Caricatures and Social Commentary

Whimsical prints featuring gatherings, parades, and social satire, highlighting moments of humor and the absurdities of social interactions.

Large number of sailors on deck of the Mary, Willem van de Velde (I), 1622 - 1707, draughtsman: Willem van de Velde (I), draughtsman: Willem van de Velde (II), 1622 - 1707, paper, h 285 mm × w 533 mm

Lord Melcombe and Lord Winchilsea. 1781. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Copper engravings and etchings by Nicolas Ransonnette from 1765-1810 depicting Italian amusements, showing figures, gestures, and recreational activities.

The debtor. / N ° 13 bis (title registered (letter)) | Compensation (title of all)

Plate 3, Outlines of Figures, Landscapes and Cattle...for the Use of Learners June 1, 1790 Thomas Rowlandson. Plate 3, Outlines of Figures, Landscapes and Cattle...for the Use of Learners. Outlines. Thomas Rowlandson (British, London 1757-1827 London). June 1, 1790. Etching. Mrs. Lay (British, active 1789-92). Prints

Persépolis. Palais no. 2. Bas-relief du mur de soutènement, à droite de l'escalier du centre. Takht-i-Djemchid Takht-i Jamshîd. Flandin, Eugène, 1809-1876. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Equestrian formations Decima Ballet on horseback at the wedding of Emperor Leopold I and Margaret Theresa of Spain , print maker: Jan van Ossenbeeck, (mentioned on object), intermediary draughtsman: Nikolaas van Hoy, (mentioned on object), Vienna, 1667, paper, etching, h 282 mm × w 195 mm

Four Rows of Musicians and Dancers 1817 Rudolph Ackermann, London British. Four Rows of Musicians and Dancers 424179

Southern Netherlands, Galle, Cornelis (I), Pompa funebris optimi potentissimiq. principis Alberti pii, Funeral of Archduke Albert, 1622, Funeral procession of Archduke Albert (plate XXVIII), Musicians in the funeral procession. Plate XXVIII in the series of the funeral of Archduke Albrecht of Austria in Brussels on March 12, 1622., print, news print, prints, Frederik Muller History plates, height 245 mm, width 379 mm, South Netherlands, 1576 - 1650-03-29, print maker, 1623 - 1623, first quarter 17th century, paper, papier, etching

Entrance of the Count of Artois in Paris, April 12, 1814 Charles Pierre Joseph Normand (1765-1840). Entrance of the Count of Artois in Paris, April 12, 1814. Water.

Belgium, Passage du Moerdijck, King William I declared forfeit, 1830, verso - stamped, Cartoon on the declaration of the forfeiture of the House of Orange from the Belgian throne by the Belgian Congress, 23 November 1830. The Belgian rebels throw a round cheese decorated with the head of King William I over the Moerdijk back to the Netherlands, where a group of Dutchmen are ready to catch it. On the Belgian side are the Crown Prince and Prince Frederik. With captions 1-2 and a four-line verse in the center., print, engraving, cartoon, prints, engravings, Frederik Muller Historieplaten, height 251 mm, width 331 mm, print maker, printmaker, 1830 - 1831, paper, papier, lithografie (technique)

Russian Ballet late 19th-early 20th century Ernst Oppler German. Russian Ballet. Ernst Oppler (German, Hannover 1867-1929 Berlin). late 19th-early 20th century. Etching. Prints

Maskerade by students from the Leidse Hogeschool, 1840 (plate 5), 1840 Historically costumed parade of the students of the Hogeschool van Leiden on February 8, 1840. The parade depicts the entry of Hertog Jan van Beieren in Leiden on August 18, 1420. Fifth album in a series of nineteen unnumbered plates, with the groups numbered 25-28 . Leiden paper Historically costumed parade of the students of the Hogeschool van Leiden on February 8, 1840. The parade depicts the entry of Hertog Jan van Beieren in Leiden on August 18, 1420. Fifth album in a series of nineteen unnumbered plates, with the groups numbered 25-28 . Leiden paper

The general general of the exhumes of Versailles.

Analysis of beauty, pl. 1 , Sculpture. William Hogarth (1697-1764). Prints

City Archers / Hestelet / Houses Royalles / Marche du Roy (TI)

Giving Notice of Arrival of a Bit of Wine... Naples, Isaac Weld, 1774-1856, Irish, 1819, Pen and brown ink and graphite on medium, slightly textured, cream, wove paper, Sheet: 10 × 14 7/8 inches (25.4 × 37.8 cm), food, wine, Naples

Study of a company wise men standing at the feet of a giant, and some studies of faces, for an illustration from Franois Rabelais' Gargantua and Pantagruel. Draughtsman: Henk Henriët. Dating: c. 1936 - c. 1940. Measurements: h 560 mm × w 760 mm. Museum: Rijksmuseum, Amsterdam.

Etching by Jacques Tortorel from 1569-1570 showing historical events in France between 1559 and 1570, with figures and detailed visual composition.

Recto/Front. Chaucer's 'Legend of Good Women' - Sketch, 1863. Artist: Sir Edward Burne-Jones. Proposed design for a needlework hanging in John Ruskin's home. The design is continued on verso.

The leading group of participants of the coronation ceremony of King Aleksander Jagiellończyk in 1501, scene in the church with the king in the majesty, chromolithography rose in: "Patterns of medieval art and from the Renaration era after the end of the 17th century. In former Poland. Included by Aleksander Przedziecki and Edward Rastawiecki" Serya second, in Warsaw. Chromolitographic Plant M. Fajans. J. Ungra printing house, 1855-1858, p. NLB.: N.nn.o.oo. - according to the miniature "King on the Majesty" from "Pontifical Bishop Erazm Ciołek" 1506-1518 from the collections of the Czartoryski Library in Krakow; Czachórski, Władysław (1850-1911), Fajans, Maksymilian (Warsaw; Litographic and photographic plant; 1853-1892), Walter, Henri (ante 1820-1860), Röll, Al. (Flow. Ca 1833-Ante 1858); 1870 (1870-00-00-1870-00-00);

Johan van Oldenbarnevelt on the Schaveot, 1619. Johan van Oldenbarnevelt on the scaffold for his beheading at the Schaveot at the Binnenhof in the Hague on May 13, 1619. He travels his coat and is helped by his servant Jan Francken.

Singular meeting. (IT)

Lady, the right hand in the side, the left hand in front of the belly, seen from the front, between two gentlemen, Jacques Callot, 1633 - 1635 On the left a gentleman, seen on the right. In the middle, a lady, the right hand in the side, the left hand in front of the belly, seen from the front. On the right a gentleman, seen from the front. This print is part of a series of 13 prints (14 incl. Title print) with three figures next to each other. There are two gentlemen for one lady on eleven prints, there are three gentlemen on one print and there are three women on one print. These prints may have been intended as drawing examples. print maker: Nancypublisher: Paris paper etching clothes, costume (+ women's clothes). clothes, costume (+ men's clothes) France

Lazio Viterbo Gradoli Palazzo Farnese4. Hutzel, Max 1960-1990 Exterior views of the palazzo and surrounding area. Extensive photo coverage of the restored interior and its poorly preserved frescoes. Details of wall frescoes, including a mythological frieze and an ornamental frieze. An extensively decorated wooden, coffered ceiling. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emigrants - a sketch to the composition, Verso: Study of Mr Czyznych a car; arm study, emigrants - sketch for composition (variant 2); Scholtz, Julius (1825-1893); around 1852 (1847-00-00-1857-00-00);

Group of caricatural figures with headscarves, Anonymous, 1827 - 1836 print Brussels paper caricatures (human types)

En suite leopold se fit coroner en Hongrie, Coronation of Leopold II to the King of Hungary on November , Unknown

Le Char de Thétis (The Chariot of Thetis), from Guerre de Beauté (Guerra di Bellezza) (War of Beauty) 1616 Jacques Callot French. Le Char de Thétis (The Chariot of Thetis), from Guerre de Beauté (Guerra di Bellezza) (War of Beauty). Guerre de Beauté (Guerra di Bellezza). Jacques Callot (French, Nancy 1592-1635 Nancy). 1616. Etching; first state of two (Lieure). Prints

Figures in seventeenth-century clothing from different ranks and positions. Sheet 54 from a sketchbook with 91 pages, Figures in seventeenth-century clothing., draughtsman: Cornelis Springer, Johannes Kip, (mentioned on object), Netherlands, 12-Jan-1882, paper

Road to promised land , Oaks, Trails & paths. Childe Hassam (1859-1935). Prints and Drawings

Théodore Maurisset. "The Daguerreotypomania". Lithography NB. Paris, Balzac house. 57805-18 Balloon, daguerreotypomania, lithography, photographic mode

Placard from the Young Turk Revolution period - leaving Istanbul. unknown, graphic artist

The Bloomers in Hyde Park, or an Extraordinary Exhibition for 1852 from George Cruikshank's Steel Etchings to The Comic Almanacks 1835-1853 Made 1852 England. Steel etching in black on cream India paper, laid down on off-white card (chine collÈ) . George Cruikshank

People fall after gas explosion of a lamp, Anonymous, François Jean Villain, 1821 - 1823 print Paris paper gas-lamp. falling

The Hunter (from The Life of a Racehorse, or The High-Mettled Racer) July 20, 1789 Etched by Thomas Rowlandson. The Hunter (from The Life of a Racehorse, or The High-Mettled Racer). "The Life of a Racehorse," or "The High-Mettled Racer". Etched by Thomas Rowlandson (British, London 1757-1827 London). July 20, 1789. Etching and aquatint. S. W. Fores (London). Prints

Entry of Charles V into Munich, June 10, 1530 16th century Sebald Beham German. Entry of Charles V into Munich, June 10, 1530. Sebald Beham (German, Nuremberg 1500-1550 Frankfurt). 16th century. Woodcut. Prints

Etching produced after 1785 by Louis-François Cassas showing monuments and temple ruins of the Orient with architectural remains.

Anonymous. Embroidery drawing project. Pencil and gouache on a map, around 1780-1790. Galliera, fashion museum of the city of Paris. Embroidery, fashion drawing, 18th 18th 18th 18th 18th 18th 18 century

Photo production of a drawing by Annibale Caracci, Adolphe Braun & Cie., 1880 - 1900 photograph paper. photographic support. cardboard carbon print

The Siege of La Rochelle plate 14 of 16; set comprises 1952.8.97-112. Dated: 1628/1631. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Israel Henriet or Abraham Bosse after Jacques Callot.

Flier with the scales scene. unknown, graphic artist

Festival of wine growers, Vevey, End of the procession, vintage engraving. Festival of wine growers, Vevey, End of the procession, vintage engraved illustration. Magasin Pittoresque 1843. Copyright: xZoonar.com/PatrickxGuenettex 10660353

Bliżej Kultury Pruszyński, Andrzej (1836 1895)

Playing at Soldiers, Medium: cotton Technique: printed on plain weave, Small square of cream colored cotton, printed, copperplate, in red. Three scenes: center, in oval - boys in a schoolyard 'Playing at Soldiers inscription above. At top, boys with bows and arrows, shooting the target; inscription above 'Shrove Tide.' Bottom, group of boys and older people on shore, with sticks and swords, looking at battle at sea between two sailing ships. Inscription: 'Prepared for Invasion.', England, ca. 1800, printed, dyed & painted textiles, Square, Square

Der Marktschreier. The market barker.. Dou, Gerard, 1613-1675. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Crowds, Parasols, Dead trees

Various Sketches 1800 Germany. Etching on paper . Daniel Nikolaus Chodowiecki

Giuseppe Voltolini, Trompe l'oeil, 1846 Trompe l'oeil

Bray, Jan de, Schreuder, Bernhard, Amsterdam, Ploos van Amstel, Cornelis, Regents of the orphanage in Haarlem, verso - stamped, The regents of the orphanage in Haarlem gathered around a table. The messenger is standing in the background., print, prints, height 226 mm, width 297 mm, Noord-Nederlands, 1726-01-04 - 1798-12-20, supervision, 1777 - 1786, paper, papier, printtekening, counterproof, tegendruk, etching, etchings, roulette, - 1780-10-16, print maker, prentmaker, 1627 - 1697-04-04, intermediary draughtsman

Grandville (Jean Ignace Isidore Gérard Dit, 1803-1847). "The metamorphoses of the day. Do you want to prevent me from whistling big syndrome I say to be silent villain! You will hinder me from Whistling You Fool I Tell Ye to Hold Your Tongue Ugly Beast". Colored lithography, 1829. Paris, Maison de Balzac. 34930-7 Dechet, lithography coloie, merle, morality, bird, personification, small job, collector, caricature

Four girls and a woman drink tea, anonymous, c. 1900 - c. 1930 drawing Four girls and a woman are sitting at an oval table and drink tea. The girls' attention is derived from something that takes place outside the image. One of the girls laughing her hands in the air. paper. India ink (ink). pencil. deck paint pen / brush cup of tea. arm raised upward - AA - both arms or hands

The Great Exhibition "Wot is to Be", Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done 1850 George Augustus Sala British. The Great Exhibition "Wot is to Be", Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done 395553

Cartoon on rejection of the Plan van Constitution, 1797, Pieter van Woensel, 1797 - 1798 Cartoon in which the people mock the rejecting of the Plan of Constitution on 8 August 1797. The plan is stuck on a wall that is read and assessed the common people and the bourgeoisie. On the left a viewing box where a flap paper that can be lifted and under which you can read: 189th Plan v. Constitution, in 1961. With two -way caption. Illustration in Pieter van Woensels Almanak 'De Lantaarn for 1798'. Netherlands paper etching Cartoon in which the people mock the rejecting of the Plan of Constitution on 8 August 1797. The plan is stuck on a wall that is read and assessed the common people and the bourgeoisie. On the left a viewing box where a flap paper that can be lifted and under which you can read: 189th Plan v. Constitution, in 1961. With two -way caption. Illustration in Pieter van Woensels Almanak 'De Lantaarn for 1798'. Netherlands paper etching

Project for the Elephant Fountain Place de la Bastille Jean-Antoine Alavoine Le Chevalier (1776-1834). Project for the fountain of Elephant Place de la Bastille. Watercolor in the line.

The honor stolen. (IT)

Optocht bij de viering van het 450-jarig jubileum van het Sacrament van Mirakel te Brussel, 1820; Calvacade qui a eu lieu à Loccation du Jubilé demi Séculaire. Le 19 Juillet 1820. à Bruxelles.Festive procession depicted in three rows above each other at the celebration of the 450-year anniversary of the Sacrament of Miracle in Brussels, July 19, 1820. On the left a group of spectators. Left and right the legend with the numbers of the floats 1-14 in French.

Bacchus students returning from the Maine Barrier. / 12 (title registered (letter)) | Paris. (Title of all)

Phentius in front of the following of Penelope, sings the return of the Greeks. (Fentius przed podjęciem Penelopy, śpiewa o Powrocie Greków, Z: The Odyssee of Homere ), W: Oeurvre de Flaxmann Collection of His serious compositions by back, with analysis of the divine comedy of the Dante and notice on Flaxman. Various subjects. Paris 1847 . FERRERI, Vincenzo (Fl. 1845), Flaxman, John (1755 1826), Audot, bookseller editor, Paris rue du Paon 8, school of medicine

Funeral of Willem Lodewijk, 1620 print Funeral procession after the death of Willem Lodewijk van Nassau-Dillenburg, Stadholder of Friesland. A procession of dignitaries, in four rows above the other. Plate number two of the total of four records. print maker: Frieslandafter own design by: Frieslandpublisher: AmsterdamNetherlands paper etching

Convoio funebre d'un Musulmano; Momento in cui la sposa lascia la casa paterna; Scuola di fanciulli.. Rigo, Michel (1770-1815). Denon, Vivant (1747-1825). Prints, Illustrations. 1808. General Research Division. Egypt , Description and travel, Parades & processions , Egypt, Funeral rites & ceremonies , Egypt, Musicians , Egypt, Acrobats, Schools , Egypt

Willem IV, 1752, plate 34; The President and Raads Van den Hoogen advice about Holland Zeeland and Vriesland; Lyk-staetsie van Zyne brilliant highness The Lord Willem IV Carel Hendrik Friso, Prince of Orange and Nassau (...) held in IV February 1752.members of the Hoge Raad van Holland, Zeeland and West Friesland. In The Margin The Caption in Dutch, French and English. Part of a Series of 41 Plates of the Funeral Procession or Stadholder Willem IV in Delft on 4 February 1752. Legged at the Top Right: 34.

Photograph of Mural Design, Francis Augustus Lathrop, American, 1849 - 1909, Photograph on sensitized paper, mounted on paper, Depicts mural design, USA, before 1914, mural designs, Photograph, Photograph

Reception of envoys of the King Kandy, 1785, Jan Brandes, 1785 - 1786 drawing Leaf with four performances: the result of the ambassadors with banners and drums; sketch of the reception of the ambassadors by governor of the Graaff in the reception hall in November 1785; Portrait of the Modlia or interpreter Dias Abayasinha Amarasekera; Pencil sketch. Colombo paper. pencil. watercolor (paint) brush family of a ruler, and court. Asiatic races and peoples (SRILANKANS) Kandy

Drawing, Design for a bracelet; Italy

Lazio Rome Palazzo Mattei di Giove9. Hutzel, Max 1960-1990 Post-medieval: Painting, fresco painting, stucco, architecture. Antiquities: Roman sculptural and architectural fragments. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Stage design of Ballet: Four seasons, Royal Court Theater Stuttgart: Scene "Autumn

Three figures, 1635 print paper etching

Drawing reproduction: Daniel Mikołaj Chodowiecki (1726-1801), sketch caravan; Z: "Wędrowiec", 1901, No. 7, p. 125; Wanderer (Warsaw; magazine; 1863-1906); 1901 (1901-00-00-1901-00-00);

Man takes a man in the collar. Draughtsman: anonymous. Dating: in or before 1969. Measurements: h 442 mm × w 338 mm. Museum: Rijksmuseum, Amsterdam.

Netherlands, Smies, Jacob, Marcus, Jacob Ernst, Veelwaard, Daniël (I), The Year 1804 !!!, Failed air journey of A. Hopman (plate I), 1804, Chaos on the street during the unsuccessful attempts to fill the hot air balloon of Abraham Hopman and Louis Samuel Loude with hot air, on the Overtoom in Amsterdam on July 5, 1804. On the right a dog cart with nails and vitriol. Hopman and Loude attempted to make a trip in a hot air balloon called 'Lust tot Onderzoek' on July 5 and 6, 1804. In the end the balloon was launched without passengers. See also the pendant., print, picture, cartoon, prints, pictures, Frederik Muller History plates, height 208 mm, width 252 mm, Northern Netherlands, 1766-08-14 - 1851-02-28, print maker, printmaker, 1804 - 1805, paper, papier, etching, etchings, 1774-03-19 - 1826-10-02, Work conception, 1746-06-11 - 1833-08-14

A black and white depiction of the Bayeux Tapestry. In this final section, the battle continues, Harold is killed, and the English flee the battlefield. Date: 1064 - 1066

Cérémonie du Kava. chef Palou. (Tonga Tabou.).. Dumont d'Urville, Jules-Sébastien-César, 1790-1842. Prints. 1830 - 1835. General Research Division

Print, Emblematical Figures in Artificial Stone over the Pelican Office Lombard Street; etching on paper

The Norman flotilla under William, Duke of Normandy, sails across the channel to Pevensey. Chromolithograph by William Mossman after an illustration by Charles Stothard made for the Society of Antiquaries in Rev. John Collingwood Bruces The Bayeux Tapestry Elucidated, John Russell Smith, London, 1856.

Bliżej Kultury Salb, Marcin (Fl. 1862 1899)

Columbian courtship: cards entitled 'the Frenchman' and 'and other suitors from over the water put in their claims.'. Crane, Walter (1845-1915). Proofs, Cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Immigrants, Decoration and ornament, France , History , Revolution, 1789-1799

The funeral procession of Frederik Hendrik, plate no. 4; Begreffseis from Syne Hoogheyt Frederick Henrick. Luxury colored edition of the prints of the funeral procession of Frederik Hendrik in 1647.the funeral procession of Frederik Hendrik, plate no. 4. Colored printed print in a picture frame decorated with gold and stuck in the luxury edition from approx. 1755 of the book 'Begraijdisse van Syne Hoogheyt Frederick Henrick 'by Pieter Post, published in Amsterdam in 1651.

The funeral procession of Frederik Hendrik (plate no. 11), 1647, Pieter Nolpe, after Pieter Jansz. Post, 1651 print The funeral procession of Stadholder Frederik Hendrik in The Hague on 10 May 1647. Plate no. 11 with part of the procession with standard-bearers and two horses, above the people are their name and function. Part of a series of 30 plates and 20 text magazines, intended to be stuck together. paper etching / engraving cortege, funeral procession

Thirty-three vignettes, 1800 - 1899, Fairman, Draper, Underwood & Co. (Philadelphia, Pa.)., 1800 - 1899. Publisher, Fairman, Draper, Underwood & Co. Engravings., 1 print engraving

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