Bronze Medallions of Historical Figures

This cluster features bronze medallions illustrating various historical figures and themes from the 15th century, highlighting artistry and cultural significance.

Valerio Belli, Judgment of Paris Judgment of Paris

Florentine 15th Century, Poetry Walking in a Wood (reverse), c 1500 Poetry Walking in a Wood reverse

Revolution of 1905. Gruberski, Władysław (1873-1933), creator

Isotta degli Atti, 1432/1433-1474, Mistress 1446, then Wife after 1453, of Sigismondo Malatesta obverse. Dated: c. 1446. Dimensions: overall (diameter): 4.07 cm (1 5/8 in.) gross weight: 35.67 gr (0.079 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: MATTEO DE' PASTI.

Filarete, Marcus Croto Riding (reverse), fourth quarter 15th century Marcus Croto Riding reverse

Nymph Carried Off by a Horseman. Dimensions: overall (diameter): 5.1 cm (2 in.) gross weight: 47 gr. Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: Master M. C.

Venetia and Two Furies reverse. Dated: c. 1454/1484. Medium: bronze//Late cast. Museum: National Gallery of Art, Washington DC. Author: Antonello della Moneta.

Valerio Belli, Judgment of Paris Judgment of Paris

Italian 16th Century, Aurora Stepping from a Car (reverse), c 1518 Aurora Stepping from a Car reverse

Saint Catherine reverse. Dated: 1513/1530. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Mantuan 16th Century.

Antonio Vicentino, A Prince Receiving a Man with a Bridle (reverse), 1530 1531 A Prince Receiving a Man with a Bridle reverse

Italian 16th Century, Venus in Armour, second quarter 16th century Venus in Armour

Hans Reinhart the Elder, Charles V, 1500 1558, King of Spain 1516 1556, Holy Roman Emperor 1519 (obverse), 1537 Charles V, 1500-1558, King of Spain 1516-1556, Holy Roman Emperor 1519 obverse

Giovanni Boldù, Arion Riding on a Dolphin (reverse), 1457 Arion Riding on a Dolphin reverse

Jean Dassier, Personifications of Liberty and Justice on a Sarcophagus (reverse), c 1733 Personifications of Liberty and Justice on a Sarcophagus reverse

Charles, V, Holy Roman Emperor, 1519-1558.

David Triumphant over Goliath. Dated: 1507 or before. Dimensions: overall (diameter): 10.5 cm (4 1/8 in.). Medium: bronze//Dark brown patina (rubbed on raised surfaces). Museum: National Gallery of Art, Washington DC. Author: MODERNO.

Leda and the Swan. Dimensions: overall (diameter): 4.6 cm (1 13/16 in.) gross weight: 57 gr. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: called Riccio Andrea Briosco.

Venus in Armour. Dated: second quarter 16th century. Dimensions: overall (diameter): 6.3 cm (2 1/2 in.) gross weight: 73 gr. Medium: bronze//Light brown patina. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century.

Pseudo Melioli, An Allocution, late 15th early 16th century An Allocution

Italian 16th Century, Castruccio Castracane degli Antelminelli of Lucca, 1281 1328, c 1530 Castruccio Castracane degli Antelminelli of Lucca, 1281-1328

Master IOFF, An Assembly of Gods (reverse), second half 15th century An Assembly of Gods reverse

Hippocrates and Dr. John Freind reverse. Dated: 1728. Dimensions: overall (diameter): 5.8 cm (2 5/16 in.) gross weight: 68.39 gr (0.151 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Ferdinand de Saint-Urbain.

Christ Carrying the Cross. Artist: Hans Andreas Anthoni (active 1616-50) , Augsburg. Culture: German, Augsburg. Dimensions: Diam. 5.7 cm, wt. 14.47 g.. Date: model ca. 1635 (cast mid-19th century or later).The plaquette depicts Christ carrying the Cross. The piece is an electrotype and therefore must date from the mid-nineteenth century or later. The original composition by Hans Andreas Anthoni may have been larger and subsequently cut down to the present circular shape. A silver version of this plaquette is in the Bayerisches Nationalmuseum in Munich. The mark ET (étranger) is a Paris import designation that was in use from 1864 to 1893. Museum: Metropolitan Museum of Art, New York, USA.

RODELA DE CARLOS V LLAMADA DEL PLUS ULTRA - NORTE DE ITALIA - HACIA 1535 - ACERO ORO Y PLATA - 53,7 CM DE DIAMETRO. Location: PALACIO REAL-REAL ARMERIA DE MADRID. MADRID. SPAIN. HERCULES. Charles I (V of the Holly Roman Empire). CARLOS V ALEMANIA-CARLOS I DE ESPAÑA (1500-1558).

Giovanni da Cavino, Roma, the Emperor, and Victory (reverse) Roma, the Emperor, and Victory reverse

Moderno, A Nude Man A Nude Man

The Queen at the Helm of a Ship in Stormy Seas reverse. Dated: 1615. Dimensions: overall (diameter): 6.2 cm (2 7/16 in.) gross weight: 76.7 gr (0.169 lb.) axis: 12:00. Medium: gilded bronze. Museum: National Gallery of Art, Washington DC. Author: Guillaume Dupré.

Anonymous, Tournay Tournai and Courtrai (main title), 1667. Bronze copper alloy. Red brown patina. Petit Palais, Museum of Fine Arts of the City of Paris.

A Sacrifice to Cupid. Dated: c. 1525. Dimensions: overall (oval): 6 x 5.2 cm (2 3/8 x 2 in.). Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: Paduan 16th Century.

Marriage Princess Juliana and Prince Bernhard, Gerrit Jan van der Veen, 1937 history medal Cast bronze medal. Front: portraits and profil to the left, placed one after the other, from Princess Juliana and Prince Bernhard in relief, with a change and signature. Reverse: Climbing lion to the left, supporting two coats of arms with an orange tree (Oranjeboom) on the right, with text on the right along the edge. Designer: AmsterdamUtrecht bronze (metal) casting Netherlands

Midas Misjudging the Contest between Apollo and Marsyas. Dated: 1632. Dimensions: design size (diameter): 19.7 cm (7 3/4 in.) overall (diameter): 21.5 cm (8 7/16 in.) gross weight: 864.8 gr (0.865 kg). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Hans Christiaens.

Angel Adorning a Female Figure Riding on a Bull reverse. Dimensions: overall (diameter): 6.82 cm (2 11/16 in.) gross weight: 147.47 gr (0.325 lb.) axis: 12:00. Medium: lead. Museum: National Gallery of Art, Washington DC. Author: Antonio Vicentino.

DUCADO CON LA EFIGIE DE PEDRO I SFORZA. Location: MUSEO NACIONAL ROMANO / PALACIO MASSIMO. Rome. ITALIA.

French 16th Century, Virgil Suspended in a Basket, c 1510 Virgil Suspended in a Basket

Przeszo Przyszoci Groskurt, Henrich Peter, August II Mocny (1697 1706, 1709 1733)

REVERSO DE LA MEDALLA EN BRONCE DE JUANELO TURRIANO FECHADA EN 1550 CON LA FUENTE DEL CONOCIMIENTO DE LAS CIENCIAS. Author: LEONE LEONI (1509-92). Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN.

Pseudo Melioli, Hercules and the Nemean Lion, late 15th early 16th century Hercules and the Nemean Lion

Pisanello, Head with Three Infantile Faces (reverse), c 1440 1444 Head with Three Infantile Faces reverse

Julien Vatinelle (1788-1861). Reward for generosity and dedication given to Jean-Jacques Berger (1790-1859), mayor of the 2nd arrondissement, on the occasion of the cholera epidemic, 1832. Bronze. Paris, Carnavalet museum. 70242-23 Cholera, devoutment, epidemia, generosite, ieme iie II 2nd 2nd 2nd arrondissement, mayor, illness, medal, numismatics, recove, reverse

Charles Cushing Wright, die engraver, after design by Paul Peter Duggan, Fame Crowning Painting and Sculpture (reverse), 1848 Fame Crowning Painting and Sculpture reverse

Far to bev. v.vreemd.verk. For Utrecht and Omstr.

Daniël Drappentier, Medal on the conclusion of the peace of Utrecht, penning visual material lead metal, peace closes door of Janustempel Mars is bound in background: Mercury with staff and streamer on door ANNO MDCCXIII (in the year 1713) on streamer: EUROPAE PAX REDITTA in cut-out TRAJECTUM ( peace shown to Europe in Utrecht).

Dumont, Jacques-Edmé (n.1761-04-10-D.1844-02-21), love to butterflies (main title). Copper alloy. Light patina. Petit Palais, Museum of Fine Arts of the City of Paris.

Meleager and Atalante. Dated: fourth quarter 15th century. Dimensions: overall (diameter): 6.4 cm (2 1/2 in.) gross weight: 59 gr. Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: Master of the Orpheus Legend.

Style of Niccolò Fiorentino, Ottaviano Sforza Riario, b 1479, Count of Forli and Imola (obverse), c 1498 Ottaviano Sforza Riario, b. 1479, Count of Forli and Imola obverse

Aimé-Jules Dalou (1838-1902). "Filled day". Terracotta, between 1889 and 1898. Museum of Fine Arts of the city of Paris, Petit Palais. Farmer, horse, fatigue, peasant, terracotta

An Allegorical Scene. Dimensions: overall (diameter): 5.6 cm (2 3/16 in.) gross weight: 43 gr. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: called Riccio Andrea Briosco.

Aurora Riding through the Heavens reverse. Dated: 1552. Dimensions: overall (diameter): 6.93 cm (2 3/4 in.) gross weight: 97.64 gr (0.215 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Jacopo Nizzola da Trezzo.

Leda and the Swan. Dated: 16th century. Dimensions: overall (oval): 5.7 x 6.6 cm (2 1/4 x 2 5/8 in.) gross weight: 43 gr. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century.

A round medallion plate describing Cybele by Anonymous master Musee Guimet, Paris 2th century BC Greece Electrum Archaeology Mythology, Allegory and Literature

Cupid Crowning Two Lovers. Dimensions: overall (oval): 4.9 x 3.9 cm (1 15/16 x 1 9/16 in.) gross weight: 27 gr. Medium: lead. Museum: National Gallery of Art, Washington DC. Author: Valerio Belli.

Bliżej Kultury Aurelian (270 275)

A Seated Man. Dimensions: overall (oval): 3.2 x 2.6 cm (1 1/4 x 1 in.) gross weight: 12 gr. Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: Valerio Belli.

Fifty anniversary of the Banque de Paris et des Pays-Bas 1922, Henri NOCQ, 1922 history medal Bronze medal, on the front a sitting woman with a horn of abundance against which the crowned coats of arms of Nederand and Paris, in the background a face on Paris, on the reverse four lines of text with on the left a cartouche with inscription behind which a mercury staff, motifs from land - and horticulture and a three -mast at sea, with cut -out text. bronze (metal) striking (metalworking)

The Queen as Mother of the Gods reverse. Dated: 1624. Dimensions: overall (diameter): 5.41 cm (2 1/8 in.) gross weight: 65.64 gr (0.145 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Guillaume Dupré.

I. Smeltzing, Medal on the death of René Descartes in 1650, death certificate medallion images lead metal, bust of Descartes to the right omschrift: RENAUSA DECARTES. WET. HAG. TUR. 1596. MORT. INSCEC: 1650 (René Descartes born in La Haye and Touraine died in Sweden in 1590 in 1650). Signed under the bust of I.S.

Dupré, Augustin (n.1748-10-06-D.1833-01-30), C. J.B. des Gallois de la Tour (main title), 1788. Plaster. Petit Palais, Museum of Fine Arts of the City of Paris.

Diomedes and the Palladium probably second half 15th century Italian Some of the grandest figures of their respective eras, from Lorenzo the Magnificent to Catherine the Great, were ardent collectors of ancient glyptics. Connoisseurs were well aware of the praise that the writers of antiquity had heaped on specific cameo carvers. Copies initially reached the wider public in the form of bronze replicas and, later, engravings. Inevitably, the rage for cameos entailed a certain amount of forgery and twisting of facts.The carnelian original, owned by Pope Paul II, then by Lorenzo de' Medici, is now in the Museo Archeologico, Naples. Such collector's pieces became famous through cast copies and are often more familiar to us as positive impressions than as intaglios.. Diomedes and the Palladium. Italian. probably second half 15th century. Bronze. Medals and Plaquettes

Duvivier, Pierre Simon Benjamin-(N.1730-11-05-D.1819-07-11), Battle of Cowpens (main title), 1781. Bronze copper alloy. Red brown patina. Petit Palais, Museum of Fine Arts of the City of Paris.

Fortune 15th-16th century probably Italian, Florence This unique plaquette could have served as a hat-badge because of its shape, size and emblem-like motif.. Fortune 207604

Florentine 15th Century, Aesculapius, 15th century Aesculapius

Peter Dell the Elder, Willibald von Redwitz, 1493 1544, Canon of Bamberg (obverse), 1536 Willibald von Redwitz, 1493-1544, Canon of Bamberg obverse

Bliżej Kultury S.W.

Bacchanal of Putti late 16th century probably Southern German, Augsburg. Bacchanal of Putti 207530

Valerio Belli, Antique Marriage Scene Antique Marriage Scene

Orpheus Playing to the Animals. Dated: late 15th - early 16th century. Dimensions: overall (diameter): 10.6 cm (4 3/16 in.) gross weight: 176 gr. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Attributed to Moderno.

RASUMNY, Félix (N.1869-04-20-D.1940), Central Pharmacy of France, Monumental Porte, Universal Exhibition, Paris, 1900 (title awarded), 1900. Bronze. Carnavalet Museum - History of Paris.

Minerva. Gold plated bronze shield, surrounded by a cartouche. In an oval medallion, the goddess stands with a spear and a white shield for a landscape, in which there is a church and on the right a farmhouse; Mountains in the background. In the edge decoration two lion masks, a cherub and fruit gross. At the top of Juno and Venus with Cupid, seated on horns of abundance.

Bronze medallion of Apollo and the serpent Python, 16th century. Artist: Unknown

Roussel, Jérôme (n.1663-D.1713-12-22), taking of Rethel (main title), 1650. Metal. Petit Palais, Museum of Fine Arts of the City of Paris.

Nicolò Gander. Dimensions: overall (diameter): 11.66 cm (4 9/16 in.) gross weight: 381.14 gr (0.84 lb.). Medium: bronze//Cast hollow. Museum: National Gallery of Art, Washington DC. Author: Style of Niccolò Fiorentino.

Bartolommeo Melioli, Goldsmiths' Ornaments (reverse), c 1481 Goldsmiths' Ornaments reverse

Antonio Abondio (Italian, 1538 - 1591), Caterina Riva, c. 1560, lead

. .

Molart or Mollart, Michel (n.1641-06-11-D.1713), taking of Thionville (in 1643) (main title), 1677. Bronze copper alloy. Brunette patina blackened on an orange background. Petit Palais, Museum of Fine Arts of the City of Paris.

AURY (n. - d.), Combat de St Gothard (main title). Metal. Petit Palais, Museum of Fine Arts of the City of Paris.

CAJA DE ESTUCHE EN BRONCE CON LA CONSTITUCION DE 1812 - DETALLE DE FERNANDO VII JURANDO LA CONSTITUCION LIBERAL DE 1812. Location: CONGRESO DE LOS DIPUTADOS-BIBLIOTECA. MADRID. SPAIN. FERNANDO VII (1784-1833).

Bliej Kultury Mint of Kraków, W Adys Aw Jagie o (Ca 1351 1434), Szymon de Talentis (13 .. 14 ..), Andrzej Czarnysz (13 .. 1419)

Sello de Jaime II de Aragón, el Justo, siglos XIII-XIV.

Sixtus IV (Francesco della Rovere, 1414-1484), Pope 1471 obverse. Dimensions: overall (diameter): 4.1 cm (1 5/8 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Lysippus Junior.

Sello de plomo de Jaume II, 1255.

Fran�ois I (1494-1547) Francis I (1494-1547). Bronze, S.D.

Round dish with mascarons and putti in the midst of a war, Design for the foot of a round show bowl, draughtsman: Perino del Vaga, (attributed to), 1511 - 1547, paper, pen, brush, d 200 mm

Bliżej Kultury Claudiusz II

Bliżej Kultury Galerius, Menna Cyzicua

Constancy Resting on a Bundle of Arrows reverse. Medium: bronze//Late cast. Museum: National Gallery of Art, Washington DC. Author: Style of Niccolò Fiorentino.

Christ and Nicodemus. Dated: c. 1550. Dimensions: overall (diameter): 5.3 cm (2 1/16 in.) gross weight: 19 gr. Medium: bronze//Medium red-brown patina. Museum: National Gallery of Art, Washington DC. Author: Master P. G.

sesterce; Trajan (53-117; Roman emperor 98-117); 103-111 (104-00-00-111-00-00);Dacia (personification), Danube (personification), heads, laurel wreaths

Prior to the consultation with Sulla, at which Jugurtha appears unarmed and accompanied only by a few men, his soldiers handcuff him. Gem with the capture of Jugurtha, print maker: Ludwig Gottlieb Portman, intermediary draughtsman: Jacobus Buys, (possibly), Amsterdam, 1798, paper, etching, h 206 mm × w 133 mm

Coin of Ptolemy VI Philometor (180-145 B.C.) Macedonian dynasty son of Ptolemy V, Ancient Egypt. Africa. Old 19th century engraved illustration, El Mundo Ilustrado 1881

Roman or Florentine 16th Century, after the Antique, The Philosopher Cato, early 16th century The Philosopher Cato

Amphitrite, Anonymous Maritime Insurance Company, Decree of April 15, 1861 Stern, René. Amphitrite, anonymous company of maritime insurance, decree of April 15, 1861. Copper. 1861-1861.

CERAMICA DE SARGADELOS-PLATO CON ESCUDO DE LA EMPRESA. Location: MUSEUM OF FINE ARTS. LA CORUNA. A CORUÑA. SPAIN.

Bliżej Kultury Reinemer & Spiegel Vienna VII

Bliżej Kultury Constantinus I, Mint of TREWIR

Tetradrachm (Coin) Depicting Head of Herakles 74 BCE-73 BCE Tyre. Herakles was the consummate hero. Temples across Greece and South Italy were dedicated to him, the son of Zeus, and Romans, who knew him as Hercules, celebrated him as a role model. With brute force, determination, and just enough cleverness, Herakles completed his famous Twelve Labors to become immortal. Herakles is readily identifiable by his knobby club and lionís skin. The latter refers to his First Labor, in which he killed a magical beast who was ravaging the town of Nemea. The lionís invincible hide made him immune to weapons, so Herakles strangled him and took his pelt.As Greeks and then Romans swept through Phoenicia (modern Lebanon), deities were assimilated into the local pantheon. The city of Tyre issued this coin showing its god Melqart in the form of Herakles, identified by the tiny knotted lionís paws under his chin.. Silver . Ancient Greek

Against seal of Richard II, vintage engraving. Against seal of Richard II, vintage engraved illustration. Colorful History of England, 1837. Copyright: xZoonar.com/PatrickxGuenettex 10656012

A Young Woman (of Venice) in Gown and Mantle. Dated: c. 1563. Dimensions: overall (diameter): 8.1 cm (3 3/16 in.) gross weight: 62.31 gr (0.062 kg). Medium: lead. Museum: National Gallery of Art, Washington DC. Author: Medalist A. A.

Fireplace, time Louis XIV, Hotel owned by Mr Adolphe Jullien (1890), 10 rue Aubriot, 4th arrondissement, Paris. Marsh. Hotel owned by Mr Adolphe Jullien, chimney plate, Louis XIV period, 10 rue Aubriot, Paris (IVEM ARR.). Anonymous photography. Draw on albuminum, 1890.

of 2