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Antique Textile Patterns

Historical textile pieces from the 17th to early 18th centuries, featuring intricate floral and decorative patterns, showcasing craftsmanship from various European cultures.

Panel last quarter 17th century Italian or Spanish. Panel 230725
Panel last quarter 17th century Italian or Spanish. Panel 230725
210 assets in this story
6145-29834169
Hanging 1844 China. Hanging. China. 1844. Silk, gold-wrapped thread, gold paint. Qing dynasty (1644-1911). Textiles-Embroidered
6145-59157548
Lazio Roma Grottaferrata S. Maria12. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
6145-29812231
Textile Fragment 5th-6th century. Textile Fragment 445762
6145-51830098
Portrait of John Lane John Singleton Copley (American, 1738-1815). Portrait of John Lane, ca. 1770. Oil on canvas, 49 5/8 x 39 1/2 in. (126 x 100.3 cm).   American Art ca. 1770
6145-58849538
Field of forty -eight tiles with landscapes and castles, anonymous, c. 1660 - c. 1690 Field of forty -eight tiles (8 x 6) each with a blue -painted landscape with a castle inside a circle. In the corners, a spider. Harlingen earthenware. tin glaze majolica Field of forty -eight tiles (8 x 6) each with a blue -painted landscape with a castle inside a circle. In the corners, a spider. Harlingen earthenware. tin glaze majolica
6145-51819895
Folio from a "Shahnameh": The Death of Rustam and His Killing Shaghad Folio from a "Shahnameh": The Death of Rustam and His Killing Shaghad, ca. 1580-1590. Ink and opaque watercolor on paper, 14 1/2 x 8 3/4in. (36.8 x 22.2cm).   Arts of the Islamic World ca. 1580-1590
4409-17382595
Fragments. Dimensions: 56 15/16 in. high 32 5/16 in. wide (144.6 cm high 82.1 cm wide). Date: 3rd-4th century. Museum: Metropolitan Museum of Art, New York, USA.
6145-59176157
Lazio Viterbo Castel Sant'Elia S. Elia13. Hutzel, Max 1960-1990 Exterior photos of views, the facade, the portal and many architeectural details. Interior views of nave, with its carved pulpit with details and its ciborium/baldacchino with details. There are many photos of Byzantine, Romanesque and early Renaissance style paintings. Sculpturally, there are photos of capitals, architectural details and inscriptions. Object Notes: Hutzel photo campaign notes: September 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
4409-17375566
Piece. Culture: French. Dimensions: L. 9 1/2 x W. 5 inches (24.1 x 12.7 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
6145-51828295
Children at Play Maurice Brazil Prendergast (American, 1858-1924). Children at Play, ca. 1895-1897. Monotype with colored inks on wove paper, sheet: 10 9/16 x 14 13/16 in. (26.8 x 37.6 cm).  Prendergasts printmaking was limited to monotypes. Produced between 1891 and 1902, these prints are very similar in style and subject to his oils and watercolors of the same time, though often executed with less detail. The monotype process is, in fact, very much like a painting on paper: a single impression is made from an image drawn or painted on an unworked printing plate. American Art ca. 1895-1897
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