Classical Artworks and Sculptures

Images of historical artworks including reproductions of sculptures and prints depicting mythological and religious themes in various styles.

Photo reproduction of a fresco in Pompeii, This photo is part of an album., photograph, photo, reproduction, album sheet, photos, height 103 mm, width 153 mm, photographer, 1860 - 1900, photographic paper, photo paper, albumen print, albumine print, Work conception

SABIJNSE MAAGDENROOF, Andrea Andreani, After Giambologna, 1584 print There is a Roman man with a stolen Sabine Virgin in his arms on a rock. She turns away from him with open mouth. A Sabine man squats between the legs of the Roman. print maker: Italyafter sculpture by: FlorenceFlorence paper rape of the Sabine women: they are carried off by Romulus and his men during a feast

Engraving after Peter Paul Rubens' "Mucius Scaevola before Porsenna". Unknown maker

Photo reproduction of a fresco in Pompeii, This photo is part of an album., photograph, photo, reproduction, album sheet, photos, height 103 mm, width 153 mm, photographer, 1860 - 1900, photographic paper, photo paper, albumen print, albumine print, Work conception

Sculpture of goddess and swan. Unknown

Photo production of the painting The last communion of H. Hiëronymus by Domenichino, Anonymous, After Domenichino, 1851 - 1900 photograph paper. cardboard albumen print picture, painting Rome

Anonymous. Painting (allegory, decorative painting for the La Rivière hotel then Canillac, 14 Place des Vosges, current 4th arrondissement). Oil on canvas. Grisaille paint. 1701-1800. Paris, Carnavalet museum. 76088-21

Corinth - Herakles and bow , Antiquities, Sculpture, Heroes, Bows Weapons, Heracles Greek mythological character. Nicholas Catsimpoolas Collection

Photo production of the Fresco Stanza dell'incendio di Borgo by Rafaël in the Camere di Raffaello, Anonymous, After Rafaël, 1851 - 1900 photograph Vatican CITY paper. cardboard albumen print picture, painting Raffaello rooms (Vatican Palace). Borgo fire room. Vaticaanse Musa. Vaticaanstad

Photo production of a painting, representing Palaemon assesses a singing competition between Menalcas and Damaetas, scene from Virgilius' Bucolica, Anonymous, c. 1853 - in or before 1858 photograph paper albumen print musician - CC - out of doors. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Samson destroys the Temple, Anonymous, 1600 - 1699 drawing paper. chalk Samson breaks the pillars; the temple of Dagon collapses, killing all that are in it

La Musique dramatique; Louis-Émile Durandelle (French, 1839 - 1917); Paris, France; about 1875; Albumen silver print

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche85. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Anonymous. Music (allegory, decorative painting for the La Rivière hotel then Canillac, 14 Place des Vosges, current 4th arrondissement). Oil on canvas. Grisaille paint. 1701-1800. Paris, Carnavalet museum. 76088-20

Group Philosophers for a globe (Abraham and Lot distribute the world), Anonymous, 1530 - 1640 drawing paper. oil paint (paint) brush

Allegorical Figures of Time and Death. Artist: Anonymous, Italian, first half of the 18th century. Dimensions: 8-7/8 x 12-15/16 in. (22.6 x 32.9 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Relief of a putto with birds, c. 1875 - c. 1900 photograph Europe cardboard. photographic support albumen print birds. sculpture (+ relief ~ sculpture). cupids: 'amores', 'amoretti', 'putti' Europe

Lazio Viterbo Bagnaia Villa Lante04. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Apollo Temple to Bassae in Arcadien Tablica IX Marchetti, Domenico (1780 1844), Stackelberg, Otto Magnus von (1787 1837)

Drawing for the decoration of the holiday gallery of the town hall, 1852, harvest

Mars and Venus Preparing Themselves for the Nuptials of Cupid and Psyche, Johann August Nahl The Younger, German, 1752 - 1825, Giulio Romano, Italian, 1499-1546, Lead pencil, pen and dark ink, brush and gray watercolors on paper, Drawing after a fresco devised by Giulio Romano in the Palazzo del Te in Mantua. The entire picture is not shown. The gods and those busy about them are shown., Germany, ca. 1781, Drawing, Drawing

Allegories of Faith and Hope, Flanking Federico's Device, the Sugar Loaf; Federico Zuccaro (Italian, about 1541 - 1609); about 1595; Pen and brown ink, brush with brown wash, over black chalk underdrawing; 18.1 x 41.7 cm (7 1,8 x 16 7,16 in.)

Amorini at play (one of a pair). Artist: Manner of Piat Joseph Sauvage (Flemish, Tournai 1744-1818 Tournai). Culture: French. Dimensions: Overall: 21 3/4 × 33 7/8 in. (55.2 × 86 cm). Date: 1770-90.One of a pair with 07.225.315b. Museum: Metropolitan Museum of Art, New York, USA.

The Apollo Temple to Bassae in Arcadia Tablica XV Marchetti, Domenico (1780 1844), Stackelberg, Otto Magnus von (1787 1837)

Depicts the baptism of Christ, painted by Martin Johann Schmidt using brush and bister, showing Christ, John the Baptist, and surrounding figures in a religious scene.

Sculpture of the Capitoline Venus in the Capitoline Museums in Rome, Italy, Anonymous, 1851 - 1900 photograph Rome cardboard. paper albumen print piece of sculpture, reproduction of a piece of sculpture. (story of) Venus (Aphrodite) Capitoline Museums

Niobe and child , Antiquities, Sculpture, Niobe Greek mythological character. Nicholas Catsimpoolas Collection

Lazio Roma Rome S. Ignazio di Loyola5. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusca

Drawing, Study for "Zodiac"; Francis Augustus Lathrop (American, 1849 - 1909); USA; charcoal, brush and wash, graphite on paper; 43.4 × 51.3 cm (17 1/16 × 20 3/16 in.); 1914-38-53

Allegory of care in the Old men and women's guesthouse, Barend Graat, 1683 - Before 1685 drawing paper. ink pen / brush

Nilo Vaticano, Roma. Edmondo Behles (Italian, born Germany, 1841 - 1921)

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia72. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Susanna and the elders, 1881 - 1934 zinc etching

Thorvaldsen. Gratinis OG Amor. Graces and love, Copenhagen ..

Warsaw. Marble fireplace in the Ballroom of the Palace in the Royal Łazienki Park - two side views in the scale of 1:5. Małachowski, Jan (1886-1917), draughtsman, cartoonist

Relief of a putto with dragonflies, c. 1875 - c. 1900 photograph Europe cardboard. photographic support albumen print amphibians. sculpture (+ relief ~ sculpture). cupids: 'amores', 'amoretti', 'putti' Europe

The Vision of the Lord of Spirits. Dated: c. 1824/1827. Dimensions: overall: 52.6 x 37 cm (20 11/16 x 14 9/16 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: William Blake.

Allegories of Fortitude and Patience. Federico Zuccaro (Italian, about 1541 - 1609)

Lazio Viterbo Bagnaia Villa Lante73. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Napoli - Museo Nazionale. Supplizio di Dirce, detto il toro Farnese. Apollonio e Taurisco , Antiquities, Sculpture, Bulls, Apollo Deity, Apollonius, of Tralles. Farnese bull. Nicholas Catsimpoolas Collection

Lazio Roma Sasso S. Croce. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting, fresoes. The interior of the church is decorated with trompe-l'oeil architectural niches in which are placed frescoes deicting the Virgin and various saints. Object Notes: 3 prints have extra negatives. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Photo production of a painting of a group of people including the Pope, Anonymous, c. 1870 - c. 1880 photograph paper. cardboard albumen print picture, painting

Wall Painting of the Gallery of the Town Hotel, 4th Arrondissement, Paris Wall painting of the Country Gallery of the City Hall. Paris (ouvere arr.), 1853. Photography of Gustave Le Gray (1820-1884).

Sculptuur L'Amour injured Doror Jean-Baptiste Carpeaux, Anonymous, Goupil & Cie., C. 1872 - in or before 1877 photomechanical print paper sculpture. angels

Odes and Sonnets Table of Contents 1887 United States. Brown, white and gray oil paint, over traces of graphite, prepared with white oil paint, on linen . Will Hicock Low

Lazio Roma Rome Gesu54. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Woman with a Child'. Italy, first half - middle of 16th century. Dimensions: 30,4x14,7 cm. Museum: State Hermitage, St. Petersburg. Author: BACCIO BANDINELLI.

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (n.1855-08-02-D.1922-01-18), Pax Messis (main title), 1919. Gypsography, brown and brown draw. Petit Palais, Museum of Fine Arts of the City of Paris.

Orphée et Eurydice. Louis-Émile Durandelle (French, 1839 - 1917)

Campania Caserta Caserta Palazzo Reale89. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Arch De Triomphe De L'Etoile. No. 2 East..South.. Attributed to André H. Orange (French, active Paris, France 1850s)

Taddeo in the Sistine Chapel Drawing Michelangelo's Last Judgment. Federico Zuccaro (Italian, about 1541 - 1609)

Lazio Roma Anzio Villa Spigarelli9. Hutzel, Max 1960-1990 Post-medieval: A 19th century neoclassical villa built on the imperial villa said to be of Nero which was in ancient Antium (modern Anzio). The park and villa incorporate antiquities such as architectural fragments, sarcophagi, urns, and statuary found on the site. Antiquities: possible nymphaeum, urns, sarcophagi, sculpture, architectural framents, mosaics, portrait busts, terracottta sculpture fragments, Pompeian third style wall paintings, portrait bust in Julio-Claudian family style Object Notes: Hutzel gives a short history of the villa and park, commenting that no proper history has been written on the site German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and th

Abundance and health gives cheerfulness. Design for a wall painting.

Charles Auguste Mengin (1853-1933). "To France". Illustration for "the terrible year" in the National Edition. Plume, graphite mine, wash, ink, white gouache on thick beige paper. 1888. Paris, house of Victor Hugo. 100148-19 Attachee, drawing, devour, ink, woman, gouache, illustration of literary work, wash, graphite mine, death, female naked, nudite, vulture, 19th XIX 19th 19th 19th 19th century, feather

Bearded warrior fighting, Greek, II Century B. C., fragment of a metope , Architectural decorations & ornaments, Antiquities, Warriors. Nicholas Catsimpoolas Collection

Flying Angel 17th century Anonymous, Italian, 17th century Italian. Flying Angel 389318

Sculpture Ugolin by Jean-Baptiste Carpeaux, Charles Marville, c. 1871 - In or Before 1876 photomechanical print paper sculpture. historical persons

Roche, Pierre (n.1855-D.1922-01-18), Femmes-Cygnes (flying): II. L'Envol (main title), 1916. Gypsography, draw in brown and blue .. Petit Palais, Museum of Fine Arts of the City of Paris.

La Musique champêtre. Louis-Émile Durandelle (French, 1839 - 1917)

Dinger, Fritz, inventor: Guido Reni, work, Aurora, after Guido Reni, copy undated, copper engraving, graphic, MYTHOLOGY, antiquity, SCENE, Aurora, procession, horses, sheet width 84 cm, sheet height 38 cm, picture width 83.5 cm, picture height 37 cm

Ker Xavier Roussel (1867-1944). "Love playing with a nymph". Lithography in three colors (white, pale blue, brown) on flying China. 1898. Museum of Fine Arts of the City of Paris, Petit Palais. 74388-13 Love, avant-garde, woman, playing, lithography, nabi movement, postimpressionist movement, nymph, landscape, person, postimpressionism, engraving

Allegorical bas-relief depicting the two warring factions in the Belgian Revolution, 1830. Central an altar 'For love of the fatherland' on which the Dutch Lion and Love. On the left the Belgian party represented with the God of War, Envy, a wolf, the hellhound Cerebrus and the chained Belgian people. On the right, the Dutch party with the Dutch virgin, Eendracht, Mercury and a mourning Neptune. Below descriptions of the scene in French and Dutch, Allegorical sculpture on the Belgian Revolution, 1830 Bas-relief Representing the situation of Belgium and Holland in the year 1830. by L. Royer / Bas-relief Représentant la situation Politique de la Belgique et de la Hollande en 1830 . par L. Royer , print maker: Carel Christiaan Antony Last, (mentioned on object), Louis Royer, (mentioned on object), printer: Desguerrois & Co., (mentioned on object), print maker: Netherlands, printer: Amsterdam, 1831 - 1835, paper, h 331 mm × w 518 mm

Moderno, David Triumphant over Goliath, 1507 or before David Triumphant over Goliath

Fragment (France); cotton

Drawing (Italy)

Unknown (1900-1900); Constantin Hansen (1804-1880); , Chiron and Achilles, CIRCA 1856

Albumin paper photograph of the statue 'Amor and the Psyche' by Francois Delaistre (1785) at the Louvre in Paris, produced around 1865 in stereo format.

Personification of the education. .

Cult of Minerva by Giovanni Battista Crespi, black chalk, white colour on paper, 1573-1632, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 40, 7x21, 3

Two parts of promotional print by Antoine Talon, Claude Mellan, 1608 - 1688 print paper engraving

Hercules with Neptune and Amphitrite fresco, Collegio degli Augustali College of the Augustans, Herculaneum, UNESCO World Heritage Site, Campania, Ita...

Supplizio di Dirce, detto Il Toro Farnese. Apollonio e Taurisco scolpirono , Antiquities, Sculpture, Bulls, Apollo Deity, Apollonius, of Tralles. Farnese bull. Nicholas Catsimpoolas Collection

'St Luke Drawing The Virgin. Back: Study for a Half-length Figure of a Man Looking Up'. The Netherlands. The Netherlands, 1505-1510. Dimensions: 11,6x14 cm. Museum: State Hermitage, St. Petersburg. Author: Jan de Beer (workshop).

Diana's hunt (in box with 43 drawings), Louis Fabritius Dubourg, 1733 drawing paper. ink. pencil pen / brush (story of) Diana (Artemis)

A chalk and feather drawing by Jacopo Ligozzi depicting the Virgin in angelic glory, with white and gold highlights, laved shading, and a rounded composition.

Four studies of a hand, Carlo Dolci, 1626 - 1686 drawing paper. chalk hand

Florence cathedral, Baptistry of Saint John, Gates of Paradise, The Story of Adam and Eve, Florence, Italy Florence cathedral, Baptistry of Saint John, Gates of Paradise, The Story of Adam and Eve, Florence, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20661212

St Petersburg.

Photo production of the Fresco de Sibile van Cumae by Michelangelo in the Sixtine Chapel, Anonymous, After Michelangelo, 1851 - 1900 photograph Vatican CITY paper. cardboard albumen print picture, painting. wall-covering. Cumaean sibyl Sixtine Chapel (Vatican)

Carle Van Loo, Gentleman Lounging in a Chair, French, 1705 - 1765, red chalk with touches of black chalk

Standbeeld van ganymedes te Rome, Ferrier father -son and Soulier & Lévy Sr. (Possible), 1860 - 1870 Glass. Seal Rand: Paper slide (story of) Ganymede. sculpture

Verwijk, Van Traa, Tile panel with allegorical representation of autumn in purple on white, three by four tiles, tile picture material ceramics pottery glaze, baked glazed pastoral season seasonal season

Window with the stoning of the gray -having from the history of Susanna, Anonymous, c. 1490 Window, round, of stained glass in the colors brown and yellow with the representation of the stoning of the old -bearers from the history of Susanna. Southern Netherlands glass. silver stain. lead (metal) Window, round, of stained glass in the colors brown and yellow with the representation of the stoning of the old -bearers from the history of Susanna. Southern Netherlands glass. silver stain. lead (metal)

'Relief: Bacchanalia of the Children with a Goat (copy)'. Italy, Middle or second half of the 17th century. Dimensions: 50,0x97,0 cm. Museum: State Hermitage, St. Petersburg.

Attributed to Moderno, Hercules and Antaeus, late 15th early 16th century Hercules and Antaeus

Lombard 16th Century, The Entombment, mid 16th century The Entombment

Part of the Frisian of the Parthenon in Athens, depicted four men and two horses, G. Arosa et Cie, c. 1863 - in or before 1868 photomechanical print This print is part of a cover with 22 prints and 3 text magazines. Paris paper collotype mouldings ~ architecture. horse. adult man (+ four persons) Parthenon

The Choice of Hercules, plaque by Wedgwood - 18th century - jasperware. Author: JOHN FLAXMAN (1755-1826). Location: GALERIA DE ARTE. BURY. ENGLAND.

Paillet, Boucher, François, Paris, Demarteau, Gilles, Allegorical figures at sea, verso - stamped, print, prints, height 386 mm, width 532 mm, South Netherlands (before 1775), 1722-01-19 - 1776-07-31, print maker, printmaker, 1732 - 1776, paper, papier, etching, etchings, crayonmanier, kleurdruk, French, 1703-09-29 - 1770-05-30, after, after painting by, printer, drukker

Time Clipping Cupid's Wings. James McArdell (Ireland, Dublin, 1728 ()-1765)Sir Anthony van Dyck (after) (Flanders, Antwerp, 1599-1641). Ireland, 1765. Prints; mezzotints. Mezzotint

The Agony in the Garden by unknown artist

Danse amoureuse. Louis-Émile Durandelle (French, 1839 - 1917)

Lazio Roma Rome S. Maria dell'Orto6. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, reliefs, painting (frescoes) Object Notes: Despite lively Baroque decoration in the interior, the church conserves an early Renaissance structure of three naves. Building began in 1489 by an unknown architect; was finished in 1566 by Guidetti. Curious inscriptions on church stones with humorous statements such as "Universita dei Vermicellari" (various artisan corporations). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sitting male nude, anonymous, 1600 - 1699 drawing France paper. chalk

Frisian with cooking, eating and playing putti. Draughtsman: Johan Braakensiek. Dating: 1868 - 1940. Measurements: h 200 mm × w 400 mm. Museum: Rijksmuseum, Amsterdam.

Richard Wilson RA, 1714-1782, British, active in Italy (1750-56), Study of Figures for "A View of the Campagna", ca. 1755. Black chalk and white gouache on medium, rough, brown laid paper mounted on card.

Drawing reproduction: Józef Chełmoński (1849-1914), Vzepway vision; from: "Tygodnik Ilustrowany", 1897 (II) 906-907; Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1897 (1897-00-00-1897-00-00);

Allegory of victory, Verso: a triumphant gate topped with a two -headed eagle; Podoliński, Michał (1783-1856); 1821 (1821-00-00-1821-00-00);

Angel with Mandola, by Ferrari Gaudenzio, 1539 - 1539, 16th Century, fresco transferred to canvas, wooden frame. Italy, Lombardy, Milan, Brera Art Gallery. Semi-lunette right musician angel little angel putto: cherub music instrument mandola mandolin.

Aimé-Jules Dalou (1838-1902). "La Fraternité", also known as "the Republic" or "The Union of Peoples". Terracotta, around 1878-1882. Sketch for the plaster high relief of La Fraternité, a fair of 1883. Museum of Fine Arts in the city of Paris, Petit Palais. 26340-5 Allegory, sketch, fraternitis, people, republic, living room of 1883, terracotta, union

of 2