Biblical and Religious Art

Drawings and prints depicting religious scenes, significant figures, and moments from biblical stories, emphasizing emotion and spirituality.

Adoration of kings, draughtsman: Pieter Coecke van Aelst (I), (circle of), 1512 - 1600, paper, pen, brush, h 336 mm × w 204 mm

Drawing by Paolo Farinato depicting Solomon's Judgment, executed with chalk and feather, lavation, and white highlights on partially oxidized gray paper.

Adoration of kings, draughtsman: Pieter Coecke van Aelst (I), (circle of), 1512 - 1600, paper, pen, brush, h 336 mm × w 204 mm

The Vision of Saint Francis, kneeling at right, receiving the Christ child from the Virgin Mary. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Michel Lasne (French, Caen 1590-1667 Paris). Dimensions: Plate: 14 3/16 × 8 3/4 in. (36 × 22.3 cm)Sheet (Trimmed): 14 3/8 in. × 9 in. (36.5 × 22.9 cm). Publisher: Theodoor Galle (Netherlandish, Antwerp 1571-1633 Antwerp). Date: 1617-20. Museum: Metropolitan Museum of Art, New York, USA.

The Crucifixion, from The Passion (reverse copy). Artist: After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 15/16 × 2 7/8 in. (12.6 × 7.3 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Albrecht Dürer, Saint Christopher Facing Left, 1521 Saint Christopher Facing Left

Christ appears to a Saint, Gerard ter Borch (I), 1612, Christ appears to a Saint, probably St. Dorothea, whose attribute is flowers., draughtsman: Gerard ter Borch (I), (mentioned on object), Zwolle, 1612, paper, h 198 mm × w 138 mm

Hendrik Goltzius (Style of Jacopo Bassano), The Adoration of the Shepherds, 1594 The Adoration of the Shepherds

Meeting at De Gouden Poort, Lucas van Leyden, 1520 print Joachim embraces Anna at the gate of Jerusalem Low Countries paper engraving meeting of Anna and Joachim at the Golden Gate; they usually embrace or kiss each other (immaculate conception of Mary)

Judit and Holofernes enjoy a feast, Dirck Volckertsz. Coornhert (attributed to), after Maarten van Heemskerck, c. 1547 - c. 1559 print Holofernes is sitting at a table with Judit. The general has beaten his arm around her. Judit's maid is coming to bring wine. The print is part of an eight -part series that tells the story of Judit and Holofernes. Haarlem paper etching Judith and Holofernes left alone

Italy, Parmigianino, Monogrammist NDB, Virgin and Child with Saints, verso - stamped, Mary sits with the Christ Child on her lap. Christ embraces the young John the Baptist. On the left Mary Magdalene and two female saints. On the right is John the Evangelist with a chalice with a snake., print, prent, prints, height 238 mm, width 179 mm, Noord-Nederlands, Zuid-Nederlands, print maker, prentmaker, 1500 - 1549, second quarter 16th century, paper, papier, chiaroscuro-woodcut, Work conception, Italian, 1503-01-11 - 1540-08-24

Judith Slaying Holofernes, from The Story of Judith and Holofernes Maarten van Heemskerck Netherlandish. Judith Slaying Holofernes, from The Story of Judith and Holofernes 405360

Susanna and the elders, Annibale Carracci, 1590 - 1595 print The bathing Susanna is harassed by two old men who are in danger of indicating her on accusation of adultery if she opposes them. In the foreground a fountain with a putto on a turtle and a naked figure standing on a shell. A landscape in the background. Italy paper etching / engraving Susanna bathing, usually in or near a fountain and sometimes accompanied by two female servants. garden fountain

Christ and the Children. Artist: Georg Pencz (German, Wroclaw ca. 1500-1550 Leipzig). Dimensions: Sheet: 3 1/8 × 4 5/8 in. (8 × 11.7 cm). Museum: Metropolitan Museum of Art, New York, USA.

Judith Slaying Holofernes, from The Story of Judith and Holofernes. Artist: Maarten van Heemskerck (Netherlandish, Heemskerck 1498-1574 Haarlem); Possibly etched by Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22-1590 Gouda). Dimensions: Sheet: 9 1/4 x 7 5/8 in. (23.5 x 19.3 cm). Museum: Metropolitan Museum of Art, New York, USA. Author: Maarten Van Heemskerck. Possibly etched by Dirk Volckertsz Coornhert.

Wisdoms of Jesus Sirach, under, Gerard de Jode, 1547 - 1591 print Ornamental frame with medallions in which from left to right: interior with an old man in a four -poster bed. In the foreground a sleeping man.; Landscape with a couple. For the woman is the head of a snake. To the left of the man a lion and a bear. From Sir. 25: 13-19: 'No worse poison than the poison of a snake, no worse venom than the venom of a woman. I prefer to live with a lion and a dragon than with an evil woman. The malice of a woman changes her gaze and makes her face as surly as that of a bear. " Interior with richly dressed couple at the table. Antwerp paper engraving the book of Ecclesiasticus, the wisdom of Jesus Sirach (with BOOK CHAPTER:VERSE)

Death of the Virgin. Artist: Martin Schongauer (German, Colmar ca. 1435/50-1491 Breisach). Dimensions: 255 x 168 mm. Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Copper engraving 'Maria with the Sea Cat' by Meister S., created in 1509, depicting the Virgin Mary with a sea cat figure.

EHINGER, ELIAS.

Allegory on caution and innocence. A woman is sitting on an increase, above her is a drapery tense. On her lap is a few pigeons (reference to the virtue innocence) and in her hand she holds a number of hoses (reference to virtue caution). Left in the background is a lawsuit going. In the margin a four-line caption, in two columns, in Latin.

Heinrich Aldegrever, The Annunciation, 1552 The Annunciation

Goetz von Berlichingen Writing His Memoirs. Artist: After Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Block: 8 3/8 x 5 5/8 in. (21.3 x 14.3 cm)Sheet: 9 x 6 1/8 in. (22.9 x 15.6 cm). Engraver: Andrew, Best, Leloir, Hotelin et Régnier. Series/Portfolio: Goethe, Goetz von Berlichingen, Act 4. Date: after 1845.Based on a scene in Goethe's play (published in German in 1773; and French in 1823) that tells the story of the life of a German knight (1480-1562) who fought to regain the privileges of free knights, nullified by the emperor Maximilian I in 1495. Museum: Metropolitan Museum of Art, New York, USA.

A woodcut by Albrecht Dürer, circa 1510, depicting the proclamation scene from the Small Passion series, showing figures, gestures, and composition.

Artist: Anthon Wierix II, Flemish, 1555/59-1604, The Virgin feeding the Child, assisted byAngels, before1619, Engraving, sheet: 7.3 × 5.4 cm (2 7/8 × 2 1/8in.), Made in Flanders, Flemish, 17thcentury, Works on Paper -Prints

Healing of Tobit, Symon Novelanus, 1560 - 1590 print When Tobias and the Engel return home, Tobias puts the bile of the fish on the eyes of his blind father Tobit. Then Tobit can see again. Anna is next to Tobit. At the bottom of the margin an explanatory text in Latin. To Tobit 11: 1-15. Cologne paper etching the healing of Tobit: Tobias puts the gall of the fish on his father's eyes

The Apostles Peter and John. Ugo da Carpi (Italian, c. 1480-1535); after Francesco Mazzola, called Parmigianino (Italian, 1503-1540). Date: 1525-1535. Dimensions: 155 x 103 mm. Chiaroscuro woodcut on paper ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Diogenes and Alexander the Great, Lorenzo Loli, 1622 - 1691 print The philosopher Diogenes is in front of his barrel. He beckons to Alexander the Great and his entourage to go aside, so that he is no longer in their shadow. Coat of arms in the end margin. Italy paper etching Alexander's visit to Diogenes, who sits by his barrel and asks Alexander to get out of his light

Drie Muzen En Een Putto Met Cimbalen, Giorgio Ghisi, After Francesco Primaticcio, 1541 - 1582 print Three muses with musical instruments. Above a putto with cimbal. paper engraving the Muses acting together (as group). cupids: 'amores', 'amoretti', 'putti'

The Flight into Egypt; the Holy Family walking together, Saint Joseph pointing to the right and the Virgin carrying the infant Christ, an angel in front of her offering a flower, after Reni. Artist: Anonymous; After Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: Sheet (Trimmed): 17 13/16 × 12 3/4 in. (45.3 × 32.4 cm). Publisher: Cornelis Galle II (Flemish, Antwerp 1615-1678 Antwerp). Date: ca. 1640-78.After a painting by Reni. Verso is not visible as print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

Rome, Rossi, Giovanni Giacomo de', Italy, Correggio, Mitelli, Giuseppe Maria, Adoration of the Shepherds, verso - stamped, View of a stable with Mary kneeling beside a manger with the Christ Child. She is showing the Child to a group of shepherds on the right. In the background Joseph with the ox and the donkey. Angels are floating at the top right. Title in bottom margin., print, prints, height 445 mm, width 295 mm, Italian, 1634 - 1718-02-08, print maker, printmaker, 1644 - 1718, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, 1489 - 1534-03-05, after, after a painting by, 1627 - 1691, printer, drukker

Judith with the head of Holofernes. Judith comes from the tent with a sword in one hand and in the other the head of Holofernes. Left arms. On the right she kneels her maid with a bag to do the head.

Nuremberg, Solis, Virgil, Adoration of the Shepherds, verso - handwritten in brown ink, print, prints, verso - stamped, 78, height 53 mm, width 86 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching

The monk Eustachius Avril of Plessis is thrown down the stairs by Calvinists, after which he dies. Through a gate at left Nicolas Ficquet, who is shot at and stabbed by Calvinists, Eustachius Avril thrown down stairs by Calvinists, print maker: Adriaen Millaert, (mentioned on object), intermediary draughtsman: J. de Lof, (mentioned on object), Antwerp, 1645 - 1668, paper, engraving, h 283 mm × w 175 mm

The Holy Family 1503-1513 Netherlands. Engraving in black on ivory laid paper . Lucas van Leyden

Holy Family with Saint John the Baptist kissing the infant Christ's hand, copy in reverse after Cantarini. Artist: After Simone Cantarini (Italian, Pesaro 1612-1648 Verona). Dimensions: Plate: 5 × 3 9/16 in. (12.7 × 9 cm). Date: ca.1642 or after. Museum: Metropolitan Museum of Art, New York, USA.

Man Under a Laurel Tree 1515-1530 Italy. Engraving in black on ivory laid paper . Agostino dei Musi

Susanna and the elders, Daniël van den Dyck, c. 1635 - c. 1670 print Susanna is in the garden at a fountain and is attacked by two elders who want to seduce her. Susanna is half naked, an elder pulls her shawl on side. Italy (possibly) paper etching the story of Susanna and the elders (in which the youth Daniel intervenes on behalf of Susanna) (Daniel 13)

St Paul overcoming the viper, within an architectual setting, an oval composition. Artist: Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576); After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501-1547 Rome). Dimensions: Sheet: 9 7/16 in. × 6 in. (24 × 15.2 cm). Date: ca. 1540-70.The print is after a drawing by Perino del Vaga in the British Museum, London (1848,1125.11). Museum: Metropolitan Museum of Art, New York, USA.

Nativity. Artist: After Hans von Aachen (German, Cologne 1552-1616 Prague); Aegidius Sadeler II (Netherlandish, Antwerp 1568-1629 Prague). Dimensions: Sheet: 13 1/4 × 9 5/16 in. (33.6 × 23.7 cm). Publisher: Paulus Fürst (German, 1608-1666). Date: 1588. Museum: Metropolitan Museum of Art, New York, USA.

Clair-obscur woodcut by an anonymous artist between 1520-1540 depicting Maria with a saint, using two plates to show religious figures in detailed composition.

Operation of St. Barbara, Willem Basse, After Johann Boeckhorst, After Anthony Van Dyck, 1633 - 1672 print Saint Barbara kneels on the floor, her hands are tied together. Her father is about to chop her head with a sword. In the background you can see part of the tower where Barbara was held imprisoned by him. paper etching / engraving St. Barbara is beheaded by her father Dioscuros, who usually wears a turban and brandishes a scimitar (sword); sometimes Dioscuros is struck by lightning

Italy, Biscaino, Bartolomeo, Susanna and the Elders, verso - stamped, Susanna, sitting on the edge of a basin to bathe, is harassed by two old men who threaten to denounce her on charges of adultery if she resists them., print, engraving, prints, engravings, height 139 mm, width 111 mm, 1632 - 1657, print maker, engraving maker, 1642 - 1657, paper, papier, etching, etchings, Expression creation

Lot with His Daughters, from The Story of Lot. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 4 1/2 × 3 1/4 in. (11.5 × 8.2 cm). Date: 1555.Lot, seated on a rock at center, embraces one of his daughters who hands him a goblet. The second daughter stands behind them at right, before the entrance to a cave. In the background at left, the burning city of Sodom and Lot's wife turned into a pillar of salt. Based on Genesis 19:26-33. Plate 4 from a series of four engravings. Museum: Metropolitan Museum of Art, New York, USA.

Engraved copies of The Little Passion n.d. After Albrecht Dürer German. Engraved copies of The Little Passion 400703

Love (Caritas), print maker: Jacob Matham, Hendrick Goltzius, Franco Estius, 1593

The Resurrection 1521 Lucas van Leyden Netherlandish. The Resurrection. Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). 1521. Engraving; first state. Prints

Christ Appearing to His Mother, from The Small Passion. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 5 1/16 x 3 13/16 in. (12.8 x 9.7 cm). Date: ca. 1510. Museum: Metropolitan Museum of Art, New York, USA.

Christ Appearing to Mary Magdalen. Artist: Master of the Drapery Studies (German, Strasbourg, ca. 1470-1500). Dimensions: 9 7/8 x 6 5/8 in. (25.1 x 16.8 cm). Former Attribution: Formerly attributed to Anonymous, German. Date: ca. 1490.Although the artist nicknamed the "Master of the Coburg Roundels" has not yet been identified by name, it is clear from his surviving stained-glass windows and drawings that he was a critical figure in Upper Rhenish art during the last quarter of the fifteenth century and in the history of early German drawing in general. He was active in Strasbourg, where he also appears to have received his training. There are about one hundred and fifty extant drawings by this artist--the largest corpus by an early northern European master--and these, like his stained-glass windows, are highly distinctive in style. As is seen in this sheet, the use of a fine tipped pen for the outlines and hatching, as well as the gray wash modeling, are typical of his late style. Judg

Susanna and the Two Elders ca. 1508 Lucas van Leyden Netherlandish. Susanna and the Two Elders 364755

Fourth life phase of forty years with man engaged in sculpture; XL; Ten life phases. Fourth life phase of forty years represented as a man engaged in sculpture. The other family members are also working, his wife leans and signs his son. In the margin among texts in Latin, French and Dutch. Only the Dutch text relates to the performance.

The Virgin Surrounded by Many Angels. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 11 15/16 x 8 5/8 in. (30.3 x 21.9 cm)block: 11 11/16 x 8 5/16 in. (29.7 x 21.1 cm). Date: 1518. Museum: Metropolitan Museum of Art, New York, USA.

Christ Taking Leave of His Mother, Marc Antonio Raimondi, Italian, 1483 - 1527, Albrecht Dürer, German, 1471-1528, Engraving on paper, In right foreground stands Christ, his head turned to left and looking at Mary, seated, facing right. Behind her, two women. In left mid-distance, an opened gate; at right, a garden fence. In left background, a castle, at right: mountains., Italy, after 1506, Print, Print

S. Lazari Martyris Monachi Atque Pictoris. Baldi, Lazzaro, approximately 1623-1703. 1692. Luti, Filippo, active 17th century. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Return from Egypt 1595-1623 Francesco Brizio. The Return from Egypt. Francesco Brizio (Italian, Bologna ca. 1574-1623 Bologna). 1595-1623. Engraving. Prints

Woodcut by Hans Baldung, around 1505-1507, showing Mary seated on a lawn with the infant Jesus, illustrating the Madonna and Child theme.

Copper engraving by Hendrick Goltzius depicting the adjoining of the kings, produced in the late 16th to 17th century, illustrating historical figures in Flemish engraving style.

Albrecht Dürer, The Ill-Assorted Couple, c. 1495, engraving on paper.

Wszyscy Święci w MNK Great, Carlo

Louis XIV (King of France), Paris, Schuppen, Pieter van, Bourdon, Sébastien, Holy family with Elisabeth and John the Baptist, verso lower left - stamped, Landscape with the Holy Family. Mary supports the Christ Child, who is sitting on a pedestal, in her back. The child reaches out to John the Baptist, who is holding a dove in his arms. Elisabeth and Joseph bow to Christ. In the margin a text from 1 Peter 2:9. At the bottom of the print a coat of arms engraved on a separate plate is printed along with it., print, prent, prints, prenten, height 375 mm, width 298 mm, height 54 mm, width 65 mm, French, South Netherlands, 1627-09-05 - 1702-03-07, print maker, printmaker, 1670 - 1670, paper, papier, engraving, engraving (printing process), etching, 1616 - 1671-05-08, after, after painting by, Publication (Event), Publication, publisher, uitgever, 1638-09-05 - 1715-09-01, verlener van privilege

Matham, Jacob, Christ and the Samaritan Woman, verso lower left - stamped, Christ sitting next to a well, Jacob's Well, from which a Samaritan woman comes to get water. Christ asks her for a drink., print, engraving, prints, engravings, height 254 mm, width 198 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1600 - 1631, paper, papier, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Solomon Worshipping Idols. Artist: Georg Pencz (German, Wroclaw ca. 1500-1550 Leipzig). Dimensions: Sheet: 1 15/16 × 3 1/16 in. (4.9 × 7.8 cm). Series/Portfolio: Scenes from the Old Testament. Museum: Metropolitan Museum of Art, New York, USA.

Fries with the punishment of Niobe (plate 4), Jan Saenredam, After Polidoro da Caravaggio, After Hendrick Goltzius, 1596 - 1652 print The festivities in Thebes in honor of Latona, the mother of Apollo and Diana. The Thebans kneel to worship the image of Latona. The print has a Latin caption. Middle left plate of a print with a Frisian from eight plates paper engraving suffering, misfortune of Niobe

Sater and Herderin, Jan Thomas, 1627 - 1678 print A sater embraces a shepherdin and touches her chest while she tries to ward off. Antwerp paper etching / engraving satyr(s) (in general) - aggressive, unfriendly activities and relationships. rape, violation

Lucas van Leyden, The First Prohibition, 1529 The First Prohibition

Nuremberg, Dürer, Albrecht, Life of Mary, Presentation of Mary in the Temple, Joachim and Anna bring Mary to the temple; the little girl runs up the stairs to the high priest. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Mary., print, prints, height 296 mm, width 210 mm, German, 1471-05-24 - 1528-04-05, print maker, printmaker, 1501 - 1505, first quarter 16th century, paper, woodcut

Love, Jan Saenredam, After Hendrick Goltzius, 1601 print The female personification of love, one of the three divine virtues, sits a child and embraces two children standing next to her. Putti flying above her head with a laurel wreath and flowers. paper engraving Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues

Netherlands, Stories from the Bible book Genesis, Abraham and the three angels, recto bottom right - stamped, Abraham receives the three angels in front of his house and kneels before them. They promise him that he will have a son with Sarah. Sarah listens in on the right in the doorway. In the upper right corner on the facade a reference to Gen. 13 in mirror image., print, prints, verso - stamped, height 72 mm, width 34 mm, print maker, printmaker, 1500 - 1600, paper, papier, engraving, engraving (printing process)

Double Portrait of François I, Duc de Bretagne, and His Wife Isabella Stuart ou Isabeau d'Écosse, Engraving on paper, Double Portrait of François I, Duc de Bretagne, and his wife Isabella Stuart ou Isabeau d'Écosse with allegories and plinth., Europe, 18th century, Print, Print

Vatican City, Papal Court, Rome, Paoli, Giovanni Antonio de, Italy, Tempesta, Antonio, Varia tormentorum et supplicioru crudelium, Tortures suffered by Christian martyrs, Torture: mutilation of the face, verso - stamped, Numbered bottom center: 125., print, prints, height 194 mm, width 133 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, granter of privilege

Virgin and Child Appearing to Three Kneeling Monks (La Madonna del Carmine), plate 9, from Raccolta di alcuni disegni del Barberi sic da Cento detto il Guercino (Collection of Some Drawings Engraved after Barbieri da Cento, called Guercino). Etcher: Francesco Bartolozzi, Italian, 1727-1815 After: Guercino (Giovanni Francesco Barbieri), Italian, 1591-1666

Christ in the House of Mary. Artist: After Ambrosius Francken I (Flemish, 1544-1618 Antwerp); Gerard de Jode (Netherlandish, 1509/17-1591). Dimensions: Sheet (Trimmed): 7 11/16 × 9 15/16 in. (19.5 × 25.2 cm). Publisher: Gerard de Jode (Netherlandish, 1509/17-1591). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Virgin and Child with the Monkey (reverse copy). Artist: After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 2 5/8 × 2 3/16 in. (6.7 × 5.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Poet Virgil Suspended in a Basket 1525 Lucas van Leyden Netherlandish. Poet Virgil Suspended in a Basket 364786

Holy Luke with Bull, Anonymous, After Chrispijn van den Broeck, 1534 - 1640 print Italy paper engraving Luke the evangelist; possible attributes: book, (winged) ox, portrait of the Virgin, surgical instruments, painter's utensils, scroll

Camillo Procaccini's drawing depicts the Assumption of Mary, executed with brown brush and white highlights, showing figures and drapery.

Print, Abraham and the Three Angels; Designed by Lucas van Leyden (Netherlandish, ca. 1494 - 1533); engraving on off-white laid paper

Group of Five Figures, c. 1515-16. Albrecht Dürer (German, 1471-1528). Etching;

Illustration to Amadeo Berruti's Dialogue on Friendship, Rome, 1517, c. 1517. Copy after Marcantonio Raimondi (Italian, 1470/82-1527/34). Engraving;

A seated Roman in a toga; a standing figure of Faustina Junior; a draped seated female figure. Engraving by Defehrt after E. Bouchardon and L. de la Hire.

Virgin on a Grassy Bench ca. 1503 Albrecht Dürer German. Virgin on a Grassy Bench 391094

Part of a sheath with affectionate couple under a tree, Virgilius Solis, Anonymous, 1524 - 1612 print Nuremberg paper engraving / etching (lovers) embracing each other, 'symplegma'. scabbard, sheath. scrollwork, strapwork ~ ornament

Three muses and a putto with cymbals; Paintings in the D'ulysse gallery in Fontainebleau. .

Saint Luc painting the Virgin after Raphael (Dutuit p.32, white 52) Cornelis ii blloert, dit u jeune (1603-1692). Saint Luc Peaprount la Vire of afternoon Raphael (Utuit P.32, law BlIS 52). Burin, curnitely sites. Museums of the city of the city of Paris, Petit Palais.

Jacques Stella, Sibylla Cumana, 1625 Sibylla Cumana

Couple sitting outdoors by anonymous artist, print, Private Collection, 14, 3x13, 5

Cranach, Lucas the elder, work, Christ is wept, (1000 - 2000), woodcut, graphics, plate width 17.1 cm, plate height 25 cm, leaf width 17.8 cm, leaf height 25.5 cm, image width 16.9 cm, image height 24.8 cm

Birth of Mary. Draughtsman: Filippo Bellini. Dating: 1590 - 1595. Measurements: h 386 mm × w 267 mm. Museum: Rijksmuseum, Amsterdam.

Avarice, c. 1587, Seven Vices (plate 6), engraving on laid paper, plate: 21.6 x 14.2 cm (8 1/2 x 5 9/16 in.), sheet: 22.2 x 14.9 cm (8 3/4 x 5 7/8 in.), New Hollstein, no. 333, State i/ii, Jacob Matham (artist) Dutch, 1571 - 1631, Hendrick Goltzius (artist after) Dutch, 1558 - 1617

Wellness; Luxuria; Inventions. Personification of lust in the form of a woman on the base of a column in a landscape. In addition to her a dog who licks her face.

Tobias and the angel. Tobias, with fish and walking stick in hand, runs along with the angel Rafaël through a landscape with ruins.

Wijngaerde, Frans van den, Rubens, Peter Paul, Frankfurt am Main, Panneels, Willem, Adoration of the Shepherds, verso lower left - stamped, The shepherds visit the Holy Family and kneel before the Christ Child. A sheep lies in the foreground. In the margin a caption in Latin., print, prent, prints, prenten, height 211 mm, width 164 mm, Zuid-Nederlands, 1600 - 1632, print maker, printmaker, 1630 - 1630, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, 1614-07-08 - 1679-03-17, publisher

Amsterdam, Wit, Frederik de, Palma, Jacopo (il Vecchio), Visscher, Cornelis (II), Haarlem, Holy Family with Elisabeth and Johannes, verso - stamped, The Holy Family with Elizabeth and John the Baptist as a child. John, holding a banner in his hand, stands before the Christ Child and offers him a pear., print, prints, height 303 mm, width 234 mm, Northern Netherlands, 1629 - 1658-01-16, print maker, printmaker, 1638 - 1706, paper, engraving, engraving (printing process), etching, Work conception, Italian, 1480 - 1528-07-30, after a design by, Publication (Event), Publication, 1631 - 1706, publisher

Three Muses seated underneath a flying putto who gestures downward, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau ca. 1560-69 Giorgio Ghisi Italian. Three Muses seated underneath a flying putto who gestures downward, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau 397746

Bagnofsi come difse... (Ariostos Orlando Furioso), 1775, Etchings, 11 15/16 x 8 7/16 in. (30.3 x 21.5 cm), Paper / Sheet 16 5/16 x 12 11/16 in. (41.4 x 32.3 cm), Cream wove

Judit with the head of Holofernes, Aegidius Sadeler (II), After Hans von Aachen, 1580 - 1629 print Judit puts the head of Holofernes in a bag, which is kept open by her maid. In her right hand the sword. Behind her the beheaded Holofernes in his tent. The print has a Latin caption. unknown paper engraving Judith and her maidservant put Holofernes' head in a sack

Martin Schongauer's late 15th-century copper engraving 'The Death of Mary' shows the Virgin Mary on her deathbed, surrounded by figures, focusing on gesture and composition.

Jean Honoré Fragonard after Marco Cardisco, Saint Catherine of Alexandria (Saint Catherine d'Alexandrie) Saint Catherine of Alexandria (Saint Catherine d'Alexandrie)

Lazio Viterbo Viterbo Museo Civico33. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Peace and Abundance, Bartolommeo Coriolano, After Guido Reni, 1627 print Female personifications of the Peace (Pax) with olive branch and of the abundance (abundantia) with Hoorn of Abundance (Cornucopia). Rome paper Peace and Prosperity, 'Peace and Abundance

Size indications pen in brown -black Recto M.O.

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