Artisan Plates and Ceramics

Beautifully crafted decorative plates featuring intricate designs, mythological narratives, and historical scenes, reflecting artistic styles from various eras.

Plate with Pronk Design of a Prostitute and Attendant, 18th century, Unknown Japanese, 1 1/4 × 9 3/8 × 9 3/8 in. (3.18 × 23.81 × 23.81 cm), Imari ware; porcelain with underglaze cobalt blue, overglaze enamels, and gold, Japan, 18th century

A medallion with the image of a crane with peaches among Taoist emblems unknown

Snuifdoos, painted with mythological representations, Gottfried Chodowiecki, 1777 Rectangular gold box with arched lid. The inside and outside enameled white. On the outside of the lid a painted representation of Perseus, which frees Andromeda; On the inside Venus with the armor of Aeneas. On the front show of Leda with the swan. On the back Venus and Amor, resting at a fountain. The bottom is painted with putti. Berlin gold (metal). Rectangular gold box with arched lid. The inside and outside enameled white. On the outside of the lid a painted representation of Perseus, which frees Andromeda; On the inside Venus with the armor of Aeneas. On the front show of Leda with the swan. On the back Venus and Amor, resting at a fountain. The bottom is painted with putti. Berlin gold (metal).

Embroidered picture, Medium: silk and wool embroidery on silk foundation Technique: embroidered in stem and satin stitches on plain weave foundation; face, hands and sky are painted, Scene of a boy holding a bird's nest in his lap with one bird perching on his finger, in a rural landscape., England, ca. 1790, embroidery & stitching, Embroidered picture

Wine cooler with Charles Vs Victory at Mühlberg ca. 1560-90 Based on an engraving by Enea Vico The painted scene on the interior of this cooler depicts an important sixteenth-century event—the 1547 victory of the Catholic forces of the Holy Roman Emperor Charles V over his Protestant enemies. A Latin inscription identifies the scene, which was adapted from a popular print. Coolers were not originally intended to be hung on a wall, but this works foot was removed in later centuries when collectors preferred the vertical display of pottery.. Wine cooler with Charles Vs Victory at Mühlberg 201669

Painting with inn scene, Anonymous, c. 1700 - c. 1799 Painting, round, back glass painting, with an inn scene. In a gilded copper list. Netherlands glass. copper (metal). gilding (material). paint (coating). silk gilding Painting, round, back glass painting, with an inn scene. In a gilded copper list. Netherlands glass. copper (metal). gilding (material). paint (coating). silk gilding

Dish. Iran, Mashhad or Kirman, about 1650. Ceramics. Fritware, underglaze painted

PLATO DECORADO CON VISTA DE SAN PETERSBURGO. Location: PRIVATE COLLECTION. France.

Dish with saint (Saint Francis) or friar praying before crucifix. Culture: Italian, Deruta. Dimensions: Overall (confirmed): 3 1/2 × 16 5/8 in. (8.9 × 42.2 cm). Date: ca. 1515-30. Museum: Metropolitan Museum of Art, New York, USA.

Large Plate with Dragons, Clouds and Floral Sprays 1522-1566 China. Porcelain painted in underglaze blue and overglaze yellow enamel .

Ventaglio. Date/Period: 1850s. Morther of Pearl, tempera on paper. Height: 57 cm (22.4 in). Author: UNKNOWN.

Antique wooden chest with Adam and Eve painting Antique wooden chest with Adam and Eve painting Copyright: xZoonar.com/BorisxZerwannx 7006298

Anonymous. "Del Barbiere di Seviglia (Le Barbier de Seville)". EVENTAIL. Paris, Carnavalet museum. 75351-3 Comedie, Eventail, Illustration, Le Barbier de Seville

Platter. Deruta (ośrodek ceramiczny ; ca 1500- ), potter's workshop

EVENTAIL. Costumed evening in medallion; Pierrot; A. Bayot 19th. Watercolor on paper, openwork ivory. Paris, Carnavalet museum. 99088-24 Fashion accessory, Eventail

Fire Screen, c. 1878-80. Firm of Herter Brothers (American). Gilded wood, painted and gilded wood panels, brocaded silk, embossed paper; overall: 131.8 x 76.2 x 58.3 cm (51 7/8 x 30 x 22 15/16 in.).

EVENTAIL. "Four couples separated by verses; love consulting a painting". Paper, colored engraving, rosewood, ivory net. Paris, Carnavalet museum. Eventail: four couples separated by verses; Love Consulting a painting Fashion accessory, Eventail

Manufacturer: De Porceleyne Bijl, Series of twelve plates with blue herring industry scenes: No 3. The making of corner, plate crockery holder ceramic earthenware glaze, baked glazed glazed Round plate with outer edge three pruned prints on the back On the top edge at the bottom of the representation in elongated cartouche: No 3. The making of cornerer of herring herring harvest herring industry herring boat Delft blue interior

A plate Dietrich, Adolf Fryderyk (1817 1860), Mielów

Barberini Cabinet. Artist and publisher: After woodcut illustrations by Francesco Del Tuppo (Italian, 1443/44-1501) , published in Naples in 1485. Culture: Italian, Florence. Dimensions: 23 1/4 x 38 1/8 x 14 1/8 in. (59.1 x 96.8 x 35.9 cm). Maker: Galleria dei Lavori, Florence. Date: ca. 1606-23."The Barberini family in the later sixteenth and seventeenth centuries presents a virtual paradigm of the well-managed Roman family. The Barberini recognized that the way to power and wealth lay through the Church and that the perpetuation of the family was dependent on marriage; and they accordingly consistently pursued both of those channels of family development. For several generations they were blessed with sufficient male offspring, and they managed this natural resource to the benefit of the family as a whole."1 In line with this tradition, Maffeo (1568-1644), the second youngest of Antonio Barberini's six sons, left Florence in 1584, to take up residence and continue his education at

Dish (coppa umbonata). Culture: Italian, Gubbio. Dimensions: Diameter: 7 3/4 in. (19.7 cm). Date: ca. 1530. Museum: Metropolitan Museum of Art, New York, USA.

Folded range, Decor Face sheet: Sarah Bernhardt supported by 2 winged figures bearing, one the mask of the tragedy, the other the mask of comedy, 2 other winged putti carrying cartridges: "passing ... Youth youth from Louis XIV ".

Anonymous. Headquarters at the carved and golden wood queen, Beauvais tapestry (overview on a light background), 19th century. Paris, Cognacq-Jay museum. Sculpt, countryside, gold, armchair, seated woman, Beauvais manufacture, furniture, queen seat, tapestry, 19th century, furniture

Poiié, Philippe (n. - d.), Armchair to the queen: the merchant of fish and rugged landscape (main title). Sculpted wood, Beauvais tapestry. Petit Palais, Museum of Fine Arts of the City of Paris.

Ruit met Johannes met beker in de hand.Window with John holding a cup from which a dragon takes off

Table Screen: The Peach Blossom Spring, Land of the Immortals, 14th Century. China, Yuan dynasty (1271-1368). Lacquer on wood with mother-of-pearl inlay; overall: 48.9 x 44.6 cm (19 1/4 x 17 9/16 in.).

Dish (coppa) ca. 1530-35 Italian, Gubbio. Dish (coppa) 460261

EVENTAIL. The market concluded or the capitulation, caricature on capitulation of March 30, 1814. Paper, drawing enhanced with watercolor, wood and bamboo. Paris, Carnavalet museum. 99071-20 Fashion accessory, Eventail

Wall Fountain and Basin Made 1750-1760 Sceaux. This fountain, sculpted in high relief and painted in bright enamel colors, exemplifies both the ambitions of the pottery established at Sceaux, south of Paris, and the exuberance of the Rococo style of mid-18th-century France. A triton (a mythological sea deity resembling a merman), a nymph, and a scampering child pose on a rocky, shell-encrusted outcrop that projects over a dolphin-like sea creature from whose open mouth water flowed. Underneath, a large shell-shaped basin enriched with reeds and bulrushes, supported by rockwork and another sea monster, receives the water that streamed from above. The shell and reed decoration, characteristic of the Rococo, here also reinforces the aquatic theme of the piece.A pottery had existed at Sceaux from around 1739, but it only truly prospered after the arrival of Jacques Chapelle as director in 1749. Chapelle seems to have had ambitions to produce porcelain at Sceaux but was prohibited by the st

Folded range, decoration facing vegetable garland and border of pink flowers, in the center, scene in a park: 4 young women and 4 young men, one of whom plays the flute. Gal1963.2.7A Face sheet: chromolithographed, gouache and gold, engraved and golden paper, bone mount, plumes with application of golden paper on the reverse, rivet and golden metal, mother -of -pearl eyes, mother -of -pearl

Plate (tagliere). Culture: Italian, probably Deruta. Dimensions: Diameter: 17 5/16 in. (44 cm). Date: ca. 1530. Museum: Metropolitan Museum of Art, New York, USA.

EVENTAIL. "Summer and bathers at the beach". Printing on paper, common wood. Paris, Carnavalet museum. Eventail: summer visitors and bathers at the beach Fashion accessory, Eventail

Cope ca. 1438 Spanish. Cope. Spanish. ca. 1438. Silk, metal thread. Made in Burgos, Castile-León, Spain. Textiles-Costumes-Ecclesiastical

Dish ca. late 17th-first half of 18th century China. Dish. China. ca. late 17th-first half of 18th century. Porcelain painted in overglaze polychrome enamels. Qing dynasty (1644-1911), Kangxi period (1662-1722). Ceramics

Charles Henri Pie. "Country meal in Brittany (front)". EVENTAIL. Paris, Carnavalet museum. 56636-6 Campaign, champetre, costume, event, meal, front

Plate. Culture: American. Dimensions: Diam. 11 3/4 in. (29.8 cm). Maker: Attributed to David Spinner (1758-1811). Date: ca. 1800. Museum: Metropolitan Museum of Art, New York, USA.

Anonymous (n. - d.), Bergère: Le Petit Oiseleur and the Heron (main title). Sculpted wood, Beauvais tapestry. Petit Palais, Museum of Fine Arts of the City of Paris.

Lady and Cavalier, Known as The Handkiss’. Johann Joachim Kändler was appointed an assistant to Johann Gottlieb Kirchner at Meissen in 1731. After Kirchern’s departure, Kändler took over as Modellmeister, or modelling master. In addition to large commissions, from 1736 Kändler also worked on smaller figure groups.His originality and humour raised the genre to great heights.

EVENTAIL. "Couple sitting on a stone bench in a landscape". Watercolor gouache on paper, ivory frame, pearl with pivot. Paris, Carnavalet museum. 99067-16 Fashion accessory, Eventail

EVENTAIL. Marriage according to the law. Revolution. Paper, gouache engraving, united ivory. Paris, Carnavalet museum. 99056-26 Fashion accessory, Eventail

ARQUETA: DE SAN MARTIN I EL HUMANO. (DEPOSITO: MUSEO ARQUEOLOGICO NACIONAL).

Painting with representation of the Madonna della sedia to Rafael. Dating: c. 1850 - c. 1899. Measurements: h 7.9 cm × w 6.6 cm; h 10.8 cm × w 8.0 cm. Museum: Rijksmuseum, Amsterdam.

The Annunciation, c. 1625. Germany, 17th century. Enamel on glass; overall: 7.5 x 5 cm (2 15/16 x 1 15/16 in.).

Painting with the presentation of a woman with a lifted right arm, anonymous, c. 1850 - c. 1899 Painting with the presentation of a woman with a lifted right arm. The woman is depicted in half, dressed in 18th-century gestation, consisting of a green dress with white battisten wrap and cuffs and flower corsage on the chest. Her gray -blond hair stabbed with ribbon. Coagened in an oval frame of metal in neo-classicist style with pearl and ribbed edge, crowned by bow. unknown Gouache (Paint). Carrier: Ivory. List: Alloy. List: tin (metal). List: Lead (Metal). List: Gold (Metal). Glass. peaker Painting with the presentation of a woman with a lifted right arm. The woman is depicted in half, dressed in 18th-century gestation, consisting of a green dress with white battisten wrap and cuffs and flower corsage on the chest. Her gray -blond hair stabbed with ribbon. Coagened in an oval frame of metal in neo-classicist style with pearl and ribbed edge, crowned by bow. unknown Gouache (Paint). Ca

Bandbox - Firemen Scene. Dated: c. 1939. Dimensions: overall: 30.6 x 40.7 cm (12 1/16 x 16 in.) Original IAD Object: 12" high; 17 1/2" long; 14 1/2" wide. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Walter Doran.

Przeszo Przyszoci Master C.I.

Document Box with a Scene from the Butterflies” Chapter of The Tale of Genji 20th century Japan This lavishly decorated document box demonstrates the skill of a Meiji-period maki-e master. It is decorated with flowering cherry trees, a young willow tree, and a pleasure boat carrying a large gagaku drum for water music, as described in chapter 24 of The Tale of Genji. Genji, Lady Murasaki, and several courtiers set out for a spring boat party accompanied by musicians, and later exchange poems in celebration of the season.Part of a set with 1981.243.2(a-m). Document Box with a Scene from the Butterflies” Chapter of The Tale of Genji 58412

Pax. Culture: Italian, Venice. Dimensions: 8 1/4 × 6 1/2 × 3 in. (21 × 16.5 × 7.6 cm). Date: late 15th-early 16th century. Museum: Metropolitan Museum of Art, New York, USA.

'Incised Lacquered Cabinet', c1680, (1910). Artist: Unknown.

Anonymous. 3 Tarare scenes (front), 18th century. Ventail. Paris, Carnavalet museum. 75472-17 Estail, the works, taro, the correct, scene

Portrait of Luigi Sommariva citrine 1820, gold suspension loop probably contemporary with intaglio Giovanni Beltrami The pale yellow, oval citrine is cut as a cabochon (curved at the front and flat at the back) and highly polished. Into the back Giovanni Beltrami engraved a miniature version of Robert Lefèvres oil portrait of Luigi Sommariva (Galleria dArte Moderna, Milan). The image and its accompanying inscription are carved in reverse so that they are oriented correctly when the citrine is viewed from the front. The translucent stones convex shape acts like a lens to enlarge the scene and to amplify the sense of form and spatial recession. The deeply carved figure of Luigi has the startling three-dimensionality of a hologram while the shallowly carved landscape appears to expand into the far distance behind him. Beltrami convincingly rendered different materials and textures by varying the grinding strokes in the predominantly matte engraving. He highly polished discrete areas to

Tray (plateau carré, deuxième grandeur). Sèvres Manufactory (French, founded 1756)

Saucer with a portrait of Daniel Raap, anonymous, c. 1750 Porcelain dish, painted on the glaze in blue, red, green, black and gold. On the flat of the dish a portrait of Daniel Raap (1702-1754), a porcelain dealer in Amsterdam. Decorated in Europe. China porcelain. glaze. gold (metal) painting / gilding / painting Porcelain dish, painted on the glaze in blue, red, green, black and gold. On the flat of the dish a portrait of Daniel Raap (1702-1754), a porcelain dealer in Amsterdam. Decorated in Europe. China porcelain. glaze. gold (metal) painting / gilding / painting

Mask fan. Date/Period: 1740 - 1749. Costumes. Paper leaf patched with skin, etched, engraved, and painted in watercolor; pierced, partially painted, varnished and gilded ivory sticks; mother-of-pearl; brass. Height: 263 mm (10.35 in). Author: UNKNOWN.

Tile, Anonymous, 1620 - 1640 Tile with a multi -colored portrait of a woman within a squared frame and in the corners of the Vulthechniek ornament. Netherlands earthenware. tin glaze majolica Tile with a multi -colored portrait of a woman within a squared frame and in the corners of the Vulthechniek ornament. Netherlands earthenware. tin glaze majolica

Tile with a portrait of a woman. Tile with a multi-colored (blue, orange, green, yellow and purple) Portrait of a woman with millstone collar in a circle picture frame with leaves in the corners in filling technology.

Wall Tile- Man with a Sword, c 1600s. Spain, 17th century. Glazed ceramic; overall: 13.7 x 13.7 cm (5 3/8 x 5 3/8 in.).

L.T. PIVER, Olympic Games 1924 (Title attributed), 1924. Sheet and against paper sheet, printing by photomechanical process, orange tinted wooden frame, metal rter and eye. Palais Galliera, fashion museum of the city of Paris. Figurative 5 sports decor present their outfits (a mountaineer, a tennis player, a swimmer, a fencer, a rugby player).

DIA 19 DE MARZO DE 1808 EN ARANJUEZ CAIDA Y PRISION DEL PRINCIPE DE LA PAZ - ABANICO - SIGLO XIX. Location: MUSEO DEL ROMANTICISMO-OBJETOS VARIOS. MADRID. SPAIN. MANUEL GODOY Y ALVAREZ DE FARIA (1767-1851). MANUEL GODOY (1767-1851) PRINCIPE DE LA PAZ.

CERAMICA IRANI-CUENCO EN BARRO COCIDO S XIII. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.

Anonymous, 1774. Copper, gouache, glass. Palais Galliera, fashion museum of the city of Paris.

Giangaleazzo Visconti, First Duke of Milan left half?. Medium: niello plate. Museum: National Gallery of Art, Washington DC. Author: Italian 15th Century.

Terracotta squat lekythos (oil jar) mid-4th century B.C. Greek, Attic Events in the Athenian festival of the AdoniaThe Adonia was a festival held in summer and dedicated to Adonis, the beautiful young hunter beloved by Aphrodite and killed by a boar. From his spilled blood, flowers issued from the ground. The celebration of the Adonia included setting pots of plants on rooftops to germinate and quickly wither. The lekythos shows a woman on a ladder receiving a planter from Eros, presumably to place on a roof. Similar objects appear in the field. Seated below the ladder is a young man, perhaps Adonis, and behind Eros is a woman, perhaps Aphrodite. The procession of figures behind the goddess may be connected with the ritual.. Terracotta squat lekythos (oil jar). Greek, Attic. mid-4th century B.C.. Terracotta; red-figure. Late Classical. Vases

Assigned to Pierre Reymond (active from 1534 to 1578). "Saltary - Scenes of the life and work of Hercules", mid -16th century. Metal, enamelled copper, polychrome painted enamels on a black background, gold highlights. Museum of Fine Arts of the City of Paris, Petit Palais. Copper emaille, email, metal, mythological character, rehabilit

EVENTAIL. "Evasion of Latude", late 19th century. Gouache on black percale, tinted wood. Paris, Carnavalet museum. 99075-11 Fashion accessory, Eventail

Painted Basin. Dated: 1935/1942. Dimensions: overall: 40.9 x 51 cm (16 1/8 x 20 1/16 in.) Original IAD Object: top: 17 1/2" wide; 13 3/4" deep; bottom: 13 1/2" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: John H. Tercuzzi.

Helmut Hiatt, Plate Marine Hospital, Louisville, c 1936 Plate - Marine Hospital, Louisville

Lord Edward Thynnes Snuff Box, Decorated with Foxhunting Scenes by John Ferneley, Attributed to John Ferneley, 1782-1860, British, 1832 or 1833, Oil on gold, Sheet: 1 1/2 x 3 3/8 inches (3.8 x 8.6 cm), fox (animal), horse (animal), hunt, sporting art

CERAMICA POPULAR DE TERUEL - SIGLO XVII.

Bord, anonymous, c. 1710 - c. 1730 Round plate of blue painted faience. On the flat, the portrait of Antoni van Leeuwenhoek is painted in a change. Delft earthenware. tin glaze. Round plate of blue painted faience. On the flat, the portrait of Antoni van Leeuwenhoek is painted in a change. Delft earthenware. tin glaze.

'A Pair of Chelsea Groups Representing the Seasons', c1740s, (1911). Creator: Louis Francois Roubiliac.

Earthenware in Cau Ferrat museum, Sitges, Spain

Love and Innocence. Culture: French. Dimensions: Overall: 21 1/2 × 17 × 6 1/4 in. (54.6 × 43.2 × 15.9 cm). Date: ca. 1820-25.This clock representing Love and Innocence corresponds to a watercolor in the Museum's collection (67.548.3). The winged cupid holding a lyre symbolizes love, and the seated female with her arms crossed over her chest is emblematic of innocence. The front of the plinth, decorated with a relief of flaming torches, billing doves, and embracing figures, emphasizes the theme of love. Museum: Metropolitan Museum of Art, New York, USA.

Anonymous. Plate "The misfortune brings us together". Earthenware. Paris, Carnavalet museum. 71684-7 Decoration, Faience, Revolutionary Periode, French Revolution, Plate

of 2