← Artworks

Biblical and Religious Imagery

Illustrations depicting religious themes, notably the Madonna and Child, showcasing various artistic styles ranging from fresco to engraving.

Rome, Pape, Jan de, Antwerp, Mary with the Christ Child, verso lower left - stamped, Mary sits with the Christ Child on her lap on the clouds., print, prints, height 145 mm, width 118 mm, print maker, printmaker, 1618 - 1646, paper, papier, etching, etchings
Rome, Pape, Jan de, Antwerp, Mary with the Christ Child, verso lower left - stamped, Mary sits with the Christ Child on her lap on the clouds., print, prints, height 145 mm, width 118 mm, print maker, printmaker, 1618 - 1646, paper, papier, etching, etchings
151 assets in this story
4409-17481214
Madonna and Child with God the Father and Cherubim. Dated: 1480/1490. Dimensions: overall: 90 × 48 cm (35 7/16 × 18 7/8 in.) framed: 129.54 x 78.11 x 13.97 cm (51 x 30 3/4 x 5 1/2 in.) gross weight: 127 lb. (57.607 kg). Medium: glazed terracotta. Museum: National Gallery of Art, Washington DC. Author: Studio of Andrea della Robbia.
4443-21760608
Two angels carry a child over the separation of two worlds represented as spheres, draughtsman: Pieter Christoffel Wonder, 1790 - 1852, paper, brush, h 307 mm × w 226 mm
6145-44309449
Royal Gallery of Offices in Florence - Raffaello Santi - La Virgin Au Goldfinch. .
6145-59206309
Umbria Terni Narni S. Domenico55. Hutzel, Max 1960-1990 Medieval: 1965 photos, 29 Architecture, architectural sculpture (12th century); Wall painting (13-16th century); Mosaic, cosmati style pavement (c. 1200) 1986 photos, 44 Architecture, architectural sculpture, cosmati pavement, sculpture. Post-medieval: 1965 photos, 56 Frescoes, painting (13-16th century); sculpture (14-16th century) 1986 photos 167 Frescoes, painting, sculpture, metalwork Antiquities: 1986 Weaponry Object Notes: Church deconsecrated and modified for use as museum, 1970 General Notes: Bibliographic material sent, Getty Center library () German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaiss
4443-19606719
The Father's Leave Taking, William Holman Hunt, 1827-1910, British, 1879, Etching, Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
6145-59152927
Lazio Rieti Rieti Museo Civico1. Hutzel, Max 1960-1990 Some wooden statues, mostly of the Madonna & Child. In most part, paintings, including the Madonna & Child with SS. Domenico. Peter, Paul and Peter Martyr by Lucca di Tomme. There is also a tryptich of the Resurrection, with predella scenes of the Passion, and other Renaissance and Baroque paintings. Owner: Palazzo Comunale Antiquities: Antique statues and busts. Object Notes: Two Hutzel photo campaign dates, one December 22, 1982, the other date is not legible. There are two sets of prints, one with numbers and an "A" set with its own numbers. At this time, the "A" set matches to the negatives we have; however, the negatives are missing for the numbered set. Since the two sets are virtually identical, it would in most cases be possible to find an image in the "A" set that would have a negative. Numbered set: 72 prints; "A" set: 94 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the ea
6145-59187902
Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche57. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
6145-30147133
Antonio Rossellino (1427-1479), Madonna with the child, 1442-1479
6145-30216009
Justice Jean-Fran�ois BREMOND (1807-1868). Sketch for Saint-Jacques-Saint-Christophe-de-la-Villette Church: Justice. Oil on canvas, circa 1843.
1848-61318108
Madonna del Pesce, by Raffaello Sanzio da Urbino, also Raffael da Urbino, Raffaello Santi, Raffaello Sanzio, Raphael, Italian painter, Italy, digitally restored reproduction of a work of art (public domain) from c. 1500, Europe
4409-28960015
A seated woman contemplates a skull she holds in upon her right knee. The left hand holds a snail. Most of the entire ovoid is shown. Caption: "Prudenza". On verso, opposite direction: a part of the left arm of the figure in 1931-65-51 and shadowing in red crayon. Date: ca. 1780. Black chalk, pen and ink, brush and sepia wash, brush and white oxidized gouache on brown paper. Museum: Cooper Hewitt, Smithsonian Design Museum.
6145-59135640
Campania Salerno Cava dei Tirreni Museo8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
6145-29830307
Virgin and Child Workshop of Peter Paul Rubens Flemish. Virgin and Child. Workshop of Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Oil on wood. Paintings
4443-21760636
Madonna with child, draughtsman: Pieter Christoffel Wonder, after: Anthony van Dyck, c. 1826 - c. 1830, paper, brush, pen, h 140 mm × w 107 mm
6145-45481766
Bliżej Kultury unknown
6145-59149356
Lazio Latina Gaeta Museo Diocesano. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
4443-19522938
Design for Stained Glass Window in Memory of Christina Trask, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on brown paper, A girl seated on a bench holds a child in her lap to whom she gives a flower. Blooming trees rise in the background. Written on a tablet on top, in capitals: 'BORN.....MDCCCCV'; on a tablet at the bottom: 'IF YOUR LIFE BE SHORT / MAKE IT LONG BY KIND / WORDS AND GOOD DEEDS.' Framing stripes. Framing brown lines on the cardboard., USA, ca. 1907, architecture, interiors, Drawing, Drawing
1525R-49962
6145-59172967
Lazio Viterbo Bagnaia Villa Lante36. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
4443-19588721
Artist, formerly attributed to: Titian (Tiziano Vecellio), Italian, Venice, ca. 1488-1576, Study of a Womans Head and of a Childs Head (Madonna and Child?), early 16th Century, Black chalk heightened with white on blue/gray paper, sheet: 32.6 × 24 cm (12 13/16 × 9 7/16 in.), Made in Italy, Italian, 16th century, Works on Paper - Drawings and Watercolors
6145-30334714
Print made by John Raphael Smith, 1752-1812, British, Madona col Bambino, 1791. Mezzotint (Ham.II) on moerately thick, moderately textured, cream, laid paper.
4443-20258123
Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe
6145-30354530
Print made by Richard Houston, ca. 1721-1775, British, Lady Cathcart and her Child, ca. 1770. Mezzotint (first state) on medium, slightly textured, cream, laid paper.
6145-58874176
Virgin and Child, anonymous, c. 1440 - c. 1450 Maria is slightly forward with the left knee. The head is slightly facing aside, to the child that she wears on the right arm. The child is dressed in a long shirt and keeps his arms forward. Maria is wearing a bond in the hair that is out of sleep and her shoulders. She is wearing a wide to the ground on the pleated and co -cut -in rug -tied rug. This is held together in front of the chest by an agrave, has been struck to the left and recorded on her right side, releasing the left shoe point. Cleves-Guelders walnut (hardwood) cutting Maria is slightly forward with the left knee. The head is slightly facing aside, to the child that she wears on the right arm. The child is dressed in a long shirt and keeps his arms forward. Maria is wearing a bond in the hair that is out of sleep and her shoulders. She is wearing a wide to the ground on the pleated and co -cut -in rug -tied rug. This is held together in front of the chest by an agrave, has
6145-58844782
Print with the performance of Maria with child, Peter van Liesebetten, c. 1650 - Before 1678 Print, oval engraving on parchment, colored with gouache and gold paint, with the representation of Mary with child, sitting at a table with bird cage. Left in the background a red curtain, on the right column bases. Cauted behind glass in a simple profiled frame of black -colored wood, with eye and ring for confirmation. Antwerp parchment (animal material). glass. printing ink. lijst: pine (wood). gouache (paint). wood (plant material) Print, oval engraving on parchment, colored with gouache and gold paint, with the representation of Mary with child, sitting at a table with bird cage. Left in the background a red curtain, on the right column bases. Cauted behind glass in a simple profiled frame of black -colored wood, with eye and ring for confirmation. Antwerp parchment (animal material). glass. printing ink. lijst: pine (wood). gouache (paint). wood (plant material)
7050-70035555
Portugal, Sintra, Sintra National Palace, carved wooden statue (Large format sizes available)
4443-21802665
The two women are sitting on the ground next to a rock wall containing the entrance to the tomb. One of the women has her hands folded together and her head bowed. The other woman stares ahead., Two Marys at Christ's Tomb Les deux Marie au tombeau Salon de 1851 (series title on object), print maker: Adrien Canelle, (mentioned on object), after: Ph. Velt, (mentioned on object), printer: Imprimerie des Beaux-Arts, (mentioned on object), Brussels, 1829 - 1869, paper, h 225 mm × w 330 mm
6145-29242263
The Madonna embracing the sleeping Christ child 1797 Raphael Morghen. The Madonna embracing the sleeping Christ child. Raphael Morghen (Italian, Naples 1758-1833 Florence). 1797. Engraving; fifth state of six. Domenicus Artaria (Austrian (born Italy), Blevio 1775-1842 Vienna). Prints
6145-30064790
The Virgin and the Child Richomme, Jules (1818-1903). The Virgin and the Child. Black stone, white.
4409-18575848
Charity, polychrome wood carving, 16th century, museum of religious art and paleontology, Church of San Bartolomé, Atienza, Guadalajara Province, Spain.
6145-30124954
Virgin and Child.Although the original setting of this tondo is unknown, it must have been situated fairly high up. This appears from the subtle, slanting plane behind Mary. Perhaps it functioned as the crowning element of a tomb or a church portal. This relief is one of the earliest known works by Antonio Rizzo, the first sculptor in Venice to work in the Renaissance style.
6145-45482026
Bliżej Kultury unknown
6145-29884114
Andrea della Robbia, Madonna and Child with Cherubim, c 1485 Madonna and Child with Cherubimtitle QS:P1476,en:Madonna and Child with Cherubim label QS:Len,Madonna and Child with Cherubim label QS:Lit,Tarracotta con Madonna e Bambino con cherubini label QS:Lfr,Vierge à l’Enfant avec des chérubins label QS:Lde,Madonna und Kind mit Cherubim
1889-60422056
Mary, Queen of James II, with the infant James Francis Edward Stuart, Prince of Wales, leaving England for France in December 1688. After a print by James Stow from the work by John Opie originally
6145-59147120
Lazio Frosinone Casamari Abbazia di Casamari0. Hutzel, Max 1960-1990 Prints of views, the exterior and its portico, portals and other walls. Interior photos of the church and its vaulting with particular attention paid to the altar. There are also photos of the cloister and the abbey interior, particularly the Sala Capitolare and the Refectory. There are many details of the varied nature of the columns and capitals. There are also some negatives of manuscripts in the library. Object Notes: Hutzel photo campaign date: February 23, 1983. There are more than one set of notes. Also, there is a second set of negatives in 35mm which are listed at the end of the negative numbers. They were noted by Hutzel as general shots and are not the set from which the prints we have were made. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentati
6145-29073968
Pax with the Madonna and Child, 1400s. Follower of Antonio Rossellino (Italian, 1427-1479 ). Gilt bronze, silver, and blue enamel; overall: 15.9 x 10.3 x 4 cm (6 1/4 x 4 1/16 x 1 9/16 in.).
4443-19606025
Maria Countess of Waldegrave and Her Daughter Lady Elizabeth Laura, Richard Houston, ca. 1721-1775, British, after Sir Joshua Reynolds RA, 1723-1792, British, 1761, Mezzotint
4443-20258653
Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe
6145-59160265
Lazio Roma Rome Gesu08. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
6145-59123342
Abruzzo Pescara Penne Palazzo Vescovile, Museo08. Hutzel, Max 1960-1990 Medieval: Architecture; architectural sculpture (detatched); sculpture. Post-medieval: Sculpture, painting, architectural sculpture (detached), altar cloth: objects from Penne and Loreto Apruntino. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
6145-59118260
Stanis Awspiej Ski (1869-1907), matrix; National Museum in Warsaw (Warsaw; 1862-); after 1945 (0-00-00-0-00-00);
6188-55553668
Composition and design of Tony Johannot, vintage engraving. Composition and design of Tony Johannot, vintage engraved illustration. Magasin Pittoresque 1852. Copyright: xZoonar.com/PatrickxGuenettex 10673467
1848-78898387
Virgin Mary with baby Jesus, relief on the house facade in Florence, Italy
4409-17409819
The Three Magi, from an Adoration Group. Artist: Workshop of Hans Thoman (German, active Memmingen, ca. 1514-25). Culture: South German. Dimensions: Melchior and Balthasar: 23 1/2 × 12 1/4 × 6 1/2 in. (59.7 × 31.1 × 16.5 cm)Gaspar: 22 1/2 × 9 1/4 × 5 1/4 in. (57.2 × 23.5 × 13.3 cm). Date: ca. 1515-20.The Metropolitan Museum of Art has possessed this sculpture of the Three Magi offering their gifts of gold, frankincense, and myrrh in its collection since 1951. The recent acquisition of the Virgin and Child has provided the Museum with the exceptional opportunity to reunite these sculptures, originally part of the large altarpiece dismantled in the early nineteenth century. Altarpieces depicting the Adoration of the Magi were widespread in Germany during the late Middle Ages, particularly following the city of Cologne's acquisition of the Magi's relics in 1164.It has been proposed that the first two Magi, Melchoir and Balthazar, might depict the Hapsburg emperor Maximilian I and his s
6145-54597203
Recto - Front. Two Lovers, 1850. Artist: Dante Gabriel Rossetti.. From Preraphaelites.org:. The female depicted in this work resembles Elizabeth Siddal.. Handwritten inscription on verso:. Purchased for Mr Butler at the sale of the artist's drawings.. Wm Rossetti thought this a design for "Hamlet & Ophelia" or for The Rose Garden. It seems to me equally possible 'likely' crossed out that it represents "Launcelot. & Guenevere", The Rose Garden I should exclude altogether - Charles Fairfax Murray. DANTE GABRIEL ROSSETTI.. ONE OF TWO DESIGNS.. SOLD AT CHRISTIE'S.. MAY 12 1883.. CATALOGUE No 61. The 2nd design a very rude sketch of little value having no connection it seems to me with the design for "Found" moreover it was certainly taken from one of his late notebooks in which he noted down various plans for pictures & anything that occurred to him at the moment.
6145-45533677
Bliżej Kultury Ernst Wasmuth, A. G. Berlin, unknown sculptor
442-21236094
Germany, Bavaria, Munich, The Pinakothek Museum of Modern Art (Pinakothek der Moderne), Painting titled "Maternite" by Pablo Picasso dated 1921
1848-78907903
Mourning sculpture on a Mirogoj cemetery in Zagreb, Croatia
7012-69886540
Central America, Guatemala, Antigua, Casa Santo Domingo Hotel. Convent Colonial Art museum. 18th century enameled and gilded woodcarvings.
4443-19586845
Engraver: Raphael Morghen, Italian, 1758-1833, After: Bernardino Nocchi, Italian, 1741-1812, After: Raphael, Italian, 1483-1520, Theologia, Engraving, platemark: 41 × 37.5 cm (16 1/8 × 14 3/4in.), Italian, 18thcentury, Works on Paper -Prints
1848-19373708
Symbolbild Heiliger Abend, Engel beschenkt die Kinder, 1880, Historisch, digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Original...