Classical Landscapes in Warm Tones

Dramatic landscapes showcasing classical themes, rendered in warm washes and inks, often featuring human elements in serene settings.

'Naworth Castle', c1826. Artist: John Constable.

Henry Edridge, 1769-1821, British, Great Bookham, Surrey, 1814. Watercolor, pen and black ink, brown ink and graphite on moderately thick, moderately textured, beige, wove paper.

Peter DeWint, 1784-1849, British, Harvest Time, undated. Watercolor over graphite on thick, cream, rough wove paper.

Rev. William Gilpin, 1724-1804, British, Classical Landscape with Two Figures on Horseback at Right, between 1745 and 1748. Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash.

Peter DeWint, 1784-1849, British, The Old Bridge, undated. Watercolor and gouache over graphite on medium, moderately textured, cream wove paper.

Scene in the Campagna, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by William Say, 1768-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1812, Etching and mezzotint, printed in brown ink First Published State on medium, slightly textured, cream wove paper, Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)

'Naworth Castle', c1826. Artist: John Constable.

William Payne, active 1850s, British, View of Plymouth taken from the Seven Trees, Exeter Road, undated. Watercolor and pen and black ink on medium, slightly textured, cream laid paper.

Paul Sandby RA, 1731-1809, British, Romantic Landscape with Figures and a Dog, undated. Gray wash, pen and brown ink on medium, cream, moderately textured laid paper.

Edmund Dorrell, 1778-1857, In the yard of a farmhouse, undated. Watercolor, pen, in brown ink, red ink, graphite, and scraping out on moderately thick, moderately textured, beige, wove paper.

Farmyard with two trees, between which ladders stand, Jean Honoré Fragonard, 1742 - 1806 drawing paper. chalk counterproof farm (building)

Thomas Hearne, 1744-1817, British, The Cheesecake House, Hyde Park, ca. 1795. Watercolor and graphite on moderately thick, slightly textured, cream wove paper.

Rowlandson sketching , Artists, Drawing, Trees, Streams, Rowlandson, Thomas, 1756-1827. Thomas Rowlandson (1756-1827). Prints and Drawings

Jan Bikkers, View of the city with Rijksentrepot from the Oude Plantage, Rotterdam, painting footage paper cardboard paint, topography Rotterdam Kralingen-Crooswijk Struisenburg Rijksentrepot

View of a River from a Terrace, Macon, Print made by Sir Frank Short, 1857-1945, British, after Joseph Mallord William Turner, 1775-1851, British, 1896, Etching with mezzotint printed in brown ink on Medium, slightly textured, cream wove paper, Sheet: 12 1/8 × 16 7/8 inches (30.8 × 42.9 cm), Plate: 8 1/4 × 11 1/4 inches (21 × 28.6 cm), and Image: 7 1/2 × 10 3/4 inches (19.1 × 27.3 cm)

William Gauci, active 1825-1854, British, The Water Mill, 1852. As published, colored by hand.

Thomas Sully, 1783-1872, American, Horse, Cart and Driver on Wide, Tree-lined Lane, undated. Watercolor, graphite, and gouache on moderately thick, moderately textured, beige, wove paper.

John Thirtle, 1777-1839, British, Bridgnorth, undated. Watercolor and graphite on medium, moderately textured, beige laid paper.

Edward Francis Burney, 1760-1848, British, Woman Fishing, undated. Graphite and watercolor on medium, slightly textured, cream laid paper.

Italian scene, 18th century, maker unknown. Gift of Archdeacon F.H.D. Smythe, 1957.

Richard Cooper the Younger, 1740-1814, British, Classical Landscape, ca. 1785. Pen and black ink, brown wash, graphite on slightly textured, medium, cream laid paper.

Heroic Landscape with Cart and Goatherd, with San Giorgio Maggiore in the Background. Dated: 1744. Dimensions: sheet: 42 x 59 cm (16 9/16 x 23 1/4 in.). Medium: chiaroscuro woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: John Baptist Jackson after Marco Ricci.

Charles Warren, 1767-1823, British, The Eel Catcher, undated. Watercolor and pen and brown ink on medium, slightly textured, white wove paper.

George Barret Jr., 1767-1842, British, Approach to Hastings, undated. Watercolor and pen and brown ink on medium, slightly textured, beige laid paper.

Stoke by Neyland, Suffolk, Print made by David Lucas, 1802-1881, British, after John Constable, 1776-1837, British, 1829, Mezzotint and drypoint on medium, slightly textured, cream wove paper with cream chine collé, Sheet: 12 x 16 1/8 inches (30.5 x 41 cm), Plate: 7 x 10 inches (17.8 x 25.4 cm), Sheet: 6 3/4 x 9 5/8 inches (17.1 x 24.4 cm), and Image: 5 5/8 x 8 5/8 inches (14.3 x 21.9 cm), England, Europe, Great Britain, Nayland, Suffolk

Watercolour - London from Greenwich () George Heriot (1759-1839)

Jean Honoré Fragonard, Blindman's Buff, c 1775 1780 Blindman's Buff

Thomas Sully, 1783-1872, American, Augt 15th. Conway Castle, undated. Watercolor, gouache and graphite on medium, smooth, cream, wove paper.

John Varley, 1778-1842, British, London from the South West, 1831. Watercolor and scraping out on medium, slightly textured, cream wove paper.

Preparing to lay eel traps, J. Tobin, active 1776, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 11/16 × 9 3/16 inches (17 × 23.3 cm), boats, eelspears, genre subject, house, marine art, men, tower buildings, traps (trapping equipment), trees, water

unknown artist, nineteenth century, The Old Parish Church and Village, Hampton-on-Thames, Middlesex, 18th century, late 18th century. Oil on panel.

John Robert Cozens, 1752-1797, British, Galleria di Sopra, Albano, ca. 1778. Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on moderately thick, slightly textured, cream laid paper.

Die Berlin-Potsdamer Bahn / The Berlin-Potsdam Railway. Date/Period: 1847. Painting. Oil on canvas. Height: 42 cm (16.5 in); Width: 52 cm (20.4 in). Author: ADOLPH VON MENZEL.

Gipsy encampment, late 18th century, by Julius Ibbetson. Gift of Archdeacon F.H.D. Smythe, 1957.

'Grotto of Nymph Egeria'. France, 1760s. Dimensions: 30,2x41 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

View of the village Elst aan de Maas, draughtsman: Nicolaas Wicart, 1758 - 1815, paper, pen, brush, h 453 mm × w 593 mm

fine arts, Mitterer, Hermann Josef (1764 - 1829), ""M™nchen von S™dwesten"", painting, 1812, oil on canvas, 42x51,7 cm, Stadtmuseum Munich,

A Bridge Between Florence and Bologna. Date/Period: 1781. Drawing. Watercolor and black and brown ink over graphite on medium slightly textured cream wove paper. Height: 286 mm (11.25 in); Width: 362 mm (14.25 in). Author: Francis Towne.

John Varley, 1778-1842, British, Harlech Castle and Twgwyn Ferry, 1804. Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper.

George Howse, 1800-1860, Moat at the Tower of London, undated. Watercolor, pen and brown ink, and graphite, with scraping on medium, slightly textured, cream wove paper.

John Constable , Boat Building near Flatford Mill, 1815 , Oil paint on canvas, London, England.

Walkers in a park, Arie Lamme, 1758 - 1801, paper, brush, h 478 mm × w 373 mm

Henry Swinburne, 1743-1803, British, Landscape View of a Ruined Castle with River, Wooden Bridge and a Figure, Fishing, undated. Watercolor witih pen and black ink over graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

John Crome, 1768-1821, British, Entrance to Earlham Park, near Norwich, between 1807 and 1808. Brown wash and watercolor over graphite on medium, moderately textured, beige laid paper.

Print made by David Lucas, 1802-1881, British, Stoke by Neyland, Suffolk, 1829. Mezzotint and drypoint on medium, slightly textured, cream wove paper with cream chine collé.

Thomas Creswick, 1811-1869, British, On the Terrace at Haddon Hall, Derbyshire, 1840. Oil on panel.

The Gunpowder Magazine, Hyde Park. Date/Period: Ca. 1793. Landscape. Watercolor, pen and gray ink and graphite on medium, cream, moderately textured wove paper. Height: 371 mm (14.60 in); Width: 492 mm (19.37 in). Author: Paul Sandby.

Thomas Shotter Boys, 1803-1874, British, Cumberland Terrace, Regent's Park: A View Looking Toward Gloucester Gate, a Troop of Life Guards Exercising to the Right, ca. 1840. Watercolor with gouache and graphite on moderately thick, slightly textured, beige wove paper.

Jean B. C. Chatelain, 1710-1771, French, The Grotto and the Temple of Contemplation, Stowe, 1752. Watercolor, graphite, brown and gray wash, and pen and brown ink on medium, slightly textured, cream laid paper.

Summer, afternoon and air, Jacob Cats (1741-1799), 1797 drawing paper. watercolor (paint) brush air (one of the four elements). afternoon ~ landscape (sometimes titled 'Meridies'). rest during harvest (eating, dancing, making love, etc.). river (+ landscape with figures, staffage)

Inn in Anrath, Cornelis Ploos van Amstel, after Lambert Doomer, after Gerbrand van den Eeckhout, 1759 - 1760 print Inn 'Zur Blauen Hand Am Kirchhof' in Anrath. In the doorway a woman with child on her arm. Next to the inn a large tree and some figures underneath. On the left a pig. Amsterdam paper etching village. trees. pig

Harnham Gate, Salisbury. Date/Period: Between 1820 and 1821. Painting. Oil on canvas. Height: 508 mm (20 in); Width: 508 mm (20 in). Author: John Constable.

James Duffield Harding, 1798-1863, British, The Great Exhibition of 1851, 1851. Oil on canvas.

Boat-Building near Flatford Mill, by John Constable (1776-1837) 1815. Shows the construction of a barge at a dry-dock owned by Constable's father.

West Cowes, 20 February 1826, Capt. Thomas Hastings, 1778-1854, British, 1826, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 3/8 × 7 3/8 inches (13.7 × 18.7 cm)

Project Graraal Mandara 2015 Carnavalet Museum, Collection Drawings

John Constable, Malvern Hall, 1821, oil on canvas.

Gypsy Caravan on Bridge 1840-1845 England. Pen and brown ink with brush and watercolor and gouache, over graphite, on gray wove paper, laid down on board . William James Muller

The Well of St. Keyne. Date/Period: Ca. 1838. Painting. Oil on panel. Height: 229 mm (9.01 in); Width: 171 mm (6.73 in). Author: Thomas Creswick.

Thomas Shotter Boys, 1803-1874, British, The Pont des Arts, Paris, between 1831 and 1837. Pen and black ink and brown ink, graphite and watercolor on thick, moderately textured, cream wove paper.

William Day, 1764-1807, Matlock Baths, Derbyshire, ca. 1789. Watercolor, pen and brown ink, gray ink, and graphite on medium, moderately textured, blued white, laid paper, mounted on, thick, smooth, cream, wove paper.

pupil of Peter DeWint, 1784-1849, British, Near Matlock, undated. Watercolor and graphite on medium, rough, cream wove paper.

The Hermitage. Date/Period: Ca. 1772. Painting. Oil on canvas. Height: 826 mm (32.51 in); Width: 1,305 mm (51.37 in). Author: UNKNOWN ARTIST.

PEREZ VILLAAMIL, Jenaro (1807-1854). The Laundresses of Manzanares. 19th c. Romanticism. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. St. Fernando Royal Academy Museum.

Ferry, Salomon van Ruysdael, 1657, painting, 1657, Belgian Art

George Shepheard, ca. 1770-1842, British, Winkle Street, Southampton, 1819. Watercolor, black ink, and graphite on medium, smooth, cream wove paper.

'City over the Cliff'. Germany, 18th century. Dimensions: 60x79,5 cm. Museum: State Hermitage, St. Petersburg. Author: Christian Georg Schuz I.

Juego de bolos. Museum: NATIONAL GALLERY / LONDRES / G. BRETAÑA. Author: David Teniers II.

Joseph Mallord William Turner, View of La Riccia (Ariccia), 1817, watercolor and gouache, with scraping, on cream wove paper.

Hof van het Sint Antoniusklooster in Maastricht, in the winter, Alexander Schaepkens, 1837 drawing paper. pencil. watercolor (paint) brush snow. abbey, monastery, convent ~ Roman Catholic church Augustinian monastery. Maastricht

Winter Landscape. Attributed to Joos de Momper II (Flanders, Antwerp, 1564-1635). Belgium. Drawings. Pen and brown ink and wash (or watercolor), over traces of black chalk

Frozen city canal with skaters, Cornelis van Noorde, 1769 drawing paper. ink. watercolor (paint) brush / pen canals, waters (in city). ice ~ freezing weather. winter sports

Peter La Cave, active 1769-1810, Composition: two travellers and a dog on a road passing cottages, with ruins on a hill, 1799. Watercolor, pen and black ink on medium, slightly textured, wove paper.

attributed to Richard Parkes Bonington, 1802-1828, British, Boulogne Harbor, 1823. Watercolor with brown wash over graphite on medium, cream, moderately textured wove paper.

Cornfield and Church by Moonlight. Genre subject. Brush and black ink on very thick, smooth, cream wove paper. Height: 400 mm (15.74 in); Width: 508 mm (20 in). Author: Samuel Palmer.

Summer, Jan van Goyen, 1625 painting Round show with a landscape in the summer. On the left a farmhouse near an old tree, in the foreground a rider in conversation with three people. In the background more homes, a mill and the church tower of a village. Pendant of the SK-A-3946 'Winter'. panel. oil paint (paint) summer landscape; landscape symbolizing summer (the four seasons of the year). windmill. village

William Henry Hunt, 1790-1864, British, A Farmyard, ca. 1815. Watercolor, pen and brown ink, and graphite on moderatley thick, slightly textured, cream laid paper.

Rev. William Warren Porter, 1776-1804, British, Oxford, undated. Watercolor and graphite on medium, slightly textured, cream laid paper.

Samuel Hieronymus Grimm, 1733-1794, Swiss, Kennington Common, 1776. Watercolor with gray ink and gouache over graphite on medium, smooth, cream wove paper.

View of the Bay of Naples with Mount Vesuvius. Artist: Anonymous, German, 19th century (). Dimensions: sheet: 5 3/8 x 7 3/8 in. (13.6 x 18.8 cm). Former Attribution: (Johann Heinrich) Ferdinand Olivier (German, Dessau 1785-1841 Munich). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Coaching in New England Albert Fitch Bellows (American, 1829-1883). Coaching in New England, ca. 1876. Watercolor and opaque watercolor with selectively applied glaze over graphite on moderately thick, rough-textured wove paper, 24 7/8 x 35 7/8 in. (63.2 x 91.1cm). The Brooklyn Museums collection of American watercolors was begun in 1906, when this work was acquired in a bequest from the Brooklyn collector Caroline H. Polhemus. Coaching in New England was the work of Albert Fitch Bellows, a practitioner and promoter of watercolor beginning in the late 1860s. To demonstrate that watercolor was as significant and as durable as oil painting, he deliberately produced large and highly finished “exhibition watercolors.” This quaint New England subject was among the most praised works in the 1877 annual exhibition of the American Watercolor Society. American Art ca. 1876

CARNICERO, ANTONIO SPANISH PAINTER. SALAMANCA 1748-1814 VALENCIA LANDSCAPE FROM LA ALAMEDA. DRAWING ON PAPER. PRADO MUSEUM.

View in a garden with a pond, a fountain and a peacock. View in a Garden with a pound and a fountain, a peacock in the Foreground. Design for a painting.

May 16, 1825, Wanstead Grove, Anne Rushout, ca. 1768-1849, British, 1825, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm), architectural subject

Jean-Baptiste-Camille Corot, Ville-d'Avray, French, 1796-1875, c. 1865, oil on canvas

David Cox, 1783-1859, British, Millbank, ca. 1810. Watercolor, with pen, in brown ink, gray ink, graphite, and scratching out on moderately thick, rough, white, wove paper.

Joseph Tassy - Paris - Mountain executes at the Champ de Mars Joseph Tassy (18th century). "Mountain executed in the field of March in 1793". Drawing.

Summer. Dating: 1625. Measurements: support: d 33.5 cm; frame: h 43.6 cm × w 44.3 cm × d 4 cm; sight size: d 32 cm. Museum: Rijksmuseum, Amsterdam. Author: JAN VAN GOYEN.

The Devastation ofSuresnes. Artist: Georges Jeanniot, French, 1848-1934

The Westgate, Canterbury. Date/Period: Ca. 1783. Painting. Gouache and graphite on thin paper mounted on panel. Height: 419 mm (16.49 in); Width: 597 mm (23.50 in). Author: Paul Sandby.

View of a village at a Vaart, Jan Weissenbruch, 1832 - 1880 drawing paper. ink. watercolor (paint) pen / brush prospect of village, silhouette of village

Henri-Joseph Harpignies, Briare, French, 1819-1916, 1902, watercolor over graphite on wove paper

Westminster from the South Bank, Francis Nicholson, 1753-1844, British, Formerly attributed to Thomas Malton, 1726-1801, British, ca. 1790, Watercolor with pen and black ink over graphite, sheet edged with pen and brown ink border on medium, slightly textured, cream wove paper, Sheet: 11 1/2 × 16 1/4 inches (29.2 × 41.3 cm)

Paul Sandby RA, 1731-1809, British, Italianate Landscape with Travellers no. 2, ca. 1760. Watercolor, pen and gray and brown ink over graphite on medium, cream, slightly textured wove paper.

Anne Rushout, ca. 1768-1849, British, Holkham, August 1824, 1824 to 1832. Watercolor and graphite on moderately thick, slightly textured, cream wove paper.

Edward Francis Burney, 1760-1848, British, Tilbury Fort, undated. Watercolor and graphite on medium, slightly textured, cream laid paper.

Mr. and Mrs. Jolly at their Country House. Drawing. Watercolor, pen and gray-brown, gray, and red brown ink over graphite on medium, lightly textured, cream, wove paper. Height: 149 mm (5.86 in); Width: 235 mm (9.25 in). Author: Thomas Rowlandson.

Jean Baptiste Camille Corot, Ville d'Avray, c 1865 Ville-d'Avray

Guildford. Date/Period: 1844. Landscape. Watercolor and gouache and scraping out with some varnish over graphite on medium, slightly textured, brown wove paper. Height: 187 mm (7.36 in); Width: 270 mm (10.62 in). Author: Samuel Palmer.

Rigaud, Jacques, Paris, Vuë particulier de Paris, prise du Pont Royal regardant vers le Pont Neuf, View of the Pont Royal over the River Seine at Paris, seen in the direction of the Pont Neuf, On the left the Palais des Tuileries. In the bottom margin a line of French text., print, optic print, prints, optic prints, height 235 mm, width 472 mm, Publication (Event), Publication, publisher, 1700 - 1799, paper, papier, cardboard, watercolor (paint), watercolour, etching, etchings, brush, schilder, Frans, 1681 - 1754, print maker, printmaker, Work conception, after own design by

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