Classical Landscape Scenes

Engravings and prints of serene landscapes with gardens and classical architecture, capturing leisurely activities in idyllic outdoor settings.

Pire Pahar, Samuel Davis, 1757-1819, British, undated, Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, beige, laid paper, mounted on, thick, moderately textured, beige, laid paper, Mount: 16 5/16 × 24 1/16 inches (41.4 × 61.1 cm), Contemporary drawn border: 14 1/8 × 21 3/16 inches (35.9 × 53.8 cm), and Sheet: 13 3/8 x 20 1/2in. (34 x 52.1cm)

Classical Landscape. Artist: Isaac de Moucheron (Dutch, Amsterdam 1667-1744 Amsterdam). Dimensions: sheet: 6 7/8 x 11 5/16 in. (17.5 x 28.7 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Fountain at the large pond in the gardens of the Palace Het Loo; DELECTENE SIGNED OF THE MISTRY MANAGEMENT LOO LOW AND OTHER PRISPLE HOUSE; Admirandorum Quadruplex Spectaculum. Print from a series of 71 prints with Rhine landscapes, faces on regal palaces and cityscapes from The Hague and Amsterdam.

The Pool at Fontainebleau. Jacques Rigaud (French, 1681-1754). Engraving;

Etched by Joseph Mallord William Turner, 1775-1851, British, Apuleia in Search of Apuleius, between 1813 and 1823. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper.

Goodness of God, Daniel Nikolaus Chodowiecki, 1770 print Presentation that symbolizes the goodness of God. In a classically landscaped garden, people treat each other in a harmonious way. They enjoy music, dance and dealing with each other. In the middle of numbered: tab: xlix. paper etching garden. garden fountain. eating. group dancing. reading. harp - CC - out of doors

Pire Pahar, Samuel Davis, 1757-1819, British, undated, Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, beige, laid paper, mounted on, thick, moderately textured, beige, laid paper, Mount: 16 5/16 × 24 1/16 inches (41.4 × 61.1 cm), Contemporary drawn border: 14 1/8 × 21 3/16 inches (35.9 × 53.8 cm), and Sheet: 13 3/8 x 20 1/2in. (34 x 52.1cm)

Tuin Van Coco Valmarana in Vicenza, Cristoforo Dall'Acqua, 1744 - 1787 print View of the garden of Coco Valmarana in Vicenza. Figures stroll through the garden. In the foreground figures in a gondola sailing past the garden. Under title in Cartouche. paper etching garden. gondola. city-view, and landscape with man-made constructions Vicenza

Ruins on the Rapenburg in Leiden, after the gunpowder disaster of January 12, 1807, Leendert Overbeek, 1807 drawing. print Ruins on the south side of the Steenchuur in Leiden, after the gunpowder disaster of January 12, 1807. Centrally, the sunken yacht is lifted out of the water of the canal. Netherlands paper etching / brush gunpowder disaster Rapenburg. Shed

Fox-Hunting set of six: 4. The Refreshment, Thomas Rowlandson, 1756-1827, British, after Thomas Rowlandson, 1756-1827, British, 1788, Aquatint, hand-colored, Sheet: 15 3/4 x 20 1/8in. (40 x 51.1cm)

Goejanverwellesluis.

Autre Veüe de la Cour de Fontaines et la Galerie d'Ulisse à Fontaine-bleau 1680s Adam Perelle French. Autre Veüe de la Cour de Fontaines et la Galerie d'Ulisse à Fontaine-bleau 364920

The artwork depicts a sacred space adjacent to the Collegio de Flamini and the Temple of Vesta. It was created for the tragic ballet 'La Vestale,' composed by Salvatore Viganò and performed at the Teatro alla Scala in the spring of 1818. The piece was invented and painted by Alessandro Sanquirico, with aquatints by Carolina Lose. The image is part of a collection of various scenic decorations designed for the Royal Theater in Milan, published by Antonio Bossi Editore

The big pond in Altenburg dedication: Sr. Wellborn the Mr. Comercien Rath August Reichenbach etc. etc. The Biedern art friends devoted by Ludwig von Kleist

The Cascade and West Front of Chiswick House, Print made by unknown artist, eighteenth century, and John Donowell, active 1753-1786, after John Donowell, active 1753-1786, ca. 1753, Engraving, Plate: 10 1/2 x 16 3/8in. (26.7 x 41.6cm)

Pope's Villa, Charles Heath, 1785-1848, British, John Pye, 1782-1874, British, after Joseph Mallord William Turner, 1775-1851, British, 1811, Etching and engraving, engraver's proof

Wynn Stay in Denbighshire, the Seat of Sir Watkin Williams Wynn Bart, Print made by Michael 'Angelo' Rooker, 1746-1801, British, after Paul Sandby RA, 1731-1809, British, Published by George Kearsley, 1758-1813, British, 1775, Etching and line engraving on medium, moderately textured, cream laid paper, Sheet: 7 5/8 × 10 1/16 inches (19.4 × 25.6 cm), Plate: 6 3/8 × 7 15/16 inches (16.2 × 20.2 cm), and Image: 5 1/8 × 7 1/4 inches (13 × 18.4 cm), architectural subject, landscape

Autumn (Wine Harvest) 1768 Charles Michel Campion. Autumn (Wine Harvest). Four Seasons. Charles Michel Campion (French, Marseille 1734-1784 Marseille). 1768. Etching. Prints

Verhivnia. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Capt. Thomas Hastings, 1778-1854, British, Hampstead Heath, 1823. Graphite on medium, slightly textured, cream wove paper.

Villa Borghese ca. 1780 Giovanni Volpato Italian. Villa Borghese 388424

View of the frozen Amstel in Amsterdam, 1762, Paulus van Liender, 1762 - 1783 print View of the frozen Amstel in Amsterdam with skating figures and slider drivers on the ice, and walking figures on the quay. On the left the Amsteldijk with the Herberg de Berebijt seen to the Hogesluis. On the right in the background the De Bul mill on the Bolwerk Oosterblokhuis. Under the show the title in Dutch and French. Numbered at the top right: 2. paper etching / engraving winter landscape; landscape symbolizing winter (the four seasons of the year). skates (winter sports). hotel, hostelry, inn. windmill Amstel (river). Hogesluis. Herberg de Berebijt. Amsterdam

Print made by Richard Earlom, 1743-1822, British, A Landscape, with the Story of Europa, 1802. Aquatint and etching in brown ink on moderately thick, slightly textured, cream wove paper.

Vue des Ruines du Temple de Junon, a Metapontum, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Bertreaux, Choffard, Pierre-Philippe, 1730-1809, Clousier, Desprez, Jean Louis, 1743-1804, Saint Non, Jean Claude Richard de, 1727-1791, Engraving, 1781-1786, plate 37, facing page 77, of the third chapter, La Grande-Grece.

Departure of the Amsterdam citizens to Utrecht, 1787, Caspar Jacobsz. Philips (attributed to), 1787, View of the Doelen or Garnalendoel on the Singel from where two barges with part of the 600 armed Amsterdam citizens depart for Utrecht, 17 July 1787. Design for a print., draughtsman: Caspar Jacobsz. Philips, (attributed to), Northern Netherlands, 1787, paper, pen, brush, h 215 mm × w 300 mm

Wolf, Jeremias, Kleiner, Salomon, Corvinus, Johann August, View of the Favoriten garden on the Rhine, print, prints, height mm, width mm, 1683 - 1738, print maker, printmaker, 1693 - 1738, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, Publication (Event), Publication, German, 1673 - 1724, publisher

Doctor Syntax on the Road 1776-1827 England. Pen and gray ink with brush and gray wash and watercolor, over traces of graphite, on tan wove paper, laid down on card . Thomas Rowlandson

View of Leiden, Anonymous, 1648 - 1706 print View of Leiden, with a few figures with cows and horses in the foreground. Bottom mark marked: m. Numbered in the bottom right: 6. paper etching prospect of city, town panorama, silhouette of city Leiden

View of the front of the Grand Trianon in the garden of Versailles, Anonymous, 1700 - 1799 print Two lines of French text in the lower margin. paper. cardboard. watercolor (paint) etching / brush garden buildings. garden Trianon

View of Sas van Gent, Jan Caspar Philips, After Abraham de Haen (II), 1740 print Amsterdam paper etching city-view in general; 'veduta' Sas-Van-Gent

Three nymphs bath in a small lake; Scenes from Vergilius poetry bundle Bouncerca. Illustration for virgilius ecloga 9. Three nymphs are going to bathe in a small lake in an arcadic landscape.

No. 127. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

View of Old Aberdeen, Including King's College and the Cathedral, Frederick Christian Lewis the Elder, 1779-1856, British, after Alexander Nasmyth, 1758-1840, British, after John Thomas Seaton, active 1761-1806, British, 1808, Colored aquatint on moderately thick, moderately textured, beige, wove paper, Sheet: 21 1/4 × 28 3/8 inches (54 × 72.1 cm), Plate: 19 3/4 × 27 1/2 inches (50.2 × 69.9 cm), and Image: 16 13/16 × 24 1/2 inches (42.7 × 62.2 cm)

Pierre Francois Courtois after Augustin de Saint Aubin, La promenade des remparts de Paris, 1760 La promenade des remparts de Paris

Antiquities Dug up at Different Times in Crock-field near Newington, from Edward Hasted's, The History and Topographical Survey of the County of Kent, vols. 1-3. Artist: Anonymous, British, 18th century. Dimensions: Book: 17 5/16 × 11 × 13/16 in. (44 × 28 × 2 cm)Sheet: 16 15/16 × 10 5/8 in. (43 × 27 cm)Plate: 10 1/16 × 14 in. (25.5 × 35.5 cm). Date: 1777-90.Plate 39, vol. II. See 2014.599.1-.30 for comments. Museum: Metropolitan Museum of Art, New York, USA.

Artist: Reinier Zeeman, Dutch, 1623-1663, The Garden of Monsieur de Nue in S. Marsiou, suburb ofParis, Etching, platemark: 12.1 × 12.4 cm (4 3/4 × 4 7/8 in.), Made in The Netherlands, Depicted Paris, France, Dutch, 17thcentury, Works on Paper -Prints

Arrival of Willem V and Wilhelmina van Pruisen at the Haarlemmerpoort, 1768, Simon Fokke, 1772 print Arrival of the procession with Stadholder Willem V and Princess Wilhelmina van Pruisen at the Haarlemmerpoort in Amsterdam, on 30 May 1768. With large groups of spectators on the quays and on the water. paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Haarlemmerpoort

Vauxhall Gardens shewing the Grand Walk at the Entrance of the Garden and the Orchestra with the Music Playing, John S. Muller, ca. 1715-1792, German, active in Britain, after Samuel Wale RA, 1721-1786, British, after 1751, Etching and engraving, hand-colored, Sheet: 10 1/16 x 15 3/4in. (25.6 x 40cm), leisure, England, Lambeth, London, Southwark, United Kingdom, Vauxhall Gardens

View of the Garden and the Hotel des Ambassadors in Spain, Basset, 1700 - 1799 print Numbered: 164. publisher: Parisprint maker: France paper. watercolor (paint) etching / brush garden. garden ornaments. garden fountain. ornamental plants. civic architecture; edifices; dwellings Spain

Gezicht op Delft, ca. 1790; Delft van de Vaart te zien / Delft prise du Cote de la riviere dit le Schie.View of the city of Delft and the Delft Schie, ca. 1790. Part of a sheet metal from approx. 1824-1825 with 74 (unnumbered) plates of the most important topographic faces and several morals and habits in the United Kingdom of the Netherlands.

Print made by George Morland, 1763-1804, British, Shooting a pair: 2. Evening, 1792. Aquatint, hand-colored, title in wash border.

The Tuileries Garden in the first years of the 19th century Pierre Courovoisier (1756-1804). The Tuileries Garden in the first years of the 19th century. Gouache.

View of the Bassin de Latone in the garden of Versailles, Anonymous, 1700 - 1799 print Two lines of French text in the lower margin. paper. cardboard. watercolor (paint) etching / brush garden. ornamental plants. garden ornaments. garden fountain Latone Basin

TISSINGTON WELL-DRESSING IN 1845, THE CEREMONY AT THE HALL WELL

View from a terrace in an ornamental garden, Daniël Marot (II), 1705 - 1769, Design for a mural., draughtsman: Daniël Marot (II), 1705 - 1769, paper, pen, pen, brush, h 328 mm × w 230 mm

Palais du roi de Pologne, View of the Schloss Pillnitz, print, image, optical print, prints, images, optical prints, height 285 mm, width 445 mm, Publication (Event), Publication, publisher, 1700 - 1799, paper, paperboard, cardboard, prepared paper, watercolor (paint), watercolour, deck paint, etching, etchings, brush, cutting, perforating, print maker, printmaker

Mieracouscyna. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Adam, Victor (1801-1866), graphic artist, Bichebois, Louis-Pierre-Alphonse (1801-1850), graphic artist, Sadovnikov, Vasilij Semënovič (1800-1879), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher

The island of Puteaux / dedicated to Vicomte L. de Janzé

Charles G. Lewis, 1808-1880, British, Celebration of the 4th June at Eton, 1837. Lithograph on moderately thick, slightly textured, beige, wove paper.

Osborne House, Print made by Bradshaw & Blacklock, active ca.1850, British, after 1850, Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper, Sheet: 10 1/4 x 7 3/8 inches (26 x 18.8 cm) and Image: 3 15/16 x 5 3/4 inches (10 x 14.6 cm), architectural subject, birds, bushes, castle, church, cows, dog (animal), flag, hills, horses (animals), hunting, landscape, manor, men, nobles, palace, parasol, riding coat, riding habits, river, rowboats, sailboats, sheep, top hats, trees, women, East Cowes, England, Isle of Wight, Osborne House, United Kingdom

On the Amstelveen Highway, draughtsman: Jan Evert Grave, 1798, paper, brush, pen, h 89 mm × w 112 mm

Print, Design for a Chinese Pavilion in a Lake; Designed by Jean Démosthène Dugourc (French, 1749-1825); France; aquatint in brown ink on paper; Plate: 34.4 × 26.7 cm (13 9/16 × 10 1/2 in.) Paper: 42.2 × 29.1 cm (16 5/8 × 11 7/16 in.)

Le Concert Sur L`eou / Concert on the Water (According to Domenico Zampieri Zampieri Zamenichino or Giovanni Battisty Viola (1576 1622) Lambert (1824), Domenichino (1581 1641), Carracci, Annibale (1560 1609)

Veduta del Boschetto d'Arcadia dalla parte del Tempio n.d. Ennemond Alexandre Petitot French. Veduta del Boschetto d'Arcadia dalla parte del Tempio 376640

Horse market in Valkenburg. Draughtsman: Jan de Bisschop. Dating: 1649. Measurements: h 95 mm × w 159 mm. Museum: Rijksmuseum, Amsterdam.

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

View of the harbor in Portsmouth, Jacques Gabriel Huquier, 1735 - 1805 print publisher: Parisprint maker: France paper. watercolor (paint) etching / brush sea (seascape) (+ landscape with figures, staffage). harbour. sailing-ship, sailing-boat. rowing-boat, canoe, etc. Portsmouth

Amsterdam, Maaskamp, Evert, Hansen, Carel Lodewijk, Netherlands, Portman, Ludwig Gottlieb, Four plates of the Leiden gunpowder disaster of 1807, The Rapenburg in Leiden in ruins. As it appeared after the terrible eruption, Ruins after the gunpowder disaster, 1807, verso - stamped, View from the Nieuwsteegbrug of the devastated area after the gunpowder disaster on the Rapenburg (Steenschuur) in Leiden on 12 January 1807. Clean-up work after the disaster, carrying away victims. Central the Saaihal., print, prints, Frederik Muller Historieplaten, height 275 mm, width 345 mm, Northern Netherlands, 1772-06-14 - 1828, print maker, printmaker, 1807 - 1807, paper, papier, etching, etchings, aquatint, 1765-08-07 - 1840-07-09, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1769-09-27 - 1834-01-31, publisher

Jean Baptiste Rigaud, La Salle du Bal La Salle du Bal

View of a boulevard in Paris seen from the Porte Saint -Antoine, Georg Balthasar Probst, 1742 - 1801 print Numbered at the top right: 90. Numbered in the bottom left: 16. publisher: Augsburgprint maker: Germany paper. watercolor (paint) etching / brush avenue, boulevard, promenade, esplanade (+ city(-scape) with figures, staffage) Paris. Saint-Antoine gate

Gezicht op of hidesluis, ca. 1790; Hooge Amstel Sluis Te Amsterdam / High Bridge, known as Hoog Sluis - formerly named Lovers Bridge, taken on the side of the Amstel later in Amsterdam.de Hoogesluis, in Amsterdam, Approx. 1790. Part of a Sheet Metal from Approx. 1824-1825 with 74 (Unnumbered) Flat Plates of the Most Important Topographic Faces and Several Morals and clothes in the United Kingdom of the Netherlands.

La Salle du Bal. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Rigaud.

Thomas Sandby RA, 1721-1798, British, View of a Garden, 1748. Watercolor, graphite and pen and ink on slightly textured, medium, cream laid paper.

Summer Morning. Frances Palmer (American, born England, 1812-1876); published by Currier & Ives (American, 1824-1895). Date: 1862. Dimensions: 261 x 375 mm (image); 303 x 406 mm (sheet). Color lithograph, heightened by gum arabic, on thick buff wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Author: Fanny F. Palmer.

Invoices desk-hocary beaf. FriesIs Slose SDD END THESE THESE HEARTS IN VOESAU. View Du Sing Singlen ittes Ate you Jardin the VIELAU, Apparants in A2 les come the fries.

Garden on the south side of Paleis Soestdijk, Hendrik de Leth, 1725 - 1747 print View of the landscaped garden with walking figures on the south side of the Soestdijk Palace. The print is part of a series with sixteen faces on Soestdijk Palace and the associated estate. paper etching palace. French or architectonic garden; formal garden Soestdijk Palace

Coits Played opposite the Horns, Kennington Common, Robert Dighton, 1752-1814, British, ca. 1784, Pen and black ink and brown ink and watercolor, Sheet: 6 x 8in. (15.2 x 20.3cm) and Frame: 7 11/16 × 9 1/4 × 5/16 inches (19.6 × 23.5 × 0.8 cm), bowling, dice games, genre subject, leisure, pipe, quoits, sporting art, Croydon, England, Europe, Kennington, London, London Bridge, Southwark, Southwark, United Kingdom

Print, Old Theatre, Amsterdam; Designed by Jan de Beyer (b. 1703); Engraved by Simon Fokke (1712-1784); Published by P. Fouquet, Junior; engraving on paper; Platemark: 28.1 × 38.7 cm (11 1/16 × 15 1/4 in.) H x W: 31.8 × 42.4 cm (12 1/2 × 16 11/16 in.); Bequest of Erskine Hewitt; 1938-57-1405

ESCULTURA ECUESTRE DE FELIPE III EN LOS JARDINES DE LA CASA DE CAMPO. Location: MUSEO DE HISTORIA-GRABADOS BLANCO Y NEGRO. SPAIN. PHILIPP III. VON SPANIEN.

View of Mount Edgecumbe from the Blockhouse, James Mason, 1710-1783, British, after Samuel Scott, 1701/2-1772, British, after George Lambert, 1700-1765, British, undated, Colored engraving on thick, rough, cream, laid paper, Sheet: 16 1/2 × 23 5/16 inches (41.9 × 59.2 cm), Plate: 14 5/16 × 22 1/2 inches (36.4 × 57.2 cm), and Image: 12 13/16 × 22 inches (32.5 × 55.9 cm)

Face on Alblasserdam, draughtsman: Paulus van Liender, 1756 - 1757, paper, pen, brush, h 189 mm × w 286 mm

Entry of the French into Berlin, 27 October 1806, (c1850). Artist: Edme Bovinet.

Celebration in the park at the Royal Castle of Racconigi, Italy 19th Century.

View of the Pergola and the fountains of a garden of the king of Denmark, the Remondini family (attributed to), 1700 - 1799 print Numbered in the bottom left: dd 3. Publisher: Bassano del Grappaprint Maker: Italy paper. watercolor (paint) etching / brush garden. pergola. garden fountain. ornamental plants. garden ornaments

View of Campo S. Polo. Francesco Guardi (Italian, 1712 - 1793)

View of Paris, No. 4. Taking the entrance of Elizes fields.

The Cour des Fontaines at Fontainebleau. Etching by I. Silvestre.

'Society in the Mall, 1741, (1920). Artist: James Smith.

Highs up the Groote Laan over the water / bowl to the Groot Cabinet.

People swimming in and relaxing by an enormous open air tank (in India). Coloured lithograph.

Artist: Eugène Ciceri & Lafosse, French, After: Salathiel Ellis, American, 1803-1879, Rossie Honworks. County of St. Lawrence, State of NewYork, Lithograph in colors, sheet: 46.5 × 60 cm (18 5/16 × 23 5/8in.), French, 19thcentury, Works on Paper -Prints

Highs up the Groote Laan over the water / bowl to the Groot Cabinet.

Vauxhall Gardens shewing the Grand Walk, Benjamin Cole, (after), 1697-1783, British, after unknown artist, undated, Engraving, leisure, England, Lambeth, London, Southwark, United Kingdom, Vauxhall Gardens

Queen Esther Approaching the Palace of Ahasuerus 1658 Claude Lorrain (Claude Gellée) French This magnificent compositional study, which came to light in the late 1980s, stands out in Claude's graphic oeuvre for its high degree of finish and detail. The biblical subject is set in an invented landscape animated by a diffuse naturalistic light. It was presumably made as a presentation drawing for François Bosquet, bishop of Montpellier, who had commissioned from the artist a pendant to his Sermon on the Mount (Frick Collection, New York). The resulting painting, considered by Claude to be his most beautiful, was later largely destroyed by fire (a fragment survives at Holkham Hall, England). Claude here depicts the Old Testament story of Queen Esther, who went to the king's palace to implore mercy for her condemned people. As uninvited appearances before the king were forbidden under penalty of death, Esther collapsed in fear as she neared his throne, a scene commonly depicted by Baroque a

View of the fountain of the garden of the Palais Schwarzenberg in the vicinity of the city of Vienna, Mesard, 1700 - 1799 print Numbered: 1. publisher: Parisprint maker: France paper. watercolor (paint) etching / brush garden. garden ornaments. garden fountain. ornamental plants Palais Schwarzenberg (Wenen)

'In the Garden House Reach, Calcutta', c1786-1791, (1935). Artist: William Daniell.

Germany Munich Ludwig Bridge after collaps 13.9.1913 reverse painting on glass 19th century Stadtmuseum Munich,

The Kayserl, Privileged Landschaffts Academy in Alster-Gassen later Alser Kaserne, Alserstrasse, from, True and accurate illustration , Part , Fig, After, Salomon Kleiner -, drawer, Johann August Corvinus -, Copper Engraver, Johann Andreas d, Pfeffel -, publisher

Esser, Wijnand, Netherlands, Hoogkamer, Willem Hendrik, Ice scene in front of the harbour of Harlingen, as it appeared on 26 January 1823, Ice fun in Harlingen, 1823, verso - stamped, Ice fun in the frozen harbour of Harlingen, 26 January 1823. On the left an ice boat chased by a group of children, on the right tents on the ice where food and drinks are sold (koek en zopie), in the middle a sled and some skaters. See also the pendant., print, prints, Frederik Muller Historieplaten, WEsser, verso - handwritten, height 303 mm, width 384 mm, Dutch, 1790-09-21 - 1864-01-22, print maker, printmaker, 1823 - 1823, paper, papier, etching, etchings, aquatint, à la poupée, hand coloring, 1779-05-21 - 1860-05-09, intermediary draughtsman

Danube views, Bavaria, City of Neuburg, After, Jakob Alt -, Drawer, Adolf Friedrich Kunike -, Lithographer, Adolf Friedrich Kunike -, editor

A Castle on a River, Paul Sandby RA, 1731-1809, British, undated, Watercolor, and pen and black ink on medium, slightly textured, blued white, wove paper, Sheet: 5 3/8 x 8 1/8 inches (13.7 x 20.6 cm), architectural subject, boats, castle, landscape, river, sailboats, ships, trees

Group of miniature rustic landscapes. Castle, bridge, tower, farmhouse, barn, trees, etc. Handcoloured copperplate engraving after Jean-Baptiste Pillement from Robert Sayers The Artists Vade Mecum, Being the Whole Art of Drawing, London, 1766.

No. 186. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Artist: Peter C. Verger, American, active 1795-1805/6, After: I.n F.is Renault, American, Triumph ofLiberty, Line engraving in black and white, sheet: 36 × 50 cm (14 3/16 × 19 11/16in.), Made in United States, American, 18thcentury, Works on Paper -Prints

The Moat Island, Francois Vivares, 1709-1780, French, after Thomas Sandby RA, 1721-1798, British, 1772, Hand colored engraving on thick, rough, cream, laid paper, Sheet: 16 5/8 × 25 inches (42.2 × 63.5 cm), Plate: 13 1/2 × 22 7/8 inches (34.3 × 58.1 cm), and Image: 12 1/8 × 22 1/4 inches (30.8 × 56.5 cm)

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Decorative designer the garden of the imperial palace. Design for a stage decor.

Face at the court of Brussels; The court of Brussels.

Currier & Ives Illustration 19th Century. Harvest

Italy, Bassano del Grappa, Remondini, family, La canal llamada Kleveniers haccia la Casa de los Pesos de S.Antonio d'Amsterdam, View of the Kloveniersburgwal and the Waag on the Nieuwmarkt in Amsterdam, Numbered lower left: H 1., print, prent, opticaprent, prints, prenten, opticaprenten, height 318 mm, width 419 mm, Publication (Event), Publicatie, Italian, publisher, uitgever, 1700 - 1799, paper, papier, watercolor (paint), waterverf, etching, etchings, brush, schilder, print maker, prentmaker

Neva River by anonymous artist, painting, Russia, St. Petersburg, State Russian Museum,

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