← Fashion

Antique Women's Nightgowns and Dresses

Collection of historical women's garments including nightgowns and dresses from the 19th century. Focus on delicate fabrics and intricate details.

Jacket, painted with blue flower vines and silver high spreads on a white ground and trimmed with long nets band; cotton lining., Anonymous, c. 1750 - c. 1775
Jacket, painted with blue flower vines and silver high spreads on a white ground and trimmed with long nets band; cotton lining., Anonymous, c. 1750 - c. 1775
351 assets in this story
Fashion, 18th century. Men's three piece suit, around 1760.Under skirt of white cotton, anonymous, c. 1850 - c. 1920 The skirt closes with a metal hook. Europe Cotton (textile). hook: Metal The skirt closes with a metal hook. Europe Cotton (textile). hook: MetalDress and Jacket (Complet), Catharina Kruysveldt-de Mare, c. 1952 Black wool dress with cut short sleeve, transshipment to the left with double row of black buttons, pencil skirt and narrow belt. Model: Round neck, short sleeves, pencil skirt. Narrow belt that runs from the side seams to the back and closes in the middle with a knot. Counterfeit transfer to the left over the body. Three coupling councils on either side. Transshipment runs down the taillen council in the middle; The Taillaad follows this line. Closure in the middle behind metal zipper. Split with bell jersey folds in the middle. Lined with black taf side. Decoration: A double row of four black buttons on the transhipment. licensee: AmsterdamParis whole: Wool. Lining: Taffeta Laren Black wool dress with cut short sleeve, transshipment to the left with double row of black buttons, pencil skirt and narrow belt. Model: Round neck, short sleeves, pencil skirt. Narrow belt that runs from the side seams to the back and closeCorset ca. 1880 Carlson's. Corset 158009Waistcoat, Medium: silk Technique: embroidered, Man's waistcoat in dark brown silk with multicolored floral embroidery. Collarless cutaway style with scalloped pocket flaps., France, late 18th century, costume & accessories, WaistcoatAnonymous. Underwear: pair of low in black silk, embroidered on each side of a polychrome bouquet: wheat, poppy, blueberries. Black and polychrome silk, around 1890. Galliera, fashion museum of the city of Paris. 79123-10 Feminine, female lingerie, woman mode, pair of stockings, underlying, 19th XIXth 19th 19th 19th 19th centuryCocktail gown. Cocktail gown of black taft (a) with accompanying stretching steering (b) model: v-neck and transhipment to the left. Running, long slightly-fitting sleeves. Wide skirt with 32 cm wide wrinkled, double volunteer. Closure in the left-hand skirt seam by means of a zipper. Fully lined with the same black TAF. In the skirt between the lining and the top layer a tulle reinforcement.Woman's Corset (Stays). England, 1730s-1740s. Costumes; underwear (upper body). Silk moire, silk cording and ribbons, linen liningApron, Medium: cotton Technique: block printed on plain weave; six colors with yellow and blue added by brush (one over the other for green.), Two lengths of fabric have been joined to form this apron with a silk ribbon attached at the top covering the gathers. The pattern consists of four detached flowers. Each flower is repeated horizontally across the fabric with alternate rows offset., France, 1790-99, costume & accessories, ApronEvening bodice. Culture: French. Design House: Possibly Worth and Bobergh. Designer: Possibly Charles Frederick Worth (French (born England), Bourne 1825-1895 Paris). Date: ca. 1865. Museum: Metropolitan Museum of Art, New York, USA.Pair of gala gloves with drawn up stitching, Alexandrine (winkelbedrijf), c. 1950 - c. 1960 Left glove made of black wax leather, a split pissed off with white leather and two glass buttons at the wrist. On the back three outing cords and on the long hood -staggered input stitching. Paris geheel: chamois (animal material). leather Left glove made of black wax leather, a split pissed off with white leather and two glass buttons at the wrist. On the back three outing cords and on the long hood -staggered input stitching. Paris geheel: chamois (animal material). leatherYoke (For Child's Dress) Made 1890 Maryland. Linen, plain weave; embroidered in padded satin, straight overcast, buttonhole, back and seed stitches; punched work in curved lines resembling hemstitching; overcast eyelets .Close-up of woman's black silk topSkirt, 22 x 78 in. (55.88 x 198.12 cm) (including tie), Linen, cotton, ChinaJeanne Lanvin, Hat, 1935-1937. Brown felt, head tower in large brown grain. Claw black letters on an ivory background: Jeanne Lanvin / Paris / Made in France. Galliera, fashion museum of the city of Paris.Skirt, ChinaKloskant cardigan with hanging bunch in symmetrical frame, Leon Sacré, c. 1907 Triangular cardigan of natural -colored bobbin, Flemish Guipure. In a symmetrical frame of S-Voluten, rosettes and C-Voluten, an asymmetrical trice with round-shaped fruits or flowers hangs. Braid soil. Finishing on all sides with unequal sculptures that arise from the pattern. Brussels linen (material) bobbin lace / Flemish guipure lace Triangular cardigan of natural -colored bobbin, Flemish Guipure. In a symmetrical frame of S-Voluten, rosettes and C-Voluten, an asymmetrical trice with round-shaped fruits or flowers hangs. Braid soil. Finishing on all sides with unequal sculptures that arise from the pattern. Brussels linen (material) bobbin lace / Flemish guipure laceSkirt, 18 x 37 in. (45.72 x 93.98 cm), Cotton, ChinaWomens cape unknownWaistcoat ca. 1860 American. Waistcoat 91090Paul Poiret. (1879-1944). "Bra". Martine workshop embroidery. Support for 2 straps tied in the back and 2 horizontal links tied in the back. Batiste Blanche, applications of Batiste Rose et Vert, bordered by pink thread at the point of Bourdon, 4 sons of gathered in the middle. Around 1920. Galliera, fashion museum of the city of Paris. 102204-2 Embroidery, feminine below, female lingerie, underlying, brasWoman's Skirt, 25 3/8 x 54 1/4 in. (64.45 x 137.8 cm) (without ties), Cotton, ChinaMitaine from black cotton in Egyptian braid. Mitaine from black cotton in Egyptian braid.Handmade dress for baby girlWomans hatFichu of black and white tulle, with chantilly side, imitation blondekant and black velvet ribbon, anonymous, c. 1865 - c. 1870 Fichu of black and white tulle, with chantilly side, imitation blondekant and black velvet ribbon. Model: cut into shoulder shape, pointed from the front and from behind, finished with black and white lace strips. A black velvet ribbon on it and along the neck cut. Material: The shoulder piece is made of white genoppy tulle with black lining of tulle. The sides are machine; the white imitation blonde-bobbin; The Black Chantilly-Kloskant. Pattern: The side has deeply incised scoops with spring leaf motifs. Throughout the ribbons, white edge lace has been set. France (possibly) .. velvet (fabric weave) blonde (lace) Fichu of black and white tulle, with chantilly side, imitation blondekant and black velvet ribbon. Model: cut into shoulder shape, pointed from the front and from behind, finished with black and white lace strips. A black velvet ribbon on it and alonApron, ChinaPaul Poiret, 1928, black tulle and muslin. Navy blue silk velvet, woolen border in a gradient of blue, black velvet ribbon, fringes of blue, black and transparent pearls, embroidery of patterns. Palais Galliera, fashion museum of the city of Paris.Skirt, 19 x 141 1/2 in. (48.26 x 359.41 cm), Cotton, silk, ChinaGirls hatWaistcoat unknownWoman's blouse (Huipil), c. 1965, 32 x 39 1/4 in. (81.3 x 99.7 cm), Cotton; supplementary weft patterning, embroidery, appliqué, Guatemala, 20th centurySkirt, 20th century, 31 1/2 x 22 1/2 in. (80.01 x 57.15 cm) (at waist), Silk, Laos, 20th centuryWarm coat with fur on neck vector. Flat style. Elegant woman s beige fur coat with bow on belt. Luxury clothing for winter seasons. Outerwear for cold weather. For store ad, fashion concept. On white. Warm Coat With Fur on Neck Flat Design Vector. Warm Coat With Fur on Neck Flat Design VectorCeremonial Tube Skirt, 34 x 26 in. (86.36 x 66.04 cm) (tubular), ChinaCAPA DE FIESTA-INVIERNO 1964 CAT 155. Author: BALENCIAGA CRISTOBAL. Location: EXPOSICION BALENCIAGA. Lyon. France.Womans hatJacket 19th century French (Breton). Jacket 105152Women Haori with Ono No Tofu and Frog, 1920 - 1940 Haori for a woman with a decoration of a man in a classic court clothing on a wooden bridge and a frog that jumps up to willow branches; The Hofedele Ono No Tofu, who was inspired by the perseverance of the frog in his study of calligraphy, which only succeeded in reaching the branches after countless attempts. The outside of black, mesh woven silk (RO), the lining with painted Yuzen decoration and embroidered detailing, including with silver thread. Three family weapons (Mon) van Oak leaves (Kashiwa). Japan silk painting Haori for a woman with a decoration of a man in a classic court clothing on a wooden bridge and a frog that jumps up to willow branches; The Hofedele Ono No Tofu, who was inspired by the perseverance of the frog in his study of calligraphy, which only succeeded in reaching the branches after countless attempts. The outside of black, mesh woven silk (RO), the lining with painted Yuzen decoration and embroidered detailiCourt dress 1892-93 Austrian. Court dress 108203Samurai-Class Man's Winter Formal Surcoat (jinbaori). Japan, Edo period (1615-1868), 18th - early 19th century. Costumes; principal attire (entire body). Wool plain-weave, full finish (rasha), and wool appliqués with silk embroideryEmile Pingat, 1895. Silk satin. Silk satin shaped. Embroidery of pearls and jet tubes, pearl fishing. Palais Galliera, fashion museum of the city of Paris.Woman's CollarEmbroidery Sample; silk, metal, glass; section of dress-trimmingUnited States; Collar. C.1850; fine white cotton in a four-petaled motif centered with lace stitch, seed stitch; 12 1/2 x 2 in.. United States, circa 1850. Costumes; Accessories. Fine white cottonWomans beretA humorous smiling shoe on a cotton scarf with lappet.Hat 1872 American This is a jaunty summer hat would have been worn for walking and casual activities. The small size is a counterpoint to the burgeoning voluminous skirts and bustles of the 1870s. Hat 156553Dresses Hanging against White Wall with ShoesDamaged shipping carton dress for First Lady Jacqueline Kennedy (JBK). A dress and a skirt from a damaged shipping carton sent by the fashion design company, Oleg Cassini, Inc., hang on a rack in the White House. Washington, D.C.Broth of green silk, knitted on shape, and at the height of the ankle a diamond pattern in barley grain, anonymous, c. 1690 - c. 1710 Stocking belonging to a pair, on green silk, knitted on shape with calf, large and small heel and toe piece, in the middle and seam, and at the height of the ankle on the inside and outside a diamond pattern in barley grain. Amsterdam silk Stocking belonging to a pair, on green silk, knitted on shape with calf, large and small heel and toe piece, in the middle and seam, and at the height of the ankle on the inside and outside a diamond pattern in barley grain. Amsterdam silk