Classical Landscapes in Warm Tones

Dramatic landscapes showcasing classical themes, rendered in warm washes and inks, often featuring human elements in serene settings.

'Naworth Castle', c1826. Artist: John Constable.

William Henry Hunt, 1790-1864, British, Dagnall Lane, St. Albans, ca. 1820. Watercolor and graphite on moderately thick, slightly textured, cream wove paper.

The Horseguards from St. James's Park, plate fourteen from Original Views of London as It Is. Thomas Shotter Boys (English, 1803-1874); designed by Charles Ollier (English, 1788-1859). Date: 1842. Dimensions: 245 × 454 mm. Hand-colored lithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Timber Wain on a Rough Road (one of a pair), George Barret RA, ca. 1728/32-1784, Irish, undated, Gouache on medium, slightly textured, cream laid paper mounted to canvas, Sheet: 29 7/8 × 39 inches (75.9 × 99.1 cm)

Anne Rushout, ca. 1768-1849, British, Alton Towers, Lord Shrewsbury's, August 1830, 1830. Watercolor on moderately thick, slightly textured, cream wove paper.

Thomas Anburey, 1759-1840, British, View Within the Southern Entrance of Gundecotta Pass (1 of 6), ca. 1792. Watercolor, pen and black ink, and graphite on medium, moderately textured, beige, wove paper, mounted on, moderately thick, slightly textured, beige, wove paper.

View of Nantes, Willem Lendert Bruckman, 1890 - 1928 painting View of Nantes. Face over the Loire on the city walls, the cathedral of St. Pierre and the castle. In the foreground boats are unloaded, on the left sheets are drying at a laundry. canvas. oil paint (paint) prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage) Nantes. Loire

Fountain in the Grove of the Muses at the Chateau de Marly which was built by Louis XIV of France between 1679 and 1684 as a retreat from the Palace of Versailles. Robert Hubert (1733-1808) French Rococo painter.

William Henry Hunt, 1790-1864, British, Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro, ca. 1822. Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper.

View of a Dutch canal, possibly the Oude Gracht in Haarlem, Job Adriaensz Berckheyde, 1666

'The Captain's Birthday', late 19th century, (c1930). Rural landscape with a party of people on barges. Painting in the New Walk Museum & Art Gallery, Leicester. From "Modern Masterpieces of British Art". The Amalgamated Press Ltd., London, c1930

Hacienda La Fortuna Francisco Oller (Puerto Rican, 1833-1917). Hacienda La Fortuna, 1885. Oil on canvas, 26 x 40 in. (66 x 101.6 cm). Among the most celebrated Caribbean painters in the nineteenth century, Francisco Oller spent a number of years living and studying in Paris. There he absorbed and reconfigured the radical styles of Realism, with its democratic approach to everyday subject matter, and Impressionism, with its emphasis on spontaneous and momentary effects of light and atmosphere. Together these movements helped Oller form a unique artistic vision of his native Puerto Rico (then a Spanish colony), emphasizing its local plants, landscapes, traditions, and sugar production, the mainstay of the islands economy. In 1885 the Barcelona-based José Gallart Forgas commissioned Oller, who was of Spanish descent himself, to paint his five sugar mills, or ingenios, though this is the only one Oller completed. While the sparse landscape includes relatively few laborers, partly a resul

Sir Guyon with the Palmer Attending, Tempted by Phaedria to Land upon the Enchanted Islands; Samuel Palmer, English, 1805 - 1881; England, Europe; 1849; Watercolor and bodycolor, with some gum arabic, over black chalk underdrawing; 53.7 x 75.1 cm (21 1/8 x 29 9/16 in.)

Newburg.. Wall, William Guy, 1792-approximately 1864. Prints. 1821 - 1825. Spencer Collection. Hudson River (N.Y. and N.J.), Newburgh (N.Y.)

View of Lucerne 1840-1841 England. Watercolor, with scraping on white wove paper . Joseph Mallord William Turner

Sketch for, Hadleigh Castle, John Constable, circa 1828-1829,

Joseph Mallord William Turner, 1775-1851, British, Carlisle, ca. 1832. Watercolor and scratching out on medium, slightly textured, cream wove paper.

David Cox, 1783-1859, British, Beach Scene - Sunrise, ca. 1820. Watercolor and graphite on moderately thick, slightly textured, cream wove paper.

Achilles Statue, Hyde Park, London. Drawing. Watercolor and graphite on moderately thick, beige, rough wove paper. Height: 251 mm (9.88 in); Width: 341 mm (13.42 in). Author: Peter DeWint.

View from Sydney. Elizabeth Murray; English, c. 1815-1882. Date: 1847. Dimensions: 345 mm × 243 mm. Watercolor on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Carlisle, JMW Turner, circa 1797,

An Old Gable Inscribed in brown paint, lower left (rail of frame): "AN OLD GABLE" and right: "EXHIBITED AT R.A. 1811." Signed in brown paint, lower left: "WM ?", William Mulready, 1786-1863, Irish

Robert Turner, active 1844, Mountebank, 1844, 1844. Pen and brown ink, watercolor and graphite on medium, slightly textured, cream wove paper.

Moonlight on the River, Lucerne, Print made by Sir Frank Short, 1857-1945, British, after Joseph Mallord William Turner, 1775-1851, British, 1896, Mezzotint printed in brown ink on medium, slightly textured, cream laid paper, Sheet: 11 5/8 × 16 7/8 inches (29.5 × 42.9 cm), Plate: 8 5/8 × 11 3/8 inches (21.9 × 28.9 cm), and Image: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm)

'Bombay ...', c1920. Artist: Unknown.

Study of "A boat passing a lock". Date/Period: Ca. 1823-1826. Painting. Oil on canvas. Height: 102.2 cm (40.2 in); Width: 128 cm (50.3 in). Author: John Constable.

Peter DeWint, 1784-1849, British, Chester, undated. Watercolor and graphite on thick, moderately texture, cream wove paper.

Romantic Landscape With Figures And Cattle, c.1725-1809 Paul Sandby (d.1809), Landscape, Watercolour, England, English, Castle, Frame, Rural, Animal, Cow, River, Picnic, Works on Paper

Moses Griffith, 1747-1819, British, Beaudesert, Staffordshire, undated. Graphite, pen and black ink and watercolor on medium, cream, slightly textured laid paper.

Stratford Mill. Date/Period: 1819 to 1820. Painting. Oil on canvas. Height: 1,308 mm (51.49 in); Width: 1,842 mm (72.51 in). Author: John Constable.

Henry Morton, ca. 1807-1825, British, Strand Gateway, Winchelsea, undated. Watercolor with pen and black ink on medium, slighlty textured, cream wove paper.

Looking at Halley's Comet, 1835 - This charming watercolour, signed by the artist, indicates the popular interest that greeted the return of Halley's Comet in 1835. It shows three men, a woman with a baby and three older children around a telescope set up on a stand on what appears to be a village street, with two figures, one mounted on a horse, in the background and another looking through a window of the house on the right. The telescope is pointed towards Halley's Comet, which appears in the top left of the image. The comet is also being indicated by three of the figures, one probably the

A Village Street with Cattle and Sheep Being Driven Through, Thomas Rowlandson, 1756-1827, British, undated, Watercolor with pen and black ink, and gray ink, over graphite on medium, moderately textured, cream, laid paper, Sheet: 3 1/2 × 5 3/4 inches (8.9 × 14.6 cm), Contemporary drawn border: 4 9/16 × 6 7/8 inches (11.6 × 17.5 cm), and Mount: 12 11/16 × 16 5/16 inches (32.2 × 41.4 cm)

Gillingham Mill, Dorset, John Constable, 1823-1827,

Dr. William Crotch, 1775-1847, Budleigh, Salterton..from our own Garden, 1833. Watercolor and graphite on medium,slightly textured, cream wove paper.

Giovanni Battista Colombo / 'Garden Scenes'. Ca. 1765. Oil on canvas. Museum: Museo del Prado, Madrid, España. Author: COLOMBO GIOVANNI BATTISTA.

Sir George Howland Beaumont seventh Baronet, 1753-1827, British, Abbey Church at St. Albans, 1781. Pen and black ink, gray wash and graphite on medium, slighlty textured, cream laid paper mounted to medium, slightly textured, cream laid paper.

Landscape painted on a plate Hubert Robert. Landscape painted on a plate. Oil on a hexagonal pipe plate. 1794.

David Hodgson, 1798-1864, British, The Old Fishmarket, Norwich, 1825. Oil on panel.

Capriccio: A Sluice on a River with a Chapel; 1754 Oil on canvas Canaletto (Giovanni Antonio Canal) Italian Venetian; 1697-1768

View of Salisbury Cathedral 1823 John Constable (1776-1837 British) The Huntington Library, Art Collections, and Botanical Gardens, San Marino, California

'Chiswick', c1864, (1938). Artist: Caroline Fanny Williams.

Duchess of 0rleans Entering the Tuileries Gardens oil on canvas. Eugene Lami (1800-1890) French painter. Paris France Fountain Royalty Ceremony

Willey Reveley, (), 1760-1799, British, Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey, ca. 1785. Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream, laid paper, mounted on thick, slightly textured, brown, wove paper.

Rular scene by Jurriaan Andriessen, black and white chalk, brush on blue paper , 1797, 1742-1819, Russia, Moscow , State A. Pushkin Museum of Fine Arts, 24x35

MUÑOZ DEGRAIN , ANTONIO. PINTOR ESPAÑOL . VALENCIA 1840 - 1924. " CASTILLO FEUDAL " , OLEO SOBRE LIENZO.

'The Water Wheel', c1839. Artist: David Cox the elder.

BUFFET, Bernard (1928-1999). Ile de Br_hat (Brehat Island). 1973. Oil on canvas.

Briare. Dated: 1902. Dimensions: overall: 19.6 x 28.1 cm (7 11/16 x 11 1/16 in.). Medium: watercolor over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Henri-Joseph Harpignies.

BOCETO PARA OPERA 'WOZZECK' DE ALBAN BERG. Author: PEKARY. Location: TEATRO DE LA OPERA. Rome. ITALIA.

Design for a room painting with face in a garden with lying dog, fountain and statue, draughtsman: Dionys van Nijmegen, 1715 - 1798, paper, pen, brush, h 451 mm × w 325 mm

Set design for the Opera Falstaff by Giuseppe Verdi, Benois, Alexander Nikolayevich (1870-1960)

Auguste-Xavier Leprince, Woman with Parasol Reading, 1809-1826, watercolor on wove paper.

fine arts, Burger, Anton, (1824 - 1905), painting, ""Winterliche Dorfstra_e in Kronberg im Taunus"", (""wintry village street at Kronberg im Taunus""), 1874, Municipal Museum, Wiesbaden,

This water-color by British artist JMW Turner is titled Arth from Lake Zug in Switzerland.

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Study of an English medievalhouse, Watercolor, graphite, 25.4 × 35.2 cm (10 × 13 7/8in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Christmas (tail piece), Print made by Alfred W. Cooper, active 1850-1901, British, after Alfred W. Cooper, active 1850-1901, British, undated, Wood-engraving with hand coloring on moderately thick, slightly textured, blued white wove paper, Sheet: 4 5/16 x 6 1/16 inches (11 x 15.4 cm) and Image: 3 7/16 x 4 3/16 inches (8.8 x 10.6 cm), bonnets (hats), children, children's literature, Christmas, church, coats, costume, fence, frost, genre subject, girls, hats, ice, illustration, landscape, men, snow, walking, winter, women

Charles Reginald Aston, 1832-1908, British, Warwick Castle, undated. Watercolor and gouache with scraping out on medium, slightly textured, cream wove paper.

William Simpson, 1823-1899, British, The Shah Nujeef, 1861. Watercolor with gouache and graphite on moderately thick, moderately textured, cream wove paper, pasted on contemporary mount made of moderately thick, slightly textured, cream wove paper.

Tavern of the trowel, Ambrose Fermini (1811-1883).

View of the Mall in Saint James's Park. Dated: after 1709-1710. Dimensions: overall: 114.1 x 195.2 cm (44 15/16 x 76 7/8 in.) framed: 129.8 x 210.8 x 6.9 cm (51 1/8 x 83 x 2 11/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: After Marco Ricci.

Embroidered tableau of wool on silk., C. 1785 Embroidered tableau of wool on silk. The show is a river landscape with tree groups left and right. In the foreground is a figure next to a figure that is fishing. In the background is a large "Flemish" house, with a high roof and behind it a tower built like a pigeon ride. The tableau is framed in a gilded list and is part of InvNR. BK-NM-284-A. wool. silk embroidering Embroidered tableau of wool on silk. The show is a river landscape with tree groups left and right. In the foreground is a figure next to a figure that is fishing. In the background is a large "Flemish" house, with a high roof and behind it a tower built like a pigeon ride. The tableau is framed in a gilded list and is part of InvNR. BK-NM-284-A. wool. silk embroidering

Hubert Robert (1733-1808). "Lavandières in a park". Museum of Fine Arts of the City of Paris, Petit Palais. 26977-4 Woman, fountain, washer, washing, linen, park

Gardening, Thomas Rowlandson, 1756-1827, British, undated, Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, blued white, wove paper, Sheet: 4 3/4 x 7 1/16 inches (12.1 x 17.9 cm), blue, bushes, dogs (animals), doorway, dresses, gardeners, gardening, genre subject, hats, jacket, man, shovel, trees, trellis, water pitchers, women

Christmas Happiness Trade Cards (late 19th C.)

Alejandro Ferrant Fischermans (1843-1917). Spanish painter. View of A Coru-a, 1891. Museum of Fine Arts. A Coru-a, Galicia, Spain.

A View Of Ancient Rome, 1838 By Samuel Palmer, Landscape, Watercolour

Summer residence of Lafayette

PIZARRO , CECILIO. PINTOR ESPAÑOL. TOLEDO - 1886. RUINAS CLAUSTRO SAN JUAN DE LOS REYES EN TOLEDO,1846. MUSEO ROMANTICO . MADRID.

A Boar Hunt. Artist: Anonymous, Flemish, 17th century. Dimensions: Diameter: 7 3/16 in. (18.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Mechlin or Malines , Markets, Plazas, Cathedrals. Thomas Rowlandson (1756-1827). Prints and Drawings

Prévost, Alexandre Céleste -Gabriel (n.1832 - D.1910), Bains Henri IV, in 1883 (dummy title), 1883. Aquarelle. Carnavalet museum, history of Paris.

Terrace in Łazienki Park. Berg, Wilhelm (fl. 1878-1902), graphic artist, Gierymski, Aleksander (1850-1901), draughtsman, cartoonist, Puc, Bronisław (Warszawa ; Zakład Artystyczno-Drzeworytniczy ; fl. ca 1878-ca 1885), workshop

In front of the manor; Strzrza, Wandalin (1855-1917); before 1900 (1890-00-00-1899-00-00);

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Hällestadstapeln at Skansen in Stockholm. Painted by Hilma af Klint 1895. Illustration from pictures from Skansen published by Artur Hazelius. Nordic

Portrait of a Surveyor (Andries van der Wal). Dating: 1650 - 1674. Place: Northern Netherlands. Measurements: h 88 cm × w 87 cm. Museum: Rijksmuseum, Amsterdam.

MADRID. ARANJUEZ. " FUENTE DE LAS TRES GRACIAS EN LOS JARDINES DE LA ISLA ". DIBUJO DE FERNANDO BAMBRILLA. AÑO 1837.

Stalinterieur, Johannes Bosboom, 1827 - 1891 drawing paper. deck paint. watercolor (paint). chalk brush stall, stable

St. Mary's Abbey, York Signed, lower left: "MARooker A: pinxt", Michael "Angelo" Rooker, 1746-1801, British

Warwick Castle 1748 Canaletto (Giovanni Antonio Canal) Canaletto lived for nine years in England, where he traveled when war reduced the number of British customers visiting Venice. This view of Warwicka much-rebuilt Norman castle about twenty miles from Birminghamcomes from this period. It is one of a number of paintings and drawings commissioned from Canaletto by one of his most important English patrons and the castle’s owner, Francis Greville, Lord Brooke (1719-1773), later 1st Earl of Warwick.. Warwick Castle. Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697-1768 Venice). 1748. Oil on canvas. Paintings

Anonymous watercolor depicting the shaping of small tea bowls with a woman and boys in the background, showing workshop craft and domestic activity.

Bernardus Bueninck, View of the Zeekantoor, corner Spaansekade - Haringvliet, from the south, Rotterdam, cityscape painting footage wood paint oil paint 24,5 w 32,5 Oil on panel brown stained beechwood frame . Bueninck (painted bottom right) topography cityscape seafront Admiraliteit Rotterdam City triangle Spanjaardswug Spaansekade Haringvliet

Demolition work in Rue des Franc-Bourgeois St. Marcel. Date/Period: 1868. Painting. Oil, canvas, wooden, with, in, late, century. Height: 567 mm (22.32 in); Width: 661 mm (26.02 in). Author: Johan Jongkind.

Carolinenbruecke on Wienfluss, by Franz Scheyerer, Austria 19th Century.

''L'Eglise d'Ablain-Saint-Nazaire', 1915 (1924). From "L'Album de la Guerre 1914-1919, Volume I" L'Illustration, Paris, 1924.

Thomas Shotter Boys, 1803-1874, British, Hotel de Ville, Hague, 1859. Watercolor, with pen, in brown ink, gouache and graphite, with scratching out on moderately thick, moderately textured, cream, wove paper.

Suburbs; Banlieue. Henri 'Le Douanier' Rousseau (1844-1910). Oil on canvas. Painted circa 1896. 50 x 65cm

'Scotland', c1930s. Artist: Donald McLeish.

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

The Gondola, 1868 Frederick Walker, Boat, Watercolour, Canal, Italy, Venice

St. Michael's Mount. Harold Harvey (1874-1941). Oil on canvas. Dated 1936. 20 x 18in

A Barn Interior. William Henry Hunt; English, 1790-1864. Date: 1830-1835. Dimensions: 312 × 453 mm. Watercolor, over graphite, with gum arabic, heightened with gouache and scratching out, on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

unknown artist, eighteenth century, Calke Hall, Derbyshire, the Seat of Sir Henry Harpur, Bt, ca. 1734. Oil on canvas.

In the Black Country, ca 1893, by Constantin Meunier (1831-1905), oil on canvas, 81x94 cm.

North Country Mails at the Peacock, Islington, James Pollard, 1792-1867, British, 1821, Oil on canvas, Support (PTG): 43 x 60 3/4 inches (109.2 x 154.3 cm), apples, bonnets (hats), bottles, buildings, carriages, children, cityscape, coats, dog (animal), donkey, doors, dresses, driving, genre subject, harnesses, hats, horses (animals), luggage, men, peacock (bird), reins, running, shops, signboard, street, wheels, whips (animal equipment), windows, women, yokes (animal equipment), England, Europe, Islington, Shropshire, United Kingdom

Art, Isy Ochoa

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