Classic Sculptures from Antiquity

Photographs of famous classical sculptures, depicting Greek and Roman deities along with notable historical figures in detailed poses.

Rhode Island School of Design. Bronze statuette of Aphrodite. Greek, 2nd century B. C. , Sculpture, Antiquities, Goddesses, Aphrodite Greek deity. Nicholas Catsimpoolas Collection

Study of a Nude Woman, Seated Looking to the Right (recto), c. 1810. Pierre-Paul Prud'hon (French, 1758-1823). Black and white chalk (both stumped); sheet: 61.8 x 43.7 cm (24 5/16 x 17 3/16 in.).

Paramythia - Zeus and Serapis , Antiquities, Sculpture, Gods, Zeus Greek deity, Serapis Egyptian deity. Nicholas Catsimpoolas Collection

DETALLE DEL ESCLAVO MORIBUNDO - 1513. Author: Michelangelo. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Fountain with sculpture by Olga Niewska `Kąpiąca się` Bathing woman in the Ignacy Jan Paderewski Park in Skaryszew, Warsaw. unknown, photographer

`Łucznik` Archer - Sculpture by Olga Niewska at the National Exposition in Poznań, in the physical education hall rear view of sculpture.. Photo-Plat (Warszawa ; zakład fotograficzny ; 1927-1939), photographer

Jardin Central, Groupe de Statues (No. 28). Léon & Lévy (French, active 1864 - 1913 or 1920)

Athena in pediment of Aegina Temple , Antiquities, Sculpture, Goddesses, Pediments, Athena Greek deity. Nicholas Catsimpoolas Collection

Image of a statue of an angel figure (Puto) with a winged wheel (allegory of the railways).

Sculptures.

Sculpture of a bather by John Lawlor, exhibited at the Great Exhibition of the Works of Industry of All Nations from 1851 in London, Anonymous, 1851 photograph London photographic support salted paper print taking a bath. piece of sculpture, reproduction of a piece of sculpture London

Hermes of Praxiteles - most perfect of extant ancient statues - Olympia , Antiquities, Sculpture, Gods, Hermes Greek deity. Nicholas Catsimpoolas Collection

Figure 66: Head of Arrotino (the spy, the knife grinder, and so on) 1854-56, printed 1862 Guillaume-Benjamin-Amand Duchenne de Boulogne French. Figure 66: Head of Arrotino (the spy, the knife grinder, and so on) 623063

Three plaster casts from sculptures including the Laocoön. .

Sculpture of one woman with two children by Jean-Baptiste Joseph Debay, exhibited at the Great Exhibition of the Works of Industry of All Nations of 1851 in London, Anonymous, 1851 photograph London photographic support salted paper print piece of sculpture, reproduction of a piece of sculpture London

Roma - Museo Vaticano - Braccio nuovo - Diana in atto di vagheggiare Endimione addormentato , Antiquities, Sculpture, Goddesses, Diana Roman deity. Nicholas Catsimpoolas Collection

Neue Photographische Gesellschaft, Rome - Vaticano : Statua dell'Antinoo nel Belvedere, Statue of Hermes of Belvedere in the Vatican Museums in Vatican City, recto - printed, stereograph, stereophoto, photographs, 130., NPG, height 88 mm, width 179 mm, photographer, 1900 - 1910, cardboard, photographic paper, photo paper, gelatin silver print, gelatin silver print development

The Greek Slave, by Power.. William England (British, 1816 - 1896)

Restored version of the Nike of Paionios , Antiquities, Sculpture, Goddesses, Nike Greek deity. Nicholas Catsimpoolas Collection

Antonio Rizzo: Eva Sculpture, Dogenpalast, Venice. .

Paris (8th arr.), France The exhibition of decorative arts, the Spring Awakening or Group of Dancing Children, Cours-la-Reine , 1925 - International Exhibition of Modern Decorative and Industrial Arts Paris (French - Paris ( VIIIe arr. ) , France L' Exposition des arts décoratifs , L' Eveil du Printemps ou Groupe d' enfants dansant , Cours-la-Reine). Statue, dance, sculpture, child, decorative arts, exhibition, exhibition of decorative arts, vegetation , botany, ephemeral architecture, Art, human beings, nature , environment, housing , architecture, EAD. "The Spring Awakening" France, Paris, Exhibition of decorative arts, group of children dancing "Le Printemps

Statue of Sint -Cecilia in the Basilica of Santa Cecilia in Trastevere in Rome, Anonymous, After Stefano Maderno, 1851 - c. 1900 photograph Trastevere cardboard. paper albumen print monument, statue Santa Cecilia in Trastevere

Bronze statue of the robbery of Helena, from the collection of Christopher Beckett Denison, recto - handwritten, photomechanical print, page, photos, photographically illustrated books, 806, height 195 mm, width 119 mm, maker, manufacturer, 1880 - 1885, paper, Woodburytype

Apollo statue, found on island of Thera , Antiquities, Sculpture, Gods, Apollo Deity. Nicholas Catsimpoolas Collection

Amico Aspertini, Saint Sebastian, Italian, 1474-1475-1552, c. 1505, oil on panel

st, new market - Donnerbrunnen providential fame - Detail - Fountain figure of March, August Stauda -, photographer

Paris (8th arr.), France The exhibition of decorative arts, the Spring Awakening or Group of Dancing Children, Cours-la-Reine , 1925 - International Exhibition of Modern Decorative and Industrial Arts Paris (French - Paris ( VIIIe arr. ) , France L' Exposition des arts décoratifs , L' Eveil du Printemps ou Groupe d' enfants dansant , Cours-la-Reine). Statue, dance, sculpture, child, decorative arts, exhibition, exhibition of decorative arts, vegetation , botany, ephemeral architecture, Art, human beings, nature , environment, housing , architecture, EAD. "L" Spring Eveil "France, Paris, Exhibition of decorative arts, group of children dancing" Le Printemps

Stichling Otto, allegorical figure jewelry, majority for the main facade of the town hall of Berlin-Charlottenburg, design or execution models (without date): Bronze lighting. Photo on cardboard, 35.4 x 29.2 cm (including scan edges) Stichling Otto (1866-1912): Allegorischer Figurenschmuck, mehrheitlich für die Hauptfassade des Rathauses Berlin-Charlottenburg, Entwurfs- bzw. Ausführungsmodelle

Vanity, Nudes

G.Signac sleeping

Venus, Domenico Marchetti, After Giovanni Tognolli, After Antonio Canova, 1790 - 1844 print Back view of a sculpture of the goddess Venus by the Italian sculptor Antonio Canova. Italy paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Venus (Aphrodite)

Sculpture of Venus surrounded by plants. Unknown

Arrangement of 'the Nymph echo' between the poll and portraitszaal around 1905. Here in the passage between the room with paintings from the collection of the poll and the portraits room An image of Ferdinand Leenhoff: 'De Nimff Echo', behind it Design for a monument to 'De Gebroeders Johan and Cornelis de Witt', also from Leenhoff.Portrettenzaal, 214 from room 225. Left behind a wooden bench. In 1915 the leather benches were replaced by the wooden room is overstrained by a curved edge light. The Koofels rest on a list of consoles. The decorative painting consists of, among other things, shields with the emblemata of the temperaments: snail, crow, butterfly and turkey rooster, where between festans and hanging plants. Further emblems of sovereignty and nobility: blazonen with different corners and heraldic figures. Blazonen with logos of the tailor guild, sense to the importance of the costume for the costume. The inscription on the head wall mentions an important donation: 'at extreme

La Cigale. Frank Eugene; American, 1865-1936. Date: 1898. Dimensions: 12.2 x 16.9 cm (image); 13.1 x 17.5 cm (paper). Photogravure. Origin: United States. Museum: The Chicago Art Institute, USA.

Skiopticone image. Unknown sculpture.

`Dyskobol` The Discobolus - Sculpture by Olga Niewska from the year 1927. Zajączkowski, Leonard (1902-1979), photographer

Goupil & Cie, Michelez, Charles, Ganymède, Sculpture of Ganymede by Gustave Doré, recto - printed, photomechanical print, page, photos, photographically illustrated books, Galerie Contemporaine, Littéraire et Artistique., height 249 mm, width 177 mm, 1817 - 1883, photographer, 1873 - 1878, paper, Woodbury type, French, cliché maker

Cast of a victim of the volcanic eruption in Pompeii, anonymous, c. 1880 - c. 1920 photograph Part of album with 191 photos from a trip to and through South Africa. Pompeii paper. photographic support albumen print eruption (of volcano). the corpse Pompeii

Lazio Viterbo Viterbo Museo Civico02. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Bacchic group: satyr and bacchante with infant satyr late 18th century Clodion (Claude Michel) French. Bacchic group: satyr and bacchante with infant satyr 207379

Firenze - Palazza Vecchio - Sala dei Cinquecento 'Ercole e Diomede' - Florence - Le Vieux Palais - Salle des Cinq-cents - Herculese et Diomède - Florenze - the Old Palace - Five Hundred Hall - Herculese and Diomedes - Florenz - Der alt Palast - Saal der Fünfhundert - Herkules und Diomedes , Sculpture, Supernatural beings, Diomedes Greek mythology, Heracles Greek mythological character. Nicholas Catsimpoolas Collection

Cast of a Dog Killed by the Eruption of Mount Vesuvius, Pompeii. Giorgio Sommer (Italian, born Germany, 1834 - 1914)

Seated Male Nude 1838 Daniel Huntington American The leading portraitist in New York during the post-Civil War period--and president of the National Academy of Design from 1862 to 1870 and from 1877 to 1890--Daniel Huntington was a conservative painter, a man highly respected by his clients and colleagues throughout his long career. Although he traveled widely and frequently during the mid- and late nineteenth century, he shunned new artistic concepts and styles. As a staunch academician in technique and manner, Huntington understood that proper draftsmanship was at the core of accomplished painting. His extant drawings number over a thousand, and the vast majority are from his early career, although he continued sketching as long as he lived. The present drawing is a student exercise from a class Huntington took at the National Academy in 1838. It displays proficiency in modeling and highlighting and a commendable grasp of human anatomy and foreshortening that he would have learned fr

Lazio Viterbo Canino Collegiata, SS. Andrea e Giovanni Battista7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Nude, late 19th or early 20th century. Artist: Unknown

An Egyptian Mirror, Sir David Young Cameron, 1865-1945, British, 1909, Etching, Plate: 11 7/8 x 6 13/16in. (30.1 x 17.3cm) and Sheet: 12 1/2 x 7 1/8in. (31.8 x 18.1cm)

Knottle, Hotel de la Marquise de Courtavel, 34 rue Saint-Guillaume, 7th arrondissement, Paris Knottle, Hotel de la Marquise de Courtavel, 34 rue Saint-Guillaume. Paris (Viith arr.), 1909. Photography of Eugene Atget (1857-1927).

Ebony and Ivory Made 1897 United States. Photogravure, No. 8 from the portfolio American Pictorial Photography, Series I (1899); edition 146/150 . F. Holland Day

Campania Napoli Naples S. Lorenzo Maggiore58. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Remains of a Woman; Winfield S. Keyes (American, 1839 - 1906); Sacramento, California, United States; 1888; Artotype; 17.8 x 10.8 cm (7 x 4 1,4 in.)

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David Michelangelo Buonarroti (1475-1564 Italian) Marble

Sportplastiken. Paul Wolff, photographer (German, 1887 - 1951) Dr. Wolff & Tritschler OHG, photographer (German, founded 1927, dissolved 1963) 1936 Two female nude stone sculptures in the act of running. The figure in the lead is holding a branch with leaves over her head. Cars are parked behind them. (Verso, print) lower left, pencil: "1638/22";

Photographic print of the Gargoyles on the west front of the Cathedral of Notre-Dame , a historic Catholic cathedral on the eastern half of the Île de la Cité in the fourth arrondissement of Paris, France. Dated 19th Century

st, new market - thunder fountain - detailed view - fountain figure of the Ybbs, International Institution for Litterature and Art J, J Plaschka Buchhandlung, Antiquariat, Kunsthandlung, Verlag, Publishing House, Josef Wlha -, Photographer

Rome; Italy; Hendrik Christian Andersen; art; sculpture; indoor; museum; close up; details

Campania Caserta Caserta Palazzo Reale34. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Delos. Nike (Victory) by Archermos , Antiquities, Sculpture, Goddesses, Nike Greek deity. Nicholas Catsimpoolas Collection

Statue

st, new market - thunder fountain - detailed view - fountain figure of the Traun, Atelier Neubacher-Reiffenstein, Publishing House, Questionable, Bruno Reiffenstein -, Photographer

Sultry Night. Artist: Grant Wood (American, Anamosa, Iowa 1892-1942 Iowa City, Iowa). Dimensions: image: 9 x 11 3/4 inches (22.9 x 29.8 cm) sheet: 11 1/2 x 15 inches (29.2 x 38.1 cm). Date: 1939. Museum: Metropolitan Museum of Art, New York, USA.

Kraków Sukiennice Exhibition of Muhammads, Asian and European ceramics; February April 1934 Światowida Photo Agency

Firenze - R. Galleria Uffizi. Le tre Grazie , Paintings, Goddesses, Graces, The. Nicholas Catsimpoolas Collection

Umbria Terni Torreorsina S. Michele2. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting General Notes: Not in TCI German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Charles Sargeant Jagger (1885-1934), British sculptor, with two early figures -- a study of a girl exhibited at the Royal Academy, and a design for a figure on a fountain. He won the Prix de Rome in 1914. He is best known for his war memorials, especially the Royal Artillery Memorial in London, which he produced following active service during the First World War. Date: 1914

Joseph Carey Merrick

Rohscan

Impronte umane (Pompeii). Dated: 1873. Dimensions: image: 18.1 x 25.1 cm (7 1/8 x 9 7/8 in.) sheet: 29 x 37.1 cm (11 7/16 x 14 5/8 in.). Medium: albumen print. Museum: National Gallery of Art, Washington DC. Author: Giorgio Sommer.

Hebe, 1816, by Antonio Canova (1757-1822), marble.

Budapest, Hungary: c. 1927. Bronze statue of Alice Nikitina, star dancer with the Russian Ballet, who will dance soon in Paris. The statue by Professor S. Strobl of Budapest, will be exhibited in London.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo98. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

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