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Blue and White Porcelain Vases

A collection of elegantly shaped porcelain vases and jars, featuring intricate blue underglaze designs of flowers, landscapes, and scholars, showcasing classic craftsmanship.

Gu-shaped vase with figures in a landscape and flower sprays, anonymous, c. 1680 - c. 1720 GU-shaped vase of porcelain with a round thickening in the middle, painted in underlaze blue. The decoration is threefold: two sitting scholars around the foot in a landscape with a servant; flower branches on the thickening; On the neck four people in a landscape with a horse, one of them offers a sword. Garnated on the underside with a leaf in a double circle. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification GU-shaped vase of porcelain with a round thickening in the middle, painted in underlaze blue. The decoration is threefold: two sitting scholars around the foot in a landscape with a servant; flower branches on the thickening; On the neck four people in a landscape with a horse, one of them offers a sword. Garnated on the underside with a leaf in a double circle. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification
Gu-shaped vase with figures in a landscape and flower sprays, anonymous, c. 1680 - c. 1720 GU-shaped vase of porcelain with a round thickening in the middle, painted in underlaze blue. The decoration is threefold: two sitting scholars around the foot in a landscape with a servant; flower branches on the thickening; On the neck four people in a landscape with a horse, one of them offers a sword. Garnated on the underside with a leaf in a double circle. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification GU-shaped vase of porcelain with a round thickening in the middle, painted in underlaze blue. The decoration is threefold: two sitting scholars around the foot in a landscape with a servant; flower branches on the thickening; On the neck four people in a landscape with a horse, one of them offers a sword. Garnated on the underside with a leaf in a double circle. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification
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Bottle with flowers of the four seasons ca. 1710 Japanese, for European, probably Dutch, market Although the square shape of the bottle replicates a Dutch glass vessel used for holding wine or spirits, the decoration of the flowers of the four seasonsincluding chrysanthemums symbolic of spring, and peonies for summeris based on Chinese and Japanese traditions.. Bottle with flowers of the four seasons 208279Vase; around 1900 (1896-00-00-1905-00-00);Beaker vase with figures, flower sprays and auspicious symbols in shaped panels on a multi-colored ground, anonymous, c. 1725 - c. 1740 Porcelain cup vas with trumpet -shaped neck and ribbed wall, painted on the glaze in blue, red, pink, green, yellow, purple, black and gold. On the wall cartouches against a frequently colored background of vertical tires (Harlequin pattern); Two cartouches in the form of open rolls with a woman (long lijs) with young (fool) in a fenced garden with flowering plants, underneath two leaf-shaped cartouches with peony branch and butterfly, a smaller pomegranate and fingercitren-shaped compartment on either side of the large courses with lucky symbols; On the edge a band with flower vines. On the bottom an old label with 'S.K. 21 '. Belonging to a five -part cupboard. Famle Rose. China porcelain. glaze. gold (metal) painting / gilding / vitrification Porcelain cup vas with trumpet -shaped neck and ribbed wall, painted on the glaze in blue, red, pink, green,Chous (Toy Pitcher). Greek; Athens. Date: 430 BC-410 BC. Dimensions: 9.2 × 6.8 × 6.8 cm (3.66 × 2.69 × 2.70 in.). Terra-cotta, decorated in the red-figure technique. Origin: Athens. Museum: The Chicago Art Institute, USA. Author: ANCIENT GREEK.Covered Jar (Toh). China, 19th century. Furnishings; Serviceware. Stoneware with enamels (bencharong)JARRA DE PORCELANA. Location: PALACIO TOPKAPI-MUSEO. ISTANBUL. TURQUIA.Sauceboat 1750-1760 WorcesterVase. Culture: British, Chelsea. Dimensions: Height: 7 1/4 in. (18.4 cm). Factory: Chelsea Porcelain Manufactory (British, 1745-1784). Date: ca. 1765-70. Museum: Metropolitan Museum of Art, New York, USA.Pot with lid. Pot with faience lid. Painted multi-colored. The pot is labeled: B-p.Lid. Lid of Pot of FaienceChocolate pot with cover. Culture: Dutch, Delft. Dimensions: Height (.98-.100): 14 in. (35.6 cm). Maker: The Young Moor's Head Factory (Het Oude Moriaenshooft) (1761-1769); Style of Gertruij Verstelle. Date: 1761-69.Gertruij Verstelle owned the Old Moor's Head factory from 1761 to 1769 and was responsible for outstanding, colorful works produced in the Rococo style. Museum: Metropolitan Museum of Art, New York, USA.Candlestick, multicolored painted with a kakiemon decor, meissener porzellan manufaktur, c. 1740 - c. 1745 Candlestick of painted porcelain. The candlestick has a round, scalloped foot with a profiled trunk with two nodes. The 'Altbrandenstein' pattern is painted on the candle holder and the foot edge. On the foot, a tiger is painted around a bamboo stalk in flowers. The candlestick is marked. Float porcelain Candlestick of painted porcelain. The candlestick has a round, scalloped foot with a profiled trunk with two nodes. The 'Altbrandenstein' pattern is painted on the candle holder and the foot edge. On the foot, a tiger is painted around a bamboo stalk in flowers. The candlestick is marked. Float porcelainVase, alabastron Late Period 664-332 B.C. View more. Vase, alabastron. 664-332 B.C.. Glass. Late Period. From Egypt. Dynasty 26-30Urn; Manufactured by Coalport Porcelain Factory; porcelain, overglaze enameling and gilding; a: 24 x 16.5 x 12 cm (9 7/16 x 6 1/2 x 4 3/4 in.) b: 24.3 x 17.3 x 12 cm (9 9/16 x 6 13/16 x 4 3/4 in.)Moon flask with Aesthetic bird motif 1867 Minton(s) Minton was the most important ceramics factory during the Victorian period and began exhibiting products at the first Great Exhibition of 1851. Founded in 1793 by Thomas Minton at Stoke-on-Trent, the firm initially specialized in transferware pottery before expanding under the ownership of Thomass son Herbert Minton, beginning in 1836. Under the ownership of Colin Minton Campbell, who succeeded his uncle in 1858, the factory became recognized as a specialist producer of Aesthetics movement porcelain, which were inspired by a rich array of exotic and eclectic decorative motifs.. Moon flask with Aesthetic bird motif. British, Stoke-on-Trent, Staffordshire. 1867. Red stoneware, enamel. Ceramics-PorcelainPot from V.O.C. ship De 'Witte Leeuw', Anonymous, Before 1613 pot Porcelain pot from V.O.C. ship De 'Witte Leeuw', 100 present. The material is beige oxidized and the glaze is also beige. The color of the underlaze is slightly blackish. The bottom is partially glazed and the foot ring is trapezoidal. No oven sand was found. The pot has a trumpet neck and the lip edge is unpacked. The painting is very meticulous, but the blue has turned gray. The interior is decorated with three flying birds with clouds and a scaly pattern in between. Swatow porcelain Sint-HelenaArmorial Jug (boccale) 1506 Italian, Tuscany, Cafaggiolo or Montelupo. Armorial Jug (boccale). Italian, Tuscany, Cafaggiolo or Montelupo. 1506. Maiolica (tin-glazed earthenware). Ceramics-PotteryVase with landscape and bird-and-flower scenes late 17th-early 18th century China. Vase with landscape and bird-and-flower scenes. China. late 17th-early 18th century. Porcelain painted in underglaze cobalt blue (Jingdezhen ware). Qing dynasty (1644-1911), Kangxi period (1662-1722). CeramicsCeramic vases with expanded and lobed mouth, China. Chinese Civilisation, Qing dynasty, 19th century.Pounce pot. Culture: German, Meissen. Dimensions: Height: 3 3/8 in. (8.6 cm). Factory: Meissen Manufactory (German, 1710-present). Date: 1740-50.This pounce pot, which would have held a fine sand used to dry ink, and its stand (02.5.31) are decorated with the royal arms of France. Museum: Metropolitan Museum of Art, New York, USA.Vase; Nieborów (Manufaktura Majoliki; 1881-1899); 1881-1892 (1881-00-00-1881-00-00);Jan III Sobieski (King of Poland - 1629-1696), Stefan Batory (King of Poland - 1533-1586), Chimery (Mitol.), PortraitsGourd Shaped Sake Flask with Horses and Flowering Tree Design. Japan, 19th century. Ceramics. Hirado Mikawachi ware; porcelain with underglaze blueChinese, Pair of Ginger Jars, porcelain.Fountain. Museum of Fine Arts of the City of Paris, Petit Palais. FONTAINE, POTOvoid jar with figures in a landscape with trees, houses and rocks, anonymous, c. 1650 - c. 1699 Egg -shaped pot of porcelain, painted in undermglaze blue. On the wall a landscape with rocks, houses and trees. Here two people at a pond, one with a banner, and two sitting people under a kind of pine. The neck with a tire stylized leaf motifs. Blue White. Japan porcelain. glaze. cobalt (mineral) painting / vitrification Egg -shaped pot of porcelain, painted in undermglaze blue. On the wall a landscape with rocks, houses and trees. Here two people at a pond, one with a banner, and two sitting people under a kind of pine. The neck with a tire stylized leaf motifs. Blue White. Japan porcelain. glaze. cobalt (mineral) painting / vitrificationCane knob with a roundel and ornamental borders, Saint-Cloud, c. 1700 - c. 1724 Walking stick button from Soft-Paste Porcelain (Pâte Tendre), painted in underly glaze blue. The top with a rosette and on the wall a tire must have flower vines. On the edge a double decorative band with circles and windows. Saint-Cloud porcelain. soft-paste porcelain. glaze. cobalt (mineral) painting / vitrification Walking stick button from Soft-Paste Porcelain (Pâte Tendre), painted in underly glaze blue. The top with a rosette and on the wall a tire must have flower vines. On the edge a double decorative band with circles and windows. Saint-Cloud porcelain. soft-paste porcelain. glaze. cobalt (mineral) painting / vitrificationTrilobed vessel with figure of Fortuna ca. 1535 Italian, Castel Durante with Gubbio luster. Trilobed vessel with figure of Fortuna. Italian, Castel Durante with Gubbio luster. ca. 1535. Maiolica (tin-glazed earthenware), lustered. Ceramics-PotteryCap with painted floral design, Anonymous, c. 1750. Vase of pottery with vaulted thicky shape, polychrow painted with watercolor and pencil on the biscuit, unglazed.Vase ca. 1872 Minton(s). Vase. T Mellor. British, Stoke-on-Trent, Staffordshire. ca. 1872. Porcelain, decorated with pte-sur-pte technique. Ceramics-PorcelainTheeBus, De Greek A, 1710 - 1725 Teabus from Faience. Multicolored painted with landscapes, flower decorations and a parrot in a ring at the front. Delft . Teabus from Faience. Multicolored painted with landscapes, flower decorations and a parrot in a ring at the front. Delft .Vase; around 1880-1900 (1880-00-00-1900-00-00);Pair of cupe with domed lids. unknown, craftsmanFoot warmer, anonymous, 1760 Octagonal stew of blue painted faience, with a slider and a copper handle. There is a test in De Stoof (BK-NM-4001-1). The stove is on four legs and on the underside of the stove a river landscape is painted with boats, a house and a tower. The side walls of the stew are painted with flowers. The test is dated: 1760. Makkum earthenware. tin glaze. Octagonal stew of blue painted faience, with a slider and a copper handle. There is a test in De Stoof (BK-NM-4001-1). The stove is on four legs and on the underside of the stove a river landscape is painted with boats, a house and a tower. The side walls of the stew are painted with flowers. The test is dated: 1760. Makkum earthenware. tin glaze.Pear-shaped beaker vase and domed cover with spiralling bands of flower sprays, anonymous, c. 1700 - c. 1724 Pear -shaped porcelain cup vessel with a trumpet -shaped neck, painted in underlaze blue. Tires with flower branches twisted on the wall with above and -under a double row of petal -shaped compartments with flower branches; A decorative tire on the foot. On the outer edge a bond with archery. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification Pear -shaped porcelain cup vessel with a trumpet -shaped neck, painted in underlaze blue. Tires with flower branches twisted on the wall with above and -under a double row of petal -shaped compartments with flower branches; A decorative tire on the foot. On the outer edge a bond with archery. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrificationVase with cover ca. 1725-30 Meissen Manufactory German. Vase with cover. German, Meissen. ca. 1725-30. Hard-paste porcelain. Ceramics-PorcelainVase, 12th century, Unknown Korean, H.9-1/2 x Diam.6 in., Glazed ceramic, Korea, 12th centuryVase with cover ca. 1785 Royal Porcelain Manufactory Danish. Vase with cover. Danish, Copenhagen. ca. 1785. Hard-paste porcelain. Royal Porcelain Manufactory (Danish, 1775-present). Ceramics-PorcelainTankard (Hanap) with Tulips, Hyacinths, Roses, and Carnations 1570-1599 Turkey. This cylindrical tankard (hanap) is a fine example of the ceramics produced at Iznik (located southeast of Istanbul) during the late sixteenth century. Characterized by its white body fabric, brilliant transparent glaze, and distinct decoration, Iznik pottery represents one of the most technologically refined and aesthetically arresting traditions in the history of Islamic ceramics. Here the decoration consists of a motif of hyacinths and carnations, underscored with blue tulips and red roses. The artist fully realized the rhythmic potential of alternating floral forms, exploiting the tankardís tall, cylindrical surface to create a feeling of motion. Though the Iznik tradition seems to have been intially inspired by imported Chinese blue-and-white porcelain, by the 1550s, Iznik pottery had been transformed. Working in collaboration with the imperial Ottoman atelier in Istanbul (nakkash-hane), Iznik potters Box ca. 1750-60 Mennecy. Box. French, Mennecy with probably British mounts. ca. 1750-60. Soft-paste porcelain, gold, enamel. Mennecy. Ceramics-PorcelainBird still bank, c. 1900, 5 1/2 x 3 1/8 x 3 1/2 in. (13.97 x 7.94 x 8.89 cm), Ceramic, pigment, United States, 19th-20th centuryJean Claude Duplessis, Charles Nicolas Dodin Manufacture de Sèvres, 1763, vaseAnonymous, China. Gourd Green Family Gourde. Hard porcelain, moufle fire enamels, golden bronze frame. XVIIth century. Museum of Fine Arts of the City of Paris, Petit Palais. Faience, gourd, container, 17th XVIIth XVII 17th 17th 17 CENTURYBottle late 17th-early 18th century China. Bottle 48088Pair of Jardinieres 1874 Stoke-on-Trent. Bone china, enamel, and gilding .Stoneware jug be used with belly-set rosettes, on neck medallion with mask, jug crockery holder soil find ceramic stoneware glaze salt glaze, hand turned stamped molded glazed baked stoneware jug gray shard with salt glaze ear with curled tail profiled neck and foot archeology import pottery serve serve serve drink wine beerVase, Meissener porcelain manufactory, c. 1730 - c. 1735 Hexagonal vase of painted porcelain. The vase has a high base on which a nodus -like part and the vase body floating upwards. The foot is decorated with purple Indianic blums, the Nodus with purple höroldt chinoiseries. The ribs are decorated with flower candelabers in gold. The fields of the body are decorated with Höroldt chinoiseries on gold consoles in which a saved oval with a garden with a figure. The vase is marked. Float porcelain Hexagonal vase of painted porcelain. The vase has a high base on which a nodus -like part and the vase body floating upwards. The foot is decorated with purple Indianic blums, the Nodus with purple höroldt chinoiseries. The ribs are decorated with flower candelabers in gold. The fields of the body are decorated with Höroldt chinoiseries on gold consoles in which a saved oval with a garden with a figure. The vase is marked. Float porcelainSnuff Bottle, 19th century, 3 3/8 x 2in. (8.6 x 5.1cm), Ivory, China, 19th centuryCover of a tea caddy with birds in a landscape, Ansbach, c. 1765 Cover of a porcelain tea lid, painted on the enamel in email colors and gold. Decorated with sprinkling flowers and a band with servetwork; Lid button in the form of a fruit branch (pear). Ansbach porcelain. glaze. gold (metal) painting / gilding / vitrification Cover of a porcelain tea lid, painted on the enamel in email colors and gold. Decorated with sprinkling flowers and a band with servetwork; Lid button in the form of a fruit branch (pear). Ansbach porcelain. glaze. gold (metal) painting / gilding / vitrificationAmphora; Roman Empire; 1st century; Glass; 12.7 cm (5 in.)Amfor vase; Imperial Porcelain Factory in St. Petersburg (1744-1917); early XIX century (1800-00-00-1810-00-00);Vase (one of a set of three). Culture: British, Chelsea. Dimensions: Height: 12 13/16 in. (32.5 cm). Factory: Chelsea Porcelain Manufactory (British, 1745-1784, Gold Anchor Period, 1759-69). Date: ca. 1761. Museum: Metropolitan Museum of Art, New York, USA.Pot Pourri Vase.Pair of Lidded Vases (vases à têtes de bouc).Incense Burner with Openwork Lid 1800 Japan. Incense Burner with Openwork Lid 47177Pair of mules, anonymous, c. 1710 - c. 1730 Mile of Faïence. Multicolored painted with flower ornament. Delft . Mile of Faïence. Multicolored painted with flower ornament. Delft .Vase. Newcomb College Pottery (United States, Louisiana, New Orleans, 1895-1940)Joseph Fortune Meyer (France, Alsace-Lorraine, active United States, 1848-1931)Mazie Teresa Ryan (United States, 1880-1946). United States, New Orleans, 1906. Furnishings; Accessories. EarthenwareVase with domed lid. unknown, craftsmanPair of Lidded Jars; porcelain about 1662 - 1722; mounts about 1745 - 1749; Hard-paste porcelain, polychrome enamel decoration and gilding; gilt bronze mounts;Cloisonné Apple, 19th century, 2 x 1 11/16 in. (5.1 x 4.29 cm), Gilt bronze, enamel, China, 19th centuryVase (one of a pair) China. Vase (one of a pair) 42287Goldsmith's art, Italy, 16th century. Hans Domes (active 1563-1601), Lapis lazuli, chiselled and enamelled gold, 10x21x13 cm.Kuan vase with a cover. Wolff, Karol (fl. ca 1800), company owner, Bielino (manufaktura fajansu ; 1779-1800), factoryStanding cup with cover (vase couty or coupe couty) 1879 Sèvres Manufactory French At the end of the nineteenth century, convinced that ornament should be appropriate to form and material, advocates of modernism criticized revivalist pottery as uninspired and pretentious. Imitation and love of display were cited as roadblocks to progress in the potters art. Made in a Renaissance-revival style, this cup was an official presentation piece for the winner of first prize at the Exposition Universelle of 1878. Of the disdained French national manufactory at Sèvres, one critic wrote, "The colors are insipid and often vulgar; the decoration rarely quits the beaten track of the usual Sèvres flower and figure subjects. Sèvres is lingering in the traditions of [the past. It remains deaf to the fame of living and modern art.". Standing cup with cover (vase couty or coupe couty) 207870FRASCO DE FARMACIA DEL HOSPITAL REAL - SIGLO XVII/XVIII. Location: MUSEO DEL PUEBLO GALLEGO. SANTIAGO DE COMPOSTELA. A CORUÑA. SPAIN.. The increasing availability of European-made porcelain reduced demand for Delftware. Delft factories attempted to compete by making pieces in the Rococo style of European porcelain. This tureen copies a model produced at the Höchst Factory, near Frankfurt.Square-Sectioned Bottle. Du Paquier Porcelain Manufactory; Austrian, 1718-1744. Date: 1720-1730. Dimensions: Diam. 23.5 cm (9 1/4 in.). Hard-paste porcelain, polychrome enamels, gilding, and gilt wood stopper. Origin: Vienna. Museum: The Chicago Art Institute, Chicago, USA.Vase (part of a set) ca. 1740-50 Meissen Manufactory German. Vase (part of a set) 203156Crock. Dated: c. 1938. Dimensions: overall: 42 x 32.8 cm (16 9/16 x 12 15/16 in.) Original IAD Object: 9 1/4" High 8" Dia(top) 5 1/2" Dia(base). Medium: watercolor, graphite, and colored pencil on paperboard. Museum: National Gallery of Art, Washington DC. Author: Nicholas Amantea.Mustard pot and lid, lemon-coloured, with birds in reserves. Baranówka (manufaktura porcelany ; 1804-post 1900 )Vase known as a potpourri for the mantelpiece, blue and red festoon style. Potiche dite Pot-Pourri, pour ornement de cheminee, style rayonnant.Chromolithograph after an illustration by Emilie Pottier from Andre Pottier's Histoire de la Faience de Rouen, Auguste le Brument, Rouen, 1870.Vase with birds and flowers 19th century China. Vase with birds and flowers. China. 19th century. Porcelain with relief decoration and inlaid with cloisonne enamel panels, copper alloy liner. Qing dynasty (1644-1911). CeramicsVase, glazed soft-paste porcelain, blue and white, club shape cylindrical vase, with peony, rocks and butterflies in underglaze blue on a greyish white, fine-crackled, soft- past ground, China, 1736-95, ceramics, Decorative Arts, VaseRussian Nesting Dolls Colorful russian nesting dolls isolated on a white background Copyright: xZoonar.com/VladxPodkhlebnikx 479626Cilindrical vase with flower sprays and scrolls in shaped panels, anonymous, c. 1700 - c. 1725 Cylindrical vase of porcelain with a wide, slightly spreading neck, painted on the glaze in blue, red, green, yellow, eggplant, black and gold. On the wall loose flower branches. Around the foot and on the shoulder a band with scalloped cartouches or lambrequins with flower branches and vines. On the shoulder the tire is interrupted by four lobed cartouches with a flower branch. The neck with flower branches. Imari. Japan porcelain. glaze. gold (metal) painting / gilding / vitrification Cylindrical vase of porcelain with a wide, slightly spreading neck, painted on the glaze in blue, red, green, yellow, eggplant, black and gold. On the wall loose flower branches. Around the foot and on the shoulder a band with scalloped cartouches or lambrequins with flower branches and vines. On the shoulder the tire is interrupted by four lobed cartouches with a flower branch. The neck with flower branches. Two-handled vase 1893-1900 Manufactured by Columbian Art Pottery (Morris and Willmore). Two-handled vase 13456Pharmacist spot, painted multi-colored .. cylindrical pot of multi-colored painted majolica, with stenced foot and neck. The pot is painted with horizontal lines and in the middle leaf-shaped ornaments.Flask. The monogram of Governor-General Joan van Hoorn is painted on this flask. It is shaped like an apothecary bottle, but Van Hoorn probably used it for wine or liquor.Vase. unknown, craftsmanPilgrim flask with botanical spray and butterfly 1877 Minton(s) Minton was the most important ceramics factory during the Victorian period and began exhibiting products at the first Great Exhibition of 1851. Founded in 1793 by Thomas Minton at Stoke-on-Trent, the firm initially specialized in transferware pottery before expanding under the ownership of Thomass son Herbert Minton, beginning in 1836. Under the ownership of Colin Minton Campbell, who succeeded his uncle in 1858, the factory became recognized as a specialist producer of Aesthetics movement porcelain, which were inspired by a rich array of exotic and eclectic decorative motifs.. Pilgrim flask with botanical spray and butterfly. British, Stoke-on-Trent, Staffordshire. 1877. Earthenware. Ceramics-PorcelainSalt barrel. Salt barrel of stoneware. There are 4 raised walls on the round soil. Each wall consists of leaf rights on which 2 birds are resting. The 8 birds bear the bowl.Hanging Basket late 18th-first half of the 19th century China. Hanging Basket. China. late 18th-first half of the 19th century. Porcelain with openwork decoration, painted in overglaze polychrome enamels. Qing dynasty (1644-1911). CeramicsCeramic cup decorated with cubist painting.Lady with basket ca. 1750-55 Saint James's Factory. Lady with basket. British, London. ca. 1750-55. Soft-paste porcelain. Ceramics-Porcelain. Lid of spherical punchkom on three legs.Pitcher. England, 1820. Furnishings; Serviceware. Porcelain (creamware), lustre. Cylindrical vase of porcelain with sloping shoulder, straight neck and flat, raised edge, painted in underglaze blue and on the glaze blue, red, green, yellow, black and gold. The vase is covered with bleu poudré (powder blue) with two rectangular cartouches recessed in this with pressed corners filled with a bird on a flower branch (prunus and peony); on the blue a decoration in gold of curl work with stylized flowers and two rectangular cartouches with squeezed corners, one filled with rock, bamboo branch and two birds, the other with prunus branch and a butterfly; On the shoulder a band Ruyi motif with geometric pattern interspersed with lobby cartouches with valuables (diamond, music stone, roll); the neck with geometric pattern in which two fan-shaped cartouches with flower branch and butterfly or river landscape; The edge with Meander motif. On the underside an old label with: A. steel. Antiquaire / Rokin 156, Amsterdam. Bleu poudré with famille verte.Pharmacy Jar (Albarello), 1650-1675. Italy, Liguria, (Albissola ), 17th century. Faience; overall: 22.9 cm (9 in.).Tea caddy ca. 1770 British, South Staffordshire. Tea caddy. British, South Staffordshire. ca. 1770. Enamel on copper. Enamels-PaintedMeiping (Prunus) Vase with Dragons in Waves, 1723-35. China, Jiangxi province, Jingdezhen kilns, Qing dynasty (1644-1911), Yongzheng mark and reign (1723-35). Porcelain with incised and underglaze red decoration; diameter: 17.3 cm (6 13/16 in.); overall: 28.5 cm (11 1/4 in.).Jug, Amphitrite” pattern. Maker: Charles Meigh & Son, British, active 1851-61Square jar with women in a landscape or garden, anonymous, c. 1680 - c. 1720 Square pot of porcelain, painted in under -glaze blue. On each side a slightly sunken cartouche with squeezed corners containing a woman (long lijs): a woman with a fan sitting in her hand sitting at a rock in front of a pavilion in an unhealthy garden with a mourning willow; A standing woman in a rock with a fan in the hand next to a pine; A woman sitting at a table next to a banana plant; A woman with a twig in hand next to a tree in a fenced garden. On the shoulder lotus vrocks. The lid with valuables (window, horn, musical stone) and lucky symbols (shell, coral). Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification Square pot of porcelain, painted in under -glaze blue. On each side a slightly sunken cartouche with squeezed corners containing a woman (long lijs): a woman with a fan sitting in her hand sitting at a rock in front of a pavilion in an unhealthy garden with a mourning wiGourd-Shaped Sake Bottle (Tokkuri) ca. 1700-1730 Japan. Gourd-Shaped Sake Bottle (Tokkuri). Japan. ca. 1700-1730. Stoneware (Ko-Kiyomizu ware). Edo period (1615-1868). CeramicsTwin Snuff Bottles China. Twin Snuff Bottles 41629Flask - snuff bottle. unknown, craftsmanPotpourri vase with candleholders (pot-pourri à bobêche) (one of a pair). Culture: French, Sèvres. Decorator: Figural decoration probably by Charles Nicolas Dodin (French, Versailles 1734-1803 Sèvres); Flower decoration attributed to Pierre-Louis-Philippe (Armand II, called le jeune) (French, working 1746-88, died 1788). Dimensions: Overall (confirmed): 9 5/8 x 6 1/16 x 3 5/8 in. (24.4 x 15.4 x 9.2 cm). Factory: Sèvres Manufactory (French, 1740-present). Modeler: Attributed to Jean-Claude Duplessis (French, ca. 1695-1774, active 1748-74). Date: ca. 1759-60.These potpourri vases with candleholders reflect the quest for innovation that characterizes so much of the Sèvres factory's production of the 1760s. The vases could have been used as potpourris (the scent of petals inside could waft through the panels of pierced trelliswork at the top), and the two flanking candle sockets allowed them also to serve as candelabra, yet it seems probable that they were primarily intended for decoratioLidded Jar with Design of Chrysanthemums. Namikawa Yasuyuki (Japan, 1845-1927). Circa 1900-1903. Furnishings; Serviceware. Cloisonné with silver mounts and wiresGarden seat, Mintons, Molded and glazed earthenware, Cylindrical with swelling sides, flat open base, flat top. Molded overall with woven wicker pattern in relief, and with flat crossed bands painted to resemble mosaic inlay in black, gray, brown, blue, and green. Wicker sections left white, with clear glaze. Top pierced in center with three holes within circle to form hand grip., 1882, ceramics, Decorative Arts, Garden seatWaza from the cover; 19th/20th century (1890-00-00-1910-00-00);Japanese (culture), Japanese artChinese, Snuff Bottle, porcelain.