Coastal and River Landscapes

Lithographs and etchings capturing tranquil rivers, coastlines, and boating scenes with atmospheric effects.

James McNeill Whistler (American, 1834 - 1903), Amsterdam from the Tolhuis, 1863, etching

Early morning , Coastlines, Boats, Rivers. James McNeill Whistler (1834-1903). Lithographs

Saltash, Cornwall, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Open etching

Thames warehouses , Boats, Piers & wharves, Waterfronts, Warehouses. James McNeill Whistler (1834-1903). Lithographs

Inn aan deems, Francis Seymour Haden (SIR), 1869 - 1872 print The Purfleet inn on the left bank of the Thames, a number of boats on the water. Two fishermen with a net in the foreground. England paper etching / drypoint river. hotel, hostelry, inn Thames. Purft

Nocturne: Shipping 1879-80 James McNeill Whistler American. Nocturne: Shipping 372763

Six Marines: Couverture, Une Grève, 1833. Eugène Isabey (French, 1803-1886). Lithograph;

In the Lagune of Venice, 1920 print Print is part of a book. paper etching / drypoint sailing-ship, sailing-boat. hôtel, i.e. small palace in city. gulf, bay Venice

Riverbank with two figures at a boat, Arnoldus Johannes Eymer, 1813 - 1863 drawing paper. pencil

James McNeill Whistler (American, 1834 - 1903), Amsterdam from the Tolhuis, 1863, etching

Chelsea Bridge and Church. James McNeill Whistler; American, 1834-1903. Date: 1871. Dimensions: 101 x 169 mm (plate); 125 x 194 mm (sheet). Etching and drypoint in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Portrait de l'artiste (1st plate) , Cities & towns, Suburban life, Artists, Alphonse Legros (1837-1911)

Old Battersea Bridge, No. 2. James McNeill Whistler; American, 1834-1903. Date: 1886-1887. Dimensions: 124 x 174 mm (image, trimmed within plate mark); 127 x 174 mm (sheet). Etching and drypoint with foul biting in black ink on off-white laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Riverside with two figures at a boat ..

Mill on a canal, Philip Zilcken, 1890 - 1930 print paper etching / drypoint windmill in landscape. canal

Sailing ships on the Lower Rhine at Onderlangs in Arnhem, Martinus Kramer, 1870 - 1918 print paper etching river. sailing-ship, sailing-boat Underneath. Lower Rhine

View of a river with jetties and boats, Emil Orlik, 1880 - 1932 print paper etching / drypoint dry-dock, floating-dock. river

Battersea Morn. James McNeill Whistler; American, 1834-1903. Date: 1876-1877. Dimensions: 148 x 224 mm (plate); 207 x 327 mm (sheet). Drypoint in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

At a mill along a frozen canal in the Netherlands, boats are moored next to a tent on the ice, Egidius Linnig, 1849 print paper etching ice ~ state of water. skates (winter sports). windmill. dry-dock, floating-dock

Price's Candle-Works, 1876-77. James McNeill Whistler (American, 1834-1903). Etching;

San Biagio , Bodies of water, Passageways, Boats. James McNeill Whistler (1834-1903). Lithographs

Pickle Herring Wharf Made 1876-1877 United States. Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper . James McNeill Whistler

River face, c. 1841 - c. 1865 Page 48 from a sketchbook with 80 pages. paper. pencil river. sailing-ship, sailing-boat

Beach near Scheveningen, Jan Mankes, 1899 - 1920 drawing paper. chalk beach Scheveningen

Ships near the Coast. Drawing. Graphite; verso: graphite on medium, slightly textured, cream wove paper. Height: 73 mm (2.87 in); Width: 117 mm (4.60 in). Author: UNKNOWN ARTIST.

San Biagio 1880 United States. Etching and drypoint with foul biting in dark brown ink on ivory Asian laid paper altered to tan . James McNeill Whistler

Wapping - The Pool 1878-1879 United States. Etching and drypoint in black ink on ivory laid paper . James McNeill Whistler

Pelgrom, Jacobus, Amsterdam, Springer, Cornelis, Dike breach in Arnhem, 1855, verso - stamped, The breach of the Arnhemmer Broekdijk in Arnhem during the flood in March 1855., print, prints, height 145 mm, width 236 mm, Dutch, 1817-05-25 - 1891-02-20, print maker, printmaker, 1855 - 1855, paper, papier, etching, etchings, 1811-09-08 - 1861-11-03, intermediary draughtsman

Billingsgate. James McNeill Whistler; American, 1834-1903. Date: 1859. Dimensions: 153 x 226 mm (plate); 216 x 290 mm (sheet). Etching and drypoint with foul biting on off-white Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Seascape with breakwaters near Vlissingen, Carel Nicolaas Storm of 's -Gravesande, 1889 - 1903 print In the foreground, waves hit brokers. Sailing boats sail on the horizon. paper drypoint sea (seascape). coastal protection work, breakwater

The Island of Burano 1764-1835 Giacomo Guardi Italian. The Island of Burano 338958

Kustlashop, Johan Conrad Grave (POSSIBLY), AFTER ISABEY, 1847 - 1891 drawing paper. pencil coast

The Mildmay Sea-Piece (Liber Studiorum, part XIII, plate 40) 1812 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Here we see his preliminary work on a plate that William Annis and J. C. Easling later completed using mezzotint.. The Mildmay Sea-Piece (Liber Studiorum, part XIII, plate 40) 383019 Artist: Designed and etched by Joseph Mallord William Turner, British, London 17751851 London, The Mildmay Sea-Piece (Liber Studiorum, part XIII, plate 40), 1812, Etching only; before first state of four, plate: 7 x 10 3/8 in. (17.8 x 26.4 cm) sheet: 8 5/8 x 11 7/8 in. (21.9 x 30.2 cm). The Metropolitan Museum of Art, New York. Gift of Mary W. Tweed, 1925 (29.52.16)

James McNeill Whistler (American, 1834-1903), San Giorgio, 1880, etching

View of boats in the Scheldt near Rupelmonde, Karl Meunier, 1874 - 1894 print paper etching / drypoint sailing-ship, sailing-boat. landscapes with waters, waterscapes, seascapes (in the temperate zone) Scheldt. Rupelmonde

James McNeill Whistler, Boats, Dordrecht, 1884 Boats, Dordrecht

Frozen river with skaters and ice cream sailing, Elias Stark, 1859 - 1891 print Skating is done on a frozen water surface or river and ice creams are busy. A village in the background. Netherlands paper. etching / drypoint ice-sailing (winter sports). skates (winter sports)

The Thames. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1896. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

River view with barge and rowing boat, print maker: Jan Daniël Cornelis Carel Willem baron de Constant Rebecque, (mentioned on object), The Hague, 1856 - 1893, paper, etching, h 123 mm × w 183 mm

Fishing (discarded plate) , Fishing, Waterfronts. Charles H. Woodbury (1864-1940). Prints

Skaters in a Dutch landscape, Elias Stark, 1887 print Skaters on a speed. On the left, two skaters come from a ditch. Two mills in the distance. Nieuwer-Amstel paper etching windmill in landscape. skates (winter sports)

The Little Putney No.1. Artist: James McNeill Whistler, American, 1834-1903

OldLace. Artist: Childe Hassam, American, 1859-1935

Battersea: Dawn. Dated: 1875. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Dordrecht. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1884. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

View of the Schreierstoren in Amsterdam, Frans Schikkinger, 1848 - 1902 print View of the Schreierstoren from the water of the Geldersekade. Amsterdam paper etching / drypoint tower, clock tower ~ monumental adornment. canals, waters (in city) Writestraces

Battersea Reach, James McNeill Whistler, 1834-1903, American, active in Britain (from 1859), 1863, Etching and drypoint, printed from canceled plate on medium, smooth, cream laid paper, Sheet: 10 x 12 7/8 inches (25.4 x 32.7 cm), Plate: 5 1/4 x 8 1/8 inches (13.3 x 20.6 cm), and Image: 5 1/4 x 8 1/8 inches (13.3 x 20.6 cm), boats, bridge (built work), buildings, chimneys, church, fence, landscape, masts, men, oars, sails, shore (landform), smoke, spire, trees, Battersea, England, London, Thames, United Kingdom

At a mill along a frozen canal in the Netherlands, boats are moored next to a tent on the ice, Egidius Linnig, 1849 print Antwerp paper etching ice ~ state of water. skates (winter sports). windmill. dry-dock, floating-dock

View of the Maas near Rotterdam, Cornelia Christina Johanna van Trigt -Hoevenaar, 1864 - 1909 print On the right a steamboat; On the left a sailing ship. paper drypoint harbour Rotterdam

London Bridge 1877 United States. Drypoint in black ink on ivory laid paper . James McNeill Whistler

A stop Wio Larska; Stankiewicz, Zofia (1862-1955); around 1930 (1920-00-00-1935-00-00);Iwanowska, Janina (Fl. 1958), Iwanowska, Janina (Fl. 1958) - collection, Poland, clouds (meteorol.), Polish graphics, sea, Poland (culture), rivers, rowing (sport), purchase (provenance)

River face with a view of Dordrecht, Adolf Le Comte, 1860 - 1921 drawing paper. chalk prospect of city, town panorama, silhouette of city Dordrecht

Havenkade with lampposts in Rotterdam, Willem Adrianus Grondhout, 1888 - 1934 print A crane on the right in the background. paper etching harbour. street lighting Rotterdam

A Mill 1829 David Lucas British View of a rural landscape with a watermill at left center.. A Mill. David Lucas (British, Northamptonshire 1802-1881 London). 1829. Mezzotint; proof before published state. Prints

View of the Scheldt near Antwerp, Carel Nicolaas Storm van 's -Gravesande, 1889 - 1902 print On the left a pier. paper drypoint river Scheldt. Antwerp

Harbor, Frederika Henriëtte Broeksmit, 1885 - 1931 print Boats in a snowy harbor. paper etching harbour. snow

In the port at the Motława River, the left shore towards Kotwiczna Street. Pruszyński, Aureliusz (Kraków ; zakład artystyczny ; 1873-post 1930), printing house, Wyczółkowski, Leon (1852-1936), graphic artist

San Giorgio pigeons prints, etchings, works on paper

Price's Candle-Works. Dated: c. 1875. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

James McNeill Whistler (American, 1834 - 1903), Waterloo Bridge, 1896, lithograph

Castello Quarter, Riva 1880-1882 United States. Etching on ivory China paper, laid down on ivory wove paper (chine collÈ) . Otto Henry Bacher

View of a shipyard, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1924 print A sailboat sails in the background. paper drypoint pier, quay, wharf

Chelsea Wharf 1863 United States. Etching and drypoint with foul biting in black on grayish ivory laid paper . James McNeill Whistler

Harbor face with town hall in Vlissingen, Carel Nicolaas Storm of 's -Gravesande, 1887 - 1902 print Netherlands paper drypoint harbour. townhall Flushing

Face in a boat and three moored boats, Hendrik Abraham Klinkhamer, 1820 - 1872 drawing paper. pencil brush sailing-ship, sailing-boat

Winter landscape with figures on a frozen sail at the fortress tower of Delft. Leaf 86 Recto from a sketchbook with 95 sheets.

Shipping scene drawings, works on paper

Francis Seymour Haden, 1818-1910, British, Shepperton, 1864. Etching and drypoint on medium, slightly textured, cream laid paper.

City to river, draughtsman: Charles Leickert, 1826 - 1907, paper, h 107 mm × w 201 mm

Shipping scene, by Petrus van der Velden. Gift of E.B. Lattey, 1949.

James McBey, La Giudecca (Venice set no. 1), 1925, etching and drypoint on paper.

Bois, France, Henry Swinburne, 1743-1803, British, undated, Pen and brown ink, gray wash, and graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm) and Sheet: 5 3/16 × 9 1/8 inches (13.2 × 23.2 cm)

New York. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

River Bij Verdun At the time of the First World War, Bernard Klene, 1880 - 1930 print paper etching devastated, ruined place or city (~ warfare)

Harry Kelly's, Putney. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Francis Seymour Haden.

Three windmills, draughtsman: Johannes Gijsbert Vogel, (mentioned on object), 1838 - 1915, paper, h 110 mm × w 160 mm

River landscape with village and wood sawmill, Elias Stark, 1888 print View of a river with a village with a church and a wood sawmill on the left. On the water a fisherman in a barge and a sailing ship in the background. Nieuwer-Amstel paper etching windmill in landscape. angling. river

Childe Hassam, Old Lace, 1915 Old Lace

Village view with carts. Draughtsman: Willem Bastiaan Tholen. Dating: 1870 - 1931. Measurements: h 126 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Standbeeld Van Flora, Michel Natalis, After Giovanni Battista Ruggieri, 1640 print Statue of Flora, dressed in classic robe, a diadem in the hair. In her left hand she wears leaves, with her right hand she holds her rug. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving (story of) Flora. monument, statue. piece of sculpture, reproduction of a piece of sculpture

A Legation at Abcoude. Draughtsman: Paul Joseph Constantin Gabriël. Dating: 1838 - 1903. Measurements: h 254 mm × w 322 mm. Museum: Rijksmuseum, Amsterdam.

Laguna, Venice. Frank Duveneck; American, 1848-1919. Date: 1879-1880. Dimensions: 196 x 341 mm (image/plate); 228 x 371 mm (sheet). Etching on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

The Windmill, 1641. Rembrandt van Rijn (Dutch, 1606-1669). Etching and sulfur tint; sheet: 15.5 x 21.3 cm (6 1/8 x 8 3/8 in.); platemark: 14.6 x 20.9 cm (5 3/4 x 8 1/4 in.).

Schiffe Bei Alsen; Nolde, Emil (1867-1956), Felsing, Kupferdrucarei (Darmstadt, Munich, Berlin; Publishing House, Printing House; 1797-1965); 1907 (1907-00-00-1907-00-00);

Amsterdam, from the Tolhuis 1863 United States. Etching in black ink on cream Japanese paper . James McNeill Whistler

The "Adam and Eve," Old Chelsea. Whistler, James McNeill (1834-1903). 1879. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Seine (dummy title)

English War Work: The Shops at Night, Changing Shifts, 1916. Joseph Pennell (American, 1857-1926). Lithograph;

Old Putney Bridge, 1879. James McNeill Whistler (American, 1834-1903). Etching;

Shipping Scene, by Petrus van der Velden. Gift of E.B. Lattey, 1949.

Eagle Wharf. Dated: 1859. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

The Thames towards Erith , Boats, Waterfronts, Rivers. James McNeill Whistler (1834-1903). Lithographs

Little Wapping. Whistler, James McNeill (1834-1903). 1861. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Fishermen of the channels near Bragora Square in Venice; Kowalski, Leon (1870-1937); 1910 (1910-00-00-1910-00-00);Venice (Italy), Italy (state), squares, fishermen, fishing, sketches of characters, city views, purchase (provenance)

Drawing by Ferdinand Boberg. Motala, Nordic

Copper engraving and etching by Jean François Feradiny, 1724-1750, depicting an Italian port with ships, harbor structures, and maritime activity.

Skaters on a canal. On the left, two skaters coming from a ditch. In the distance two windmills., Skaters in a Dutch Landscape, print maker: Elias Stark, (mentioned on object), Nieuwer-Amstel, 2-Jan-1887, paper, etching, h 122 mm × w 197 mm

Lepère, Auguste (n.1849-11-30-D.1918-11-20), view taken below the new bridge (dummy title). Pencil. Carnavalet museum, history of Paris.

View of Punta della Dogana in Venice, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1902 print In the foreground two striped multi -poles. paper etching / drypoint canals, waters (in city). customs Punta della Dogana

Drawing (Italy)

More from Geneva, Etienne Bosch, c. 1873 - in Or Before 1931 print More with sailing ships, with mountains in the background. paper. printing ink etching / drypoint sailing-ship, sailing-boat More from Geneva

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