Artisan Plates and Ceramics

Beautifully crafted decorative plates featuring intricate designs, mythological narratives, and historical scenes, reflecting artistic styles from various eras.

Plate with Pronk Design of a Prostitute and Attendant, 18th century, Unknown Japanese, 1 1/4 × 9 3/8 × 9 3/8 in. (3.18 × 23.81 × 23.81 cm), Imari ware; porcelain with underglaze cobalt blue, overglaze enamels, and gold, Japan, 18th century

Plate; Andreoli, Giorgio (Ca 1470-1553), Gubbio (Oh Ceramic family; Ca 1500-1600); 1530-1540 (1530-00-00-1530-00-00);

Plate with Pronk Design of a Prostitute and Attendant, 18th century, Unknown Japanese, 1 1/4 × 9 3/8 × 9 3/8 in. (3.18 × 23.81 × 23.81 cm), Imari ware; porcelain with underglaze cobalt blue, overglaze enamels, and gold, Japan, 18th century

Plaque with the Finding of Moses, anonymous, c. 1730 - c. 1740 Plaque van Faience. Multicolored painted with the performance of the daughter of the Pharaoh who finds Moses in the Biezen Mand. Delftafter print by: Venice . Plaque van Faience. Multicolored painted with the performance of the daughter of the Pharaoh who finds Moses in the Biezen Mand. Delftafter print by: Venice .

Plate with horsemen in a landscape and an unidentified coat of arms, anonymous, c. 1535 - c. 1540 Round plate of multicolored painted majolica, with deepened flat. On the board is a landscape that has been laid out by the sun, in which two riders, each with a sword in the right hand. The rider on the fungus is partly hiding behind the rider on the brown horse. On the right, on clouds, an amor with a torch. Between the amor and the sun a weapon with star, crossbar and fish. Urbino earthenware. tin glaze. lead glaze. luster glaze majolica Round plate of multicolored painted majolica, with deepened flat. On the board is a landscape that has been laid out by the sun, in which two riders, each with a sword in the right hand. The rider on the fungus is partly hiding behind the rider on the brown horse. On the right, on clouds, an amor with a torch. Between the amor and the sun a weapon with star, crossbar and fish. Urbino earthenware. tin glaze. lead glaze. luster glaze majolica

Leonardo Bettii. Cup with arms of Duke Albert V, Italian Majolique de Faenza, 1576 (face on a green background). Museum of Fine Arts of the City of Paris, Petit Palais. 26971-10 Weapons, coat of arms, cut, Duke Baviere, woman, green background, face, man, Italian majolica, various object

Bell-shaped cup with women, birds and landscapes in panels amid scrolls, anonymous, c. 1740 - c. 1760 Bell -shaped head of porcelain, painted on the glaze in blue, red, pink, green, black and gold. On the outside two large cartouches with two women in an interior or in a fenced garden; In between two smaller cartouches with chickens and rooster in a landscape; A medallion with landscape on either side; Ranks between the cartouches; A flower branch on the bottom; On the inner edge a band with flower vines. Two cracks and a chip in the edge. Famle Rose. China porcelain. glaze. gold (metal) painting / gilding / vitrification Bell -shaped head of porcelain, painted on the glaze in blue, red, pink, green, black and gold. On the outside two large cartouches with two women in an interior or in a fenced garden; In between two smaller cartouches with chickens and rooster in a landscape; A medallion with landscape on either side; Ranks between the cartouches; A flower branch on the bottom; On th

Wide-rimmed bowl depicting figures from Virgil's Aeneid 1525 Workshop of Maestro Giorgio Andreoli. Wide-rimmed bowl depicting figures from Virgil's Aeneid. Workshop of Maestro Giorgio Andreoli (Italian (Gubbio), active first half of 16th century). Italian, Gubbio. 1525. Maiolica (tin-glazed earthenware), lustered. Ceramics-Pottery

Plate With An Image of Princess Anne or Hanover. Porcelain plate, painted on the glaze in red, green, black and gold. On the flat a woman, Princess Anne van Hannover (1709-1759) sitting in a landscape with two flying putti with a crown above her; In between, the inscription 'Droat doesn't let me rest and do your lusts elsewhere'; a decorative band on the wall; The edge with napkin interspersed with four medallions with a landscape and four cartouches with two birds on a branch or two swimming ducks. Edge has been broken. Decorated in Europe.

Dish (tondino). Artist: Lustered in the workshop of Maestro Giorgio Andreoli (Italian (Gubbio), active first half of 16th century). Dimensions: Diameter: 10 11/16 in. (27.1 cm). Date: 1533. Museum: Metropolitan Museum of Art, New York, USA.

Plate with a portrait of Petrus de Wolff, anonymous (after), c. 1725 - c. 1749 Porcelain plate, painted on the glaze in blue, red, black and gold. On the flat a performance of a young man with a gun in his left hand that supports the floor, Peter de Wolff. To the left of the young man is depicted a dog that looks up at him. They are in a wooded area, with a house in the background. On the wall flower vines in blue email interspersed with flower vines in red and gold in cartouches; In the cartouche at the bottom of the performance you can see an inscription 'Peter de Wolff Petr Fil'. The edge with four times a flower vank and a band with flower vines. The show was painted after a print by Pieter Schenk (1660-1711). Schenk made the engraving to a mezzo-tint by John Smith, who was again inspired by a painting by Willem/William Wissing (1656-1687). A crack in the edge. European performance in email colors and Encre de Chine. Chinaprint maker: AmsterdamDorsetshirepainter: England porcelain.

Dish, oval, with a naked female figure with five children playing in the middle, Anonymous, c. 1640 - c. 1670 Dish, oval, of multicolored painted Faïence. On the flat, a naked, lying woman is painted with naked children around her. In the edge there are four large floored ovals in which landscapes painted and four fled circles in which sailing ships painted. Masks and flower vases are applied in relief between the ovals and circles. Painted in the genre of Bernard Palissy. London earthenware. tin glaze. Dish, oval, of multicolored painted Faïence. On the flat, a naked, lying woman is painted with naked children around her. In the edge there are four large floored ovals in which landscapes painted and four fled circles in which sailing ships painted. Masks and flower vases are applied in relief between the ovals and circles. Painted in the genre of Bernard Palissy. London earthenware. tin glaze.

Octagonal plate with an image of Shiba Onko and floral scrolls, anonymous, c. 1730 Octagonal plate of porcelain, painted on the glaze in blue, red, green, black and gold. On the flat a performance of Shiba Onko (Sima Guang) next to the water pot that has made a child. A third person is on the other side of the pot. On the edge a band with flower vines. Three prenes on the bottom. A crack in the edge. Arita, decorated in the Japanese Kakiemon style in Europe. Japanpainter: Netherlands (possibly) porcelain. glaze. gold (metal) painting / gilding / vitrification Octagonal plate of porcelain, painted on the glaze in blue, red, green, black and gold. On the flat a performance of Shiba Onko (Sima Guang) next to the water pot that has made a child. A third person is on the other side of the pot. On the edge a band with flower vines. Three prenes on the bottom. A crack in the edge. Arita, decorated in the Japanese Kakiemon style in Europe. Japanpainter: Netherlands (possibly) porcelain. glaze.

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Cup: Mythological scene with the Pan God, Italian Majolic of Urbino, 1531 (face). Museum of Fine Arts of the City of Paris, Petit Palais. 27012-10 Ceramic, cut, Greek god, woman, flute, man, music instrument, Italy, majolica of Urbino, musician, Italian rebirth, mythological scene, dishes, mythology

Cup, Judith and Holopherne attributed to the painter of the Apollo basin, Italian majolica of Urbino, around 1530 (face on a green background) ". Museum of Fine Arts of the city of Paris, small palace. 26971-5 Cup, decapitation, Greek, Italian, Majolic, Various object, mythological character, King Assyria, Tete, Urbino, Assassination, Mythology

Dish with scene of a woman and children mid-18th century China. Dish with scene of a woman and children. China. mid-18th century. Porcelain painted with overglaze polychrome enamels and gold (Jingdezhen ware). Qing dynasty (1644-1911). Ceramics

Armorial dish: Supper at the House of Simon the Pharisee. Artist: workshop of Maestro Giorgio Andreoli (Italian (Gubbio), active first half of 16th century). Dimensions: Diameter: 18 5/16 in. (46.5 cm.). Date: 1528.Robert Lehman amassed a singularly impressive collection of maiolica produced in the renowned workshops of Italy during the High Renaissance. The core of the collection derives from the first half of the sixteenth century, when both ornamentation and painting reached a pinnacle. During this period a new and soon dominant style emerged, "istoriato", which featured complex narrative compositions. The mastery of figure and perspective drawing characteristic of this style recalls the work of 16th-century painters.This large plate representing the Magdalen's visit to Christ as he dined with Simon the Pharisee is a splendid example of this decorative tradition. The composition, which captures the moment at which the Magdalen anoints Christ's feet with her tears, precipitating his

Plate ca. 1785-90 Amstel The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894-1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.. Plate 208257

range Gal1986.270.32 Materials and techniques

Brush back, painted with a pastoral scene. Faïence brush back, painted multi-colored with a shepherd sitting in a landscape.

Window with the lost son, anonymous, c. 1500 - c. 1525 Window with the lost son. Four women and a man sitting at a table. The man and one of the women caress each other. A set table for them. glass. lead (metal). silver stain. Window with the lost son. Four women and a man sitting at a table. The man and one of the women caress each other. A set table for them. glass. lead (metal). silver stain.

Platter and Stand Platter And Stand; Manufactured by Wiener Porzellanmanufaktur (Austria), Du Paquier Porcelain Manufactory; Painted by Adeline Oppenheim Guimard (1872 - 1960); Austria; hard paste porcelain, vitreous enamel, gold; brass

Anonymous / "Plato", Around 1900, Ceramics (painted terracotta), Viuda de Gómez factory, Triana, Seville, Spain, Diameter 44 cm.

Attributed to Francesco Xanto Avelli, Urbino, possibly with assistants; Shallow bowl on low foot with the death of Laocoön and his two sons, 1539 Attributed to Francesco Xanto Avelli, Urbino, possibly with assistants; lustered in the workshop of Maestro Giorgio Andreoli of Gubbio, or possibly in Urbino, Shallow bowl on low foot with the death of Laocoön and his two sons, Italian, active 1530/1542, 1539, tin-glazed earthenware (maiolica), Widener Collection

Odalisques in a harem’ plate.. Wąsowicz, Wacław (1891-1942), painter

Francesco Xanto Avelli (v.1487-1542). "Cup: the daughters of Niobé, Italian majolica of Urbino, around 1540 (face)". Museum of Fine Arts of the City of Paris, Petit Palais. 26972-6 Arc, weapon, hunting, woman, daughter, face, Greek, man, Italian majolica, niobid, various object, mythological character, killing, urbino, mythology

André Metthey (1871-1920). "Adam and Eve". Earthenware. Museum of Fine Arts of the City of Paris, Petit Palais. Art Menager, Faience, Woman, Man, Eden Garden, Biblical Character, Crockery, XIXth 19th 19th 19 19th 19th century, plate

Plate with an orange tree and portraits of William V and Wilhelmina of Prussia, anonymous, c. 1780 - c. 1795 Seat of cream -colored, hard baked pottery. The board has a scalloped edge. The flat is multi -colored with portraits of Prince Willem V and his wife Wilhelmina van Pruissen, on either side of an Oranjeboom. Above the performance the monogram pv or. On the edge fields interspersed by rosettes on a red stock. In the fields the respective texts: will stand as long as sun and moon; Will never perish the orange color; I saw this in the afternoon; Precisely in the sign of the Association; With reverence as I had to praise God; I saw Orange above that. Leeds . painting Seat of cream -colored, hard baked pottery. The board has a scalloped edge. The flat is multi -colored with portraits of Prince Willem V and his wife Wilhelmina van Pruissen, on either side of an Oranjeboom. Above the performance the monogram pv or. On the edge fields interspersed by rosettes on a red stock. In the fiel

Joseph Lowered into the Pit ca. 1567 Possibly engraved by P.M. The fine engraving on this set of plates (65.260.1-.12) depicts scenes from the Old Testament. The engraver, who must have been trained on the Continent, based his compositions on illustrations in a Concordance to the Bible, improvising where necessary to fill in the circular frame offered by the plates. The plates and a related piece engraved with a portrait of Queen Elizabeth I must have been made as a gift to or from the queen herself.. Joseph Lowered into the Pit 204606

Urbania (Marche - PU), Palazzo Ducale, Hall of Durantine ceramics, Crispina with leaves and fruits and cupid on the bottom, 16th century, Casteldurante

Large Dish (tagliere): Pope Leo X presenting a baton to Federigo II Gonzaga, marquis of Mantua, on his appointment as captain general of the Church in 1521. ca. 1525-30 Nicola da Urbino Italian. Large Dish (tagliere): Pope Leo X presenting a baton to Federigo II Gonzaga, marquis of Mantua, on his appointment as captain general of the Church in 1521.. Nicola da Urbino (Italian, active by 1520-died 1537/38 Urbino). ca. 1525-30. Maiolica (tin-glazed earthenware). Ceramics-Pottery

Display dish with the Temptation of Adam and Eve ca. 1650 British, probably London The Temptation of Adam and Eve was one of the most popular subjects to be depicted on English blue-dash” chargers. This example, dating to about 1650, is among the earliest. It is part of a group of seven chargers with depictions of Adam and Eve that are notably more naturalistic than the more typical crude renderings. The Museum owns a related Adam and Eve charger (30.62), but it is of a later date.[Elizabeth Sullivan, 2014. Display dish with the Temptation of Adam and Eve. British, probably London. ca. 1650. Delftware (tin-glazed earthenware). Ceramics-Pottery

Roundel, Knights confessing their Christianity to Emperor Maxentius; Belgium; silk, gold thread; diam.: 18 cm (7 1/16 in.)

Jacob Petit. "Pendulum with a porcelain mameluk, around 1845 (view of the right detail of the side front base)". Porcelain. Museum of Fine Arts of the City of Paris, Petit Palais. 26974-20 Cavalier, face side, horse, right detail, watchmaking, mameluk, pendulum, porcelain, base

EVENTAIL. Country scenes. CHROMOLITY, GOUACHE and golden paper sheet, golden paper border, paint, golden and burgundy lacquered wooden frame. 1860-1865. Galliera, fashion museum of the city of Paris. Dore, Eventail, Gouache, black lacquer wood frame, chromolithography paper, champetre scene, second empire

Platter with a View of New York fromWeehawk. Publisher source material by: Andrew Stevenson, British, 1780-after 1845Etcher source material by: John Hill, American, born England, 1770-1850After source material of watercolour by: William Guy Wall, American. born Ireland, 1792-after 1863 Artist: Robert H. Dodd, American

Goldsmith's art, Italy, 19th-20th century. Stone flower mosaic.

Lustered Display Plate with Female Bust; Deruta, Umbria, Italy; about 1510 - 1540; Tin-glazed earthenware with copper luster; 8.9 × 42.9 cm (3 1,2 × 16 7,8 in.)

Warrior Fighting a Dragon, c. 1170-1180. Anglo-Norman, England or France, Romanesque period, 12th century. Gilded copper, champlevé enamel; diameter: 6.5 x 0.3 cm (2 9/16 x 1/8 in.). This gilded copper medallion features an enameled representation of a youthful warrior fighting a winged dragon. As no inscription accompanies the scene, the young heros identity remains unknown. It may depict the Arthurian hero Tristan fighting the dragon of Ireland--an epic poem titled Tristan gained popularity at the Plantagenet court of Henry II in England shortly before the medallion was created.

Plate second quarter 18th century Decoration after a design by Francesco Albani Italian This plate is part of a group of four decorated with compositions representing Water, Earth, Fire and Air after designs by Francesco Albani.. Plate 202610

Folded fan, Facing decor: in a decoration of garland of flowers and scrolls, in the center, gallant scene in a park: a woman receives tributes from a sigh, on the left, a servant makes the laundry, on the right, another scene gallant. GAL1981.95.37 Facing sheet: chromolithographic white paper, golden, gouache and gold, engraved and golden paper edge, ivory frame reflected, red paint visible in the spinning of plumes, metal rivet ended with a rhinestone

Fruit -shaped plate of Faïence with fishermen, anonymous, c. 1750 - c. 1775 Plate of Faïence. Painted in blue with a water landscape with fishermen, within a multicolored edge. Delft . Plate of Faïence. Painted in blue with a water landscape with fishermen, within a multicolored edge. Delft .

Plate with the Flagellation of Christ, De Roos (attributed to), c. 1700 - c. 1725 Faïence board with performances from the life of Christ to engravings by Hendrick Goltzius. Delft . Faïence board with performances from the life of Christ to engravings by Hendrick Goltzius. Delft .

Roundel with the Annunciation 1480-1500 South German. Roundel with the Annunciation. South German. 1480-1500. Colorless glass, vitreous paint and silver stain. Made in Swabia (), Germany. Glass-Stained

Anonymous. Couple in a landscape (front), 18th century. EVENTAIL. Paris, Carnavalet museum. 75472-7 Tree, countryside, woo, Evening, woman, man, landscape, couple, front, scene

Plate with the Abduction of Helen. Francesco Xanto Avelli (Italian, 1486/1487 - about 1544)

Oval panel with figures in a water landscape, anonymous, c. 1770 - c. 1775 Porcelain oval plaque, painted on the glaze in blue, red, pink, green, yellow, purple, black and gold. The show consists of a river landscape with a boat that installs at a pavilion. There are two people on the terrace. A woman with a vase gets out of the boat in her hands, while three servants stay in the boat. In the background different boats, trees and mountains. Original gilded list. Porcelain with email colors. China Porcelain. Glaze. List: Gold (Metal). List: Wood (Plant Material) painting / gilding / vitrification Porcelain oval plaque, painted on the glaze in blue, red, pink, green, yellow, purple, black and gold. The show consists of a river landscape with a boat that installs at a pavilion. There are two people on the terrace. A woman with a vase gets out of the boat in her hands, while three servants stay in the boat. In the background different boats, trees and mountains. Original gilded list. Porce

Charles-Martin Wattiaux (master in 1753). "Duffer in chopped gold and enamelled with Chinese scenes inspired by Boucher, 1754-1755". Paris, Cognacq-Jay museum. This box is decorated with Chinese subjects, painted in enamel, standing out on a chopped gold background (decor of broken sticks drawing parqueting). The Chinese scenes, treated in a richly nuanced palette, are in the minds of these European chinoiseries of rocky style, the subject, the decor and the vegetation are in the fashion of China, but the young woman's face remains European . CHINESE SCENE, CHISELED GOLD, EMAILLE, ENAMELLED, OR CISELE, SCENE CHINOISE, SNUFFBOX, TABATIERE

Tile with Sagittarius. Tile with a multicolored (blue, orange, yellow and green) painted figure with arrow and bow framed by a square with in the corners, ornament in filling technology.

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Aurora, goddess of dawn 1528 probably the "In Castel Durante" Painter Italian. Aurora, goddess of dawn 460194

EVENTAIL. the awakening of Venus; Bouchard 19th; And its case (Duvelleroy box). Watercolor on swan skin, mother -of -pearl. Paris, Carnavalet museum. 99089-7 Fashion accessory, Eventail

EVENTAIL. "Big palace". Printing on percale, painted wood. Paris, Carnavalet museum. 99081-5 Fashion accessory, Eventail

Tazza ca. 1600 Italian, Rome A figure conflated from Fortuna and Astraea surrounded by amors and grotesques.. Tazza. Italian, Rome. ca. 1600. Maiolica (tin-glazed earthenware). Ceramics-Pottery

PORCELANA DE ALCORA (CASTELLON)- CONVERSION DE SAN PABLO. Author: SOLIVA MIGUEL. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN. SAN PABLO APOSTOL-PABLO DE TARSO.

IVOREN DOOS METS, Mariaval, After Nicolas Guérard, c. 1725 Fischesdoos. Yellow stock, on the lid the earth engraved with two weapons: a golden lion on a red field and eight birds holding an apple on the field of saber. Internal a landscape and the inscription: Mariaval Le Jeune a Rouen Fecit. Bottom: fighting, playing and smoking monkeys. Eighteen large and six small Fisches. Paris ivory Fischesdoos. Yellow stock, on the lid the earth engraved with two weapons: a golden lion on a red field and eight birds holding an apple on the field of saber. Internal a landscape and the inscription: Mariaval Le Jeune a Rouen Fecit. Bottom: fighting, playing and smoking monkeys. Eighteen large and six small Fisches. Paris ivory

Pleated Fan; After Antoine Watteau (French, 1684 - 1721); parchment leaf painted in watercolor, carved and pierced mother-of-pearl sticks with gold foil and applied straw decoration

Fulda Manufacture, Madonna Immaculata (main title). Hard porcelain, polychrome enamels. Petit Palais, Museum of Fine Arts of the City of Paris.

Byron Dingman, Plate, c 1938 Plate

Tile with Adam and Eve 1695-1705 Lambeth. Tin-glazed earthenware .

Saucer-dish with a couple in a cart with two servants, anonymous, c. 1700 - c. 1724 Porcelain dish, with a modeled tulip motif in the wall and scalloped edge, painted in underly glaze blue and on the glaze in red and gold. On the flat a medallion with a landscape in which a man and woman pulled into a car by two horses. On the back of the car a servant who holds a parasol over their heads; A second servant is sitting on a horse. On the wall tulip -shaped compartments with flower areas, between the courses flower vessels; A decorative band on the edge. Some chips in the edge. Milk and blood. China porcelain. glaze. cobalt (mineral). gold (metal) painting / gilding / vitrification Porcelain dish, with a modeled tulip motif in the wall and scalloped edge, painted in underly glaze blue and on the glaze in red and gold. On the flat a medallion with a landscape in which a man and woman pulled into a car by two horses. On the back of the car a servant who holds a parasol over their heads; A s

Portrait of a Man, mid 1800s. Switzerland, Neufchatel, mid-19th century. Watercolor on ivory; overall: 2.6 x 6.7 x 8.6 cm (1 x 2 5/8 x 3 3/8 in.).

Tile from a stove, glazed red earthenware, tin-enamelled, Vertical rectangle with outcurve base. Blue and white landscape with tall ruined buildings, walled garden at left. Butterfly and birds in air. Base has drapery festoon., possibly Germany, 18th century, tiles, Decorative Arts, Tile from a stove

Embroidered picture, Medium: silk Technique: satin weave, embroidered with silk floss and hand-painted, Landscape showing a stream with rocks, trees, grass and a bridge; two women fishing, one wading in the stream. In a border of blue satin with urns, vines, birds in oval medallions, scrolls, etc., England, late 18th century, embroidery & stitching, Embroidered picture

Pa. German Dish. Dated: c. 1938. Dimensions: Original IAD Object: 16" in diameter. Medium: oil paint on paperboard. Museum: National Gallery of Art, Washington DC. Author: William L. Antrim.

Tile (Iran); glass-glazed earthenware, underglaze decoration

Folding range with leaf of ocher -colored paper with a representation of 'the Sabine Virgin Roof'; Turtle frame, with geometric motifs of silver filigrein on the outdoor legs, anonymous, c. 1675 - c. 1699 Folding range with a single leaf of ocher -colored paper on which in a cartouche 'De Sabijnse Virgensroof' in Gouache, on a turtle frame with geometric ornaments of silver filigrein on the outdoor legs. On the back the leaf is painted with flowers. Leaf: From ocher -colored preaged paper, which serves as a fond for the gold -colored and black painting. Central cartouche with the moment when the Romans chess the young women of the Sabines and the other neighbor tribes during the big party in honor of Neptunus. In the background are v.l.n.r. recognize the columns of the S. Maria Sopra Minerva, the Pantheon and the pyramid of Caius Cestius. Above the columns of S. Maria Spora Minerva, the letters 'SPQR' are clearly visible; The abbreviation for 'Senatus Populusque Romanus' (Senate and Vo

Field of four tiles with hunters and animals, Anonymous, c. 1620 - c. 1640 Field of four tiles (2 x 2) each with a blue painted animal or hunter within a circle band with zigzag motif. In the corners, a lily. Netherlands earthenware. tin glaze majolica Field of four tiles (2 x 2) each with a blue painted animal or hunter within a circle band with zigzag motif. In the corners, a lily. Netherlands earthenware. tin glaze majolica

Roundel, St. Catherine brought to Emperor Maxentius by her jailors; Belgium; silk, gold thread; diam.: 18 cm (7 1/16 in.)

Ferdinand Levillain (1837-1905). "Les Colombes medal". Metal, silver bronze. Museum of Fine Arts of the City of Paris, Petit Palais. 57552-14 Silver, bronze, dove, medal, metal, numismatics

Tabletop with Hunting Scenes; Francesco (or Filippo) Saverio Maria Grue (Saverio Maria or Saverio Grue), Italian, 1731 - after 1802; Castelli, Italy, Europe; about 1760; Tin-glazed earthenware; Object: H: 3.2 x Diam.: 59.7 cm (H: 1 1/4 x Diam.: 23 1/2 in.)

. Porcelain plate, painted on the glaze in blue, red, pink, green, yellow, black and gold. On the flat one image of the Golden Bend in the Herengracht in Amsterdam, based on a carving by Roeland van Leuve (1691-1757); the wall with two intertwined spirals on a dotted soil; On the edge a bond with leaf raft. A chip in the edge. Old label on the underside with 'exhibition of old art / Rijksmuseum 1929 / Alberge'. Decorated in Europe.

Dish with three heroes from Water Margin China Cartouches at these figures hips name them as heroes from the classic novel Water Margin (Shuihu Zhuan), which recounts the resistance of a gang of outlaws to the corrupt Song government in the early twelfth century. First published in the mid-sixteenth century, the novel was popular and remained so through the modern period. Figures and scenes from the novel became important sources in the art of the Ming and Qing dynasties.. Dish with three heroes from Water Margin. China. Porcelain painted with overglaze polychrome enamels (Jingdezhen ware). Qing dynasty (1644-1911), Kangxi mark and period (1662-1722). Ceramics

Rectangular leaf with figures on a terrace., Anonymous, 1750 - 1775 Rectangular leaf with ingredients on four low feet. Painted with figures on a terrace: a high -ranking Chinese sits on a seat and gets coolness with a fan; Behind him a large chart screen. Two people kneel for him. Two groups of four men are watching on the Werszijde. In the edge a geometreian pattern and a very stylized leaf vank. On the raised outer edge a cracked ice motif and on the bottom a mushroom in blue. China copper (metal). Rectangular leaf with ingredients on four low feet. Painted with figures on a terrace: a high -ranking Chinese sits on a seat and gets coolness with a fan; Behind him a large chart screen. Two people kneel for him. Two groups of four men are watching on the Werszijde. In the edge a geometreian pattern and a very stylized leaf vank. On the raised outer edge a cracked ice motif and on the bottom a mushroom in blue. China copper (metal).

Large Dish China. Large Dish. China. Painted enamel. Qing dynasty (1644-1911), Qianlong period (1736-95). Enamels

Plates from Savona, Italy, 18th century, with Oriental landscapes, flowers and birds. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.

Gourde: Diane and the Nymphs, Italian Majolique de Urbino, mid -16th century (Diane side)

Plate (part of a set of six) ca. 1790 John Turner. Plate (part of a set of six). British, Staffordshire. ca. 1790. Earthenware. Ceramics-Pottery

Harlequin and Columbine. Harlequin and Columbine are stock figures in the Commedia dellArte, a form of Italian theatre in which the same recognizable characters play a role in different sketches. These performances were extremely popular in the 18th century. The leading characters recur in a variety of decorative objects, such as this figure group, which was modelled by Johann Joachim Kändler.

Impotent Fisherman. The impotent fisherman. A complaining woman is sitting next to her husband who is fishing with a rod. There is a verse to the show. See also NRS. SK-A-4465 and SK-A-4466.

Folded range, Facing decor: in the center, David in the company of soldiers in ancient costume advances to a group of women with baskets of fruit and bread and jugs. The scene takes place in an architectural landscape. GAL1981.96.4 Paper and gouache, ditto back, pearl and carved mother -of -pearl frame, mother -of -pearl rter

58 Nevers, faience and fine arts museum, former Notre Dame abbey (13th century)

Folding range with a thin leather leaf on which a pastoral scene has been painted with watercolor, on a frame of pearl pearl Ajour and cut into relief with 'Métal and Quatre Coleurs', Anonymous, c. 1780 - c. 1790 Folding range with a thin leather leaf on which a pastoral scene has been painted with watercolor, on a frame of mother -of -pearl Ajour and cut into relief with 'Métal and Quatre Coleurs'. 16 Not contiguous legs. In the middle of the leaf a cartouche in which a shepherd and ditto shepherdin with an elegant -dressed woman who smells sitting on an elevation on a flower. In the collection of Museum Boymans van Beuningen in Rotterdam there is a slightly former fan on which almost the same pastoral is depicted (inv. D172). The only difference is that on the Rotterdam copy behind the shepherd, no tree, but part of a wall with a vase is painted. On either side of the central performance Neo-classical motives in the form of a medallion with vase. Around it flowers and a corner. Blue

Plate, painted with the temptation in the desert, Anonymous, 1660 Faience plate, painted in blue with the temptation in the desert. Delft . Faience plate, painted in blue with the temptation in the desert. Delft .

Folded range, Faced decor: Esther facing Assuerus vanishes in the arms of his companions, the scene is placed in an architectural setting. GAL1981.95.40 Face leaf: skin and gouache, Englishwoman in a motherboard remedied, redoor and burgamed, rtering dating from the 19th century

Unknown (n. - d.), Plate (main title). Porcelain, polychrome enamels. Petit Palais, Museum of Fine Arts of the City of Paris.

Oval Dish Depicting Cumaean Sibyl, late 1500s. Circle of Bernard Palissy (French, 1510-1589). Earthenware with lead glazes; overall: 38 x 26.4 cm (14 15/16 x 10 3/8 in.).

Folded range, Facing decor: in the center, a couple sitting on a rock, the man playing the mandolin, the young shepherdess listening, upper border in tulle doing domino, frame frame: geometric decor, vase decor and bouquet on The plumes. Gal1999.6.1 Face leaf: satin and tulle gouache and glitter cream gold, ivory faces.

Plate with Moses Striking the Rock. Italian; Urbino. Date: 1540-1550. Dimensions: Diameter: 30.5 cm (12 in.). Tin-glazed earthenware (maiolica). Origin: Urbino. Museum: The Chicago Art Institute, Chicago, USA. Author: Urbino Potteries.

Plate. Culture: Japan. Dimensions: Diam. 12 3/4 in. (32.4 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

St. Catherine brought to Emperor Maxentius by her jailors, Medium: silk, gold thread Technique: embroidery, Five small roundels embroidered in colored silks and gold. Three illustrate scenes from the legend of St. Catherine of Alexandria; two others scenes from the life of St. Martin., Belgium, 15th century, embroidery & stitching, Roundel, Roundel

Armchair designed ca. 1786, woven 1790-91; chair frame second half 19th century Tapestry upholstery by Beauvais Tapestry-woven upholstery for two settees and twelve armchairs was commissioned at the same time as the wall hangings depicting the Four Continents (1978.404.1-.4).¹ The Four Continents was one of two suites-each including four wall tapestries and coordinating seating furniture-that were ordered from Beauvais in 1786; the subject of the other suite was to be a series illustrating the arts, sciences, agriculture, and commerce. An earlier suite of tapestry furniture covers depicting the continents was produced at the Royal Manufactory of Gobelins in 1748, and the arrangement of the motifs in Le Barbiers covers is similar: personifications of the continents are set against a landscape on the seat backs, and native animals populate the seat covers.² This subject in tapestry aligns with the contemporary popularity of the Four Continents in eighteenth-century European art: everyth

Folding range with paper leaf on which in Gouache at the front a pastoral performance with two figures, dog and sheep and on the back a shepherdin, on a frame of ivory ajour and cut into relief, with accompanying fan box, c. 1760 Folding range with paper leaf on which in Gouache at the front a pastoral performance with two figures, dog and sheep and on the back a shepherdin, on a frame of Ivory Ajour and cut into relief. Leaf: In a pastoral environment with trees, mountains, fence, dog and three sheep is a woman with a basket in which flowers and fruits. With her left hand, she offers the sitting man to her to her a grape paw. Both are barefoot. The scene is surrounded by a multicolored decorative border with gold paint with flower garlands, page paper and clarons. On the back a sitting woman with shepherd's staff for a forest shachage and tree. Frame: in the middle of a ground, sitting on a large animal a half -naked man and woman surrounded by three putti, flowers and leaves and roci

Meissen factory, during figurines (title of the whole). Hard porcelain, polychrome enamels. Petit Palais, Museum of Fine Arts of the City of Paris.

Writing Box with Design of Six Poets under a Cherry Tree and a Pine 18th century Japan. Writing Box with Design of Six Poets under a Cherry Tree and a Pine 58137

Beverly Chichester, Plate, c 1936 Plate

Félix Henri Bracquemond, Eugène Rousseau. "Flat plate". Ceramics, fine earthenware, printed decor and painted under cover. 1866-1875. Museum of Fine Arts of the City of Paris, Petit Palais. 74386-21 Flat, ceramic plate, prints, fine faience, woman, painted, dishes, dog

. Punchkom, painted multi-colored on two sides with a face on one side on one side on the Portuguese synagogue in Amsterdam and the other side a water landscape with sailing ships.

EVENTAIL. Illustration of an episode of "without family" by Hector Malot ". Paper, colors printing, common wood. Paris, Carnavalet museum. Eventail: Illustration of an episode of "without family" by Hector Malot; World Exhibition Fashion accessory, Eventail

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