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Crucifixion Scenes in Art

Dramatic depictions of the crucifixion featuring Christ, Mary, and John. Rich details capturing emotional scenes of mourning and reverence in historical religious art.

Italy, Cartaro, Mario, Descent from the Cross, verso - stamped, The body of Christ is taken down from the cross by Joseph of Arimathea and Nicodemus. The Marys mourn under the cross. On the left and right the two thieves are still hanging on their crosses. In the background a city., print, prent, prints, prenten, height 387 mm, width 319 mm, print maker, prentmaker, 1570 - 1570, paper, papier, etching, etsen, Work conception, 1560 - 1620
Italy, Cartaro, Mario, Descent from the Cross, verso - stamped, The body of Christ is taken down from the cross by Joseph of Arimathea and Nicodemus. The Marys mourn under the cross. On the left and right the two thieves are still hanging on their crosses. In the background a city., print, prent, prints, prenten, height 387 mm, width 319 mm, print maker, prentmaker, 1570 - 1570, paper, papier, etching, etsen, Work conception, 1560 - 1620
137 assets in this story
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Christ on the cross unknown, Angelico, Fra (b. ; 1395 1400 1455)
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Station V - Jesus Is Helped by Simon of Cyrene to Carry the Cross. 1749. Tiepolo, Giovanni Domenico, 1726-1804. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection
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Christ on the Cross, Franz Isaac Brun, 1562 print Germany paper engraving crucified Christ with Mary and John on either side of the cross; Holy Rood
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Saint ANDREW is crucified
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Colored copper engraving, 15th-16th century, depicting the crucifixion, emphasizing figures, gestures, and sacred context.
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Raising of the Cross, from The Fall and Redemption of Man Made 1510-1518 Germany. Woodcut in black on ivory laid paper . Albrecht Altdorfer
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From Godzalige Huiszegen. / The Benedicton of the household. / Mirakuleus beeld van o.-l.-v. SCHERPENHEUVEL. / Miraculous image of N.-D. in Montaigu, Jacobs -Brosens, 1700 - 1900 print Leaf with 2 shows. Left: Christ on the cross with the crying Mary Magdalena at his feet. Around the show a text in Dutch and French. Right: an appearance of Maria with child in the crown of a tree. A kneeling praying figure on both sides of the tree. A church in the background. Under the show a caption in Dutch and French. publisher: Turnhoutprint maker: Europe paper letterpress printing crucified Christ with Mary Magdalene, who usually weeps and embraces the cross - DD - the three crosses. miracles, appearances, and legends ~ Mary
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The Cross Triumphant over Worldly Powers 1782 Charles Nicolas Cochin II French. The Cross Triumphant over Worldly Powers 336502
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Christ crucified between the two thieves: an oval plate, Rembrandt van Rijn, c. 1641 print paper etching / drypoint the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)
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The International Exhibition - glass candelabrum, under the East Dome, by F. and C. Osler, 1862. One of a pair of candelabra. 'These works appear before us in such brilliancy, sharpness, and truth, that one can scarcely restrain the thought that they are masses of congealed fluid of the most perfect transparency which has crystallised under the guidance of some genius who know well how to dispose the parts into forms of beauty. Each candelabrum consists of a grand central column of a prismatic character, which has an evident tendency to effloresce or branch into forms even more beautiful than
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Photographic reproduction of a drawing of a cross with references to the Passion of Christ in the open air, probably in Italy, photograph, photo, reproduction, page, photos, photographically illustrated books, height 134 mm, width 97 mm, photographer, 1850 - 1860, photographic paper, photo paper, albumen print, albumine print, intermediary draughtsman
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Panticosa. Balneario, cristo de la Salud en su capilla.
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How that Jesus Christ has turned cruyst. The crucifixion of Christ. Maria, Johannes and Maria Magdalena under the cross. Around text in letterpress in Dutch. Completely surrounded by a decorative edge. Numbered at the bottom right: No. 38.
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The Departure of the Apostles, vintage engraving. The Departure of the Apostles, vintage engraved illustration. Magasin Pittoresque 1845. Copyright: xZoonar.com/PatrickxGuenettex 10660651
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Jesus Christ, Jesus raised on the cross, Mary (second from right), mourns below, James S. Baillie, lithograph, circa 1846.
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The Mirakuleus image of Our Lady / van der Linden to Uden, / In the land of Ravensteyn / den Godzaligen Huys -Begen / Van den Zoeten / Naem Jesus / and Zyne Lieve / Heyligen, 1800 - 1833 print Leaf with 2 shows. On the left the appearance of the miraculous image of Maria with child in a linden tree. People pray for the tree. Caption in book print. On the right Christ on the cross with the Vienna Mary Magdalena at his feet. Around text in book print. Turnwood paper letterpress printing miracles, appearances, and legends ~ Mary. crucified Christ with Mary Magdalene, who usually weeps and embraces the cross
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Jesus on his cross is surrounded with the attributes of his Passion - nails, sponge on a stick, St Veronica's handkerchief, scourges, 30 pieces of silver, cock etc.
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Italy, painting of Deposition of Jesus Christ from the Cross
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PLATE PRESENTED TO MAJOR GENERAL WEMYSS, C.B.
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Photo production of a painting by Christ on the Cross, Anonymous, 1865 - 1900 Photograph. visit card This photo is part of an album. paper. cardboard albumen print the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)
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Transvaal image, Antoon Derkinden, 1902 print A woman with a child in her arms holds a banner on which an anchor, symbol of hope, says. It is in a destroyed and burning area. At her feet lies a banged tree with fruits. On the left in the foreground is a group of women squatting for a cross. In the background a transval landscape with farmers. At the top of the inscription 'Spes Nostra Deus' (God is our hope), at the bottom of the inscription 'Incertum quo Fata Ferent Spes Alma Supersit' (it is uncertain where fate will take us, may the hope remain). paper war. Hope; 'Speranza', 'Speranza delle fatiche' (Ripa). mother and baby or young child. the cross ~ symbols of Christ Transvaal
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Crucifix of ivory from the episcopal chapel in Ghent, drawn up at an exhibition on religious objects from the Middle Ages and Renaissance in 1864 in Mechelen, Joseph Maes, 1864 - in Or Before 1866 photomechanical print Mechelen paper photolithography piece of sculpture, reproduction of a piece of sculpture (+ bone, ivory ~ arts). altarcross, crucifix Mechelen
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Female saint at the cross, Jacques Callot, 1621 - 1635 print Presentation of a female saint who embraces the cross from which Christ died. This magazine is part of the emblem series 'Monastic Life in Emblemen'. In addition to an illustrated title page and 26 emblems, the second state of this series is a title page and a magazine with assignment, both in book print without image. Nancy paper etching female saints. the empty cross(es)
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A black chalk drawing by Friedrich Overbeck from 1861 depicting Christ falling under the cross for the first time, with yellowish paper, blue-violet background, and gray-painted brushwork.
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Emblem of the Inquisition. Engraving, 1692.
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Life of Saint Philip of Jesus (Vida de San Felipe de Jesus) José Montes de Oca (Mexican, active ca. 1788-1820). Life of Saint Philip of Jesus (Vida de San Felipe de Jesus), 1801. Engraved prints on white antique laid paper, modern binding, size of cover: 9 1/8 x 6 7/16 in. (23.2 x 16.4 cm). These three objects tell a story of Mexicos early nineteenth-century Creole patriotism. The Mexican independence movement was fueled by Creoles, who were often denied a voice in colonial government. The 1821 Act of Independence formalized the independence that had been declared in 1810 and was signed by many Creole aristocrats, among them Don José María Gómez de Cervantes, whose portrait is on view nearby. New World figures like the Virgin of Guadalupe, who miraculously appeared to the Indian Juan Diego in 1521, and Saint Felipe de Jesús, the first Mexican-born saint, became important nationalist symbols, supporting the idea that the independence of Mexico was divinely ordained. Estos tres objetos
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Christ collapses for the third time at Cross -to -cross, Giovanni Domenico Tiepolo, 1749 print Christ collapses for the third time at cross -support on the way to Golgotha. In the margin under the performance, there are two lines of Italian text under the title. Venice paper etching / engraving third fall ~ Christ carrying the cross
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The menhir of Pleumeur-Bodou, in France. Colour lithograph after A. de Mortillet.
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Cave n ͦ. 3 W: Monumens de Rhodes Linati, Witdoeck, P. J., Litographic: Belge by H. Delpierre
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Christ Crucified between the Two Thieves The Three Crosses 1653 Holland. Drypoint and burin on ivory laid paper . Rembrandt van Rijn
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Christ Crucified between the Two Thieves (The Three Crosses). Dated: 1653. Medium: drypoint and burin. Museum: National Gallery of Art, Washington DC. Author: Rembrandt.
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Symbolism for the 11th century Crusades, Historical, digitally restored reproduction from a 19th century original
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Copper engraving and etching by François Forster in 1851 depicting Christ on the cross.
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The Cross and Crown of Thorns with a bunch of roses. Chromolithograph.
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Christ aan de Geselpaal, Alexander Voet (I), After Abraham van Diepenbeeck, 1628 - 1689 print Antwerp parchment (animal material) engraving Christ on the whipping-post (after the flagellation)
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Crucified Jesus / Jesus crucified, no 310 Unknown, Lacour, François fl. 1842 1858, Glémarec
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Photo production of a print, representing the crucifixion of Christ, Anonymous, c. 1865 - c. 1870 photograph photographic support albumen print the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)