Artistic Studies and Sketches

A collection of pencil and ink studies featuring landscapes, floral designs, and figure studies, showcasing various artistic techniques.

Two studies of a flying angel, draughtsman: Domenico Beccafumi, 1519 - 1547, paper, pen, brush, h 215 mm × w 145 mm

Lange Ludwig (1808-1868), rock picture (without date): Perspective view. Pencil on paper, 15.8 x 23.8 cm (including scan edges)

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (n.1855-08-02-D.1922-01-18), Les Filles d'Obli (main title), 1896. Gypsography, brown, brown and black draw. Petit Palais, Museum of Fine Arts of the City of Paris.

Bluszcz Study, Outline of the Green Satire; Thoma, Hans (1839-1924); 1880-1900 (1880-00-00-1900-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, common ivy, plants, old people, portrait studies, plant studies

Haman Before Ahasuerus, Rembrandt van Rijn (School of), c. 1640 - c. 1650 drawing Amsterdam paper. ink pen the story of Esther

Study of a head. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 196 mm × w 135 mm. Museum: Rijksmuseum, Amsterdam.

Study, abklatsch of a chalk drawing.page 27 from a sketchbook with 21 sheets.

Two studies of a flying angel, draughtsman: Domenico Beccafumi, 1519 - 1547, paper, pen, brush, h 215 mm × w 145 mm

A sculptural winged figure by Rudolf Weyr, depicting a human form with extended wings, showing posture, drapery, and anatomical details.

Japanese Baptism 1860-98 Félix-Hilaire Buhot French. Japanese Baptism. Félix-Hilaire Buhot (French, Valognes 1847-1898 Paris). 1860-98. Etching, aquatint, sulphur tint, spirit ground, lift ground, and stop-out; first state of three. Prints

Sailing ships on open water, Adrianus Everssen, c. 1828 - 1897 In the front of a sailing ship on open water. A man operates the tie stick. A second sailing ship in the distance. Page 5 Recto from a sketchbook with 27 magazines. Netherlands paper. pencil sailing-ship, sailing-boat

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: sheet: 10 7/16 x 15 13/16 in. (26.5 x 40.2 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Hand, Giacomo Cavedone, 1587 - 1660 drawing paper. deck paint. chalk hand. hand

La Mort et le bûcheron (6th plate) , Death, Skeletons, Woodcutters, Fuelwood, Alphonse Legros (1837-1911)

Lying, naked figure, George Hendrik Breitner, 1867 - 1923 print paper (showing oneself) undressed, quasi-nude. lying figure

Two heads, possibly from girls, George Hendrik Breitner, c. 1883 - c. 1885 Page 82 from a sketchbook with 48 sheets. Drenthe paper. chalk head (human). girl (child between toddler and youth)

Study on the 'Death of Cleopatra' by Hans Makart, executed in pencil on paper around 1870, showing figure, pose, and drapery in a historical composition.

Standing and kneeling men seen on the back. Leaf 8 Recto from a sketchbook with 28 sheets.

Edgar Degas, Studies of Feet (verso), 1855 Studies of Feet verso

Abklatch of the chalk drawing on leaf 28 verso. Schutblad B, rear bract, from sketchbook LXII with 28 sheets.

Abstract composition, Erich Wichmann, 1920 print paper Abstract, Non-representational Art

Allegorical drawing on the victory of religion by Franz Anton Maulbertsch, executed in graphitic pencil with brown spring tones, circa 1760-1763.

Italian Jonker and Lansier; Equestrian series. Two prints on a leaf, with German caption and Latin inscription. Left: horse and rider to the left. The horse is linging. The Italian dressed Jonker has a riding sweep in the hands. Right: Fragments from horse and rider to the right. The horse is in step. The rider is completely hatched and has a lance. He is dressed Italian.

Järnefelt, Eero, work, Sketch book, 1925-32, pencil and crayon, drawing, 25 cm x 33 cm, Järnefelt, Eero, 1925-32, pencil and crayon, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Job (2nd Plate). Alphonse Legros (French, 1837-1911). Etching and drypoint;

Abklatsch of the chalk drawing on page 2, 1875 - 1934 Page 3 from sketchbook XLI with 38 pages. The Hague (possibly) j: paper

Brugboog, Alexander Schaepkens, 1830 - 1899 print paper. etching bridge

Ban support. In the foreground the standard bearer, in the background, the city of Haarlem can be seen. In the undermaster a two-key Latin text. Pendant of infantry captain print. Copy in mirror image to engraving by Hendrick Goltzius from 1587. Reconstructed from three fragments.

Oedipus in Sfinx, Firmin Gillot, After Gustave Moreau, 1864 print paper Oedipus and the sphinx; he solves the riddle

Girl study

Charity holds a baby in her lap, an angel kneels beside her. Faith gazes at the Cross she holds on her left knee. Hope, winged and holding the shaft of an anchor, stands in the center. Graphite on brown paper. Date: 1880-95. Museum: Cooper Hewitt, Smithsonian Design Museum.

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (N.1855-08-02-D.1922-01-18), Aphrodite (Venus) (main title), 1915. Gypsography, drawing in brown and brown. Petit Palais, Museum of Fine Arts of the City of Paris.

Leeuw, Jacques de Gheyn (II), 1580 - c. 1596 print Oval representation of a lion, lying by a skull. To the show a Latin edge. Reconstructed from five fragments. Northern Netherlands paper engraving beasts of prey, predatory animals: lion

Abklatsch of the chalk drawing on page 26 Verso, 1875 - 1934 Schutblad B, Rear Schutblad, from sketchbook VII with 26 sheets. The Hague (possibly) paper. chalk

Buildings on the water.page 35 from a sketchbook with 42 Sheets.

Mother of Ensor and silhouettes, James Ensor, 1880, drawing, between circa 1880 and circa 1883, Belgian Art

Sketch of a young tree, afield. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Lion. Oval presentation of a lion lying in a skull. To the show a Latin peripheral. Reconstructed from five fragments.

Juda en Tamar, Hendrick Goltzius (attributed to), 1580 - 1596 print Round show of Judah and Tamar. Tamar is sitting in the foreground next to a tree, dressed like a Courtisane. In the background on the right you can see Tamar and Judah together. With reference to the Bible text in Gen: 38. Reconstructed from two fragments. Haarlem paper engraving story of Judah and Tamar (Genesis 38). Tamar changes from her widow's clothes and covers her face with a veil after the manner of the prostitutes; sitting at the entrance of a city on the road to Timnath she awaits Judah

A pencil drawing by Ludwig Rösch from June 10, 1889 depicts a door opening with a high-raised oriental carpet, showing interior elements and textile detail.

Untitled Sans titre. (Victor Hugo; Besancon 1802-1885 Paris; one 1853/55; Ink; laviert)

Study of an assembly of people. Jean-Baptiste Carpeaux (1827-1875). Study of an assembly of people. Drawing, around 1869.

Landscape with cloudy sky, 1888 - 1907 A mill in the distance. Page 100 from a sketchbook with 72 sheets. Wijk bij Duurstede (Possible) paper. chalk windmill in landscape. clouds

Recto: Giovanni de 'Medici ('dalle Bande Nere') leads his troops across the river Adda, driving back the Spanish forces, 1521; Verso: inscriptions, Jan van der Straet, called Stradanus, Flemish, 1523-1605, Pen and brown ink, brush and wash on paper, Horizontal rectangle. Opposing forces on horseback face each other, the troops at left moving across a river toward the enemy. Inscription on verso., Netherlands, 1583 or before, figures, Drawing, Drawing

Study leaves Henry Cros (1840-1907). Study sheets. Pencil on laid paper.

Two studies of a left hand.

Balcony, Robert Frederick Blum, American, 1857-1903, Graphite on wove paper, Sketch of a balcony and exterior wall of a building from the street below., USA, 1880, architecture, Drawing, Drawing

Sketch of an aquarium. .

Untitled. Marcel Jean; French, 1900-1993. Date: 1935. Dimensions: 165 × 175 mm (plate); 215 × 253 mm (sheet). Etching and aquatint on tan wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 7 x 2 15/16 in. (17.8 x 7.5 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Study, George Hendrik Breitner, 1886 Page 19 from a sketchbook with 9 sheets. The Hague paper. chalk

Sketch of acapital. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

High-Pool. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1964-1966. Dimensions: 278 x 378 mm (stone); 485 x 320 mm (sheet). Lithograph on tan newsprint. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Haman before Ahasuerus. Draughtsman: Rembrandt van Rijn (school of). Dating: c. 1640 - c. 1650. Place: Amsterdam. Measurements: h 113 mm × w 186 mm. Museum: Rijksmuseum, Amsterdam.

Design for a Ceiling (recto); Bearded Man Standing (verso) 1696-1770 Circle of Giovanni Battista Tiepolo Italian. Design for a Ceiling (recto); Bearded Man Standing (verso) 339350

Järnefelt, Eero, work, Sketch book, ca. 1910, pencil and watercolor, drawing, 29 cm x 37.5 cm, Järnefelt, Eero, approx. 1910, pencil and watercolor, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Ornamental drawing. Artist: Anonymous, French, 16th century. Dimensions: Sheet: 23 3/8 × 17 5/16 in. (59.3 × 44 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Järnefelt, Eero, work, Sketch book, 1894-96, pencil, marker, watercolor and crayon, drawing, 23.5 cm x 31 cm, Järnefelt, Eero, 1894-96, pencil, marker, watercolor and crayon, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Earth, Jacques de Gheyn (ii), After Karel van Mander (i), 1580 - 1596 print Presentation of the Earth element in the form of a naked woman with a tone of grain on the head, seated between an ox and the horn of abundance. In the background a number of riders are busy with the deer show. In the lower margin a two -line Latin text. Reconstructed from three fragments. Amsterdam paper engraving earth (one of the four elements)

Lazio Roma Rome Stimmate di San Francesco14. Hutzel, Max 1960-1990 Baroque church built over an early Roman church; crypt of church still in existence. Views of sculpture, stucco, painting, fresco, gilding. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two orchids and a cart on the beach, Maurits van der Valk, 1867 - 1935 print paper etching / drypoint flowers: orchid. (farm) wagon, freight wagon, cart. in or beside the water (on the beach)

Capt. Thomas Hastings, 1778-1854, British, Near Saint Lawrence, 9 August 1826, 1826. Graphite on medium, slightly textured, cream wove paper.

Drawing, Drapery Study; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on two pieces of cream wove paper, pasted together; 18.4 × 17.3 cm (7 1/4 × 6 13/16 in.); 1914-38-154

Two seated figures and angels on clouds. Draughtsman: Mattia Preti. Draughtsman: Paolo Veronese (rejected attribution). Dating: 1661 - 1666. Measurements: h 257 mm × w 188 mm. Museum: Rijksmuseum, Amsterdam.

Dark Graces, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1959. Dimensions: 469 × 365 mm (image); 639 × 453 mm (sheet). Color lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Sketch of the lower half of the Samson sculpture and the Philistines.

Le Chemin de Coutures, à Sèvres 1871 France. Etching and aquatint on cream laid paper . Félix Henri Bracquemond

Etching by Adriaen Frans Boudewyns depicting a landscape with a hunting society, created between 1664 and 1711.

Nocturne Furnace, 1879-80. James McNeill Whistler (American, 1834-1903). Etching;

Small Study of the Head of the Sick Woman, Rembrandt van Rijn, c. 1647 - c. 1648 drawing Small study of the head of the sick woman on the one hundred guilders. Amsterdam paper. ink pen head (human) - AA - female human figure

Feather drawing by Sebastiano Ricci depicting two representations of Mary with the child, laved, with emphasis on figure and drapery.

Woman at an ironing board. Draughtsman: Rik Wouters. Dating: 1892 - 1916. Measurements: h 292 mm × w 423 mm. Museum: Rijksmuseum, Amsterdam.

Lion. Oval presentation of a lion lying in a skull. To the show a Latin peripheral. Reconstructed from five fragments.

Amateur de Jardin Artist's working dates 1858-1874 Spain. Etching on paper . Mariano Fortuny y Marsal

A black and white chalk drawing with blue highlights by Martin von Molitor depicting a mountain landscape with a ruin, combining natural terrain and architectural remnants, created between 1780 and 1812.

Flower (orchid). Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 218 mm × w 139 mm. Museum: Rijksmuseum, Amsterdam.

Apocalypse de Saint-Jean Odilon Redon (French, 1840-1916). Apocalypse de Saint-Jean, 1899. Lithograph on China paper laid down, 11 15/16 x 9 3/16 in. (30.3 x 23.3 cm). European Art 1899

Design for a Serving Spoon, Pen and brown ink, brush and brown wash on brown laid paper, Large spoon with handle in the shape of herm figure with twisted legs ending in leaves at connection point of handle and bowl. Figure wears a learing expression and carries a quiver on its back., Italy, late 16th century, metalwork, Drawing, Drawing

Head of a Child, 1844 Recto, Front: The Ascension, Study for a Kneeling Apostle, 1844 Ford Madox Brown, Verso: Head of a child, turned slightly to the right. Recto: A bearded man, full length, kneeling with his hands raised in prayer., Art Movement, Pre-Raphaelite, Drawing, Pencil, Chalk, Sketch, Child, Study

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 9 1/16 x 5 3/4 in. (23 x 14.6 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Abklatsch of the chalk drawing on leaf 7 recto. Leaf 6 Verso from sketchbook LXX with 17 sheets.

Bamboo, late 19th century, Doi Gōga, Japanese, 1817 - 1881, 50 7/8 × 18 in. (129.22 × 45.72 cm) (image)77 5/16 × 23 5/8 in. (196.37 × 60.01 cm) (mount, without roller), Ink on paper, Japan, 19th century

Aaltonen, Pauli, work name: portrait head of Alexander Paischeff, 1913, plaster, sculpture, h. 46 cm

Head of old man with beret; Collection of different scribbles and etchings part 2; Recueil De Divers Griffonen et Preuves d'eau forte part 2. .

Holmberg, Werner, work, Sketch book, drawing, 21.3 cm x 27.6 cm, Holmberg, Werner

Studies of fins. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 344 mm × w 428 mm. Museum: Rijksmuseum, Amsterdam.

Risshi by the Sea Watching Birds, late 1700s-1849. Katsushika Hokusai (Japanese, 1760-1849). Fan painting; color on paper; framed: 40.7 x 63.5 cm (16 x 25 in.); overall: 19.5 x 51.5 cm (7 11/16 x 20 1/4 in.).

Equivalent 27C. Artist: Alfred Stieglitz (American, Hoboken, New Jersey 1864-1946 New York). Dimensions: 24.0 x 19.1 cm. (9 7/16 x 7 1/2 in.). Date: 1933. Museum: Metropolitan Museum of Art, New York, USA.

Ten Studies of Tahitian Figures 1891-1893 France. Brush and brown inks (originally purple), with watercolor, on parchment . Paul Gauguin

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Landscape withtrees, Watercolor, Blue laid, 27.2 × 42.5 cm (10 11/16 × 16 3/4in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Water; Aqua; Four elements. Presentation of the element of water in the form of a naked woman with a leafy on the head, pours water from a large horny shell in a different shell. In the background a boat on the water and a number of fishermen with nets in the weather on a beach. In the undermaster a two-key Latin text. Reconstructed from two fragments.

Washed -up bones, Anthonie van den Bos, after Hendrik Hoogers, 1809 - 1810 print Bones that were washed up to a dyke breach near Loenen during the flood of 1809 in which large parts of the central Netherlands flooded. paper etching bones in general (human body) South-Holland. Gelderland

This black and white chalk and blue drawing by Martin von Molitor, created between 1780 and 1812, shows a ruin viewed from a forest, emphasizing trees, architectural remains, and natural surroundings.

Sketch (verso), 1500s. Italy, 16th century. Brush and black wash; sheet: 15.7 x 14.8 cm (6 3/16 x 5 13/16 in.).

Gauguin, Paul (n.1848-06-07-D.1903-05-08), dogs and horses (main title), 1900. At front: drawing on vellum. On the back: lead mine. Petit Palais, Museum of Fine Arts of the City of Paris.

Bliżej Kultury Zabłocki, Feliks (1846 1874)

Dynamism of a human body (Dinamismo di un corpo umano), Boccioni, Umberto (1882-1916)

Bresdin, Rodolphe, L'Arbre tordu, Landscape with crooked tree, verso lower left - stamped, print, prints, verso lower center - stamped, height 54 mm, width 40 mm, height 101 mm, width 74 mm, French, 1822-08-13 - 1885-01-14, print maker, printmaker, 1849 - 1849, second quarter 19th century, paper, etching, Work conception, according to own design of

Juda en Tamar, Hendrick Goltzius (attributed to), 1580 - 1596 print Round show of Judah and Tamar. Tamar is sitting in the foreground next to a tree, dressed like a Courtisane. In the background on the right you can see Tamar and Judah together. With reference to the Bible text in Gen: 38. Reconstructed from two fragments. Haarlem paper engraving story of Judah and Tamar (Genesis 38). Tamar changes from her widow's clothes and covers her face with a veil after the manner of the prostitutes; sitting at the entrance of a city on the road to Timnath she awaits Judah

Drawing, Study for portrait; Harriet Blackstone (American, 1864 - 1939); USA; red pastel on paper; 30 × 22.5 cm (11 13/16 × 8 7/8 in.)

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