Biblical and Religious Art

Drawings and prints depicting religious scenes, significant figures, and moments from biblical stories, emphasizing emotion and spirituality.

Adoration of kings, draughtsman: Pieter Coecke van Aelst (I), (circle of), 1512 - 1600, paper, pen, brush, h 336 mm × w 204 mm

Kneeling Saint Mary Magdalene and Standing Christ. Date/Period: 1457/1499. Leadpoint, heightened with white gouache, on gray prepared paper. Width: 266 mm. Height: 297 mm. Author: Filippino Lippi.

Photo production of drawing Raphael from Windsor Castle, Maria with Jesus, Elizabeth with Johannes in landscape.

Unknown (1649-); Peter Paul Rubens (1577-1640), Kings worship, Before 1650

Roman Scene. Artist: After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina). Dimensions: 13-1/4 x 7-1/4 in. (33.8 x 18.5 cm). Date: 1499-1543. Museum: Metropolitan Museum of Art, New York, USA.

Christ Preaching, from Leben Jesu Christi, plate 19 from Woodcuts from Books of the XVI Century. Hans Wechtlin (German, 1480/85-after 1526); published by Johann Schott (German, 1477-c. 1550); portfolio text by by Max Geisberg (Swiss, 1875-1943). Date: 1508. Dimensions: 230 × 165 mm (image/te×t); 299 × 195 mm (sheet). Woodcut in black with letterpress on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA. Author: Hans Wechtlin, I.

Cock, Hieronymus, Leyden, Lucas van, Netherlands, Saint Anne with St. Anne and Joseph and two male saints, verso lower left - stamped, Mary with the Christ Child on her lap, next to her Saint Anne. Joseph behind them, leaning over a balustrade. To the left and right of the holy family a seated male figure., print, prent, prints, prenten, height 210 mm, width 246 mm, print maker, prentmaker, 1560 - 1570, third quarter 16th century, derde kwart 16e eeuw, paper, papier, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1494-06 - 1533-08, after a design by, Publication (Event), Publicatie, Zuid-Nederlands, 1518 - 1570-03-10, publisher

Holy Family with St John the Baptist and St Elisabeth, Cornelis Visscher (II), after Titian, c. 1654 - c. 1658, Design for a print., draughtsman: Cornelis Visscher (II), after: Titiaan, (possibly), Amsterdam, c. 1654 - c. 1658, paper, brush, pen, h 314 mm × w 388 mm

Lazio Viterbo Viterbo S. Lorenzo, Cathedral2. Hutzel, Max 1960-1990 Views of 16th c. facade, with detail views of portal, windows, campanile (attached). Interior views of cupola, baptistery, sculpture, chapels, tabernacle. Many views of paintings and apse frescoes. Nave views in negatives only. Object Notes: A composite view of the exterior in found in the Italy Oversize box in the Medieval Core Collection. Hutzel views (H-230) MED and (H-231) MED General Notes: Views 118 to 184, processed by previous cataloguer, have no matching prints, though negative jackets indicate they should. All prints have been renumbered. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic,

Virgin and Child before Saints Fabianus (or Gregory the Great) and Joseph. Unknown Artist; Italian, Sienese (early/mid-16th Century). Date: 1530-1550. Dimensions: 240 x 249 mm. Pen and brown ink with brush and brown wash, over black chalk, on tan laid paper, pricked for transfer, laid down on ivory laid paper, tipped onto card. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Activity; Sedvlitas; Virtues. Landscape with the female personification of work (sedulitas), with a burning oil lamp and a opened book in her hands. In the foreground ants, a spinning wheel, and a chicken with her chicks, which symbolizes strolling. In the background a scene in which this virtue is reflected: spinning wool. On the right in the background a stork that feeds her boy. A four-line caption in Latin in the margin. Seventh print from a series with virtues.

Farmer and Farmer with baskets on the back; Varie Figure di Jacopo Callot; Various figures. A farmer and a farmer's, both with a wicker basket on the back, rest on the side of a road. De Boer takes a bottle, De Boerin takes a bowl. This print is part of a series of 16 prints (15 according to Lieure; 17 resp. 16 incl. Title print) with men and women in various attitudes. These prints may have been meant as drawing examples.

After Lucas van Leyden, The Musicians, engraving on laid paper.

A chalk drawing on gray-blue paper depicting a scene titled 'Violation of the Hagar,' illustrating figures in a historical or biblical context with expressive lines and shading techniques.

Bliżej Kultury unknown

Allegory of the disease, Giorgio Ghisi, After Giulio Romano, 1530 - 1582 print A sick man is in bed with a sheet over his legs. Behind the bed are an old and a young man and a young woman with a candle. A woman at the head of the bed touches the sick man on his head and back. A figure with wrap is on the edge of the bed. print maker: Italyafter design by: Mantua paper engraving sick-bed. patient, sick person. visiting the sick; sick person together with others. nursing, tending the sick. healing of sick person

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Venice, Bertelli, Orazio, Veronese, Paolo, Italy, Carracci, Agostino, Mary Protecting Members of a Confraternity, verso - stamped, Mary stands with outstretched arms. Two cherubs lift her cloak. Two clerics kneel before Mary. Italian text in bottom margin., print, prints, height 299 mm, width 216 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1582 - 1582, paper, papier, engraving, engraving (printing process), 1528 - 1588-04-19, after, after painting by, Publication (Event), Publication, publisher, uitgever

Provision and Justice, After 1577 - 1580 print On the left in a niche is the female personification of God's providence (provide n tia dei). She holds a benchmark and a scales in one hand. In the other hand a snake with an apple in the mouth. On her chest the moon and the sun. On her head she wears a crown of stars. In a niche on the right is the female personification of justice (Justitia). In one hand she holds a branch, in her other hand an open book. There are masks on her feet. This print is part of an album. paper engraving Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. Forethought, Deliberation; 'Previdenza', 'Providenza' (Ripa)

Barbari, Jacopo de', Italy, Mary with child, Anna, Paulus and angel playing on lute at well, print, prints, height 155 mm, width 190 mm, 1440 - 1516, print maker, printmaker, 1509 - 1510, first quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Matham, Jacob, Sovius, Simon, Cesari, Giuseppe, Haarlem, Four Church Fathers, St. Ambrose as Church Father, verso lower left - stamped, print, prints, height 295 mm, width 219 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1600 - 1600, paper, engraving, engraving (printing process), Italian, 1568-02 - 1640-07-03, after, after painting by, writer, Publication (Event), Publication, publisher

Prince Willem V van Oranje -Nassau receives Minerva's Schild, Pieter Tanjé, After Louis Fabritius Dubourg, 1758 - 1761 print Willem V, Prince of Oranje-Nassau standing next to Minerva, whose shield he received. Next to him the Dutch Lion. In the foreground are coat of arms and a putto with the mirror of caution and the scales of justice. Amsterdam paper etching / engraving (story of) Minerva (Pallas, Athena). symbols of particular nations, states, districts, etc.. beasts of prey, predatory animals: lion. mirror

Annibale Carracci (Italian, 1560 - 1609). The Holy Family, 1590. Etching and engraving. Second state.

Artist: Hieronymus Wierix, Flemish, 1553-1619, Christ Carrying theCross, before1619, Engraving, image: 7.1 × 5.2 cm (2 13/16 × 2 1/16in.), Made in Flanders, Flemish, 16thcentury, Works on Paper -Prints

Fasciculus myrrhae dilectus meus mihi. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hieronymus Wierix.

Anonymous red chalk drawing depicts the Visitation, focusing on the figures, gestures, and compositional arrangement.

The Monogrammist bg's late 15th-century copper engraving depicts two lovers, emphasizing figures, gesture, and intimate composition.

Andrea del Sarto - La Madonna delle Arpie, Galleria di Firenze

Spranger, Bartholomeus, unknown, Sadeler, Aegidius, Christ Appearing to Mary Magdalene as a Gardener (Noli mi tangere), verso lower left - stamped, The risen Christ appears to Mary Magdalene in the guise of a gardener. His crucifixion wounds are visible. Mary Magdalene holds an ointment jar in her hand., print, prints, height 274 mm, width 228 mm, Work conception, Southern Netherlands, 1570 - 1629, after print by, 1580 - 1679, paper, engraving, engraving (printing process), print maker, printmaker, 1546-03-21 - 1611-08

Bliżej Kultury SCHOEL, Hendrik van (ca 1565 1622)

Marriage of spiritual love through Christ closed, Jan Saenredam, Hendrick Goltzius, Cornelius Schonaeus, 1575-1607

Solomon and Batseba on the throne, Robert van Audenaerd, after Domenichino, 1685 - 1725 print Solomon and his mother Batseba are sitting on the throne. Print from a series of four performances from the Old Testament to Frescoes from Domenichino. Rome paper etching Bathsheba enthroned at Solomon's right hand

The Good Samaritan Putting the Traveller on His Donkey. 1554. Aldegrever, Heinrich, 1502-. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The genius of F. Mazzola, il Parmigianino: his works are admired by a seated man representing art and a woman representing nature, while his portrait is crowned by fame. Soft ground etching by F. Rosaspina.

Six standing saints, perhaps six apostles All are holding a book, the saint in the upper left is leaning on a bat, Six standing apostles Paradigmata graphices variorum artificum , print maker: Jan de Bisschop, (mentioned on object), Baccio Bandinelli, (mentioned on object), intermediary draughtsman: Giovanni di Benedetto Bandini, (attributed to), Northern Netherlands, 1668 - 1671, paper, etching, h 223 mm × w 128 mm

Leyden, Lucas van, Amsterdam, Muller, Jan Harmensz., Passion of Christ, Carrying of the Cross, Christ carries the cross and next to him kneels Veronica with her cloth. Mary and John stand between the soldiers and executioners., print, prent, prints, height 116 mm, width 76 mm, Noord-Nederlands, 1571 - 1628, print maker, printmaker, 1613 - 1622, paper, papier, engraving, engraving (printing process), Work conception, 1494-06 - 1533-08

Last Supper, Cornelis Schut (I), 1607 - 1655, draughtsman: Cornelis Schut (I), , 1607 - 1655, paper, pen, brush, h 451 mm × w 363 mm

Virgin and Child Seated under a Tree. Landscape plays an important role in the three engravings on view. Here, however, Lucas decided not to work out the background in detail: all attention is focussed on the confident rendering of the delicately elaborated figures. The folds of Marys gown are busier and more angular than in the engraving of 1508. The pronounced highlights on the folds are a feature that recurs in the painting Virgin and Child.

Copper engraving by Martin Schongauer, late 15th century, depicting the Madonna seated on a lawn, emphasizing figure, posture, and drapery.

Depicts Maria with the child on a lawn by Hans Springinklee in a woodcut from 1526 or later, showing mother and child in traditional outdoor composition.

Italy, Cantarini, Simone, Rest on the Flight into Egypt, verso sheet - stamped, The Holy Family rests in a landscape during the flight into Egypt. The Christ Child lies on Mary's lap. In the background on the right, Joseph reads a book., print, prent, prints, enten, height 81 mm, width 128 mm, Italian, 1612-08-21 - 1648-10-15, print maker, prentmaker, 1622 - 1648, paper, papier, etching, etchings

The lost son has wasted his money and is thrown away; Omnibus Absumptis Seruenti Expellitur IRA; Story of the lost son. The lost son has wasted his money and is thrown away by the company of whores where he has entertained.

Maria with Child and John the Baptist, Pierre Daret, After Charles II Errard, 1646 print Paris paper engraving Mary and the Christ-child with John the Baptist (as child)

Print made by James Barry, 1741-1806, Irish, Repose in Egypt, ca. 1776. Etching and aquatint on moderately thick, slightly textured, beige laid paper.

Drawing (Italy)

Anonymous (Copy Carracci, Annibale) / 'The Crowning with Thorns'. XVII century. Wash, White lead, Black chalk, Pencil on tinted paper. Museum: Museo del Prado, Madrid, España.

William Strang, Wine Drinkers, etching on paper.

Antwerp, Galle, Joannes, Trinity in a heart surrounded by angels, verso - stamped, print, prints, height 108 mm, width 68 mm, Publication (Event), Publication, South Netherlands, 1600 - 1676-09-20, publisher, 1626 - 1676, paper, papier, engraving, engraving (printing process), print maker, printmaker

The female personification of the Face, accompanied by a man holding up a mirror and groping her breast with two fingers., The Face The Five Senses (series title), Jan Saenredam, print maker: anonymous, Hendrick Goltzius, (mentioned on object), Northern Netherlands, 1575 - 1657, paper, engraving, h 177 mm × w 124 mm

Umbria Perugia Perugia Convent S. Pietro0. Hutzel, Max 1960-1990 Interior views with emphasis on paintings and sculpture; extensive views of illuminated manuscripts (negatives not printed). General Notes: There are no prints assigned H-#s 43-57. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A copper engraving by Israhel van Meckenem from around 1480-1490 depicting a young man and an old man, highlighting generational difference and detailed Northern Renaissance engraving.

Noah with his wife and children, Anonymous, After Hans Sebald Beham, 1530 print paper male persons from the Old Testament (with NAME) (not in biblical context)

Amsterdam, Sichem, Christoffel van (I), Goltzius, Hendrick, Young man playing the zither with four singing figures, verso lower left - stamped, print, prints, height 310 mm, width 216 mm, Northern Netherlands, 1546 - 1624-10-20, print maker, printmaker, 1546 - 1624, paper, woodcut, Work conception, 1558-01 - 1617-01-01, after a design by, Publication (Event), Publication, publisher

Alonso Cano / 'Saint Potenciana and Saint Euphrasius'. Ca. 1657. Grey-brown wash, Ink on yellow paper. Museum: Museo del Prado, Madrid, España.

Allegory on transience; Transience; One-and-fourteigh pieces, shyded sinne images. Allegorical show with three putti at a classic garden vase in a niche. The putto on the left has a mask in his hands and scares the other two putti that falls over each other. Imagination of transience. Print from a series of 41 symbols.

Laughing nar with a staff, anonymous, after Jan Saenredam, after Hendrick Goltzius, 1590 - 1657 print A nar points laughing at his staff. The staff has a hover head that protrudes his tongue. At the rear left a gatehouse and rear right, two figures dressed in coats, monks (). paper engraving court jester, court fool. laughing. gate, entrance

Copper engraving by Meister E.S. from the second third of the 15th century depicting Jasobus as a court official, showing figure details and attire.

Crucifixion. Artist: Claude Gillot (French, Langres 1673-1722 Paris); Engraved by Jacques Gabriel Huquier (French, Paris 1730-1805 Shrewsbury). Dimensions: image: 7 5/8 x 4 3/4 in. (19.3 x 12 cm), trimmed to image. Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

The Virgin kneeling in prayer before the infant Christ who is lying on a wooden box, Saint Joseph at left, a mule at right, in an oval frame, after Reni. Artist: Anonymous; After Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: Sheet (Trimmed): 12 3/16 × 15 1/16 in. (30.9 × 38.3 cm). Publisher: Jean François Cars (French, Lyon 1661-ca. 1738 Paris). Date: ca. 1680-1738.After a painting by Reni. Verso is not visible as print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

Baker blows a horn, Abraham Bloteling, 1655 - 1690

Verona, Perril, Augusto Museo, Parmigianino, Italy, Sadeler, Johann (I), Holy Family with Saint Anne, verso lower left - stamped, The Holy Family with Saint Anne, who holds a bird in her hand. Joseph leans on a stick., print, prent, prints, height 105 mm, width 131 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1595 - 1600, paper, papier, engraving, engraving (printing process), Italian, 1503-01-11 - 1540-08-24, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Hero and Leander (title on object), print maker: Lambertus Antonius Claessens, (mentioned on object), intermediary draughtsman: Jacques Kuyper, (mentioned on object), Netherlands, 1800, paper, etching, h 112 mm × w 75 mm

Saint Luke 1503-1513 Netherlands. Engraving in black on paper . Lucas van Leyden

Ricci, Catarina de '.

This late 15th-century copper engraving by Andrea Mantegna depicts the risen Christ with Saint Andreas and Saint Longinus, highlighting figure placement and religious symbolism.

Hieronymus Wierix, S Lydtwina Virgo Schiedamensis S. Lydtwina Virgo Schiedamensis ...

Sancta Francisca de Pontainis Dicta Romana. Artist: Matthaeus Greuter (German, Strassburg ca. 1566-1638 Rome). Dimensions: Sheet: 12 7/16 × 9 1/8 in. (31.6 × 23.1 cm). Date: 1608. Museum: Metropolitan Museum of Art, New York, USA.

Margarete, Queen of France.

Italy, Guercino, Giorgione, Amsterdam, Falck, Jeremias, The Concert, Four Musicians, verso - stamped, Three men and a woman, depicted half-length with sheet music in their hands., print, prent, prints, height 293 mm, width 398 mm, 1609 - 1677-02-07, print maker, printmaker, 1655 - 1677, paper, papier, engraving, engraving (printing process), Italian, 1478 - 1510, after, after a painting by, 1591-02-08 - 1666-12-22

The Lovers 15th century Master bxg German. The Lovers 336175

Allegory of Charity. Dating: 1675 - 1683. Place: Northern Netherlands. Measurements: h 288 cm × w 160 cm × t 4.4 cm. Museum: Rijksmuseum, Amsterdam. Author: Gerard de Lairesse.

Hans Schäufelins woodcut 'The Pain Man in a Frame' (c.1523) depicts a suffering figure within a framed composition, emphasizing posture, expression, and symbolic attributes of pain.

Jupiter and Juno; Gods and goddesses as loved ones. Jupiter and Juno as loved ones. Jupiter bears a crown and throws a lightning bolt. He is accompanied by his symbol the eagle. Juno wears a crown and holds a scepter. She is accompanied by her symbol the peacock. In the margin a four-line caption, in two columns, in Latin, which refers to the love between Jupiter and JUNO. Print from a series with gods and goddesses as loved ones.

The Risen Christ between Saints Andrew and Longinus ca. 1472 Andrea Mantegna Italian This print belongs to a core group of seven engravings that traditionally have been attributed to the great Renaissance artist Andrea Mantegna. Rich effects of tone and modeling are achieved through parallel diagonal hatching, so finely rendered in this print that the lines appear to dissolve. Strong contors, which are as varied and malleable as a pen line, powerfully carve out the figures. The extraordinary dexterity with which the engraving tool is handled separates this group of seven from other prints produced in the same Mantegnesque" vein, such as the anonymous Four Dancing Muses nearby. The execution of this print, which depicts the Roman soldier, Longinus, who pierced Christ's side, is probably connected to the founding of the Church of Sant'Andrea in Mantua (1472), which housed a relic of Christ's blood.. The Risen Christ between Saints Andrew and Longinus 372965

Giulio Campagnola, Christ and the Samaritan Woman, c 1510 Christ and the Samaritan Woman

Sebald, holy.

Louis XIII (king of France), Saint-Igny, Jean de, Bosse, Abraham, Costumes of the French nobility in the church, La Noblesse Francoise à l'Eglise, Reading French noblewoman in a church interior, dressed in the fashion of ca. 1630, verso - stamped, A lady sits on a Gothic chair in a church reading her missal. She is dressed in a kite costume with wide, puffy sleeves. As jewelry she wears a necklace and earrings., costume print, prints, height 150 mm, width 95 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1628 - 1629, paper, etching, engraving, engraving (printing process), Work conception, 1600 - 1647-11-09, after a design by, Publication (Event), Publication, publisher, uitgever, 1601-09-27 - 1643-05-14, granter of privilege

Two women and three children in an interior. Artist: Otto van Veen (Netherlandish, Leiden 1556-1629 Brussels). Dimensions: sheet: 4 5/16 x 5 1/4 in. (11 x 13.4 cm). Date: 1556-1629. Museum: Metropolitan Museum of Art, New York, USA.

Jan Pietersz Saenredam after Hendrik Goltzius, Taste Taste

Umbria Terni Montefranco S. Bernardino3. Hutzel, Max 1960-1990 Post-medieval: Architecture, fresco fragments, fresco paintings, architectural sculpture, painting, sculpture, tomb sculpture Object Notes: Some of the architecture exterior and interior derive from ancient/medieval structure, but are here filed with Post-Medieval for sake of unity of collection. Hutzel provides text which describes the location as "Monzano" German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two Male Figures in Half-Length Conversing late 16th century Anonymous, Italian, Bolognese, second half of the 16th century Italian. Two Male Figures in Half-Length Conversing 372637

Christ on the Cross (The Small Crucifixion). Albrecht Altdorfer; German, c.1480-1538. Date: 1500-1538. Dimensions: 61 x 40 mm (image/plate). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Julius Schnorr von Carolsfeld, Ruth and Boas, 1825 Ruth and Boas

Werner, Joseph .

of 3