Architectural Interiors

Prints depicting grand architectural spaces like chapels and palaces with intricate designs, figures, and significant art elements.

States of Holland and West Friesland, Schenk, Petrus, Kuchin a sineesche city in the landscape of Beijing, on the river Guei, the common sanctuary of refugees from Sina and Korea, Kuchin urbs regionis Beijing, View of the Chinese city of Tianjin, verso - stamped, View of the port of Tianjin, with some (European) sailing ships, and buildings in the background., print, book illustration, prints, topography, height 216 mm, width 267 mm, print maker, printmaker, 1702 - 1702, paper, engraving, engraving (printing process), etching, Publication (Event), Publication, publisher, granter of privilege

Italy, Venice, Set design for the performance Cinderella, or Goodness Triumphant by Gioacchino Rossini, at the Teatro La Fenice, Venice

Charles Nicolas Cochin II, Pompe funèbre de Catherine Opalinska, 1746 Pompe funèbre de Catherine Opalinska

Jean Dolivar (1641-92). Funeral pump at Notre-Dame de Paris for the ceremonies in memory of Louis de Bourbon, prince of Condé. Etching, chisel. Paris, Carnavalet museum. French aristocracy, cathedral, commemorative ceremony, religious ceremony, chapel, French royal family, tribute, French nobility, Notre-Dame de Paris, Funebre pump, Funebri pumps, engraving engraving

Henry Swinburne, 1743-1803, British, Entrance of the Torre de las dos Hermanas in the Alhambra, 1775 to 1776. Pen and gray ink, gray wash and graphite on medium, moderately textured, cream, laid paper, mounted on moderately thick, moderately textured, cream, wove paper.

Print made by Ebenezer Challis, active 1837-1859, The Baron's Hall, 1844. Etching on moderately thick, smooth, beige wove paper.

A woodcut by Sebald Beham from the first half of the 16th century depicting the parable of the lost son, showing figures, gestures, and narrative composition.

Rome, Mascardi, Giacomo, Lauro, Magesyn of the Italian buildings, Antiquae Urbis Splendor, Ancient monuments, Palaestrae Gymnasia, The Paletra and the Gymnasium in Rome, Text in Latin in bottom margin. The print is part of an album., print, album sheet, prints, height 175 mm, width 232 mm, Italian, print maker, printmaker, 1612 - 1628, paper, papier, etching, etchings, 1567 - 1634, printer, drukker

Print (France)

Zaal met praalbed van prins Willem IV.The room and the purge bed at which the corpse of Willem IV laid down in November and December 1751. Two small representations above each other, each equipped with a caption. Below labeled and semi-cut: III.

Marriage of Princess Louise to Prince Karel van Zweden, Fritz Ludwig von Dardel, 1850 drawing Marriage of Louise, Princess of the Netherlands, later Queen of Sweden and Norway, with Crown Prince Karel XV, later King of Sweden and Norway, in Archbishopy Church of Sint-Nicolaas in Stockholm, June 19, 1850. paper. watercolor (paint). ink. pencil pen / brush interior of church. interior of church Stockholm

The SwedishPulpit. Artist: Axel Herman Haig (Hägg), Swedish, 1835-1921

Stage design by Ivan Nikolayevich Ivanov, watercolour and ink on paper, 1821, 1796-1854, Russia, Moscow, State Central Bakhrushin Theatre Museum, 40, 5x51, 5

Grave monument of Engelbrecht I van Nassau, in the Grote Kerk in Breda. Draughtsman: Johannes Bosboom. Dating: 1827 - 1891. Measurements: h 340 mm × w 208 mm. Museum: Rijksmuseum, Amsterdam.

Boucher drawing of temple architecture with a statue of Flora, executed in black pen with brown and black wash and watercolor, 1762.

Print made by William Tombleson, ca.1795-1835, British, Frauen Capelle, Haupt Markt, 1822. Line engraving on medium, slightly textured, cream wove paper.

Face in a concert hall in Venice; Salle De Venise concert. .

Tomb of Henry VII. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: sheet: 11 3/16 x 14 1/16 in. (28.4 x 35.7 cm). Date: 1665. Museum: Metropolitan Museum of Art, New York, USA.

Stage design for the opera Don Carlos by G. Verdi by Ryndin, Vadim Fyodorovich (1902-1974) State Tretyakov Gallery, Moscow 1950s Pencil on Paper 19x28 Russia Theatrical scenic painting Opera, Ballet, Theatre Painting

Two performances of the Praal Bed of Prince William IV, 1751, 1751 print Leaf with two small performances of the mourning room with visitors and of the pier bed of Prince William IV, who died on 22 October and on which he was laid out during the months of November and December of the year 1751. Under both performances a hanging cloth with inscription. Marked at the top right: III. Northern Netherlands paper etching / engraving lying in state

SHAKESPEARE, William (1564-1616). English poet and playwright. Tomb of Shakespeare in the Church of Stratford-on-Avon. Engraving.

Bamberg (Germany). Cathedral of St. Peter and St. George - fragment of the interior with view of upper part of support with bas relief between the pillars. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

A Cardinal Examining a Painting in a Cloister. Artist: François Marius Granet (French, Aix-en-Provence 1775-1849 Aix-en-Provence). Dimensions: 7 11/16 x 10 1/4 in. (19.5 x 26 cm). Date: first half 19th century. Museum: Metropolitan Museum of Art, New York, USA. Author: FRANCOIS MARIUS GRANET.

Study for Lambeth Palace, from Microcosm of London 1807-1808 England. Graphite on ivory wove paper . Augustus Charles Pugin

Woodcut by Sebald Beham from the first half of the 16th century depicting the parable of the lost son, showing figures, composition, and gestures.

Plate 1: Figures gathered before a curtained wall, decorated with three armorials with the coat of arms and symbols celebrating Archduke Albert, four skeletons on pedestals at center, gothic facade in background; from 'Pompa Funebris ... Alberti Pii' 1623 Cornelis Galle I Plate from 'Pompa Funebris ... Alberti Pii', after Jacques Francquart, illustrating the funeral procession of Albert the Pious (1559-1621), Archduke of Austria, son of Emperor Maximilian II. 2 sheets pasted together at center.The first edition of this series contains 54 numbered plates and an engraved title page, published in 1623.The second and third editions contain 66 plates and were published in 1728 and 1729 respectively.. Plate 1: Figures gathered before a curtained wall, decorated with three armorials with the coat of arms and symbols celebrating Archduke Albert, four skeletons on pedestals at center, gothic facade in background; from 'Pompa Funebris ... Alberti Pii'. Cornelis Galle I (Netherlandish, Antwerp 15

THE ENCHANTED CASTLE, BY GUSTAVE DORE

Richard Parkes Bonington, 1802-1828, British, Beauvais - interieur d'une cour. Lithograph.

Sketch of a Palace Interior. 1700-1774 Antonio Galli Bibiena Italian. Sketch of a Palace Interior.. Antonio Galli Bibiena (Italian, Parma 1700-1774 Mantua ()). 1700-1774. Pen and brown ink over traces of black chalk or graphite

Italy, 18th century. Naples, ball on the occasion of the birth of the Hereditary Prince. Hall of the Royal Palace organized for the evening gala. Engraving by Re' and Vasi, 1747.

Sistine Chapel by Michelangelo. James Anderson (British, 1813 - 1877)

St Juan de los Reyes, the Door and the Chains 1898-1908 United States. Oiled charcoal with stumping and erasing, on cream wove paper, perimeter mounted on off-white wood pulp laminate board . Joseph Pennell

Staircase in the Palazzo Barberini, Palestrina mid-18th century attributed to Charles Joseph Natoire French. Staircase in the Palazzo Barberini, Palestrina 337865

Lighting of a house in Amsterdam in honor of the team of Willem V as Stadholder, 1766, Noah van der Meer (II), 1776 print Lighting of Mr. Scholten van Aschat's house in Amsterdam in honor of the team of Willem V as Stadholder in 1766. Stadholder Willem V Stadholder Stadholder between Religion and Freedom. The Hollandse Leeuw is on the ground. At the bottom right is the personification of justice and truth on the throne under the sun of justice and the all -seeing eye of God. The throne is decorated with the Dutch Lion with freedom lance. Amsterdam paper etching public festivities. Freedom, Liberty; 'Libertà' (Ripa). Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. Truth; 'Verití' (Ripa). the all-seeing eye, triangle with eye ~ symbol of God the Father

Court of Chancery, Westminster Hall. Augustus Charles Pugin; English, born France, 1762-1832. Date: 1807-1808. Dimensions: 231 × 292 mm. Pen and brown ink over graphite on tan wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Ducal festivities, thanksgiving to the Doge the Great Council Hall of the Palazzo Ducale, Venice, 1766, drawing by Giovanni Antonio Canal, known as Canaletto (1697-1768), engraving on copper by Giambattista Brustolon (1712-1796).

a celebration in the Hotel du Louvre, Paris, France for the prince Napoleon / eine Feier im Hotel du Louvre, Paris, Frankreich für den Prinzen Napoleon, historisch, C:CC5historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt.

Study for Covent Garden Theatre, from Microcosm of London. Augustus Charles Pugin; English, born France, 1762-1832. Date: 1807. Dimensions: 185 × 253 mm. Brush and brown wash with pen and brown ink over graphite, on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Noordelijke Nederlanden, Debesluit van de Vroedschap te Amsterdam, den 21ste. April 1787, on account of the Remotion of the nine Councillors taken, to the Citizens, read out in the Hall of the Town Hall, Announcement of the remotion of the nine councillors in Amsterdam, 1787, Northern Netherlands, verso - stamped, Announcement of the decision of the vroedschap to dismiss nine councillors from their office. Reading of the decision in the Burgerzaal of the city hall in Amsterdam on 21 April 1787., print, prent, prints, Frederik Muller Historieplaten, height 223 mm, width 135 mm, print maker, printmaker, 1787 - 1788, paper, papier, etching, etchings, engraving, engraving (printing process)

Drawing, A Library in Gothic Style; Charles James Richardson (British, 1806 - 1871); pen and brown ink, brush and watercolor, graphite on white wove paper; Frame H x W x D: 44.8 x 60.3 x 2.5 cm (17 5/8 x 23 3/4 x 1 in.) Sheet: 27.4 x 39.8 cm (10 13/16 x 15 11/16 in.); Thaw Collection; 2007-27-63

Sketch sheet by Rudolf Weyr using pencil, brown feather, and gouache. The work emphasizes line, composition, and color accents.

Court of the Lions in the Alhambra of Granada, Henry Swinburne, 1743-1803, British, 1775 to 1776, Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream, laid paper, mounted on moderately thick, moderately textured, cream, wove paper, Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm) and Sheet: 6 3/8 × 7 1/2 inches (16.2 × 19.1 cm)

Maurits' investment with the Order of the Garter Band, 1613, 1613 - 1699 print Maurits' investment with the Order of the Garter Band, 4 February 1613. Maurits will be killed by a Herraut the Garter in the large hall of the Binnenhof in The Hague in the presence of the English ambassador, Johan van Oldenbarnevelt, the members of the States General and many other guests. Low Countries paper etching knighthood order (GARTER). clothing (~ knighting ceremony) Courtyard

Drawing, Color Scheme for Temple Israel, Brooklyn, NY; Leon Dabo (1868-1960); USA; brush and watercolor, gouache, graphite on paper; 75.7 x 55.8 cm (29 13/16 x 21 15/16 in.); 1960-239-2

An engraving depicting the foyer of the Paris Opera lit by Maxim, Edison and Solent lamps. Dated 19th century

'Oliver King's Chantry', 1895. Artist: Unknown.

Theatre Scene in a City Garden, Barend Hendrik Thier, 1753 - 1811 drawing Netherlands paper. ink. watercolor (paint) brush / pen group of actors, troupe; actors on the stage. group of actors, troupe; actors on the stage

White Hall at Wilanów Palace. Richter, Willibald (fl. 1817-1862), painter

Amsterdam, Veth, Jan, 'De Librije te Zutfen', Print with title and caption, supplement to 'De Kroniek'. Signed and dated., print, prints, height 60 cm, width 40 cm, Dutch, 1864-05-18 - 1925-07-01, designer, 1897-09-26 - 1897-09-26, fourth quarter 19th century, paper, lithography (technique)

Library of the British Museum; The Large Room / The Arched Room / M. Jules Janin. Text sheet with three illustrations. Two prints show the library of the British Museum: 'The Large Room' and 'The Arched Room'. The third print shows the portrait of the French writer Jules Janin.

Kraenstrate Maline. Samuel Prout (English, 1783-1852); probably printed by Charles Joseph Hullmandel (English, 1789-1850); probably published by Rudolph Ackermann (English, 1764-1834). Date: 1833. Dimensions: 290 × 425 mm (image); 310 × 445 mm (primary support); 345 × 500 mm (secondary support). Lithograph in black on grayish-ivory chine, laid down on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Triclinium, Excavated in the House of Actaeon, Pompeii. Artist: Charles Frédéric Chassériau (French, Port-au-Prince, Haiti (Saint-Dominigue) 1802-1896 Vars-sur-Roseix). Dimensions: Sheet: 5 9/16 x 5 7/16 in. (14.2 x 13.8cm). Date: ca. 1824. Museum: Metropolitan Museum of Art, New York, USA.

Decor Projects for the Yellow Princess, Opera Comic Camille Saint-Saens, Cree Cree on June 12, 1872 at the Theater of the Opera-Comic Philippe-Marie Chaperon (1823-1907). Decor projects for the Yellow Princess, Comic Opera of Camille Saint-Sa�ns, created on June 12, 1872 at the theater of the Opera-Comic. Feather, aquarterial enhanced by gouache.

Netherlands, Schol, A. (II), Thirteen decorations at the Alliance Festival in Amsterdam in 1795, Illumination on the Botermarkt, In Amsterdam 1795, The Destruction of the Old Constitution, decoration on the Botermarkt, 1795, verso - stamped, allegorical decoration erected on the Botermarkt in Amsterdam at the Alliance Festival on 19 June 1795. Decoration in the form of the ruins of a Gothic chapel, on the central chassis Envy turns the wheel of the aristocracy that turns a millstone sets in motion. Part of a series of thirteen plates., print, prints, Frederik Muller Historieplaten, height 186 mm, width 270 mm, Dutch, print maker, printmaker, 1795 - 1795, paper, papier, etching, etchings, hand colouring

Emperor Frederick Accompanied by the Empress in the Orangery of Charlottenburg, Germany, Historic, digital reproduction of an original 19th-century pa...

Greenwich Hospital, the Painted Hall, Thomas Rowlandson, 1756-1827, British, And John Bluck, active 1791-1831, British, after Augustus Charles Pugin, 1762-1832, French, 1810, Aquatint, hand-colored

Theater News, 1828 Maurice-Sidoine Storez (1804-1881). The theater of novelties, 1828. Watercolor. 1828.

Drawing, Church of St. Paul the Apostle, New York City, Chancel Decoration; Studio of John La Farge (American, 1835-1910); Attributions: Bancel La Farge (American, 1865-1938); USA; watercolor, gouache, over graphite on buff-colored thick wove paper; 51.3 x 40.1 cm (20 3/16 x 15 13/16 in.) Mat: 71.1 x 55.9 cm (28 x 22 in.)

'INTERIOR OF THE CHURCH OF ST. LAWRENCE, NUREMBERG' PAINTED BY S. READ, IN THE EXHIBITION OF THE SOCIETY OF PAINTERS IN WATER COLOURS

Charles VI of Habsburg (1685-1740), Holy Roman Emperor (1711-1740), King of Bohemia (Charles II), Hungary and Croatia (Charles III) and Archduke of Austria. Pretender to the Spanish throne, which led to the War of Spanish Succession. Proclamation of the Archduke Charles as king of Spain (Charles III) in 1706. Colored engraving.

Sculpture gallery in the Louvre in Paris, Achille Quinet, 1865 - 1880 photograph Paris paper. cardboard albumen print gallery of sculptures Louvre Museum

Johann Carl Schultz (1801-1873). German painter. Artus Court in Gdansk, 1840-60. Oil on canvas. National Museum. Gdansk. Poland.

Speyer. Mikveh - interior and woman looking out the window. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Camere sepolcrali still image. Book illustrations. 1823 - 1838. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Tombs & sepulchral monuments , Italy

Stage Set with Peasants Meeting in Village Setting. Artist: Anonymous, Italian, 19th century. Dimensions: 11-5/8 x 13-3/4 in. Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Stage design for the opera Palmira, regina di Persia by Antonio Salieri by Radl, Anton (1774-1852) / Private Collection / First quarter of 19th cen. / Austria / Etching, watercolour / Opera, Ballet, Theatre / 51,3x73,4 / Theatrical scenic painting

Palace Pavlovsk interior by Gustav Schwarz, oil on canvas, 1848, circa 1800-after 1855, Russia, St Petersburg, State Open-air Museum Pavlovsk Palace

Disputation im Collegium illustre zu Tübingen 1589, Deutschland, historisch, C:CC5historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt.

Joseph Constantine Stadler, active 1780-1812, British, Lambeth Palace, 1808. Aquatint, hand-colored.

St Ouen, Rouen Made 1903 United States. Etching in black on Japanese paper . Donald Shaw MacLaughlan

Preparations for the Lying in State of Edward VII. Dated: 1910. Dimensions: overall: 73.5 x 47 cm (28 15/16 x 18 1/2 in.). Medium: charcoal heightened with white on paperboard. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

History of Italy. Rome. Sixth anniversary of the death of Victor Emmanuel II (1820-1878) and 25th anniversary of the proclamation of the unity of the fatherland. On 9 January 1884, the Kings of Italy, Umberto I (1844-1900) and Margherita of Savoy (1851-1926), accompanied by Victor Emmanuel, Prince of Naples (their son and successor to the throne), and the Duchess of Genoa, made their way from the Quirinal Palace to the Pantheon to attend the religious commemoration ceremony behind closed doors. Arrival of the King and Queen of Italy at the Pantheon to attend the anniversary of the death of Victor Emmanuel. Engraving by Bernardo Rico (1825-1894). La Ilustración Española y Americana (The Spanish and American Illustration), January 22, 1884. Author: Bernardo Rico (1825-1894). Spanish painter and engraver.

With Wojniakowski present. Ortry of the Constitution of May 3rd. Grandson of the Chamber of Deputies in the Royal Castle in Warsaw ", a leather from the painting from the collection of the County County Country in Warsaw; Sztolcman, W Adys Roman (1873-1950); 1916 (1916-00-00-1916- 00-00); was downloaded from the Muse of the National Museum in Warsaw; drawing / feather, drawing / pen, drawing / ink, painting / paint / watercolor; products from W óken / Paper; card: height 49.8 cm, width 71.6 cm; di 5848 MNW; all rights reservations.Constitution of May 3, Ordinance of Krasiński, Warsaw (Masovian Voivodeship), Wojniakowski Kazimierz, Reproduction, Royal Castle (Warsaw), collections, Polish painting, parliament, Sejm, interiors

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