with a stylized dolphin head and with two curls, the design of which is derived from the lobe ornament. To the outside, the arm ends in a thickening, in which a hole provided with a thread is applied to attach the candle holder with the fat catcher. The arm is cast using the same model as the other arms of the wreath and has the same size. The candle holder has a round narrowing upwards and in an excellent edge -transmitting vase shape on the baluster foot with a threaded end, in which the center hole at the bottom. The fat catcher is deepened once at the top to the middle. At the bottom she is profiled on the edge and around the hole on the somewhat spherical center. The fat catcher always has its own size and is cast with the help of the same model asNautilus Shell Cup with Silver Gilt. Dated 16th CenturyMarlboro Tantalus LiquorSet. Maker: C. Dorflinger and Sons, American, 1852-1921Celestial globe;Le Maire;1786Silversmith: Rudolph Sondag, Salt container silver holder on legs with blue glass tray, salt vessel tableware holder silver glass, cast Oval bowl on four goat legs, blue glass-cut inner bowl (). Symmetrical openwork wall with upper body of acanthus tendrils and rocailles applied bead edge along top edge bottom underside (debossed) servingArm with candle holder of candle crown of two heights with six arms each, c. 1475 - c. 1500 Candle arm belonging to a candle crown of two heights with maria figure at the top. The arm is bent twice and is decorated with four grapes bunches and five vine leaves. The round fat catcher has openwork, serrated vertically placed edges at the bottom, to mask the confirmation on the arm. This is done by a round iron pin, which is screwed into the end of the arm. This is the second arm of the bottom ring, numbered with 2 vertical notches. The fat catcher is numbered with 2 vertical notches. Southern Netherlands brass (alloy). kaarsenpin: iron (metal) casting / forging Candle arm belonging to a candle crown of two heights with maria figure at the top. The arm is bent twice and is decorated with four grapes bunches and five vine leaves. The round fat catcher has openwork, serrated vertically placed edges at the bottom, to mask the confirmation on the arm. This is done by a round iron pin, which iPitcher. Culture: American. Dimensions: 11 3/4 x 12 3/4 x 9 1/4 in. (29.8 x 32.4 x 23.5 cm). Maker: Charles Cartlidge and Company (1848-1856). Date: 1848-56.The mid-nineteenth century porcelain manufactory of Charles Cartlidge and Company in Greenpoint, Brooklyn produced a variety of slip-cast wares for the middle class market. The firm offered a wide array of forms which included tablewares and pitchers, along with mundane, everyday objects (inkstands, paper weights, spittoons, etc.) to highly specialized items. Among the company's favorite designs are the relief-molded pitchers of either corn and cornstalks or oak leaves and acorns, like this example. The most significant Cartlidge pitchers are those with shields and inscribed with names, often made for tradesmen or saloon keepers. The size of this pitcher is unusual and it is one of only a few known of this large capacity. The inscription, "C. Cartlidge," is for the firm's proprietor and factory founder Charles Cartlidge, in whose Pot with pearl list and geometric motifs, Amstelhoek, c. 1904 - c. 1910 Potch pot, cylindrical. Just above the foot edge and below the mouth edge, the pot is decorated with a pearl list. The wall is vertically divided into fields by means of carved double lines. Two of these fields are decorated with a geometric motif consisting of a yellow square, within which an orange window, in which a green cross -shaped motif is painted. The pot belongs to a lid (B). Amsterdam earthenware Potch pot, cylindrical. Just above the foot edge and below the mouth edge, the pot is decorated with a pearl list. The wall is vertically divided into fields by means of carved double lines. Two of these fields are decorated with a geometric motif consisting of a yellow square, within which an orange window, in which a green cross -shaped motif is painted. The pot belongs to a lid (B). Amsterdam earthenwarePlateau. Plateau from a basket of an oil and vinegar set. The plateau has been opened and has a square column in the middle, which is crowned by a jar. On the jar is a lid with button. The column is engraved with garlands. There are four bottles in the plateau.Bottle. Bottle belonging to an oil and vinegar set (BK-NM-11177-122). The bottle is octagonal and has a long, narrow neck. The bottle has a spout and a knob-shaped lid. The bottle together with three identical bottles (BK-NM-11177-122-D, BK-NM-11177-122-E, BK-NM-11177-122-F) on a plateau (BK-NM-11177-122 -B) In a basket (BK-NM-11177-122-A).Table with four separate sheets, anonymous, c. 1780 - c. 1790 Ebony table, on four legs and with four separate sheets. Netherlands ebony (wood). silver (metal) Ebony table, on four legs and with four separate sheets. Netherlands ebony (wood). silver (metal)Terrine, anonymous, 1783 Oval terrine with lid and standing on volutes. The wall runs out in two handles with a pearl edge. The button of the lid is a bunch of flowers. The wall of the Terrine is engraved with garlands and vases. The terrine is marked: stk. = Amsterdam, Jrl. = Y (1783) and Mt. = Foot 430. The terrine is equal to a terrine with invnr. BK-NM-11177-255 (see also Terrine with invnr. BK-NM-11177-131-A). Amsterdam silver (metal) Oval terrine with lid and standing on volutes. The wall runs out in two handles with a pearl edge. The button of the lid is a bunch of flowers. The wall of the Terrine is engraved with garlands and vases. The terrine is marked: stk. = Amsterdam, Jrl. = Y (1783) and Mt. = Foot 430. The terrine is equal to a terrine with invnr. BK-NM-11177-255 (see also Terrine with invnr. BK-NM-11177-131-A). Amsterdam silver (metal)Bell-shaped cup with a crucifixion scene, anonymous, c. 1780 Bell -shaped head of porcelain with a straight wall, painted on the glaze in black and gold. On the outside a representation of the crucifixion with the two Maria's; the soil with a twig; A band with a decorative pattern on the inner edge. Part of a tea set. European performance in Encre de Chine. China porcelain. glaze. gold (metal) painting / gilding / vitrification Bell -shaped head of porcelain with a straight wall, painted on the glaze in black and gold. On the outside a representation of the crucifixion with the two Maria's; the soil with a twig; A band with a decorative pattern on the inner edge. Part of a tea set. European performance in Encre de Chine. China porcelain. glaze. gold (metal) painting / gilding / vitrificationFrance, Paris. 8th district. Petit Palais. Exposure on Baccarat. Shot of the detail of a pair of turquoise blue candelabras (1867).Tea and Coffee Service with Tray c 1850-1900 Baltimore. Silver . Andrew Ellicot Warner Jr.Glover Johnson, Pair of Casters, 1714/15, silver.Chandelier 1770-80 Irish. Chandelier 1961Censer before 1842 Swiss or German. Censer. Swiss or German. before 1842. Silver. Metalwork-SilverPokel van Memorial for B. Boekhoudt, district commissioner Van Nickerie in Suriname, J.M. van Kempen (firm), 1909 pedestal Pedigue of the round wooden base on four legs covered with velvet The Hague wood (plant material). velvet (fabric weave) NickerieCelestial Sphere. Designed by Edward Hald; Swedish, 1883-1980; Made by Orrefors Glassworks (Glasbruk); Småland, Sweden, founded 1898. Date: 1929. Dimensions: 39.4 x 30.5 cm (15 1/2 x 12 in.). Glass with pewter base. Origin: Orrefors. Museum: The Chicago Art Institute, Chicago, USA.Luxurious ornate gold wall chandelier abstractThomas Ash, Tea Canister, 1713/14, silver.Silversmith's Art, France 19th century. Vermeil tureen-centerpiece.candlestick old vintage cartoon. candle holder, retro light, antique candelabrum, lamp candelabra, flame candlestick old vintage vector illustration. candlestick old vintage cartoon vector illustrationMadonna figurine in front of a blue urnGlass with a lid. Menzel, Johann Sigismund (1744-1810), glass engraver, Karlsthal (huta szkła ; 1754-post 1874), creator, Hoffnungsthal (huta szkła ; 1796-1868), creatorPair of Candelabra. Attributed to André-Charles Boulle (French, 1642 - 1732, master before 1666)Candlestick 1840-50 American. Candlestick. American. 1840-50. Pressed glass. Made in New England, United StatesServingdish. Designer James C. Gill, American, active ca. 1875 Manufacturer: Adams & Company, American, 1861-1891Chandelier third quarter 18th century possibly French. Chandelier 198955Cup in Her Majesty's Collection at Windsor, Costume & Decorations of the Middle AgesL'Heure Bleue Perfume Bottle And Box; Manufactured by Baccarat (France); France; glass, paper, threadCAMPANA DE PLATA DEDICADA A DON ANGEL DE LOS RIOS DE LA TERTULIA PROGRESISTA DE MADRID. Location: CONGRESO DE LOS DIPUTADOS-OBJETOS. MADRID. SPAIN.RELOJES DE MESA ESTILO IMPERIO. Location: PRIVATE COLLECTION. MADRID. SPANIEN.many sports awards on a white background