Biblical and Religious Imagery

Illustrations depicting religious themes, notably the Madonna and Child, showcasing various artistic styles ranging from fresco to engraving.

Rome, Pape, Jan de, Antwerp, Mary with the Christ Child, verso lower left - stamped, Mary sits with the Christ Child on her lap on the clouds., print, prints, height 145 mm, width 118 mm, print maker, printmaker, 1618 - 1646, paper, papier, etching, etchings

Wszyscy Święci w MNK Payne, Albert Henry (1812 1902), Santi, Raffaello (1483 1520), Glücksberg, Michał (1838 1907)

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)46. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Spoleto Palazzo Comunale, Pinacoteca Comunale4. Hutzel, Max 1960-1990 Interior views focus on the paintings. A few frescoes and one reliquary are also included. (Negatives show artifacts displayed in exterior sections of the Palazzo Comunale, which is the structure that houses the Pinacoteca.) Among the subjects of the paintings are: the Calling of St. Matthew (after Caravaggio), portrait of a Palettoni, the Annunciation, Job, St. Sebastian, Charity, Venus, several Madonna and Childs (one after Giovanni Bellini), St. Ponziano, St. Agatha, the Dormition of the Virgin, Christ, the Crucifixion, and the Holy Family. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanes

Umbria Perugia Montefalco S. Agostino. Hutzel, Max 1960-1990 Exterior views of the 13th century architecture of the church; interior views include frescoes dating from the 14th-16th centuries. Fresco subjects include the Madonna and Child, the Annunciation, the Coronation, the Madonna of the Misericordia, and the following saints: Pietro, Fortunato, Paolo, Severo, Agostino, Nicola da Tolentino and Caterina d'Alessandria. Object Notes: One composite view of the interior is found in the Italy Oversize box in the Medieval core collection (H-7, H-8). General Notes: Hutzel photo campaign date: October 27, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissan

Bliżej Kultury Jaehnige, Romano, Giulio (Ca 1499 1546)

Rome, Pape, Jan de, Antwerp, Mary with the Christ Child, verso lower left - stamped, Mary sits with the Christ Child on her lap on the clouds., print, prints, height 145 mm, width 118 mm, print maker, printmaker, 1618 - 1646, paper, papier, etching, etchings

Lazio Roma Rome S. Nicola in Carcere8. Hutzel, Max 1960-1990 Medieval: Late Romanesque bell tower, architecture. Post-medieval: Architecture, architectural sculpture, painting, frescoes, coffers, stucco. 16th century facade (1599) by Giacomo della Porta. Remodeled in 17th and 19th centuries. Antiquities: Roman columns (spolia), German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Gallese S. Famiano3. Hutzel, Max 1960-1990 Medieval: Romanesque architecture. Post-medieval: 15th century frescos and tapestries German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"37. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Contemplation, 1791. Engraving.

Umbria Perugia Montefalco S. Agostino6. Hutzel, Max 1960-1990 Exterior views of the 13th century architecture of the church; interior views include frescoes dating from the 14th-16th centuries. Fresco subjects include the Madonna and Child, the Annunciation, the Coronation, the Madonna of the Misericordia, and the following saints: Pietro, Fortunato, Paolo, Severo, Agostino, Nicola da Tolentino and Caterina d'Alessandria. Object Notes: One composite view of the interior is found in the Italy Oversize box in the Medieval core collection (H-7, H-8). General Notes: Hutzel photo campaign date: October 27, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissa

Metal pen and feather drawing by Meister der Pala Sforzesca depicting Madonna reaching her chest to the child, with a landscape background on greenish-primed paper, used on canvas with primer damage.

Tuscany Siena Casole d'Elsa Collegiata5. Hutzel, Max 1960-1990 Collegiata was built in 12th century and restored in the 14th century. Exterior photos show church facade and campanile. Photos of interior show general views of the nave and details of a sarcophagus and wooden statues of saints and a bishop (possibly Tommaso Andrei). Object Notes: Hutzel photo campaign notes are undated. There are possibly prints missing from the Hutzel collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Velletri S. Maria del Sangue1. Hutzel, Max 1960-1990 Post-medieval: Architecture (15th century), interior, painting. Octogonal building. Object Notes: Bibliographic material housed in Center library. Missing negatives. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Casole d'Elsa Collegiata. Hutzel, Max 1960-1990 Collegiata was built in 12th century and restored in the 14th century. Exterior photos show church facade and campanile. Photos of interior show general views of the nave and details of a sarcophagus and wooden statues of saints and a bishop (possibly Tommaso Andrei). Object Notes: Hutzel photo campaign notes are undated. There are possibly prints missing from the Hutzel collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Perugia Convent S. Pietro34. Hutzel, Max 1960-1990 Interior views with emphasis on paintings and sculpture; extensive views of illuminated manuscripts (negatives not printed). General Notes: There are no prints assigned H-#s 43-57. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Holy Family. Medium: color mezzotint. Museum: National Gallery of Art, Washington DC. Author: Elisha Kirkall after Raphael.

Gaspar Sensi y Baldachi (Lithographer) (After Cano, Alonso); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'The Virgin and Child'. 1829 - 1832. Lithographic aquatint, Crayon lithography, Printing on japon, Scraper on wove paper; 1829 - 1832. Lithographic aquatint, Crayon lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

Umbria Perugia Todi Pinacoteca6. Hutzel, Max 1960-1990 Views are mainly of Renaissance paintings and frescoes, and also medieval statues. Among the paintings: a copy of Guido Reni's Susanna and the Elders; a Madonna and Child with Saints by Polinori; St. Bernardino Tomitano da Feltre bu lo Spagna. Antiquities: Roman bust and architectural fragments from the Etruscan and Roman periods excavated in the territory of Todi. Object Notes: Photos were taken in 1960. General Notes: The Pinacoteca civica, the Museo etrusco-romano and the Archivio comunale are all housed in the Palazzo del Capitano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque m

Umbria Perugia Gubbio Palazzo dei Consoli1. Hutzel, Max 1960-1990 Views of the palazzo's medieval exterior--crenellations and romanesque arches. Interior views of the huge Salone with displays of Medieval and Roman artifacts. The objects in the Pinacoteca and Museo Civico include a glass chalice painted in oils, a wood intarsia desk, frescoes, reliquaries, crucifixes, polyptychs, diptychs, and various other altar paintings, as well as some secular paintings by the Venetian school. Subjects of paintings include: the three Graces, the Assumption, Crucifixion, Death of Rachel, Flight into Egypt, Holy Family, Madonna and Child, S. Ubaldo, S. Francesco, S. Chiara, S. Crescentino, S. Vicenzo, S. Lazaro, S. Scholastica, S. Paolo and numerous other saints. Antiquities: Roman mosaic pavement (2nd century A.D., Iguvium); Etruscan bronze vessels; Roman sarcophagus; various fragments of relief sculpture and pottery. Many of these views are found in the Antiquities core collection, but all negative

Mary with Child and John the Baptist as a child with Anna, print maker: Schelte Adamsz. Bolswert, Peter Paul Rubens, Schelte Adamsz. Bolswert, 1596 - 1659

Italy, Sarto, Andrea del, Mary with Child, verso - stamped, print, prints, height 214 mm, width 160 mm, print maker, 1496 - 1496, 16th century, paper, chiaroscuro woodcut, Work conception, Italian, 1488 - 1531

La Vierge adorent l'Enfant Jesus. Artist: Jean Morin (French, Paris ca. 1605-1650 Paris); After Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90-1576 Venice). Dimensions: image: 17 11/16 x 13 1/16 in. (45 x 33.2 cm). Museum: Metropolitan Museum of Art, New York, USA.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Lazio Rieti Rieti Museo Civico0. Hutzel, Max 1960-1990 Some wooden statues, mostly of the Madonna & Child. In most part, paintings, including the Madonna & Child with SS. Domenico. Peter, Paul and Peter Martyr by Lucca di Tomme. There is also a tryptich of the Resurrection, with predella scenes of the Passion, and other Renaissance and Baroque paintings. Owner: Palazzo Comunale Antiquities: Antique statues and busts. Object Notes: Two Hutzel photo campaign dates, one December 22, 1982, the other date is not legible. There are two sets of prints, one with numbers and an "A" set with its own numbers. At this time, the "A" set matches to the negatives we have; however, the negatives are missing for the numbered set. Since the two sets are virtually identical, it would in most cases be possible to find an image in the "A" set that would have a negative. Numbered set: 72 prints; "A" set: 94 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the ea

Correggio, Frankrijk, Bazin, Nicolas, Beata Maria virgo Joachim filla, Maria lactans with angel in oval frame, France, verso - stamped, print, prints, height 428 mm, width 378 mm, 1633 - 1710, print maker, printmaker, 1643 - 1710, paper, engraving, engraving (printing process), Italian, 1489 - 1534-03-05

Campania Salerno Padula Monastery of S. Lorenzo6. Hutzel, Max 1960-1990 There are views of a number of antiquities. Their specific location within the monastery is unknown. There are two views of the tomb of Tommaso Sanseverino and one view of a statue. There are views of the altar, the frescoed ceiling and statues in niches. niches. Views are of the ceiling, paintings, and statues in niches. There are views of the loggia and its balustrade. There are two views of the ceiling fresco. There are views of the fountain, portico, columns and capitals. There are views of the votive cross, loggia, and landscaping. There are views of the cloister, the fountain, and the loggia. There are views of the colonnade, the floor, and frescoes. There are general views of the cloister, the fountain, and the columns. There are interior views of the church altar, the valuted, frescoed ceiling, and comprehensive coverage of the two choir stalls. There are exterior views of the carved wooden door. There are

Umbria Perugia Corciano santuario della Madonna del Soccorso7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Maria degli Angeli05. Hutzel, Max 1960-1990 Several exterior views of church facade, formed from exedra of calidarium of Roman baths (Terme di Diocleziano). Interior, designed by Michelangelo from fromer tepidarium and renovated by Vanvitelli (1749), is extensively documented. Views of vestibule, nave, altars, sacristy, chapels, frescoed ceilings, paintings, sculpture, courtyard. Antiquities: Sarcophagus; fragments of antiquities on exterior wall. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Print, Virgin, Infant, and Saint John, ca. 1760-1770; Print Maker: Francesco Bartolozzi (Italian, 1727-1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 - 1666); Italy; engraving in brown ink on white paper; 29.8 × 22.4 cm (11 3/4 × 8 13/16 in.); Bequest of George Campbell Cooper; 1896-3-264

The Virgin Nursing the Child. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.4 cm). Date: 1519. Museum: Metropolitan Museum of Art, New York, USA.

Martin Schongauer, Madonna on the Crescent, c 1470 Madonna on the Crescent

Titian: The Virgin with the child and John the Baptist, Galleria degli Uffizi, Florence. .

La Madonna del Latte 1815 Raphael Morghen. La Madonna del Latte. Raphael Morghen (Italian, Naples 1758-1833 Florence). 1815. Engraving; third state of three. Caspar Weiss (German, active Berlin, 1786-1815). Prints

Dyck, Anthony van, Antwerp, Snyers, Hendrik, Madonna and Child during the Flight into Egypt, verso lower left - stamped, Mary sits with the Christ Child on her lap in a mountain landscape. The Christ Child stretches out his arm to her face. In the background Joseph with the donkey., print, prints, Preuelegy, recto margin bottom - handwritten in brown ink, height 445 mm, width 339 mm, 1613, print maker, printmaker, 1642 - 1644, paper, papier, engraving, engraving (printing process), Flemish, Dutch, 1599-03-22 - 1641-12-09

Umbria Terni Stroncone S. Francesco9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Frosinone Veroli Madonna degli Angeli2. Hutzel, Max 1960-1990 Most views are of this rural church are of the interior frescoes: Mary Salome, S. Mauro, S. Biagio, S. Demetrio, the Madonna Lactans, and the Eternal Father. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Capua Chiesa dell'Annunziata31. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco, decorative arts (furniture, woodworking, tapestry, metalworking), marble Object Notes: constructed from 1531 to 1574, earlier church from c.1285-1309. Renaissance appearance with modifications of the 17th and 18th centuries. No information provided by Hutzel. See guidebook included in shipment of photographs, pp. 33-34. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city,

Maria with the Child by an anonymous artist, executed with pen and laved wash after 1520, showing figures, gesture, and composition.

Tuscany Siena Montalcino Museo Diocesano5. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Virgin Cradling Child, After Raphael

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo36. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Madonna & Child, Della Robbia, Andrea (1435-1525/Italian)

Maria met kind.

Lazio Viterbo Caprarola Palazzo Farnese462. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Raphael, Photographic reproduction of a painting representing the Madonna with the Goldfinch, photograph, photo, reproduction, page, photos, photographically illustrated books, height 123 mm, width 98 mm, photographer, 1878 - 1888, photographic paper, photo paper, albumen print, albumine print, 1483-04-07 - 1520-04-07

Umbria Perugia Corciano santuario della Madonna del Soccorso3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sleeping amor. Amor is sleeping in a bed.

Lazio Viterbo Viterbo S. Lorenzo, Cathedral2. Hutzel, Max 1960-1990 Views of 16th c. facade, with detail views of portal, windows, campanile (attached). Interior views of cupola, baptistery, sculpture, chapels, tabernacle. Many views of paintings and apse frescoes. Nave views in negatives only. Object Notes: A composite view of the exterior in found in the Italy Oversize box in the Medieval Core Collection. Hutzel views (H-230) MED and (H-231) MED General Notes: Views 118 to 184, processed by previous cataloguer, have no matching prints, though negative jackets indicate they should. All prints have been renumbered. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic,

Elisabetta Sirani, Charity. Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 34.

Wszyscy Święci w MNK French, William (1815 1898), Santi, Raffaello (1483 1520), Glücksberg, Michał (1838 1907)

The Leonardo Cartoon circa 1499-1500, by Leonardo da Vinci (1452 1519), Italian painter, architect, scientist, anatomist and writer.

Maria met kind.

Umbria Perugia Gubbio Palazzo dei Consoli6. Hutzel, Max 1960-1990 Views of the palazzo's medieval exterior--crenellations and romanesque arches. Interior views of the huge Salone with displays of Medieval and Roman artifacts. The objects in the Pinacoteca and Museo Civico include a glass chalice painted in oils, a wood intarsia desk, frescoes, reliquaries, crucifixes, polyptychs, diptychs, and various other altar paintings, as well as some secular paintings by the Venetian school. Subjects of paintings include: the three Graces, the Assumption, Crucifixion, Death of Rachel, Flight into Egypt, Holy Family, Madonna and Child, S. Ubaldo, S. Francesco, S. Chiara, S. Crescentino, S. Vicenzo, S. Lazaro, S. Scholastica, S. Paolo and numerous other saints. Antiquities: Roman mosaic pavement (2nd century A.D., Iguvium); Etruscan bronze vessels; Roman sarcophagus; various fragments of relief sculpture and pottery. Many of these views are found in the Antiquities core collection, but all negative

Virgin and Child, Girolamo Siciolante, Italian, ca. 1521 - 1575, Graphite, brush and white gouache on blue laid paper, On blue-gray ground, a seated figure of the Virgin Mary holding the Christ child on her lap. She gestures with her right hand, her eyes cast down., Rome, Italy, ca. 1521-75, figures, Drawing, Drawing

France, French crown, Rome, Reni, Guido, Paris, Vallet, Guillaume, Mary with the sleeping Christ child, verso - stamped, print, prints, height 408 mm, width 283 mm, French, 1632-12-06 - 1704-07-01, print maker, printmaker, 1661 - 1704, paper, papier, engraving, engraving (printing process), stipple work, Italian, 1575-11-04 - 1642-08-18, after, after a painting by, granter of privilege

Campania Caserta Carinola Cathedral3. Hutzel, Max 1960-1990 Medieval: 11th c. architecture, architectural sculpture, sculpture, mosaics, cosmati tiling, fresco paintings. Post-medieval: Fresco painting, paintings, sculpture Antiquities: Sculpture, sculptural relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Madonna with the Child, by Andrea Gurdi lunette over the portal of Cathedral in Pisa, Italy. Unesco World Heritage Site

A feather drawing by Bartolomeo Schedoni depicts the Holy Family with John's boy, with fragments of another seated figure, executed with laved technique, white highlights on brown paper, circular format.

Friedrich Siegmund August Nachtigall copied Adriaen van der Werffs scene showing Diogenes searching for a person with a lantern, executed with brown brushwork, late 18th to early 19th century.

Abruzzo, Civitaretenga, S. Antonio, Italy, 20th century, photo, photography, Europe

Marches Macerata San Severino Marche Pinacoteca Civica4. Hutzel, Max 1960-1990 The collections include: a silver reliquary (1326), a relic of Pope Peter Celestini V, a silver plate, a 13th-century clothes chest illustrating a medieval legend, a globe with constellations/signs of the zodiac, fresco fragments by the Salimbeni brothers, a fresco of St. Francis receiving the Stigmata from the church of S. Francesco in Castello (now destroyed), a fresco of St. Anthony Abbot, elaborate polyptychs by Veneziano and Salimbeni, an ivory chest with secular imagery, and various altarpieces and paintings. Of exceptional quality are paintings by Bernardino Mariotto of the Annunciation and the Pieta, and an altarpiece of the Madonna and Child Enthroned with Saints by Vittore Crivelli. Object Notes: Hutzel photo campaign date: April 11, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by

Francisco Bayeu / 'The Holy Family'. XVIII century. White chalk, Black chalk on grey paper. Museum: Museo del Prado, Madrid, España.

Maria Met Kind, Kniestuk, Andrea del Verrocchio, c. 1470 - c. 1480 stucco stucco

Print made by William Dickinson, 1746-1823, British, A Lady and Children, 1780. Mezzotint on medium, moderately textured, cream wove paper.

Madonna and Child late 15th-early 16th century possibly Italian, Florence This figure is a variant in reduced size of the relief by Andrea della Robbia in the Victoria and Albert Museum, London.. Madonna and Child 194857

Campania Salerno Salerno-S. Matteo, Cathedral48. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Copy after Raphaels “Small Holy Family” (Paris, Louvre). Artist: Unknown After: Raphael, Italian, 1483-1520

Holy Family with the Infant St. John. Francesco Trevisani; Italian, 1656-1746. Date: 1695-1705. Dimensions: 38 1/4 x 28 1/2 in. (96.9 x 72.4 cm). Oil on canvas. Origin: Italy. Museum: The Chicago Art Institute, USA.

Canopy project representing an angel Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Gloer project representing an angel. Pencil.

Madonna and Child 1520-30 Possibly after a model by Diego de Siloé. Madonna and Child 196743

Anna Selbdritt ca. 1480 German. Anna Selbdritt. German. ca. 1480. Wood with polychromy. Made in Franconia, Germany. Sculpture-Wood

Madonna and Child, or Nursing Madonna Attributed to Giovanni Antonio Boltraffio (or Beltraffio) (Italian, Milanese, ca. 1467-1516). , ca. 1500. Oil on canvas glued to wood panel, 17 x 13 in. (43.2 x 33.0 cm). European Art ca. 1500

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Raphael, Berlin, Schauer, Gustav, Madonna aus dem Hause Alba, Photographic reproduction of a print after a painting, depicting the Alba Madonna, recto - printed, photograph, photo, reproduction, page, photos, photographically illustrated books, 728., height 94 mm, width 87 mm, German, 1826 - 1902, photographer, 1856 - 1861, photographic paper, photo paper, albumen print, albumine print, 1483-04-07 - 1520-04-07, after, after painting by, Work conception

Umbria Terni Stroncone S. Nicolo5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Madonna and Child with Scroll. Artist: Luca della Robbia (Italian, 1399/1400-1482 Florence). Culture: Italian, Florence. Dimensions: Overall: 31 1/4 in., 93 lb. (79.4 cm, 42.1845 kg). Date: ca. 1455.Luca della Robbia is famous especially for having brought the glazed terracotta technique to sculpture. This quiet, monumental composition shows him at the height of his powers. The composition is best viewed from the right and must have been site specific.The Virgin's head was modeled and glazed separately. Museum: Metropolitan Museum of Art, New York, USA.

Maria met kind.Maria met kind.

Detail of Virgin and Child with Saint Anne and Saint John the Baptist, by Leonardo da Vinci, circa 1500, National Gallery, London, England, UK, GB, Europe

Lazio Roma Velletri Museo Civico di Velletri52. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Madonna and Child. Dated: c. 1475/1478. Dimensions: overall: 84 x 56 cm (33 1/16 x 22 1/16 in.) framed: 115.6 x 86.4 x 12.7 cm (45 1/2 x 34 x 5 in.). Medium: marble. Museum: National Gallery of Art, Washington DC. Author: Antonio Rossellino.

Tuscany Grosseto Massa Marittima S. Agostino1. Hutzel, Max 1960-1990 Post-medieval: Includes views of neighboring Cappella di S. Lucia (1348) Architecture, architectural sculpture (14th century, restored 1958), sculpture, stained glass, frescoes, painting, Object Notes: Bibliographic material included and housed in the Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Statue of the Madonna and Laughing Child by Antonio Gamberelli (1427-1479) an Italian sculptor. Dated 15th Century

Chalk and feather drawing by Cesare Gennari from 1668/1669 depicting the meeting or adjoining of kings, executed in laved technique.

(Ed.ne Alinari) No. 161. Florence - R. Galleria Pitti. The Virgin with the child Jesus. (Murillo) .. Geschenk von N.n., 2011

Tuscany Siena Asciano S. Francesco. Hutzel, Max 1960-1990 Romanesque-Gothic church and cloister dating from 13th-14th centuries, and somewhat restored in the 20th cent. The interior reflects the style of the 16th century with its classicized pedimental motifs in the architectural detailing. Of note is a terracotta sculptural group by the school of della Robbia, and a fresco cycle of the life and death of Christ by Giovanni da Asciano. There are miscellaneous frescos by artists from the Sienese school of the 17th century. Object Notes: Hutzel photo campaign date: July 17, 1982. General Notes: Prints of exterior in the Medival core collection. There are substantial holdings in the Marburger collection as well, see. nos. 22-23. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the

Tuscany Siena Montalcino Museo Diocesano24. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ascore: Maria with children Deruta (ceramic family; Ca 1500-); 16th century (1501-00-00-1600-00-00);

Lazio Roma Rome S. Eligio degli Orefici. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting, religious reliquaries Object Notes: On Via Giulia along banks of the Tiber. Designed by Raphael. Construction began in 1516. Facade from 1602 by Ponzio. Interior in form of Greek cross. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Madonna and Child. Dated: c. 1425. Dimensions: overall: 102.5 x 62.2 x 28.3 cm (40 3/8 x 24 1/2 x 11 1/8 in.). Medium: painted and gilded terracotta with wood backing. Museum: National Gallery of Art, Washington DC. Author: Florentine 15th Century.

Madonna and Child 15th century School of Donatello Italian Sheltering the Christ-child beneath her cloak, Mary presses her check against his head. Her loving gesture identifies her as the Virgin of Tenderness (Eleusa) a sacred type that derives from Byzantine painted icons. This terracotta relief was created from wet clay that was fired in a kiln, and subsequently embellished with gilding and bright colors. Sculptures such as these contributed to the richly hued, textured effects typical of ecclesiastical and domestic Renaissance interiors.. Madonna and Child. School of Donatello (Italian, Florence ca. 1386-1466 Florence). Italian. 15th century. Figures: terracotta, polychromed and gilded; later background: wood, painted to represent brocade; frame: carved and painted, mouldings gilt. Sculpture

Angels and cherubim 1774 Violante Vanni. Angels and cherubim. Violante Vanni (Italian, 1732-1776). 1774. Etching and engraving. Prints

Lazio Roma Rome S. Maria in Aquiro41. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Photo production of painting Madonna with child through Sasso Ferrato , S. Maria Formosa in Venice, Carlo Naya (Possible), c. 1860 - c. 1880 photograph paper. photographic support. cardboard albumen print picture, painting S. Maria Formosa

Jacques Callot (1592-1635). "The paintings of Rome, the Virgin in glory". Chisel. 1608-1611. Museum of Fine Arts of the City of Paris, Petit Palais. 99593-22 Burin, Gravure

Anna-Te-Three.

Abruzzo Pescara Penne Palazzo Vescovile, Museo09. Hutzel, Max 1960-1990 Medieval: Architecture; architectural sculpture (detatched); sculpture. Post-medieval: Sculpture, painting, architectural sculpture (detached), altar cloth: objects from Penne and Loreto Apruntino. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo Museo Civico4. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-1

Virgin and Child with Angels Seated onClouds. Artist: Jacopo del Sellaio, Italian, Florence, ca. 1441-1498

Moses is suckled at the Nile, Jean Ferdinand Joubert, After Eden Upon Eddis, 1848 print publisher: Londonpublisher: Paris paper. steel engraving feeding a baby

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