Biblical and Religious Art

Drawings and prints depicting religious scenes, significant figures, and moments from biblical stories, emphasizing emotion and spirituality.

Adoration of kings, draughtsman: Pieter Coecke van Aelst (I), (circle of), 1512 - 1600, paper, pen, brush, h 336 mm × w 204 mm

Dyck, Anthony van, Pontius, Paulus, Amsterdam, Bloteling, Abraham, Mary with the Christ Child, verso lower left - stamped, Mary looks up to heaven. The Christ Child stands on her lap., print, prints, height 179 mm, width 145 mm, Northern Netherlands, 1640-12-02 - 1690-01-20, print maker, printmaker, 1655 - 1690, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1603 - 1658-01-16, after print by, Flemish, Dutch, 1599-03-22 - 1641-12-09

The Emperor, from the Dance of Death. Artist: After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Sheet: 2 15/16 × 2 1/8 in. (7.5 × 5.4 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Series/Portfolio: Dance of Death, after Holbein. Date: 1651. Museum: Metropolitan Museum of Art, New York, USA.

Copper engraving by Monogrammist MT depicting the dispute over the pants, showing figures in interaction, clothing, and narrative composition.

Madonna and Child, with Pear, Albrecht Dürer (Nuremberg, Germany, 1471 - 1528) 1511

Bellange, Jacques, France, Diana and Orion, Diana and the Hunter, verso lower left - stamped, The goddess Diana, with bow and arrow, seated on the neck of a young man. He carries a spear and a hunter's net, next to him walks his dog. Below the representation a four-line text in Latin., print, prent, prints, prenten, height 470 mm, width 206 mm, 1575 - 1616, print maker, prentmaker, 1602 - 1616, first quarter 17th century, paper, papier, engraving, engraving (printing process), etching, Work conception, after own design by

Lucas van Leyden, The Promenade, 1520 The Promenade

Italy, Raphael, Madonna of Loreto, Holy Family, verso - stamped, The Christ Child lies on a bed. Mary and Joseph stand next to the bed. Mary tries to cover Christ with a cloth., print, prent, prints, prenten, height 267 mm, width 229 mm, print maker, prentmaker, 1493 - 1570, paper, papier, engraving, engraving (printing process), Work conception, 1483-04-07 - 1520-04-07

Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, Salmon, Ancestor of Christ, 1550 to 1585. Engraving on medium, slightly textured, cream laid paper.

Illustration design: two young women and a dog, under a tree, in the background a group of people near a garden statue. Possible design for a print, Illustration design with two young women and a dog., draughtsman: anonymous, 1700 - 1800, paper, pen, brush, h 142 mm × w 84 mm

Odour, Cornelis Boel, Anonymous, 1663 - 1693.

The Holy Family 1535-73 Battista Angolo del Moro Italian. The Holy Family. Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano). 1535-73. Etching. Battista Mondella (Italian, active 1567-73). Prints

Italy, Carracci, Annibale, Susanna and the Elders, verso - stamped, The bathing Susanna is harassed by two old men who threaten to report her for adultery if she resists them. In the foreground a fountain with a putto on a tortoise and a nude figure standing on a shell. In the background a landscape., print, engraving, prints, Anib. Caracci. fec:, recto lower right - handwritten in brown ink, height 345 mm, width 310 mm, Italian, 1560-11-03 - 1609-07-15, print maker, printmaker, 1590 - 1595, paper, papier, etching, engraving (printing process)

Mocetto, Girolamo, Italy, Virgin and Child Seated on a Throne between Peter and John the Baptist with Musician Angels and Three Female Saints in the Background, verso - stamped, Virgin and Child Seated on a Throne between Peter or Male Saint and John the Baptist. Three Musician Angels Sit on Step of Throne. Three Female Saints Stand Behind Throne., print, prent, prints, prenten, height 391 mm, width 330 mm, Italian, 1458 - 1531, print maker, printmaker, 1480 - 1531, fourth quarter 15th century, first quarter 16th century, second quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Clair-obscur woodcut by Monogrammist NDB from circa 1540-1550 depicting the Virgin Mary with the Christ Child and a saint in brown ink across three plates, showing figures, drapery, and setting.

Red chalk portrait by Nicolas Bazin depicting Isabella, Infanta of Portugal, created around 1693.

Woman smoking a pipe and a man with two pipes, Jan Havicksz. Steen (possibly), 1635 - 1729, Woman smoking a pipe with jug and fire test, behind her a man with two pipes; in a window., Jan Havicksz. Steen, (possibly), draughtsman: anonymous, 1635 - 1729, paper, brush, h 155 mm × w 120 mm

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the Blessed Virgin, the Child Jesus, Saint John the Baptist and Saint Elisabeth. (A. de Vesme 10; Dutuit 158) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Poussin, Nicolas, Rome, Voet, Alexander (II), Holy Family with John the Baptist as a Child, verso lower left - stamped, print, prints, height 326 mm, width 245 mm, Southern Netherlands, 1635 - 1695, print maker, printmaker, 1661 - 1661, paper, engraving, engraving (printing process), French, 1594-06 - 1665-11-19

Madonna and Child Surrounded by Female Saints. Artist: Joseph Heintz the Younger (German, Augsburg ca. 1600-1678 Venice). Dimensions: sheet: 12 1/2 x 7 3/16 in. (31.8 x 18.3 cm). Date: 1600-1678. Museum: Metropolitan Museum of Art, New York, USA.

Marco Dente after Raphael, The Virgin with a Fish The Virgin with a Fish

Deposition, print maker: Hieronymus Wierix, Maerten de Vos, Hieronymus Wierix, 1563 - before 1619

Judit and Holofernes. Judit is about to kill Holofernes: she stands next to the bed with the sleeping holofernes and pulls the sword out of the sheath. After her, the maid looks at her.

Men study flowers and plants; The Dutch Herbarius; Title page for: Steven Blankaart, the Lowerland Herbarius or herbal herbal book, 1714.in an open gallery, Six Men Study on the Table Spread Flowers and Plants. In The Background Figures at Work in A Garden.

Two couples in the forest, Johannes Wierix (attributed to), after Lucas van Leyden, 1559 - Before 1566 print Two walking couples in the forest, dressed according to fashion from 1505-1515. Signed at the bottom "æ12". Antwerp paper engraving pacing, striding. forest, wood. bride and groom in wedding-dress

The Beggars n.d. After Lucas van Leyden Netherlandish. The Beggars 370392

Italy, Reni, Guido, Mary with Child and Joseph in the background, verso - stamped, Mary sits with the Christ child on her lap. Joseph walks in the background. Two lines of verse in Latin in the bottom margin (mirrored)., print, prints, height 202 mm, width 146 mm, Italian, 1575-11-04 - 1642-08-18, print maker, printmaker, 1585 - 1642, paper, papier, etching, etchings, counterproof, tegendruk

Holy Catharina van Alexandria, Peter Paul Rubens (attributed to), 1590 - 1640 print Holy Catharina of Alexandria standing with her foot resting on a broken wheel, in her left hand a sword and a palm branch in her right hand paper etching / engraving the virgin martyr Catherine of Alexandria; possible attributes: book, crown, emperor Maxentius, palm-branch, ring, sword, wheel

The Madonna with St. Anne, St. Catherine and St. Barbara. Israhel van Meckenem; German, c. 1440/45-1503. Date: 1490-1500. Dimensions: 264 × 184 mm. Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Israhel van Meckenem after Hans Holbein the Elder, Massacre of the Innocents, c 1490 1500 Massacre of the Innocents

The wedding dancers: couple of dancers (Hollstein 154) Heinrich ALDEGREVER (or ALDEGREVER - 1502-V.1555 / 1561). The wedding dancers: couple of dancers (Hollstein 154). Burin, 1551.

Birth of Mary. Draughtsman: Ferraù Fenzoni. Dating: 1615 - 1625. Measurements: h 297 mm × w 178 mm. Museum: Rijksmuseum, Amsterdam.

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Den Grooten Figuer-Bibel, Geschiedenis van Jakob en Esau, Van Iacob en Esau, Isaak zegent Jakob, lower right - handwritten in brown ink, The old and blind Isaac blesses Jacob, who is kneeling by the bed. With the help of his mother Rebekka, who is sitting on the edge of the bed, he has disguised himself as his brother Esau in order to receive the blessing. Jacob wears the skin of a kid on his neck and over his hands to resemble his hairy brother. In the background, Esau is returning from the hunt. Below the scene is a reference in Latin to the Bible text in Gen. 27. This print is part of an album., print, album sheet, prints, 47, height 220 mm, width 271 mm, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), Southern Netherlands, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-

Sol, plate four from Der VII Planeten. Conrad Meyer; Swiss, 1618-1689. Date: 1643-1689. Dimensions: 69 x 49 mm (sheet). Etching in black on ivory laid paper. Origin: Switzerland. Museum: The Chicago Art Institute, Chicago, USA.

Nuremberg, Dürer, Albrecht, The Little Passion, Veronica with the sudarium, verso center bottom - stamped, Veronica, flanked by Peter and Paul, holds up the sudarium with the imprint of Christ's face (sudarium). This print is part of the print series 'The Little Passion', consisting of a title print and 36 biblical scenes (mainly from the Passion)., print, prints, height 128 mm, width 98 mm, German, 1471-05-24 - 1528-04-05, print maker, printmaker, 1510 - 1510, first quarter 16th century, paper, woodcut

Abruzzo, L'Aquila, Prata d'Ansidonia, S. Nicola, Italy, 20th century, photo, photography, Europe

. Vertumnus, disguised as old woman, in conversation with pomona, sitting in a classic garden. Copy to the print of hold brooks from part 2 of a series of prints with symbols.

Amsterdam, Visscher, Barent, Rieuwertsz., Jan (II), Luyken, Jan, Esau sells his birthright to Jacob, verso - stamped, print, book illustration, prints, height 90 mm, width 79 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1706 - 1706, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher, uitgever, Noord-Nederlands

Ceres refuses help to psyche; Story of Amor and Psyche. On the left the kneeled psyche who asks the Goddess Ceres to help. Right Ceres stands with a cornucopia, Zeis, Rake and Corners. Italian text in two cartouches in undermarge. Twice numbered bottom left: 19.

Susanna and the elders, Cornelis Schut (I), 1618 - 1655 print Susanna turns away from the elders. Next to her a fountain with water -spitting dolphin. paper etching the elders spying upon Susanna

Jacques Callot after Michelangelo, Pietà, 1608 1611 Pietà

Two Standing Prisoners in a Niche 1547-1551 Italy. Pen and brown ink with brush and brown wash, heightened with white gouache, on tan laid paper, laid down on ivory laid card . Bernardino Campi

Print, St. Elizabeth; Print Maker: Israhel van Meckenem (German, ca. 1440 - 1503); Germany; engraving on white paper; 16 x 11 cm (6 5/16 x 4 5/16 in.)

The winter; The four Seasons. A young couple skates hand in hand on the ice. The figures are elegantly dressed according to the mode of approx. 1600. At their feet a dog walks over the ice.

Nine song goddesses. Nine song goddesses in a forest music. A line of Dutch text in the upper margin.

Couple making music, Lucas van Leyden, 1524

A late 15th-century copper engraving by Israhel van Meckenem showing the pain man accompanied by two angels, depicting figures, gestures, and drapery.

Pieta, Print made by John Smith, 1652-1743, British, after Lucas Vorsterman, (engraving), 1595-1675, Flemish, after Sir Anthony Van Dyck, 1599-1641, Flemish, active in Britain (1620-21; 1632-34; 1635-41), Published by John Smith, 1652-1743, British, between 1681 and 1688, Mezzotint on medium, slightly textured, cream, laid paper, Sheet: 5 11/16 × 6 15/16 inches (14.4 × 17.6 cm) and Plate: 5 7/16 × 6 11/16 inches (13.8 × 17 cm), body, cherub, Christianity, cloth, clouds, cross (object), crown of thorns, death, halos, mourning, nails, pain, Passion, praying, religious and mythological subject, sacrifice, veil, wings, wounds

Furnius, Pieter Jalhea, Seven virtues and seven vices, Temperance overcomes Gluttony, verso - stamped, At a well the personification of Temperance (Sobietas) fills a bowl with water and looks down on the personification of Gluttony (Laemargiam) lying at her feet, who is vomiting on the ground with a jug of wine in her arms. The print has a Latin caption and is part of a series on virtues and vices., print, prints, height 257 mm, width 195 mm, 1540 - 1626, print maker, printmaker, 1550 - 1625, paper, engraving, engraving (printing process), Work conception, after own design by

Christ Enthroned. Martin Schongauer; German, c. 1450-1491. Date: 1450-1491. Dimensions: 163 × 117 mm. Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

A drawing of Mary holding the child Jesus, executed in ink on paper, featuring careful feathered strokes and washed shading techniques.

The Nativity. Artist: Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua); After Bronzino (Agnolo di Cosimo di Mariano) (Italian, Monticelli 1503-1572 Florence). Dimensions: sheet: 13 1/8 x 17 15/16 in. (33.3 x 45.6 cm) borderline. Publisher: Published by Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1553. Museum: Metropolitan Museum of Art, New York, USA.

Giuseppe Maria Crespis red chalk drawing shows the death of St. Joseph, with narrow stripes added at the bottom, executed as a copy of an original work.

Roswitha van Gandersheim offers emperor Otto I a copy of her book. Gandersheim non Roswitha kneels for Emperor Otto I, seated on a throne. She offers him a book in the presence of Abdis Gerberga. A Latin text in a letterpress.

John Skippe after Michelangelo, A Sibyl Reading, 1780s A Sibyl Reading

Saint Pierre Eactrigen Cornelis II Blloert, said U Young (1603-1692). Saint Pierre EACTRE EPIVING CONIAL A TIME PUE The Stern Road Office Burin, Curnitely Sites. Museums of the city of the city of Paris, small palace.

Virgin and Child with Saint Anne and John the Baptist. Artist: Francesco Salviati (Francesco de' Rossi) (Italian, Florence 1510-1563 Rome). Dimensions: 8-1/2 x 7-1/4 in. (21.6 x 18.4 cm). Date: ca. 1550. Museum: Metropolitan Museum of Art, New York, USA.

Print made by Isaac Taylor, 1759-1829, British, The Imposture of the Holy Maid of Kent, 1796. Line engraving on medium, slightly textured, cream wove paper.

Bernardino Campis chalk and feather drawing depicts twelve-year-old Jesus among the scribes, enhanced with laved shading and white highlights in a squared layout.

Copper engraving by Giacomo Valegio from 1573 depicting a mother goddess with a child, showing figures, drapery, and composition in Renaissance style.

Illustration from Revelations Sancte Birgitte, Koberger Nuremberg 1502 (German Text) 1502 Albrecht Dürer German. Illustration from Revelations Sancte Birgitte, Koberger Nuremberg 1502 (German Text) 387811

Circe and the Companions of Ulysses 16th century Anonymous, Italian, 16th century Italian. Circe and the Companions of Ulysses 342126

Artist: Albrecht Dürer, German, 1471-1528, The Sudarium held by TwoAngels, Engraving, 10.1 × 14.1 cm (4 × 5 9/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Albrecht Dürer (German, 1471-1528), The Deposition, probably c. 1509-1510, woodcut

Virgin on the Crescent with a Starry Crown 1508 Albrecht Dürer German. Virgin on the Crescent with a Starry Crown 391131

Blessed Felix of Cantalice raising a child from the dead. Guercino (1591-1666), draughtsman, cartoonist

Antwerp, Schut, Cornelis (I), Eynhoudts, Remoldus, Anna te Drieën, below - handwritten, Mary kneels next to her mother Anna, with Christ sitting on her lap. Two putti hold a wreath of flowers above Anna's head., print, engraving, prints, engravings, verso - stamped, Wherefrom I have the original painting and paid Inde wijtroep 300 guilders, height 274 mm, width 221 mm, 1613 - 1680, print maker, printmaker, 1626 - 1680, paper, papier, etching, etchings, Zuid-Nederlands, 1597-05-13 - 1655-04-29

The Virgin and Child with a Monkey. Dürer, Albrecht (1471-1528), graphic artist

Illustration for Boccaccio decamerone. Illustration for Boccaccio Decamerone, History Lviii. Fresco and his niece are in a room.

Grammar, Jerome Cock, after frans flower (1), 1551 print Grammar teaches a student. Both read together in a book. In the background a landscape with Roman ruins. Antwerp paper etching 'Grammatica' (~ trivium); 'Grammatica' (Ripa) (+ professional clothes of scholar, scientist)

Kriemhild, in Mourning over Siegfried, Handing Out Treasures from the Nibelungen Hoard. Artist: Eduard Julius Friedrich Bendemann (German, Berlin 1811-1889 Düsseldorf). Dimensions: sheet: 6 x 5 11/16 in. (15.2 x 14.4 cm). Date: 1854. Museum: Metropolitan Museum of Art, New York, USA.

Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, Jacob, Judah and Leah, Ancestors of Christ, 1550 to 1585. Engraving on medium, slightly textured, cream laid paper.

The Holy Family 1584-1594 Netherlands. Engraving in black on laid paper . Hendrick Goltzius

Man checks big stone that has slipped out of his hands and from the mountain rolls, Jan Luyken, 1689 print Amsterdam paper etching boulder, stone. mountains

Maria with child, Johannes de Boper and two angels, Agostino Veneziano, after Francesco di Francia, 1500 - 1536 print paper engraving Mary and the Christ-child with John the Baptist (as child) (+ angel(s))

Italy, Olio, Gaspare dall', Farinati, Paolo, Orazio, Mary with Child and the young John the Baptist, verso - stamped, Mary sits with the Christ Child on her lap. The young John the Baptist and his lamb stand next to her., print, prent, prints, height 246 mm, width 217 mm, Italian, 1559 - 1616, print maker, printmaker, 1569 - 1616, paper, papier, etching, etchings, Work conception, 1524 - 1606, after a design by, Publication (Event), Publication, publisher, uitgever

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Study for an illustration in Tacitus Tibère, ou Les Six Premiers Livres des Annales , Book IV, Vol 2, 2nd Study 1758-1773 France. Pen and black ink, over graphite, on gray laid paper, incised for transfer and perimeter mounted on ivory laid paper . Hubert François Gravelot

The Turkish Family, c. 1497, Albrecht Dürer, German, 1471-1528, 4 3/16 x 3 in. (10.64 x 7.62 cm) (image)19 3/4 × 15 3/4 × 1 1/8 in. (50.17 × 40.01 × 2.86 cm) (outer frame), Engraving, Germany, 15th-16th century, At this time Turks claimed a large share of public attention, owing to the rappid westward advance of the Ottoman empire through conquest. Durer shows these family members as semi-savages: a partially nude and bare-foot woman, holding a baby, follows the father, a robust warrior. This unsympathetic portrayal probably reflected contemporary opinion in the Christian north.

Borgia, Francesco.

The sacrifice to Priapus (the larger version) ca. 1499-1501 Jacopo de' Barbari Italian. The sacrifice to Priapus (the larger version) 372091

Davids Punishment, Abraham de Bruyn, after Gerard van Groeningen, 1583 print Book illustration in the story of David's punishment (2 Samuel 12: 1-14). King David receives a visit from the prophet Natan. He tells him that a parable to point out his mistakes. He then tells David that God will punish him by killing his firstborn. The print contains a caption with a reference to the accompanying Bible passage. Antwerp paper engraving Nathan accuses David of his misdeed

The Fall and Redemption of Man: The Embrace of Joachim and Anne at the Golden Gate, 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;

Heinrich Aldegrever, The Virgin Seated, 1553 The Virgin Seated

The musicians - Bartsch 155 Lucas de Leyde (1494-1533). The musicians - Bartsch 155. Burin. 1524. Museum of Fine Arts in the city of Paris, small palace.

A woman shows two children an anatomical picture. On the left, two children, one examines an egg with a magnifying glass. On the ground is a dead hare with its belly cut open. Reinier de Graaf used hares as laboratory animals for his studies of the function of the female genitalia., Prints of the Female Reproductive Organs Title page for: Reinier de Graaf, De mulierum organis generationi inservientibus tractatus novus, Leiden, 1672, print maker: Hendrik Bary, (mentioned on object), intermediary draughtsman: H. Webber, (mentioned on object), publisher: officina Hackiana, (mentioned on object), Netherlands, 1672, paper, engraving, h 142 mm × w 80 mm

Vatican City, Papal Court, Italy, Maratti, Carlo, Ferroni, Girolamo, Judith with the Head of Holofernes, verso - stamped, View into a tent, where Judith stands with the recently severed head of Holofernes in one hand and a sword in the other., print, prent, prints, height 407 mm, width 294 mm, Italian, 1687 - 1740, print maker, printmaker, 1705 - 1705, paper, papier, etching, etchings, 1625-05-15 - 1713-12-15, designer, granter of privilege

Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, Josiah, Ancestor of Christ, 1550 to 1585. Engraving on medium, slightly textured, cream laid paper.

Italy, Salimbeni, Ventura, Joachim and Anna, verso - stamped, Joachim and Anna standing in a landscape. Both are connected by vines to Mary who floats on a cloud., print, prent, prints, width 197 mm, height, 153 mm, print maker, prentmaker, 1590 - 1590, paper, papier, etching, etsen, Work conception, Italian, 1568-02 - 1613

St. John the Baptist Holding the Lamb ca. 1517 Hans Baldung (called Hans Baldung Grien) German A master of the woodcut, Baldung was the most important artist to emerge from the studio of the greatest innovator in the medium, Albrecht Dürer. The intensity of this image is typical of Baldung's work. Encircled by a vibrant radiating halo, the saint as well as the Lamb of God in his lap confront the viewer with their direct stares. Baldung focused on the single figure of John the Baptist rather than setting the saint in a landscape, as was more common at the time. The saint occupies nearly all of the sheet; in fact his toes nearly protrude past the borderline. The large saint with a brilliant halo was no doubt inspired by Dürer's small engravings of monumental Madonnas engraved in 1519.. St. John the Baptist Holding the Lamb 343126

Virgin on the Crescent with Scepter and Starry Crown 1516 Albrecht Dürer German. Virgin on the Crescent with Scepter and Starry Crown 391232

Standing Peasant with a Dog and a Seated Woman. Dated: c. 1686/1688. Dimensions: plate: 14.6 × 11 cm (5 3/4 × 4 5/16 in.) sheet: 20.9 × 15.5 cm (8 1/4 × 6 1/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: GIUSEPPE MARIA CRESPI.

Mercury Hermes. Engraving by Basire.

Woman pulls the mantle of a young man who clings to a wise man, 1520 - 1561 print paper engraving

The Madonna Adoring the Child, with an Angel early 16th century School of Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) Italian Similar compositions frequently appear in painted roundels (tondi) attributed to Lorenzo di Credi and his circle, including an example in the Metropolitan Museum (09.197), which differs in its inclusion of Saint John the Baptist. It is uncertain whether this drawing was a preparatory study for a painting or was derived from a finished work.. The Madonna Adoring the Child, with an Angel. School of Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) (Italian, Florence 1456/59-1536 Florence). early 16th century. Pen and brown ink, traces of white, over red chalk underdrawing of the Madonna.. Drawings

Abiud, Ancestor of Christ, Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, after Michelangelo, 1474/1475-1564, Italian, 1550 to 1585, Engraving on medium, slightly textured, cream laid paper

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Francisco Ribalta (Attributed to) / 'The Immaculate Conception'. XVII century. Grey-brown wash, Reddish wash, Pencil, Red ink on paper. Museum: Museo del Prado, Madrid, España.

Abensperg-Traun, Otto Ehrenreich Graf.

Cosmas Damian Asam's watercolor depiction of the Grave of Christ uses lead handle and spring washes to emphasize figures, drapery, and spatial arrangement.

Et ecce sedes posita erat in coelo... (God the Son in Majesty on the Throne Surrounded by the Four Creatures and Worshipped by the Twenty-four Elders). Dated: 1809/1810. Dimensions: sheet: 70.5 × 49.4 cm (27 3/4 × 19 7/16 in.) plate: 63.5 × 45.5 cm (25 × 17 15/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Luigi Sabatelli I.

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