Classical Artworks and Sculptures

Images of historical artworks including reproductions of sculptures and prints depicting mythological and religious themes in various styles.

Photo reproduction of a fresco in Pompeii, This photo is part of an album., photograph, photo, reproduction, album sheet, photos, height 103 mm, width 153 mm, photographer, 1860 - 1900, photographic paper, photo paper, albumen print, albumine print, Work conception

gevleugelde Putto. Schetsboek "A.S.Fe", 1587, blad 11r(12) (series title). Artist: Hendrick Goltzius. Draughtsman: anonymous. Dating: 1587. Measurements: h 105 mm × w 78 mm. Museum: Rijksmuseum, Amsterdam.

Bas Relief Plaque. Dated: c. 1940. Dimensions: overall: 50.9 x 40.7 cm (20 1/16 x 16 in.) Original IAD Object: 32" high; 24" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Stanley Mazur.

Birth, marriage, death, war (main ceiling box)

Lazio Rieti Rieti Museo Civico43. Hutzel, Max 1960-1990 Some wooden statues, mostly of the Madonna & Child. In most part, paintings, including the Madonna & Child with SS. Domenico. Peter, Paul and Peter Martyr by Lucca di Tomme. There is also a tryptich of the Resurrection, with predella scenes of the Passion, and other Renaissance and Baroque paintings. Owner: Palazzo Comunale Antiquities: Antique statues and busts. Object Notes: Two Hutzel photo campaign dates, one December 22, 1982, the other date is not legible. There are two sets of prints, one with numbers and an "A" set with its own numbers. At this time, the "A" set matches to the negatives we have; however, the negatives are missing for the numbered set. Since the two sets are virtually identical, it would in most cases be possible to find an image in the "A" set that would have a negative. Numbered set: 72 prints; "A" set: 94 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the e

Plaquette of the fall of Thorvaldsen, Sophus Williams, 1876 stereograph Sculpture of the Danish-Icelandic sculptor Bertel Thorvaldsen. photographic support. cardboard albumen print sculpture. autumn landscape; landscape symbolizing autumn (the four seasons of the year) (+ with scenes showing human occupations ~ seasons and months)

"Belle of Oregon" Figurehead. Dated: c. 1939. Dimensions: overall: 52 x 57.7 cm (20 1/2 x 22 11/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Elisabeth Fulda.

Interior of Catherine Palace, a Rococo palace located in the town of Tsarskoye Selo.

La Cataluña eterna. Mural de Torres García. Palau de la Generalitat, Barcelona. Author: JOAQUIN TORRES-GARCIA.

Christ pointing on the wound in his side, Anonymous, 1610 - 1630 drawing Verona paper. chalk Christ shows Thomas his wounds. Christ shows Thomas his wounds

Lazio Roma Rome S. Maria in Vallicella0. Hutzel, Max 1960-1990 Views of 16th church's facade by Fausto Rughesi(1605). Views of interior nave, altars, sacristy, and collection in private rooms. Extensive coverage of frescoes and paintings. Three views of an embroidery with a depiction of the Assumption of the Virgin. General Notes: Views of Oratorio dei Filippini are filed separately, but retain H-numbers within this monument's numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Spinning. Thomas Eakins; American, 1844-1916. Date: 1882-1886. Dimensions: 47 × 38.2 cm (18 1/2 × 15 in.). Painted plaster. Origin: Philadelphia. Museum: The Chicago Art Institute, Chicago, USA.

Umbria Terni Terni Palazzo Carrara3. Hutzel, Max 1960-1990 Post-medieval: Architecture (17th century); Frescoes (17th century); coffered wooden ceiling Antiquities: Roman sarcophagi, cinerary urn, gravestones, lions, and an inscribed plaque from Terni's amphitheater. (All located on the ground floor of the Palazzo Carrara). Object Notes: Unable to locate any negatives for these prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The judgment of Pris / Foyer of the Paris Opera.

Photo production of (presumably) a painting with a mother and a baby.part or English family album with photos of People, Travel, Cricket and Artworks.

Lesueur, Jacques-Philippe (n.1757-D.1830-12-04), March and Venus. (Dummy title). Carnavalet museum, history of Paris.

coat of arms of the Costas Silveiras, 16th century, marble, originally located in the Dos Leoes fountain, Evora Museum, Evora, Alentejo, Portugal, Europe.

Michael Angelo's David, Academy of Fine Arts, Florence, Italy.. Underwood & Underwood (American, founded 1881, dissolved 1940s)

Baccante base di Candelabro - Palazzo dei Conservatori , Antiquities, Bas-reliefs, Gods, Candelabras, Dionysus Greek deity. Nicholas Catsimpoolas Collection

Allegory of Charity. Dated: c. 1580. Dimensions: overall: 9 x 6.1 cm (3 9/16 x 2 3/8 in.) gross weight: 110 gr. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Attributed to Master of the Judgment of Solomon.

Salon of 1852; Gustave Le Gray (French, 1820 - 1884); Paris, France; 1852; Salted paper print; 23.5 x 19.1 cm (9 1,4 x 7 1,2 in.)

Walter Crane, Design for a Shakespeare Memorial Design for a Shakespeare Memorial

Wall-painting: reclining Naiad (water-nymph), drinking from a horn. Roman, about 30-50 AD. From villa at Campo Varano, Stabiae, Italy. British Museum. London, UK.

Goldsmith's art, Italy, 16th century. Rock crystal and gold flask. Height 25 cm. Saracchi Workshop manufacture. Detail of the engraved scene depicting Orpheus among the Muses.

Raphael, Eight Apostles, c 1514 Raphael (Marchigian, 1483 - 1520), Eight Apostles, c. 1514, red chalk over stylus underdrawing and traces of leadpoint on laid paper, cut in two pieces and rejoined; laid down, Woodner Collection 1993.51.2

Dado (France); Made by Pignet et Cie (France); block-printed paper; 117 x 55 cm (46 1/16 x 21 5/8 in.)

Clair-obscur woodcut by Antonio da Trento depicting Saint John, created with three plates around 1524-1527.

Gabriel, Lange, Johannes Philippus, Tombstone of Jan Hendrik van Kinsbergen, verso - stamped, The tombstone of Jan Hendrik van Kinsbergen, vice-admiral and extraordinary marshal of the Dutch navy, in the Nieuwe Kerk in Amsterdam., print, prent, prints, prenten, height 150 mm, width 243 mm, Dutch, 1810-09-24 - 1849-10-29, print maker, prentmaker, 1820 - 1849, paper, steel engraving, Work conception

Christ's Body Held by Two Angels. Dated: 15th century. Dimensions: overall: 10 x 8.6 cm (3 15/16 x 3 3/8 in.) gross weight: 407 gr. Medium: silvered bronze. Museum: National Gallery of Art, Washington DC. Author: Paduan 15th Century.

Amphion; Louis-Émile Durandelle (French, 1839 - 1917); Paris, France; about 1875; Albumen silver print

Allegorical Subject Artist's working dates 1747-1815 Italy. Stipple engraving on paper . Francesco Bartolozzi

Circle of Thomas Eakins, Four Male Models Leaning Forward Against Each Other, from The Grafly Album, 1886, gelatin silver print.

Lazio Viterbo Bagnaia Villa Lante79. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Philosophy by Vrubel, Mikhail Alexandrovich (1856-1910) / State Tretyakov Gallery, Moscow / Symbolism / 1899 / Russia / Gypsum, watercolour / Mythology, Allegory and Literature / 133x46

Lazio Viterbo Nepi S. Maria Assunta2. Hutzel, Max 1960-1990 Several views of the church exterior, but most coverage is of the interior nave and altars. Some views of Roman sarcophagi and sculpture. Antiquities: Roman sarcohpaghi and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

st, on the Gestade - Hannaken -Brunnen - Model, Martin Gerlach jun, photographer

The Raising of Lazarus, smaller. Norblin de la Gourdaine, Jean Pierre (1745-1830), graphic artist

Bachanal of Eight Putti with a goat. This is one of the best-known compositions by Du Quesnoy, a Flemish sculptor who worked in Rome. The playfulness of the theme and the subtlety with which the softness of the puttis chubby flesh was carved in the marble contributed greatly to its fame. Du Quesnoys style influenced many artists, including his fellow countryman, Artus Quellinus, who studied with him in Rome.

Frises de Parthenon , Friezes Ornamental bands, Bas-reliefs, Antiquities, Horses, Horseback riding, Parthenon Athens, Greece. Nicholas Catsimpoolas Collection

England, London, Somerset House, The Courtauld Gallery, Room 3 Ceiling Decoration

North frieze of Parthenon, Acropolis of Athens. Block XLVI, figures 128-131. Ride. 5th century BC. Replica. Acropolis Museum. Athens. Greece. The original is exposed in the British Museum in London.

Spring and Summer. Dated: early 17th century. Dimensions: overall: 9.6 x 8.1 cm (3 3/4 x 3 3/16 in.) gross weight: 97 gr. Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: German 17th Century.

"L'Art", Sculpture by Emile Seurre, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Fragment (France); cotton

Portrait of a Child. Dated: c. 1850. Dimensions: image: 7 x 5.7 cm (2 3/4 x 2 1/4 in.) accessory size: 9.3 x 8.1 cm (3 11/16 x 3 3/16 in.). Medium: daguerreotype. Museum: National Gallery of Art, Washington DC. Author: British 19th Century.

Venus und Amor. Venus and Cupid.. Bellucci, Antonio, 1654-1726. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Cupid (Roman deity), Venus (Roman deity), Nude in art

Merson, Luc-Olivier (n.1846-05-21-D.1920-11-14), "a tear for a drop of water", Illustration for the title thumbnail of Chapter IV of the Sixth Book (Faithful title) , 1888. Plume and ink wash with gouache enhancement on paper. Houses of Victor Hugo Paris - Guernsey.

At the right of the east frieze the north part of the procession comes to an end with two marshals, the first receiving two women and the second receiving another two clad in pepios, himation and sandals without holding anything. In the left section of the scene Poseidon holding a trident and Apollo holding a laurel branch. Beside them sit two sister divinities, Artemis and Aphrodite. The first with one hand adjusts the folds of her chiton, with the other she clings tenderly to the arm of her sister.

Copper engraving by Monogrammist AC from the first half of the 16th century showing Adam and Eve, illustrating the biblical creation story.

The Progress of Civilization: Hunting, Herding, Agriculture (mural study, State Capitol, Des Moines, Iowa). oil on canvas. Date: 1905-1906. Museum: Smithsonian American Art Museum.

Avec Verhaeren: Un Ange (With Verhaeren: An Angel), Khnopff, Fernand (1858-1921)

Colonial industry , Settlers, Indigenous peoples, Agriculture, Indians of North America, Massachusetts. The Massachusetts WPA Federal Art Project Photograph Collection

Aeneas carrying father Anchises and son Anchises Ascanius from troy. Urbino 1531. Majolica plate. ITALY.

Card Number 322, Empire Group, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes 1880s Issued by W. Duke, Sons & Co. Trade cards from the set "Actors and Actresses" (N145-7), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the seventh subset, N145-7. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.. Card Number 322, Empire Group, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes 648178

Job on the Dung Heap.The sculptor Albert Jansz Vinckenbrinck is chiefly known for the pulpit that he carved for the Nieuwe Kerk in Amsterdam. Most of his work, however, is considerably less monumental. His speciality was small-scale reliefs and figures carved in boxwood, mostly of religious subjects, like the one on view here. These miniature carvings were particularly valued for their wealth of finelyexecuted details.

Mrs. Cosway as the Milkmaid. Drawing. Graphite and red chalk on moderately thick, slightly textured, brown wove paper. Height: 216 mm (8.50 in); Width: 213 mm (8.38 in). Author: RICHARD COSWAY.

Portland Vase. Glass paste. 5-25 AD. Globular body and narrow neck with two handles, is decorated with mythological scenes of love or marriage. Detail. British Museum. London. England. United Kingdom.

Room screen, squares, painted with 'a service to isis' / 'Dancing figures'. Room screen, four stroke, with over the existing representations, painting out 'a service to isis / dancing figures'. The room screen currently consists of four loose framed panels.

States of Holland and West Friesland, Lespine, de, Paris, Lerambert, Louis, Lepautre, Jean, Termes dans le Parc de Versailles, Termen in de tuin van Versailles, verso - stamped, Six terms with busts of Endymion, Diana, Comus, Pan, Venus and Adonis by Louis Lerambert in the garden of Versailles., print, ornament print, prints, ornament prints, height 387 mm, width 490 mm, print maker, printmaker, 1674 - 1700, paper, papier, engraving, engraving (printing process), Work conception, French, 1618-06-28 - 1682-02-02, after a design by, German, 1620-06-08 - 1670-06-15, Publication (Event), Publication, publisher, issuer, granter of privilege, Expression creation

The Horses of Anahita or The Flight of Night. Artist: William Morris Hunt (American, Brattleboro, Vermont 1824-1879 Appledore, New Hampshire). Dimensions: 18 1/2 x 28 1/2 x 12 in. (47 x 72.4 x 30.5 cm). Date: ca. 1848-50, cast by 1880.The theme of Anahita, Persian goddess of the moon and the night, and the forces of darkness yielding to the coming of light occupied Hunt intermittently throughout his career. Hunt's earliest extant Anahita work may be a pencil sketch, probably from 1847 (American Institute of Architects Foundation, Washington, D.C.), which includes three frenzied horses and an unresolved form of an attendant. In 1848 Hunt began to model the three horses into a high-relief sculpture, perhaps because he was having difficulty working out the plunging horses in two dimensions and much of his training thus far was in sculpture. The illusionistic plaster is a tour de force of alto-relievo sculpture. The charging horses-one restrained by a man holding a torch-burst forth from t

METOPA - TRABAJOS DE HERCULES (RELIEVE). Location: MUSEO ARQUEOLOGICO-COLECCION. Sevilla. Seville. SPAIN.

Athens - sculptural fragment, figure from the parapet of the theatre of Dionysus; Dimitrios Constantin (Greek, active 1858 - 1860s); 1865; Albumen silver print

Vestigia delle Terme di Tito. Young man with wreath on horseback. Quadro from vault ornamentation in room 21. Carlone, Marco (1742-1796), graphic artist, Smuglewicz, Franciszek (1745-1807), draughtsman, cartoonist, Mirri, Ludovico (1738-1786), publisher

Cupids by the thrones of Mars and Venus, by Unknown, 62 - 79, 1st Century, painted stucco. Italy, Campania, Naples, National Archaeological Museum, From Herculaneum. Whole artwork. Putti winged cupids wings infant child throne.

Plaque with Tree Spirits. Tiffany & Company (United States, New York, 1837-present)Marc-Louis Emmanuel Solon (France, Montauban, 1835-1913)Mintons Ltd. (England, Staffordshire, Stoke-on-Trent, founded 1793). United States, 1880. Sculpture. Porcelain, pte sur pte, wood, and velvet

Eloquence (rhetoric child struggling in inelect bonds) Henri Lehmann (1814-1882). Eloquence (rhetoric child struggling in inextricable ties). Charcoal and gouache. XIXth century.

Theseus and the Centaurs, Theseus fighting against the Centaur Eurytus to defend Hippodamia, from Italy, Bay of Naples, Herculaneum, painting on marble

Source". Dupuis, Daniel (1849-1899), male medallist

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