Architectural Interiors

Prints depicting grand architectural spaces like chapels and palaces with intricate designs, figures, and significant art elements.

States of Holland and West Friesland, Schenk, Petrus, Kuchin a sineesche city in the landscape of Beijing, on the river Guei, the common sanctuary of refugees from Sina and Korea, Kuchin urbs regionis Beijing, View of the Chinese city of Tianjin, verso - stamped, View of the port of Tianjin, with some (European) sailing ships, and buildings in the background., print, book illustration, prints, topography, height 216 mm, width 267 mm, print maker, printmaker, 1702 - 1702, paper, engraving, engraving (printing process), etching, Publication (Event), Publication, publisher, granter of privilege

Dahlberg, Erik Jönssen, Swidde, Willem, Suecia Antiqua et Hodierna, Chori primarii in Aede Sacra Arcis Holmensis, Choir of the old chapel in the castle Tre Kronor, The print is part of an album., print, album sheet, prints, height 285 mm, width 328 mm, Northern Netherlands, 1661 - 1697-06, print maker, printmaker, 1695 - 1695, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Vatican The Watikan Zom Rom. V The Museum Pio Clementino (Vatican. Therond, emile (1821 1865), it, so jean jacques

Gallery of a palace with a chandelier; Dessseins de Lambris à l'Italienne. Gallery in a palace with different figures. A chandelier hangs on the ceiling. Print is part of an album.

States of Holland and West Friesland, Schenk, Petrus, Kuchin a sineesche city in the landscape of Beijing, on the river Guei, the common sanctuary of refugees from Sina and Korea, Kuchin urbs regionis Beijing, View of the Chinese city of Tianjin, verso - stamped, View of the port of Tianjin, with some (European) sailing ships, and buildings in the background., print, book illustration, prints, topography, height 216 mm, width 267 mm, print maker, printmaker, 1702 - 1702, paper, engraving, engraving (printing process), etching, Publication (Event), Publication, publisher, granter of privilege

Stanza di Venti nel Teatro di Belvedere di Frascati 1660-78 Giovanni Battista Falda Italian. Stanza di Venti nel Teatro di Belvedere di Frascati 397755

. The Coulis Decor Contemporary Chamber, with a scene from: The Hagenaar in Enkhuizen. Part of a series of six stage deposits of plays raised in the new Amsterdam Theater from the years 1775-1777.

Luogo della congiura de Sterlizzi (Strelizzi), 1820, by Mauro Berti (1772-1842). Additional, Luogo della congiura de Strelizzi. Issued in 1820, this engraving depicts a historical event related to the Streltsy Revolt of 1698. The dimensions of the work are 27 x 31 cm, with a plate mark of 19 x 22 cm. It is presented in black and white

Vestibule du grand escalier de Versailles sur les desseins de Charles Le Brun, Grand escalier du Chteau de Versailles dit Escalier des ambassadeurs, Chevotet, Jean-Michel, 1698-1772, Le Brun, Charles, 1619-1690, Surugue, Louis, 1686-1762, Etching, engraving, black-and-white, 1725, J.M. Chevotet del.--lower left; Surugue excudit--lower right.

Colonnade in the garden of Huis ter Meer in Maarssen, Hendrik de Leth, c. 1740 print View of the richly decorated colonnade in the French garden of Huis ter Meer in Maarssen, with a few figures in the foreground. The print is part of a series with 26 faces at Huis ter Meer and the accompanying estate in Maarssen. paper etching country-house. French or architectonic garden; formal garden House Ter Meer

Deel van de galerij rond de Burgerzaal in het Stadhuis op de Dam; De Galdery uyt de Groote Sael siende, ten Noorden.Part of the gallery around the civilian hall in the town hall on Dam Square in Amsterdam. View from the east gallery to the corner of the northern gallery with the image of Saturn. Walking and talking figures in the gallery. Under the title a clearer: 20 feet maet. Legal education labeled: W. The title has been brought by hand and translated into handwritten French text.

Zygmuntów chapel - board 13 from the album "Graves and monuments of Polish kings in Krakow" (edition II); Dietrich, Fryderyk Krzysztof (1779-1847), Stachowicz, Micha (1768-1825), Lemercier, Rose Joseph (Paris 1851 (edition); 1822-1827 (matrix) (1822-00-00-1851-00-00);

Galerie des Glaces at Versailles 1684 Sébastien Leclerc I French This work shows the interior of the Hall of Mirrors shortly after its painted ceiling celebrating Louis XIV's triumphs was completed by Charles Le Brun. The chandeliers, the tables placed between the arched-topped mirrors, and the flanking tubs for the orange trees were made of solid silver. All the silver furnishings at Versailles were melted down in 1789 in order to finance the king's military campaigns against the League of Augsburg.. Galerie des Glaces at Versailles 387871

Gallery in Rocaille cartouche; Toneécors. Court scene in rocaille frame. Figures with oriental clothing in a gallery. Publisher number 116.

France, French crown, Paris, Gras, Henry le, Mariani, Gian Maria, Bella, Stefano della, Overture du theatre de la grande salle du palais cardinal Mirame tragicomedie, Performance of 'Mirame' in the great hall of the cardinal's palace, Fourth act of 'Mirame' with four actors, verso - stamped, View of a stage where the fourth act of 'Mirame' is performed with four actors. The setting is a garden with statues by the sea. The frame around the stage is in the shape of a Roman triumphal arch., print, ornamental print, prints, height 181 mm, width 270 mm, height 298 mm, width 416 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1641 - 1641, paper, papier, etching, etchings, Work conception, after a design by, Publication (Event), Publication, French, publisher, granter of privilege

A stage design draft by Jacques de Rode showing a baroque temple hall with an imperial tomb and antique warriors, executed in pen and gray washes.

Artist: Melchoir Kusel, German, 1626-1683, Interior of a Great Hall withCourtiers, Engraving, platemark: 26.6 × 33.8 cm (10 1/2 × 13 5/16 in.), Made in Germany, German, 17thcentury, Works on Paper -Prints

France, French crown, Paris, Gras, Henry le, Mariani, Gian Maria, Bella, Stefano della, Overture du theatre de la grande salle du palais cardinal Mirame tragicomedie, Performance of 'Mirame' in the great hall of the cardinal's palace, Fifth act of 'Mirame' with 17 people, verso - stamped, View of a stage where the fifth act of 'Mirame' is performed with seventeen actors. The setting is a garden with statues by the sea. The frame around the stage is in the shape of a Roman triumphal arch., print, ornamental print, prints, height 180 mm, width 266 mm, height 295 mm, width 412 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1641 - 1641, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, French, publisher, granter of privilege

Print, Decoration du Bal Paré Donne Par Le Roy; Print Maker: Charles-Nicolas Cochin the elder (French, 1688 - 1754); After Charles Nicolas Cochin the younger (1715 - 1790); France; etching on paper; 75 × 53.5 cm (29 1/2 × 21 1/16 in.); Bequest of Katherine Strong Welman; 1908-23-57

Armour room and school of combat, 12th century. Handcoloured copperplate engraving by Verico after Paolo Landriani from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Marot, Daniël (I), Nouveaux Liure de Cheminées a la Hollandaise, Onderboezem, The chimney breast consists of two long consoles; on the cornice are nine Chinese vases. On the console above that are another five. From a series of 6 sheets., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 246 mm, width 169 mm, 1663 - 1752-06-04, print maker, prentmaker, 1703 - 1800, first quarter 18th century, eerste kwart 18e eeuw, second quarter 18th century, tweede kwart 18e eeuw, third quarter 18th century, derde kwart 18e eeuw, fourth quarter 18th century, vier kwart 18e eeuw, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Design for a Setting of the Exhibition of the Host, Black chalk, brush and gray and black watercolor on laid paper, Vertical rectangle. The left half of an architectural interior with baldachin is shown. Three flights of eight step, each lead to a platform showing an atrium. A scaffolding with the monstrance stands in the center., Italy, ca. 1700, architecture, interiors, Drawing, Drawing

The Catafalque of the Emperor Mathias. Dated: 1619. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Zuilengalerij and courtyard of a Palace, Wenceslaus Hollar, After David Teniers (I), After Adam Elsheimer, 1624 - 1679 print The print is part of an album. print maker: Europe (possibly)publisher: Antwerpafter drawing by: Antwerp paper etching palace. inner court of palace or 'hôtel'

Wind room in De Tuinen Van de Villa Aldobrandini Te Frascati, Giovanni Battista Fonda, 1653 - 1691 The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Aldobrandini. Frascati The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Aldobrandini. Frascati

France, Cochin, Charles Nicolas (II), Cérémonie du Mariage de Dauphin de France le XXIII Février MDCCXLC, Marriage blessing of Louis, Dauphin de France and Marie Therese, Infanta of Spain in the chapel of Versailles, 23 February 1745, print, prent, prints, engravings, height mm, width mm, French, 1715 - 1790-04-29, print maker, printmaker, 1725 - 1790, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman

A View of the Inside of St. Stephens Walbrook, Done from the Drawing in his Majesty's Collection ca. 1767 Georges François Blondel. A View of the Inside of St. Stephens Walbrook, Done from the Drawing in his Majesty's Collection. Georges François Blondel (French, 1730-after 1792). ca. 1767. Mezzotint; proof before letters. Prints

Stadsbestuur Amsterdam, Amsterdam, Jongh, J. de, Kok, Willem, Meer, Noach van der, The council chamber in the town hall of Amsterdam, Vroedschapskamer in the town hall of Amsterdam, recto lower right - pasted on, The interior of the council chamber during a meeting of the council. Above the mantelpiece hangs the painting Solomon's prayer for wisdom, made by Govert Flinck. On the left, the painting The election of the seventy elders by Moses, made by Jacob de Wit. In the bottom center of the margin two lions near the coat of arms of Amsterdam., print, prints, verso - stamped, height 495 mm, width 410 mm, print maker, printmaker, 1790 - 1790, paper, engraving, engraving (printing process), 1761 - 1807-03-29, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, grantor of privilege

Two views, one on top of the other, of garden structures - a fountain in the bottom one. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

The destruction of the old constitution, decoration on the Botermarkt, 1795, A. Verkerk, 1795 print The destruction of the old constitution, allegorical decoration established on the Botermarkt in Amsterdam at the Alliantie festival on June 19, 1795. Decoration in the form of the ruin of a Gothic chapel, on the central chassinet the envy turns to the wheel of aristocracy that one Molenstone in motion. Part of a series of ten records. print maker: Netherlandspublisher: Amsterdam paper etching festivities on events of national importance (+ festive decoration ~ festive activities). ruin of church, monastery, etc.. the old government and its supporters (after revolution). Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins Amsterdam. Butter market

Il Greco in Troia: Plate 10. Medium: etching and engraving on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: Arnold von Westerhout.

Stadsplein with a fountain in the form of a temple, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, c. 1600 Square with a fountain, surrounded by female hermes. On a piedestal, for which there are two sphinxes that spray in a lower pelvic, there is a pavilion with columns of the Corinthian order. It contains a child that is sprayed from above. In the foreground, a woman ships water from the fountain. The print is part of an album. Antwerp paper etching Square with a fountain, surrounded by female hermes. On a piedestal, for which there are two sphinxes that spray in a lower pelvic, there is a pavilion with columns of the Corinthian order. It contains a child that is sprayed from above. In the foreground, a woman ships water from the fountain. The print is part of an album. Antwerp paper etching

Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Facies hodierna Templi quondam Coenobii Warnhemensis, post factum magno sumptu reparationem, Interior of the monastery church of Varnhem, The print is part of an album., print, album leaf, prints, height 211 mm, width 344 mm, 1655 - 1727-05-18, print maker, printmaker, 1705 - 1705, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Interior with buffet, chimney mantle and table, Johannes or Lucas van Doechum, after Hans Vredeman de Vries, 1601 Interior with a beamed ceiling, a buffet, a mantelpiece and a table. Three images above the access portal, of which the middle Bacchus represents. Paintings hang on the walls. The print is part of an album. Antwerp paper engraving Interior with a beamed ceiling, a buffet, a mantelpiece and a table. Three images above the access portal, of which the middle Bacchus represents. Paintings hang on the walls. The print is part of an album. Antwerp paper engraving

Schouwburg with theater decor: the upholstered room, Adolf van der Laan (attributed to), after Hendrik de Leth, 1770 - 1772 print Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the scenesDecor with the upholstered room with scene out: the discovered Schyndeten. The decor printed of a separate plate within a new passe-partout with the room, orchestra box and the facade of the stage with columns and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a later edition of the series of 12 theater decors. Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

Initiation of Felix Meritis, 1788, Reinier Vinkeles (I), After Jacobus Buys, 1799 print Initiation of the building of the Felix Meritis Maatschappij in Amsterdam, October 31, 1788. Professor Jan Hendrik van Swinden speaks in the concert hall. Amsterdam paper etching / engraving concert hall. learned society, academy of sciences. address, talk, lecture (~ meeting) Happy merits

Interior of St. John Lateran in Rome, Jan van Londerseel, Claes Jansz. Visscher (II), 1601 - 1652

Vatican Museum, Vatican City, Rome. Italy, Europe. Trip to Rome by Francis Wey 19Th Century

Engraving: Versailles, Grotto, Interior., Black ink on rolled paper., Horizontal rectangle: The whole is decorated with inlaid shells and the floor is of inlaid pebbles. There are three niches, each with a group of white marble statuary: the middle group of Apollo and nymphs and the other two of horses and tritons., France, 1676, Print, Print

P. Cacchiatelli - G. Gleter, Le Scienza e le Arti sotto il pontificato di Pio IX, edito a Roma nel 1860 dalla Tipografia delle Belle Arti, via Poli, 91. Internamente sono contenute delle acqueforti che raffigurano le opere pubbliche realizzate durante il Pontificato di Pio IX

Christ Led Captive from a Palace. Dated: 1740/1745. Dimensions: overall: 60.8 x 40 cm (23 15/16 x 15 3/4 in.). Medium: pen and brown ink, brown and gray wash (for architecture), pen and black ink (foreground), pen and gray ink (background), both with brown wash (for the figures). Museum: National Gallery of Art, Washington DC. Author: Giuseppe Galli Bibiena.

Design for a Stage Set 1700-1765 Giovanni Maria Quaglio I (also known as Giulio Quaglio III) Italian. Design for a Stage Set 344238

Drawing, Stage Design, Room in the Palace of Titus for the Opera "La Clemenza di Tito" by Mozart; Designed by Romolo Achille Liverani (Italian, 1809 - 1872); After Alessandro Sanquirico (Italian, 1777 - 1849); Italy; pen and black ink, brush and gray wash on white laid paper

The Graftombe of Willem van Oranje, 1623; The Keakeyke Grafsteede, to Delft, in honor of the Prince of Orange, Willem van Nassauw, founded. The graftombe or praal grave of Willem van Oranje in the Nieuwe Kerk in Delft, completed in 1623. With visitors around the fence.

Graftombe of Willem I, Prince of Orange, 1623. Graftombe or Praalgraf of Willem I in the new church in Delft, completed in 1623. In the middle of a weapon.

Final ballet of 'L'Euleo festeggiante nel ritorno d'Alessandro dall'India'. Artist: after Ludovico Ottaviano Burnacini (Italian, Mantua 1636-1707 Vienna (active Austria)); Johann Ulrich Kraus (German, 1655-1719). Dimensions: Sheet (Trimmed): 12 3/16 × 16 5/8 in. (30.9 × 42.3 cm). Date: 1699.Plate depicting the outdoor performance of 'L'Euleo festeggiante nel ritorno d'Alessandro dall'India', with stage sets designed by Lodovico Burnacini and music by Giovanni Bononcini. Museum: Metropolitan Museum of Art, New York, USA.

View into the Orange hall of the Huis ten Bosch palace in The Hague. The central depiction of Stadholder Frederick Henry in his chariot of triumph drawn by four white horses and crowned by Victory and Abundance, completed in 1652. On the left two visitors, Orange hall in Huis ten Bosch Orange hall, east side in the Huis in 't Bosch in 's-Gravenhage , print maker: Frans Molenaar (1821-1886), (mentioned on object), intermediary draughtsman: Tieleman Cato Bruining, (mentioned on object), after: Jacob Jordaens (I), Amsterdam, 1831 - 1886, paper, etching, engraving, h 582 mm × w 514 mm

Upcoming unity and incompetability, of the Batavian Commonwealth and the Alliance, Decoration on the Town Hall on Dam Square, 1795, 1795 print The Alliance closed between the French and the Batavian Republic on 16 May 1795 and the upcoming unity and undividedness of the Batavian Commonwealth. Two allegorical decorations on the facade of the Town Hall on Dam Square in Amsterdam at the Alliantiegeest on June 19, 1795. paper etching festivities on events of national importance (+ festive decoration ~ festive activities) Amsterdam. City Hall of Amsterdam (1655-1808)

Interior of the Duke's Theater in Dorset Gardens, London, a Scene from Elkannah Settle's 'The Empress of Morocco', Richard Sawyer, Etching with engraving, hand colored, England, 1809, print, print

Man views wall painting, Simon Fokke, 1722 - 1784 print A man studies a wall painting in a richly decorated departure. On the left is a theological treatise opened on the table. Print at the top left marked: XVIII. Amsterdam paper etching art (+ mural painting)

The tombstone of Władysław Jagiełło and Kaziemierz Jagiellończyk; Dietrich, Fryderyk Krzysztof (1779-1847), Stachowicz, Michał (1768-1825); 1824 (1824-00-00-1824-00-00);

Imaginery ancient temple designed in the style of those built in honor of the Goddess Vesta . (Tempio antico inventato e disegnato alla maniera di quelli che si fabbricavano in onore della Dea Vesta . ). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Plate: 15 11/16 × 9 15/16 in. (39.8 × 25.3 cm)Sheet: 19 7/16 × 13 1/4 in. (49.4 × 33.6 cm). Series/Portfolio: Prima Parte di Architettura, e Prospettive (Part One of Architecture and Perspectives). Date: ca. 1750. Museum: Metropolitan Museum of Art, New York, USA.

Men fencing. Engraving by P. Serwouters.

Plate 3, Le cabinet de la Bibliotheque de Sainte Genevieve: divisé en deux parties: contenant les antiquitez de la réligion des chrétiens, des Egyptiens, and des Romains; des tombeaux, des poids and des médailles; de monnoyes, des pierres antiques gravées, and des mineraux, Dezallier, Antoine, Du Molinet, Claude, 1620-1687, Ertinger, Franz, 1640-ca. 1710, Engraving, 1692. Plate 3, with image printed across two facing pages. Depicts library interior, including books of antiquities on shelves, two busts (identified as G. Delamoignon at left, and Hiero. Bignon to the right), and religious paintings. A painting of Christ on the Cross is situated between two windows, at center of interior. The engraver's name is inscribed at the lower left corner.

Copper engraving and etching by Giovanni Volpato showing the title page of Raphaels loggias in the Vatican, created and colored in 1772. The print presents architectural and decorative motifs.

Keizer Matthias cata lamp from Austria.

Part of a spacious magnificent harbor, etching by Giovanni Battista Piranesi (1720-1778), created between 1748 and 1751. The print features architectural elements such as arches and amphitheaters, showcasing Neo-classical style. The extent of the print is 1 etching with a plate mark measuring 15 3/4 x 21 5/8 inches (40 x 55 cm), on a sheet measuring 21 1/16 x 29 1/2 inches (53.5 x 75 cm)

Schouwburg with theater decor: De Hel, Jan Punt (attributed to), after Paulus van Liender, after Hendrik de Leth, 1760 - 1765 print Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the scenes of the hell with scene from: the century -tide of the Amsteldam Schouwburg. The decor printed of a separate plate within a passe-partout with the room, side slices, orchestra bin and the facade of the stage with columns, garlands and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a series of 12 theater sets. paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

Design for Stage Set 1698-1765 Attributed to Giovanni Battista Natali III Italian. Design for Stage Set 362006

Theater Decors of the Nieuwe Amsterdamse Schouwburg, 1775-1777, Reinier Vinkeles (I), After Andries van der Groen, 1777 print The weaving Decor poor resident, with a scene from: the virtuous poverty. Part of a series of six theater decors of plays performed in the new Amsterdamse Schouwburg from the years 1775-1777. Amsterdam paper etching / engraving stage design. theatre, theatrical performance Schouwburg Leidseplein (1774-1890)

Theater Scoor Dere De DDD Date Van Liz To Teirais, Equène, Eicheeph Resheph Raif Réfé, Anger Anger Region, 1858 print Young woman with four men in a botanical greenhouse with chandeliers and palm trees. One of the men kisses the woman's hand while the other three watch. printer: Parispublisher: Parispublisher: New York (city) paper curtains. stage design. greenhouse, orangery. standing figure - AA - female human figure. theatre, theatrical performance

Teyler, Johan, Netherlands, Standing duck with white breast to the left, This print is part of an album., print, picture, album sheet, prints, pictures, height 101 mm, width 146 mm, print maker, printmaker, 1688 - 1698, paper, engraving, engraving (printing process), à la poupée, colour printing, Northern Netherlands, 1648 - 1712, supervision

The Altar of Queen Jadwiga (Without a crucifix) A Trial Board (ABANDED) to the portfolio: Leon Wyczółkowski, Wawel I. II., Kraków, 1911/1912 Wyczózó Kowski, Leon (1852 1936)

Eugen Napoleon Neureuther, Aschenputtel (Cinderella), 1847 Aschenputtel (Cinderella)

Architectural capriccio with Figures and Antiquities ca.1755-65 Giovanni Paolo Panini Giovanni Paolo Panini was a painter and draftsman who specialized in architectural scenes of Rome, both topographical and invented. He was hired by the Académie de France in Rome to instruct the young French art students in perspective. He worked closely with Charles Joseph Natoire, the director of the Académie. The proposed purchase is a rare example of a work executed in two hands, with architecture by Panini with figures and accents by Natoire. Natoires estate sale lists several drawings described as ‘by Panini with figures by Natoire, and this sheet may well have figured among them. Collaborations between artists flourished in the milieu of the French Academy in the 1760s and 70s.. Architectural capriccio with Figures and Antiquities. Giovanni Paolo Panini (Italian, Piacenza 1691-1765 Rome). ca.1755-65. Black chalk, pen and black and gray ink, brush and gray and brown wash, with touches of water

From Rococo's time according to the Felipe Maso image. A clip from a German magazine. Brend'amour, Franz Robert Richard (1831 1915), T.B., Maso de Falp, Felipe (1851 1929)

Tomb of Anthony Pieterson in the church at Monster, Gerrit Lamberts, 1837, draughtsman: Gerrit Lamberts, 21-Aug-1837, paper, brush, h 303 mm × w 267 mm

FIRST MEETING OF THE NEW MUNICIPAL COUNCIL OF PARIS AT THE LUXEMBOURG PALACE.(TI)

Bliżej Kultury Stroobant, François (1819 1916), Litographic Plant Time (Krakow)

Chamber of the mediator in the house ter Nieuburch in Rijswijk, 1697; Room of the mediator; Series of sixteen small prints about the house Ter Nieubch in Rijswijk and the peace negotiations, 1697. The Chamber of the Mediator in the house Ter Nieuburch in Rijswijk, with four men seated around a table. In the caption the two titles in French and Dutch. Part (print 5) of the series of sixteen smaller prints across the house Ter Nieubch in Rijswijk and the peace negotiations kept there uncontent in the peace of Rijswijk on September 20, 1697.

Print (France)

Palace Honselaarsdijk changes hands / Sale of the Prussian glories to Anna of Hanover, 1754, Simon Fokke, 1754, Above: view of the exterior of Palace Honselaarsdijk with a merry crowd during the change of hands, 1754. The palace was sold as part of the Prussian lordships in Holland by Frederick the Great to Anna of Hanover on February 21, 1754. Below: four people around a table with documents during the transfer of the Prussian lordships in Holland, which Anna of Hanover bought as a whole for f. 700,000 for the benefit of her then five-year-old son Hereditary Stadholder William V. She made Palace Honselaarsdijk available to her daughter Princess Carolina. Design for a print., draughtsman: Simon Fokke, Amsterdam, 1754, paper, pen, brush, h 163 mm × w 105 mm

A View of the Vestibule of Santa Maria Maggiore at Rome. Artist and publisher: Georges François Blondel (French, 1730-after 1792). Dimensions: Sheet: 22 1/4 x 16 in. (56.5 x 40.6 cm). Published in: London. Date: 1765-67.Georges-François Blondel was the son of a leading French architectural theorist Jacques-François Blondel. After training in Paris, he worked first in Rome and then in London, where he learned the technique of mezzotint engraving. This print depicts a celebrated structure of eighteenth-century Rome, Ferdinando Fuga's dramatic facade of the Church of Santa Maria Maggiore, completed in 1743. It is one of nine architectural views the artist published between 1765 and 1767. His taste for monumental classical structures and his tendency to make even modern subjects resemble ancient ruins suggest his admiration for Giovanni Battista Piranesi (1720-1788). The fragmented view, small figures, and classical architectural forms which Blondel created similarly give the late Baroque

Sculpture garden in Palazzo Valle, Capranica, Anonymous (Attributed to), After Maarten van Heemskerck, 1553 print Sculpture garden in Palazzo Valle, Capranica. Courage of the palace with two Corintic columns in the foreground. Antique sculptures, detached and in niches. paper engraving

Design for a Stage Curtain: The Interior of an Elaborate Temple Dedicated to Illustrious Men. Dated: 1780s. Dimensions: sheet: 37 × 39.8 cm (14 9/16 × 15 11/16 in.). Medium: pen and gray ink with gray and gray-brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: ENNEMOND ALEXANDRE PETITOT.

Chamber of the authorized representatives of the Allies in the house Ter Nieuburch in Rijswijk, 1697; The Kaemer Alwaer the Sugarghtighden of all the Hooge Allied Vergaederen / La Chambre Ou S'Assemblent Les Plenipotentaires des Hauts Alliez; Series of fifteen prints about the house Ter Nieuburch in Rijswijk and the peace negotiations, 1697; Le Chteau Roial De Ryswick Appelle De Neubourg AVEC Les Differens Apartenens Ou Se Tiennent Les Conference De La Paix Generale / The Koninglyke Castle to Ryswyck, Names Nieuwburg, with all the Selfs rooms and pleasants, in BYSonder, since the conference of the general sweetheart Held, & c .. The Chamber of the Plenipotentiaries of the Allies in the house Ter Nieubch in Rijswijk. A group of men sat in a circle. In the caption the two titles in French and Dutch. Part (print 11) of the series of fifteen prints over the house Ter Nieubch in Rijswijk and the peace negotiations held there uncovering in the peace of Rijswijk on September 20, 1697.

Swan at Leadenhall. Joseph Pennell; American, 1857-1926. Date: 1903. Dimensions: 280 x 215 mm (image); 381 x 247 mm (sheet). Etching on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

The Restoration at the Louvre, The New Hall of the Roman Emperors, at the Musee des Antiques, 1869, Paris, France, Historic, digitally restored reproduction of an original 19th century master, exact original date unknown, Europe

Sculpture gallery at the World Exhibition in Paris in 1889; Gallery D Jena.Part of Travel Album European Cities, Presumably Swedish.

Luther, Martin .

Square with Neptunusfontein, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, c. 1600 Façade with a monumental fountain. The fountain has a double basin and is crowned by an Aedicula with Neptune. Two steps lead to the lower pelvis in which the second pelvis is on a monumental pedestal. On the right a woman squats by the water. The print is part of an album. Antwerp paper etching Façade with a monumental fountain. The fountain has a double basin and is crowned by an Aedicula with Neptune. Two steps lead to the lower pelvis in which the second pelvis is on a monumental pedestal. On the right a woman squats by the water. The print is part of an album. Antwerp paper etching

Illumination of the house of Mr. P.C. Hasselaer in Amsterdam, 1788; Image of illumination for the Weled's house. GTR. Mr. Mr. P: C: Hasselaer. Regular mayor of the city of Amsterdam, on the 8th March 1788; Illuminaties and decoraties in Amsterdam on the 40th birthday of Prince Willem V in 1788. Illumination applied to the facade of the house of Mr. Pieter Cornelis Hasselaer, mayor in Amsterdam. Numbered at the top: III. Part of a series of twelve plates of illuminations and decorations in Amsterdam on the 40th birthday of Prince Willem V on March 8, 1788.

Academy of Sciences and Fine Arts, Gottfried Stein, After Sébastien Leclerc (I), c. 1710 - 1775 print Allegory at the Academy of Arts and Sciences with practitioners of numerous disciplines, including painting, sculpture, architecture, fortification and mathematics. publisher: AugsburgFrance paper engraving armorial bearing, heraldry. academy, association of artists. place or institution of education and training of the artist, e.g.: academy of art

Rohscan

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

A Conference of Lawyers Gabriel de Saint-Aubin French 1776

Perspectival View, Temple of Isis. Artist: Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet (diameter): 7 1/16 in. (17.9 cm). Series/Portfolio: Vues d'Optique. Date: 1551. Museum: Metropolitan Museum of Art, New York, USA.

The Temple Tile

. Theater performance in the new Amsterdam thoughts with the Coulis Decor the modern hall, with scene from the father of the family. The decor printed from a separate plate within a passe-partout with the hall, side loges, pillars with statues and the facade of the stage. In the caption a sixor side. Part of the series of fourteen stage decorors of the new Amsterdamse Schouwburg, 1787-1794.

Leonardo da Vinci (1452-1519). Italian polymath known for his works in invention, painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography. Renaissance era. Monument in Milan, Italy. Engraving by Sweeton Tilly after a monument by the Italian sculptor Pietro Magni (1817-1877) in "La Ilustracion", 1882.

Nuremberg. Holy Mary Church - fragment of the interior (porch) with view of hand rail, heraldic shields and sculptures of St. Cunigunde and St. Henry; verso: sketch of part of the outer walls with bas reliefs of saints in niches, as well as of architectur. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

'Chartres', c1820 (1915). Artist: Samuel Prout.

Lazio Viterbo Caprarola Palazzo Farnese43. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fireworks published on the occasion of the marriage in 1747, Józefy Dórka August III Sas, with Ludwik Delfin France, in Dresden illustration. Dannegger, A.D.

Art lovers in a gallery. Sketch of the painting of a gallery with a number of famous art lovers in London, painting for Lord Murray. It is proposed from left to right: G. Watson Taylor, Rev. W. Holwell Car, Sir John Murray, P.C. Wonder, Sir R. Peel, Sir D. Wilkie R.A., G.O. Wyndham (Earl of Egremont); G.J.W. Aga-Ellis (later Baron Dover), R. Earl of Grosvenor (later Duke of Westminster), G. Granville (Marquis of Stafford, later Duke of Sutherland and as a portrait); Sir Ch. Long (later Lord Farnborough), Sir Abraham Hume Bart, and the Earl of Aberdeen.

View of a Prison. Dated: c. 1765. Dimensions: plate: 55.9 x 40.2 cm (22 x 15 13/16 in.) sheet: 64.9 x 52.1 cm (25 9/16 x 20 1/2 in.). Medium: mezzotint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Georges François Blondel.

John Thomas Smith, 1766-1833, British, Inside of the Painted Chamber as it was in the Year 1800, 1806. Etching.

Print (France)

TOMB OF THE SCALIGERS.

Figaro-salon, Book is bound together with Figaro-Photographe and Figaro-Illustré., book, photos, photographically illustrated books, height 145 mm, width 330 mm, thickness, 34 mm

Antwerp, Gevartius, Casper, Quellinus, Erasmus (II), Hollar, Wenceslaus, Catafalque of the Infanta Balthasar in Antwerp (front view), 1647, Catafalque erected on 1 January 1647 in Antwerp in honour of Balthazar Karel Dominicus Lucas Filips, the son of King Philip IV, who died in October 1646. This print shows the monument from the front. Above the representation two columns of text in Latin., print, news print, prints, Frederik Muller Historieplaten, height 500 mm, width 320 mm, Czech, 1607-07-13 - 1677-03-25, print maker, printmaker, 1647 - 1647, second quarter 17th century, paper, papier, etching, etchings, Work conception, South Netherlands, 1607-11-19 - 1678-11-07, after a design by, 1593 - 1666, writer

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