Crucifixion Scenes in Art

Dramatic depictions of the crucifixion featuring Christ, Mary, and John. Rich details capturing emotional scenes of mourning and reverence in historical religious art.

Italy, Cartaro, Mario, Descent from the Cross, verso - stamped, The body of Christ is taken down from the cross by Joseph of Arimathea and Nicodemus. The Marys mourn under the cross. On the left and right the two thieves are still hanging on their crosses. In the background a city., print, prent, prints, prenten, height 387 mm, width 319 mm, print maker, prentmaker, 1570 - 1570, paper, papier, etching, etsen, Work conception, 1560 - 1620

Christ on the cross, with Johannes, Maria and Maria Magdalena. Christ on the cross, with Johannes, Maria and Maria Magdalena, to the painting by Mathhias Grünewald

Copper engraving and etching depicting Christ on the cross with Maria and Johannes by an unidentified monogrammist, created in 1772, showing detailed figures and religious composition.

Italy, Cartaro, Mario, Descent from the Cross, verso - stamped, The body of Christ is taken down from the cross by Joseph of Arimathea and Nicodemus. The Marys mourn under the cross. On the left and right the two thieves are still hanging on their crosses. In the background a city., print, prent, prints, prenten, height 387 mm, width 319 mm, print maker, prentmaker, 1570 - 1570, paper, papier, etching, etsen, Work conception, 1560 - 1620

Copper engraving by Paulus Pontius depicting Christ on the cross between the two thieves, showing figures, gestures, and symbolic elements from early to mid-17th century Christian art.

The cross death. Christ on the cross, with Maria and Johannes under the cross. Angels catch the blood of Christ in Kelken. The cross is decorated with the symbols of the four evangelists. Above the cross and the moon. Under the show an eight-plated verse in two columns. Numbered at the top right: No. 25.

Crucifixion of Christ with Lanssteek, Jean Audran, After Anthony Van Dyck, 1677 - 1756 print Crucifixion of Christ with the Lanssteek through Longinus. print maker: Francepublisher: Paris paper etching / engraving Christ on the cross; only scenes following the crucifixion added - DD - the three crosses. the soldier Longinus (the centurion) of Caesarea; possible attributes: lance, pyx

Crucifixion of Christ. Christ on the cross. On the cross a paper with inscription in Hebrew, Greek and Latin. Under the image in the margin the Bible Verses Luc. 23:45.

Chalk and feather drawing from the second half of the 17th century depicting Christ on the cross with Maria, St. Francis, and St. Katharina of Siena.

Christ on the cross; Kilian, Bartholomäus II (1630-1696), Moncornet, Baltazar (Paris); XVII century (1601-00-00-1700-00-00);

Copper engraving and etching by Matthys Pool from 1690-1732 showing Christ on the cross with Maria, Johannes, and Magdalena, depicting the Crucifixion in a detailed biblical scene.

Copper engraving produced between 1600 and 1659 showing Christ on the cross, with detailed religious imagery and 17th-century engraving techniques.

Crucified Christ with the Mother of God, Saint. John the Apostle and Saint. Mary Magdalene unknown

Etching and aquatint by Joseph Hauber depicting Christ on the cross with three women, traditionally identified as the Marien, around the crucifixion scene.

Christ on the cross. Leaf from a book. Christ on the Cross, Maria on right hand, Johannes to Left hand.

Christ on the Cross, Paul Haubenstricker, After Martin Johann Schmidt, 1779 print paper etching comprehensive representations of the events on Golgotha during Christ's hanging on the cross, no particular event emphasized

Schoor, Aegidius van, Miraculous lily root in the shape of a crucifix, verso center bottom - stamped, Root of a lily in the shape of a crucifix, found in 1460 on Mount Calvary. At the foot of the crucifix a lily flower. On either side of the cross an explanatory text in French and Dutch. The miraculous piece of root wood was kept in the monastery of Deinze., print, prent, prints, prenten, height 294 mm, width 212 mm, Zuid-Nederlands, 1596-07-18 - 1637, print maker, prentmaker, 1611 - 1637, paper, papier, brush, Borstel, engraving, engraving (drukprocedé)

Schelte Adams Bolswert after Sir Peter Paul Rubens, Christ Crucified between Two Thieves, 1640s Christ Crucified between Two Thieves

Christus aan het kruis.Christ on the cross nailed, the blood flows in various places from his body. In the background the city of Jerusalem. Four lines of Dutch text in a framework. Release from Archbishop Jacob van Mechelen.

Christ on the cross. Christ on the Cross, with angels on either side who take care of his blood in Kelken. Left Maria, right Johannes in Devotion. The crucifix is decorated with the symbols of the four evangelists. Above the sun, at the top right the moon. Under the image a caption in Dutch and in French. Numbered in the middle below: n. 81.

Christ on the cross, Ch. Cool, After Antoine Sallaert, 1600 - 1699 print Christ nailed to the cross, the blood flows from his body in different places. In the background the city of Jerusalem. Seven lines of German text in the lower margin. Indulge from archbishop Jacob van Mechelen. Netherlands paper letterpress printing the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38) Jerusalem

Christ crucified on the cross, a skull at the base, buildings in the background, after Reni ca. 1770-1803 Engraved by Giovanni Volpato Italian After a painting by Reni. Verso is not visible as print is laid to another sheet of paper.. Christ crucified on the cross, a skull at the base, buildings in the background, after Reni 668645

Wszyscy Święci w MNK Nolli, Carlo (1724 1785)

Christ on the Cross, 1590 - 1649 print The body of the Dead Christ hangs on the cross. Maria, Johannes and two angels mourn at the foot of the cross. In heaven God the Father with open arms, amid angels. In the margin a six -line caption, in two columns, in Latin. The print is part of an album. paper engraving crucified Christ with Mary and John on either side of the cross; Holy Rood (+ angel(s)). God the Father (+ angel(s))

Netherlands, Turnhout, Beersmans, Franciscus Antonius, Christ on the Cross, verso - stamped, Sheet with a large representation of Christ on the cross, with angels on either side catching his blood in chalices. Mary on the left and John on the right in devotion. The crucifix is decorated with the symbols of the four evangelists. The sun on the top left, the moon on the top right. In the bottom margin a caption in Dutch and French. Numbered center bottom: n. 81., print, prent, volksprent, prints, prenten, volksprenten, height 424 mm, width 295 mm, Publication (Event), Publicatie, 1840-06-14 - 1897-01-25, publisher, uitgever, 1866 - 1902, paper, papier, houtsnede, kleuren, letterpress printing, boekdruk, print maker, prentmaker

Etching and copper engraving 'The Cross Acceptance' by Rembrandt van Rijn, created in 1633, depicting Christ accepting the cross on the way to crucifixion.

Wszyscy wici w MNK unknown

Christ on the cross. Christ on the cross nailed, the blood flows in various places from his body. In the background the city of Jerusalem.

This brown ink drawing by Matthys van den Bergh shows Christ on the cross with Maria Magdalena at his feet, with traces of horizontal folds on the paper.

Copper engraving and etching by Jacob Matthias Schmutzer depicting Christ on the cross, showing figure, posture, and crucifixion elements, produced between 1748 and 1811.

Colored copper engraving 'Christ on the Cross with Maria and Johannes' by an anonymous artist, late 15th century, depicting the crucifixion scene with figures.

German 16th Century after Albrecht Dürer, The Crucifixion with the Virgin and Saint John The Crucifixion with the Virgin and Saint John

Jésus en Croix (Jesus on the Cross) 1621-35 Jacques Callot French. Jésus en Croix (Jesus on the Cross). Jacques Callot (French, Nancy 1592-1635 Nancy). 1621-35. Etching; second sate of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Crucifixion of Christ; Emissio spiritvs. Cross death of Christ on Golgota. Christ hangs on the cross, left and right from him the crucified criminals hang. Longinus is about to put his lance in the side of Christ. At different elements from the show are letters that correspond to the legend in the margin.

The discovery of the cross of Christ, Antonio Tempesta, 1565 - 1630 print Constantijn and his mother Helena, surrounded by their army, kneel for the three crosses on the Golgota mountain. They have just discovered the cross of Christ. paper etching the finding of the True Cross

Copper engraving by Nicolas Henri Tardieu portraying Christ on the cross, produced between 1690 and 1749.

Crucifixion of Christ, Claude Mellan, 1608 - 1688 print paper engraving crucified Christ with Mary Magdalene, who usually weeps and embraces the cross

For example, on Golgotha the prince of life had to die / to acquire eternal life for the Zynnen (...), 1715 - 1813 print The crucified Christ on Golgota. Maria and Maria Magdalena are located under the cross. Christ is offered a sponge with sour wine. At the bottom left of the cross, soldiers dice in front of Christ's rug. Under the show a verse in two columns. Numbered at the top right: No. 91. print maker: Netherlandspublisher: Amsterdam paper letterpress printing comprehensive representations of the events on Golgotha during Christ's hanging on the cross, no particular event emphasized

Jacques Callot, Christ on the Cross Christ on the Cross

Florence, Collection Bardini, Reproduction of a painting of Christ on the cross, recto - printed, photomechanical print, reproduction, photos, Pl. 108, height 363 mm, width 268 mm, maker, producer, 1875 - 1930, paper, papier, collotype, after, after painting of, picture, painting, crucified Christ with Mary and John on either side of the cross; Holy Rood

Crucifixion - a cardboard box to the cross for the church. Jakub in Nysa; Schall, Raphael (1815-1859); 1848 (1848-00-00-1848-00-00);

The Crucifixion with the Virgin and Saint John. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: German 16th Century after Albrecht Dürer.

For example, Golgotha had to die from the prince of life / to gain it eternal life for the zyns (...). The crucified Christ on Golgota. Below the cross are Maria and Maria Magdalena. Christ is offered a sponge with acidic wine. Bottom left the cross dice soldiers for the dress of Christ. Under the show a verse in two columns. Numbered at the top right: No. 251.

Etching by David Weiss depicting Christ on the cross, produced between 1795 and 1846 in a punctured manner, showing crucifixion and biblical figures.

A large-scale coal and black chalk drawing by Josef von Führich from 1843/44 showing Veronika offering the cloth to Jesus at the sixth station of the Way of the Cross, on gray-blue paper with laved and hatched shading.

Bliżej Kultury Forgive, Bonnart It Cie

Bhranity of Christ under the Cross, Anonymous, After Cornelis Cort, After Girolamo Muziano, 1593 print Christ at the foot of the cross, supported by Mary. John is next to her. In the foreground on the left veronica with the sweat cloth in your hands. Behind her Joseph of Arimathea and soldiers. Rome paper engraving lamentation over the dead Christ by his relatives and friends (Christ usually without crown of thorns)

Cross-canceled; Passion of Christ. Men on ladders remove the nails and the body of Christ is lifted down. On the right, Maria and John are on the right. Links are two women. Eleventh print in a series of performances of the suffering story. Print is part of an album.

De Kruis Dood, Jacobus Thompson, 1791 - 1812 print Christ on the cross, with Mary and John under the cross. Angels catch the blood of Christ in Kelken. The cross is decorated with the symbols of the four evangelists. Above the cross the sun and the moon. Under the show a eight -line verse in two columns. Numbered at the top right: No. 25. publisher: Rotterdamprint maker: Netherlands paper letterpress printing crucified Christ with Mary and John on either side of the cross; Holy Rood

Wszyscy Święci w MNK Filipowicz, Jan Józef (CA 1710 Ca 1767/1770)

Crucifixion of Christ, Claude Mellan, 1608 - 1688 print paper engraving crucified Christ with Mary Magdalene, who usually weeps and embraces the cross

Christ on the cross between the two crucified criminals, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print print maker: Netherlandspublisher: Antwerp paper engraving the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

. Christ on the cross. In the foreground three dice soldiers, next to the cross a warrior with the shield to the left arm and a spear in the right hand. Title page of the fifth edition of Antonius Baynaeus crossed Christ, in 1711.

Christ on the cross. Christ hangs on the cross, the thorns crown on his head. The cross is placed against an empty background and labeled at the top: i.n.r.i ..

Christ half kneeling carries the cross on his shoulders to Golgotha Simon of Cyrene helps him carry the cross, The Carrying of the Cross, print maker: Johann Wilhelm Kaiser (I), (mentioned on object), Cornelis Kruseman, (mentioned on object), publisher: Arie Cornelis Kruseman, (mentioned on object), 1853, paper, etching, h 128 mm × w 88 mm

Crossing, Jan Punt, After Jacob de Wit, after Peter Paul Rubens, 1747 print Four men, including one soldier, set up the cross with Christ. Under the rectangular representation a verse in Latin from Joh. 3:14. Amsterdam paper etching / engraving raising of the cross to which Christ is nailed already Carolus Borromeuskerk

Christ on the cross; Of the Lyden and Passion Christi; Passion of Christ; Den Grooten Figuer Bibel (...). Christ on the cross with Maria, Maria Magdalena and Johannes under the cross. Under the show a four-line verse in Latin. At the bottom right of the letter: I. This print is part of an album.

This early 16th-century copper engraving by Monogrammist HS depicts Christ on the cross, emphasizing figure detail, religious symbolism, and late medieval printmaking.

Sadeler, Marcus, Venice, Tintoretto, Jacopo, Italy, Carracci, Agostino, Aegidius, Crucifixion of Christ, verso - stamped, Death of Christ on Golgotha. Christ hangs on the cross, to his left and right the two criminals are being crucified. Longinus is about to thrust his lance into Christ's side. A group of men on horses and donkeys look on. The Marys and John mourn under the cross. Text in Latin in bottom margin., print, prints, height 496 mm, width 1197 mm, South Netherlands, 1570 - 1629, print maker, printmaker, 1582 - 1582, paper, engraving, engraving (printing process), Work conception, Italian, 1557 - 1602-03-22, after print by, 1519 - 1594, after, after painting by, Publication (Event), Publication, German, 1614-04-11 - 1650, publisher

De Heilige Andreas, Carlo Faucci, After Carlo Dolci, 1763 print The Holy Andreas is kneeling in a landscape. A man gets rid of his robe. Other men set up a cross, to which Andreas will soon be crucified. Other figures look. Three putti in the air. Text in STUDMARGE. print maker: Italyafter painting by: Italypublisher: London paper engraving / etching the apostle Andrew; possible attributes: book, X-shaped cross, fish, fishing-net, rope, scroll

William Blake, Job's Sacrifice, 1825 Job's Sacrifice

Descent from the Cross, by Rembrandt van Rijn, 1633, Dutch print, etching on paper. Christ taken down from the cross, by Nicodemus and Joseph of Arimathaea who are standing on the ladders (BSLOC_2016_3_39)

Fragments of a Crucifixion, with the Virgin Mary ca. 1460-80. Fragments of a Crucifixion, with the Virgin Mary 337949

Design for a crucifix. Design for a crucifix of gold-plated metal and Lapis Lazuli (), With a sheet of the inscription Inri, standing on a hill with the left Maria and on the right Johannes and a kneeled bishop with bare head, with his staff, above one Relic holder with a window above which the coat of arms of Pope Pius vi Braschi.

An indulgence with an image of Our Lord of Chalma ca. 1900-1910 José Guadalupe Posada. An indulgence with an image of Our Lord of Chalma. José Guadalupe Posada (Mexican, 1851-1913). ca. 1900-1910. Photo-relief and letterpress on buff paper. Antonio Vanegas Arroyo (1850-1917, Mexican). Prints

Sardinia Sassari Castel Sardo Cathedral7. Hutzel, Max 1960-1990 Post-medieval: 16th century architecture, built in late Gothic style; architectural sculpture; choir stalls; sculpture; paintings on canvas and panel; altarpiece; fresco; pulpit; tomb monuments; baptismal font; sacred objects German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Carrying of the Cross, Jan Luyken, Aart Dircksz Oossaan, 1684

Descent from the Cross, Print made by John Baptist Jackson, 1701-1780, British, after Rembrandt van Rijn, 1606-1669, Dutch, 1738, Color woodcut

Saint Andreas. The Holy Andreas is kneeling in a landscape. A man removes him from his robe. Other men focus a cross, to which Andreas will soon be crucified. Other figures watch. Three putti in the air. Text in undermarge.

Copper engraving by Cornelis Galle the Younger II depicting Christ on the cross, created between 1635 and 1678.

Etching by David Weiss depicting Christ on the cross, created between 1795 and 1846. The print represents the crucifixion, a central Christian event.

Artist: Augustin Hirschvogel, German, 1503-1553, Joseph and Nicodemus with the Body ofChrist, Etching, 4 5/8 × 5 11/16 in. (11.7 × 14.5cm), Made in Germany, German, 16thcentury, Works on Paper -Prints

The Fall and Redemption of Man: The Raising of the Cross, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;

Christ on the Cross. Gustavo Reiger (Italian, active Rome, Italy 1860s)

Albrecht Altdorfer (German, 1480 or before-1538), Raising of the Cross, c. 1513, woodcut

Brown pen drawing by Martin Johann Schmidt showing Josef of Cyrene helping Christ carry the cross, part of the Stations of the Cross, with white highlights on blue-gray paper, circa 1795.

Christ Dying on the Cross. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: after Sébastien Le Clerc I.

Christ on the Cross Between the Virgin and St. John with Scenes of the Passion in theBackground. Artist: Hendrick de Clerck, Flemish, ca. 1570-1630

Crucifixion of Christ, Nicolaes de Bruyn, 1618 print Netherlands paper engraving the cross(es) in the middle distance

The discovery of the Cross of Christ; Crucis Christi Inventio Opera S Helenae Aug; Isagogia Historia De Constantino Max: Imperatore Instatuta Militie Angelicae Aureatae Constantinianae Sub Titulo Magni Martyris S Georgii; History of the Order of the Holy Joris. Constantine and his mother Helena, surrounded by their army, kneeling for the three crosses on Mount Golgota. They have just discovered the cross of Christ.

Keizer Sigismund I with the Rijksinsignia, Lukas Schnitzer, 1610 - 1699 print Nuremberg paper engraving / etching insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral). emperor

Establishment of the cross; The fall and redemption of humanity. The cross on which Christ has been established is established by soldiers. Twenty-nine print from a series of forty.

Christ on the cross ..

The new Calvary (IT)

The Crucifixion, Execution, of Jesus of Nazareth, Christ, Good Friday, Golgotha, c. 1780, Pehr Horberg, Historical, digitally restored reproduction from a 19th century original.

Jesus dies at the cross. Our Lord Jesus the son of God made man dies on the cross. John book, New Testament. Old 19th century Color lithography illustration from Jesus Christ by Veuillot 1890

Life of Saint Philip of Jesus (Vida de San Felipe de Jesus) José Montes de Oca (Mexican, active ca. 1788-1820). Life of Saint Philip of Jesus (Vida de San Felipe de Jesus), 1801. Engraved prints on white antique laid paper, modern binding, size of cover: 9 1/8 x 6 7/16 in. (23.2 x 16.4 cm). These three objects tell a story of Mexicos early nineteenth-century Creole patriotism. The Mexican independence movement was fueled by Creoles, who were often denied a voice in colonial government. The 1821 Act of Independence formalized the independence that had been declared in 1810 and was signed by many Creole aristocrats, among them Don José María Gómez de Cervantes, whose portrait is on view nearby. New World figures like the Virgin of Guadalupe, who miraculously appeared to the Indian Juan Diego in 1521, and Saint Felipe de Jesús, the first Mexican-born saint, became important nationalist symbols, supporting the idea that the independence of Mexico was divinely ordained. Estos tres objetos

Crucifixion of Christ, left part, Pieter de Jode (I), 1590 - 1632 print The 'good' criminal on the cross. On the left in the foreground the soldiers who dice around the clothes of Christ. A rider and two bystanders watch. On the right the lans carrier (Longinus) on horseback. In the background the three holy women on their way to the grave of Christ. With a top of a rule in Latin and in the margin a three -faced caption in Latin. Antwerp paper engraving comprehensive representations of the events on Golgotha during Christ's hanging on the cross, no particular event emphasized

Photo production of the painting Christ on the cross, by Anthony Van Dyck, Anonymous, After Anthony Van Dyck, 1858 - 1866 Photograph. visit card Antwerp paper. cardboard albumen print Christ on the cross on Golgotha (alone, without bystanders)

Bliżej Kultury unknown

Lazio Roma Rome S. Maria in Vallicella24. Hutzel, Max 1960-1990 Views of 16th church's facade by Fausto Rughesi(1605). Views of interior nave, altars, sacristy, and collection in private rooms. Extensive coverage of frescoes and paintings. Three views of an embroidery with a depiction of the Assumption of the Virgin. General Notes: Views of Oratorio dei Filippini are filed separately, but retain H-numbers within this monument's numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Christ (Christ in the adoration of Polish kings); Wyczóżó KOWSKI, Leon (1852-1936), Cotty, Jan (Warsaw; printing and lithographic infection; 1863-1939); 1915 (1915-00-00-1915-00-00);

Italian 15th Century, Pax, Christ on Cross Pax, Christ on Cross

Crossing, Anthonie van den Bos, After Unknown, c. 1778 - c. 1838 print Christ and Simon van Cyrene together wear the cross on their shoulders. They are accompanied by three soldiers, one of which is wearing lance. paper etching Simon the Cyrenian compelled to help Christ to bear the cross

18th century French popular woodcut print of the Crucifixion of Christ circa 1860

Copper engraving by an anonymous artist from the second half of the 15th century depicting the acceptance of the cross, showing human figures and religious symbols.

Christ on the Kruis, Arnold Houbraken, 1681 - 1683 print Christ on the cross. In the foreground three dice soldiers, next to the cross a warrior with the shield on the left arm and a spear in the right hand. Title page of the first edition of Antonius Baynaeus crossed Christ, in 1683. Dordrecht paper etching the crucifixion of Christ: prelude to Christ's death on the cross (Matthew 27:34-44; Mark 15:23-32; Luke 23:33-43; John 19:18-24). soldiers throwing dice for Christ's seamless garment ~ Christ's death on the cross

Christ is Helped by Simon of Cyrene, plate five from Stations of the Cross Made 1748 Italy. Etching on paper . Giovanni Domenico Tiepolo

A crucifix with Christ in Oriental clothing, free to the image 'Volto Santo' (holy face) in the Lucca cathedral. An altar with a chalice for the Crucifix. In the margin a four-line explanatory memorandum in Latin on the cedarage image, which was made by Nikodemus according to tradition.

Tuscany Siena Sinalunga S. Bernardino7. Hutzel, Max 1960-1990 Exterior views of portal. Portal and vestibule date from the 15th cent. The church, with its octagonal cupola, date from the 17th cent. Interior views include: 4 of the Stations of the Cross, located in the vestibule; and frescoes of the Annunciation, a Baptism of Christ, and a Madonna & Child, which was painted in 1486 by Guidoccio Cozzarelli. There are also photos of architectural details of the octagonal cupola and of a wooden crucifix. Object Notes: Hutzel photo campaign date: March 7, 1983. Although there are notes for only one campaign, there is a second set of photos similar to, but not exactly like, the recorded set. The original numbers of this second set do not correspond to the numbers on the notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation o

Via crucis - Station V, Simon of Cyrene Helps Him to Carry the Cross, Giovanni Domenico Tiepolo, Italian, 1727 - 1804, Etching on cream laid paper, First state, Italy, ca. 1749, Print, Print

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