Coastal and River Landscapes

Lithographs and etchings capturing tranquil rivers, coastlines, and boating scenes with atmospheric effects.

James McNeill Whistler (American, 1834 - 1903), Amsterdam from the Tolhuis, 1863, etching

Sailing ship for anchor in front of a coast. In the background sailing ships and a reed collar. Leaf 10 Recto from a sketchbook with 46 sheets.

Robert Brandard, 1805-1862, British, Beaugency, 1833. Line engraving.

'On the Yellow River', 1903. Artist: Mortimer L Menpes.

The Boat with Lowered Sail. Felix Bracquemond; French, 1833-1914. Date: 1868. Dimensions: 165 × 135 mm (image); 307 × 211 mm (sheet). Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Félix Henri Bracquemond.

Charing Cross at Night 1896 United States. Aquatint with sandpaper ground on ivory laid paper . Joseph Pennell

La Loire et la cathédrale,Nantes. Artist: Eugène Béjot, French, 1867-1931

James McNeill Whistler, Thames Warehouses, 1859 Thames Warehouses

Faces on Nijkerk and Garderen, 1732 Page 17 Recto from a sketchbook with 51 sheets. Nijkerk paper. pencil. ink pen / brush Nijkerk. Garland Page 17 Recto from a sketchbook with 51 sheets. Nijkerk paper. pencil. ink pen / brush Nijkerk. Garland

Norbert Goeneutte, London (Westminster), c. 1880, soft-ground etching, aquatint and drypoint on laid paper.

The Grand Canal, Venice, Print made by William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1838, Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper with cream chine-collé, Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm), Plate: 19 1/8 × 25 1/2 inches (48.6 × 64.8 cm), Chine collé: 18 3/8 × 24 3/4 inches (46.7 × 62.9 cm), and Image: 15 × 22 7/8 inches (38.1 × 58.1 cm)

Fulham (Chelsea). Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Date: 20th century. Museum: Metropolitan Museum of Art, New York, USA. Author: JAMES ABBOTT MCNEILL WHISTLER.

View of the port of Antwerp from the water, at sunset. On the water a number of sailing ships and a sloop, Sunset at the Port of Antwerp Soleil couchant - Port d'Anvers , print maker: Johan Barthold Jongkind, (mentioned on object), printer: Frederick Goulding, (possibly), print maker: Antwerp, printer: London, 1868, paper, etching, h 158 mm × w 240 mm

Morning, Venice. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1908. Dimensions: 70 x 158 mm (image/plate); 84 x 171 mm (sheet). Etching in black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Tours, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving, engraver's proof

Moored ship in the Kali Mas in Surabaya, Wijnand Otto Jan Nieuwenkamp, 1911 print Two figures are sleeping on the ship. paper drypoint river. ships (in general). sleeping on the ground Kali Mas. Surabaya

Oberbaum-Brucke, Berlin. Dated: 1921. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Stilling sailing ship on the coast, Henri Charles Manguin, 1884 - 1949 print paper etching sailing-ship, sailing-boat. coast

Ogrody Esbekieh w Kairze i piramidy w Gizie. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Landscape with mill and ship in Haven, Albertus Brondgeest, 1796 - 1849 print Netherlands paper. etching water course. windmill

The Church at Eragny. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: 9 3/8 x 12 1/16 in. (23.8 x 30.7 cm). Date: ca. 1894-95. Museum: Metropolitan Museum of Art, New York, USA.

Eugène Vail, Memory of Venice the Palazzo Ducale and the Piazzetta, c 1900 1920 Memory of Venice: the Palazzo Ducale and the Piazzetta

James McNeill Whistler, Little London, 1896 Little London

Stables. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1879/1880. Prints. Drypoint

Gondolas. Works on Paper. Watercolor & gouache on paper. Height: 7.25 mm (0.28 in); Width: 10.75 mm (0.42 in). Author: Arthur Bowen Davies.

View of Japan, Robert Frederick Blum, American, 1857-1903, Graphite, pastel crayon on wove paper, Recto: Sketch of a bridge with boats in the foreground; Verso: Sektch of a female figure., Japan, 1891, transportation, Drawing, Drawing

View of Jerusalem with the Temple of Solomon 17th century Philippe de Champaigne French This large, vigorously worked drawing, made in red chalk on two attached sheets of paper, is a study for a view of ancient Jerusalem for the background of a painted Crucifixion given by the artist to the church of the Chartreuse de Vauvert in Paris (Musée du Louvre, Paris). Champaignes characteristic fidelity to biblical texts is here manifest in the research that underpinned his conception of the Temple of Solomon, the hilltop structure at upper right. Destroyed before the birth of Christ, but looming large in 17th-century theological and archeological debates, the Temple of Solomon was the subject of several illustrated treatises, including In Ezechielem Explanationes et Apparatus Urbis ac Templi Hierosolymitani published in Rome in 1596 with plans and elevations after designs by Juan Bautista Villalpando. While his temple may be based on Villalpandos elevations, its placement within a luminous

The Grand Canal, Venice Norbert Goenuette (1854-1894). The Grand Canal, Venice. Floor, cream bottom, brown ink.

St Paul's 1894 United States. Aquatint with sandpaper ground on cream wove paper . Joseph Pennell

Evening on the Zuyder Zee prints, etchings, works on paper

The Thames. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1896. Prints. Lithotint

Fishing on the Havel River. Dated: 1922. Dimensions: plate: 22.8 × 30.2 cm (9 × 11 7/8 in.) sheet: 25.6 × 34.3 cm (10 1/16 × 13 1/2 in.). Medium: etching, aquatint and open-bite on heavy wove paper. Museum: National Gallery of Art, Washington DC. Author: Wilhelm Oesterle.

Enckell, Magnus, work, Sketch book, 1891, pencil, marker, crayon, etc., drawing, 22 cm x 30 cm, Enckell, Magnus, 1891, pencil, marker, crayon, etc., Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

Black Lion Wharf 1859 United States. Etching with foul biting in black ink on ivory laid paper . James McNeill Whistler

Hampton Court, Print made by Francis Seymour Haden, 1818-1910, British, 1864, Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper, Sheet: 6 7/8 x 9 7/16 inches (17.4 x 24 cm), Plate: 5 1/2 x 8 7/16 inches (13.9 x 21.4 cm), and Image: 5 1/2 x 8 7/16 inches (13.9 x 21.4 cm), animal art, banks, canal, cape, cloak, distance, dog (animal), dress, figures, foliage, genre subject, hat, hills, landscape, leash, path, reeds, reflections, river, shore (landform), trees, walking, water, woman, East Molesey, England, Europe, Hampton Court, Surrey, United Kingdom

Emmerik on the Rhine, 1731 Leaf 48 Verso and 49 Recto from a sketchbook with 69 sheets. Bucket paper. ink. pencil pen Bucket Leaf 48 Verso and 49 Recto from a sketchbook with 69 sheets. Bucket paper. ink. pencil pen Bucket

Rivière, Henri (n.1864-03-11-D.1951-08-24), cows near the mills. Le Cap de la Chèvre (main title), 1910. Etching and aquattent on laid paper of filigree arches. Petit Palais, Museum of Fine Arts of the City of Paris.

The Little Bridge. Louis Auguste Lepère; French, 1849-1918. Date: 1913. Dimensions: 123 × 205 mm (image); 137 × 212 mm (plate); 229 × 279 mm (sheet). Etching on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Wharf at Trouville, 1877. Félix Hilaire Buhot (French, 1847-1898). Etching and drypoint; sheet: 27.2 x 41.9 cm (10 11/16 x 16 1/2 in.); platemark: 20 x 27.9 cm (7 7/8 x 11 in.).

Amsterdam, from the Tolhuis 1863 United States. Etching and drypoint in black ink on cream laid paper . James McNeill Whistler

Brimming, Holland, James Clarke Hook (London, England, 1819 - 1907) 1875-1899

The Amstel. Draughtsman: Willem Wenckebach. Dating: 1870 - 1937. Place: Amsterdam. Measurements: h 141 mm × w 211 mm. Museum: Rijksmuseum, Amsterdam.

Effect of Moon at Dieppe, c. 1885. Henri Charles Guérard (French, 1846-1897). Color aquatint and etching; sheet: 45.2 x 61.7 cm (17 13/16 x 24 5/16 in.); platemark: 29.6 x 47.5 cm (11 5/8 x 18 11/16 in.).

Laburnums and Battersea. Theodore Roussel; French, worked in England, 1847-1926. Date: 1889-1890. Dimensions: 342 × 221 mm (image/plate); 344 × 219 mm (sheet, with signature tab). Etching and drypoint in black, with selective wiping of plate tone, on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Cityscape in misty weather, Simon Moulijn, 1886 print View of a dark square. Left in the foreground a man and woman with a handcart. A bridge in the background. paper etching square, place, circus, etc.. bridge. mist, fog. hand-cart

Evening, Little Waterloo Bridge Made 1896 United States. Transfer lithograph in black with stumping, on cream laid paper . James McNeill Whistler

Channel with two gondolas in Venice, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1924 print paper canals, waters (in city) (+ city(-scape) with figures, staffage). gondola Venice

Konela (with a rider in the foreground). Pruszyński, Aureliusz (Kraków ; zakład artystyczny ; 1873-post 1930), printing house, Wyczółkowski, Leon (1852-1936), graphic artist

The Rialto, Venice, 1883. Frank Duveneck (American, 1848-1919). Etching;

Street in the evening in the rain Pierre Bonnard (1867-1947). "Street in the evening in the rain". Engraving. Museum of Fine Arts of the city of Paris, small palace.

La Rochelle. Artist: Paul Signac (French, Paris 1863-1935 Paris). Dimensions: 27 9/16 x 39 3/8 in. (70 x 100 cm). Date: 1912. Museum: Metropolitan Museum of Art, New York, USA.

The Adam and Eve, Old Chelsea 1878 United States. Etching and drypoint with foul biting in black ink on off-white laid paper . James McNeill Whistler

The Tall Bridge Made 1878 United States. Lithotint, in black ink, with scraping, on ivory plate paper . James McNeill Whistler

Dwight Case Sturges, Wharf of Boston: Night, etching on laid paper.

Drawing by Ferdinand Boberg. Karlstad Nordic

Aegina. Joseph Pennell; American, 1857-1926. Date: 1913. Dimensions: 265 x 380 mm (image); 297 x 440 mm (sheet). Etching on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Francis Seymour Haden, 1818-1910, British, Kidwelly Castle, 1859. Etching and drypoint on medium, slightly textured, cream laid paper.

Bliżej Kultury Cassell and Company Ltd., London, Paris, New York and Melbourne, Pyne, James Baker (1800 1870)

Tracks, Oberhausen. Dated: 1910. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

From the shipbuilding dock; Scheuritzel, Anton (1874-1954); 1924 (1924-00-00-1924-00-00);

Rohscan

Portrait of Greta de King.

Oever van de Schelde, Carel Nicolaas Storm van 's-Gravesande, c. 1880 print River face with sailing boats. At the top left the text: 'Sketches of Holland Twelve Etchings by Storm van' s Gravesande '. Netherlands paper drypoint river Scales

View of the port of Nice, draughtsman: Carel Nicolaas Storm van 's-Gravesande, 1912, paper, h 111 mm × w 181 mm

Seurat / Seine near Grande Jatte / c1887

Print made by William Miller, 1796-1882, British, The Grand Canal, Venice, 1838. Etching; engraver's proof, open etched state on thick, moderately textured, cream wove paper with cream chine-collé.

Paul Signac, Harbor in Holland Flushing (La balise En Holland, Flessingue), c 1894 Harbor in Holland - Flushing (La balise - En Holland, Flessingue)

Drawing by Ferdinand Boberg. Medelpad, Attmars K: a Nordic

Artists Returning from the Salon, 1877. Félix Hilaire Buhot (French, 1847-1898). Etching, aquatint, and drypoint ; sheet: 30.6 x 44.8 cm (12 1/16 x 17 5/8 in.); platemark: 20.8 x 31.9 cm (8 3/16 x 12 9/16 in.).

James McNeill Whistler, Old Battersea Bridge, 1879 Old Battersea Bridge

1892 Art Work - At the Pont Sully - Louis Auguste Lepere.

Fête Day,Venice. Artist: Mortimer Menpes, British, 1855-1938

Argenteuil. Artist: Maurice de Vlaminck, French, 1876-1958

THE PRINCE OF WALES IN INDIA, 1876: MADRAS, ILLUMINATION OF THE SURF BEFORE THE PRINCE

Sailboats in the harbor, Cassis, France

Harbour Scene Paul Signac (French, 1863-1935). Harbour Scene, ca. 1894. Lithograph in six colors on wove paper, 15 3/4 × 12 3/4 in. (40 × 32.4 cm). With his friend the painter Georges Seurat, Paul Signac developed a style called Divisionism, which relies on the viewers eye to optically blend the artists small marks of bright, contrasting color. This luminous color lithograph, related to an oil painting of the same subject, harmonizes contrasting shades of blue and orange to convey a sense of a lightfilled port and sunstruck waves. The technology of color lithography may in fact have been an influence on Divisionist technique: as early as the 1840s, lithographers were relying on patterns of stippled dots in contrasting colors to produce the illusion of a wider color range in their prints. European Art ca. 1894

In the Works, Homestead 1908 United States. Etching and drypoint on ivory wove paper . Joseph Pennell

Elisha Kent Kane Wetherill, Otto Coke and Coal Hoist, American, 1874 - 1929, 1914, etching

Roche, Pierre (n.1855-D.1922-01-18), lake Maréotis (main title), 1913. Gypsography, black and light pink draw .. Petit Palais, Museum of Fine Arts of the city of Paris.

AfterSunset. Artist: Frank Weston Benson, American, 1862-1951

Altes Fleet. Dated: 1893. Medium: watercolor. Museum: National Gallery of Art, Washington DC. Author: Fritz Stoltenberg.

The bar of the Seine, vintage engraved illustration. Magasin Pittoresque 1875.

Bridge in Ireland John White Alexander (American, 1856-1915). Bridge in Ireland, n.d. Watercolor and ink on paper, Sheet: 7 3/4 x 12 5/8 in. (19.7 x 32.1 cm). American Art n.d.

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