Daily Life Illustrations

Etchings depicting scenes of everyday life, including domestic activities, market interactions, and character studies of peasants.

Rembrandt van Rijn (Dutch, 1606-1669), The Strolling Musicians, c. 1635, etching

Hon. Booth Grey (Circle of Mrs. Delany), 1740-1802, British, Travelling Vendor Offering Scissors to an Old Woman Leaning over a Cottage Door, c. 1780. Etching.

Peasant Paying his Bill 1610-85 Adriaen van Ostade Dutch. Peasant Paying his Bill 396486

Tobit and Anna. Artist: Willem van der Leeuw. Draughtsman: Moses ter Borch. After Gerard Dou. Dating: 1661. Place: Zwolle. Measurements: h 284 mm × w 226 mm. Museum: Rijksmuseum, Amsterdam.

The Public Scrivener 1790 Jean Jacques de Boissieu French. The Public Scrivener. Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). 1790. Etching with drypoint and roulette; fourth state of four. Prints

Rembrandt van Rijn (Dutch, 1606-1669), The Strolling Musicians, c. 1635, etching

Prisoners in Kerker, Cornelis de Wael, 1630 - 1648 print The prisoners are chained to blocks. One of them talks to someone through the hatch in the door. Another looks out through the bars in the window. Italy paper etching / engraving prison, jail

Print, A Woman with Children; Designed by François Boucher (French, 1703-1770); Print Maker: Gabriel Huquier (French, 1695-1772); France; etching on laid paper

Interior with kneeling man. A man kneels for a seated man. Behind it attracts a man to her apron.

TricTrac players in an inn, Adriaen van Ostade, 1666 - 1670 print Haarlem paper etching inn, coffee-house, public house, etc.. backgammon, tric-trac

Christ and the Woman of Samaria Among Ruins, Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Etching on laid paper, Christ, seated left, at a well among the ruins. Woman stands, holding the well rope in her right hand. A group of men are coming up the hill to the right., Netherlands, 1634, figures, Print, Print

Young couple when confessing a misstep, Anonymous, After Richard Brakenburg, c. 1700 - c. 1800 print Farming interior with a young man who kneels on the floor and asks forgiveness from the father of the girl he seduced. The girl is behind the kneeling man and an older woman pulls her apron aside so that her belly becomes visible. A print with Adam and Eva hangs on the wall. Netherlands paper etching fallen woman. pregnant woman. pregnancy

The Strolling Musicians, c. 1635. Rembrandt van Rijn (Dutch, 1606-1669). Etching and drypoint; sheet: 14.5 x 11.8 cm (5 11/16 x 4 5/8 in.); platemark: 14.1 x 11.5 cm (5 9/16 x 4 1/2 in.).

L'Atelier de Rembrandt, tableau de J. Gilbert (Rembrandt's Studio, a painting by J. Gilbert), from "L'Univers Illustré," p. 395 November 14, 1861 William Luson Thomas British Rembrandt is shown working in his studio, painting at an easel while observed by a well-to-do Dutch patron and other figures. Next to the artist is a table covered with a carpet and painting paraphernalia. On the left are elements of costume, and three female figures, an old woman wearing a ruff, a young pretty girl, and a child, who examines sheets in an open portfolio. Sir John Gilbert, who conceived the scene, and Thomas who engraved it, were both British, but the wood engraving published in a French periodical, demonstrating the frequent flow across the Channel of artistic imagery and skilled printmaking.. L'Atelier de Rembrandt, tableau de J. Gilbert (Rembrandt's Studio, a painting by J. Gilbert), from "L'Univers Illustré," p. 395 656830

Bernard, Michel and Alvin-Beaumont, Rijn, Rembrandt van, Maria with child, with cat and snake, The Holy Family with the Cat and Snake, verso center bottom - pencil, print, engraving, prints, Rembrandt f. 1654, middle bottom, Coppier, height 95 mm, width 142 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1654 - 1654, third quarter 17th century, third quarter 17e eeuw, third quarter 19th century, third quarter 19e eeuw, fourth quarter 19th century, fourth quarter 19e eeuw, first quarter 20st century, first quarter 20e eeuw, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Chrystus i Samarytanka wśród ruin (rycina pionowa). Rembrandt van Rijn (1606-1669), graphic artist

Three magicians burning a snake, from the Scherzi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Plate: 9 x 7 1/16 in. (22.8 x 18 cm)Sheet: 13 1/2 x 9 1/4 in. (34.3 x 23.5 cm). Date: ca. 1743-50. Museum: Metropolitan Museum of Art, New York, USA.

Print made by George Cruikshank, 1792-1878, British, Norma Dispatching the Provisions, 1838. Etching on medium, slightly textured, cream wove paper.

Weaponsmid on Het Work, Reinier Craeycatcher, 1822 - 1880 print A weapon mith sits on a chair for an anvil and works with a hammer an object that he holds in a tongs. There are parts of a harness next to the anvil. Behind him a fireplace. On the right his wife is in his arms with a child. Amsterdam China paper etching handicrafts ~ metal. forging (industrial process). mother and baby or young child. smith, blacksmith (+ indoors; in laboratory, factory, barn, etc.). armour

Street musicians, Richard de Saint-Non, after Rembrandt van Rijn, 1771 print paper etching more than one musician with instrument

Peter and John Healing the Cripple at the Gate of the Temple. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet (Trimmed): 7 7/16 × 8 5/16 in. (18.9 × 21.1 cm). Date: 1659. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

Rijn, Rembrandt van, The Adoration of the Shepherds, with the oil lamp, verso lower left - stamped, print, prints, Rembrandt f., center lower, height 105 mm, width 130 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1652 - 1656, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, plate tone, Work conception, after own design by

Copper engraving by Jonas Suyderhoef depicting a scene in front of a tavern, created between 1633 and 1686, showing 17th-century social interactions and urban life.

The childhood; The ages of man, "Les Quatres Ages de la Vie Humaine". Interior with children playing of different ages. A young child is in a high chair and plays with a mill while a girl engages with a doll and a piece of cake. A boy entertained with a cat and a dog. On the wall is a print with the 'the stairs of ages'. The print is part of a series of four prints about the ages of man.

Young woman at the shoemaker, Charles Billoin, after Jean Baptiste Madou, 1823 - 1869 print paper. etching shoe-maker, cobbler

Moldavian Interior, 1865. Rodolphe Bresdin (French, 1822-1885). Etching; sheet: 29.4 x 22.5 cm (11 9/16 x 8 7/8 in.); platemark: 19.9 x 12.3 cm (7 13/16 x 4 13/16 in.).

Liberation from Petrus from prison ..

The Child and the Bulldog 1778 Marguerite Gérard French This is one of the early experimental etchings made by Marguerite Gérard when she was seventeen years old and being trained by her famous brother-in-law, Jean Honoré Fragonard (1732-1806). The image is based on a drawing by Fragonard today in the Brooklyn Museum of Art. Playfully, a young woman places a baby on the back of a bulldog, as if he were about to ride it like a horse.. The Child and the Bulldog 396791

Rembrandt van Rijn, Joseph's Coat Brought to Jacob, c 1633 Joseph's Coat Brought to Jacob

Mailing farmers in Herberg, William Baillie, After David Teniers (II), 1771 print Pardens farmers in an inn with pipe -fitting spectators. On the right a window through which an old woman looks inside. silk. paper playing-cards. inn, coffee-house, public house, etc.

Interior with man caught by his wife, Anonymous, After David Teniers, 1600 - 1699 print France paper etching / engraving interior of the house. unsuccessful love affair; seduction. Betrayal (+ situation or event (especially in genre-painting) with symbolical connotation)

Joseph's Coat Brought to Jacob 1628-1638 Holland. Etching and drypoint on laid white paper . Rembrandt van Rijn

Farmers in society after Adrien Brouwer (Hollstein 36) Bega, Cornelis Pietersz. Farmers in society after Adrien Brouwer (Hollstein 36). Etching.

Father of the Family Giving Broth to His Baby. Artist: Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Sheet: 5 1/8 × 3 3/4 in. (13 × 9.6 cm). Date: 1610-85. Museum: Metropolitan Museum of Art, New York, USA.

Woman with Ton in a stable with two cows, Jan Stobbaerts, 1848 - 1879 print paper etching stall, stable. cow. adult woman. wooden container: barrel, cask, bucket

Smokers and Drinkers, Jacob Hoolaart, After Adriaen van Ostade, 1723 - 1789 print Dordrecht paper inn, coffee-house, public house, etc.. pipe ~ tobacco

A boy arrives late into a room where the master and other boys are already present. Engraving by J.T. Smyth after W. Mulready.

Untitled (peasantscene). Artist: Christian Rosee, German, born 1804 After: Adriaen van Ostade, Dutch, 1610-1685

First Guard-Room. Artist: After François Boucher (French, Paris 1703-1770 Paris); Jacques Gabriel Huquier (French, Paris 1730-1805 Shrewsbury). Dimensions: Sheet (trimmed): 13 7/16 × 8 1/4 in. (34.2 × 20.9 cm). Publisher: Buldet (French). Date: ca. 1754. Museum: Metropolitan Museum of Art, New York, USA.

Dierensatire, Egbert van Heemskerck (II), 1674 - 1744 drawing Animals, including a cat, donkey and dog, perform surgery on a cat. paper brush animals acting as human beings. cat. dog. hoofed animals: donkey. operation, surgery

Man pays his expenses to woman in an inn, Adriaen van Ostade, 1648-1653

Musicians and drink in a tavern, Jan Miense Molenaer, 1619 - 1708.

Interior with sitting figures and vegetable manden, Jacques Beauvarlet, after Jan van Assen, 1756 print paper etching / engraving vegetables. merchant, salesman

Fishermen's Wives (Femmes de pecheurs). Medium: etching and (drypoint). Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Entrance to a Peasant's House. Charles Émile Jacque; French, 1813-1894. Date: 1845. Dimensions: 127 × 101 mm (image); 137 × 109 mm (sheet). Etching and engraving on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Animals, including a cat, donkey and dog, perform surgery on a cat, Animal satire, draughtsman: Egbert van Heemskerck (II), 1674 - 1744, paper, brush, h 350 mm × w 306 mm

Amusemens Flamans (Flemish Amusements), circa 1750-1770, by Louis Lempereur, David Teniers the Younger. Gift of Bishop Monrad, 1869.

The Humpbacked Violinist. Artist: Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Sheet: 6 5/16 × 4 5/16 in. (16.1 × 10.9 cm). Date: 1610-85. Museum: Metropolitan Museum of Art, New York, USA.

Companionship at fireplace, print maker: anonymous, Netherlands, c. 1600 - c. 1699, paper, etching, h 135 mm × w 116 mm

Peter and John Healing the Cripple at the Gate of the Temple. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1659. Dimensions: 181 x 218 mm (image/sheet, cut within plate mark). Etching, engraving, and drypoint on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Farmership at a table, Karel Hagenbeek, 1790 - c. 1843 print A peasant family at the table in an interior, in an oval. Southern Netherlands paper etching farmers. pipe ~ tobacco. jar, jug (used as drinking-vessel). index finger forwards, pointing, indicating. table

Amsterdam, Jonghe, Clement de, Ostade, Adriaen van, Haarlem, Suyderhoef, Jonas, Arguing peasants around a table, verso - stamped, In an inn interior, two peasants are about to attack each other with drawn knives. The seated peasant on the right is being restrained by the man next to him. The standing peasant on the left is being grabbed by the arm by a woman. In the foreground a child and an old man., print, prent, prints, height 445 mm, width 375 mm, 1613 - 1686-05-09, print maker, printmaker, 1643 - 1677, paper, papier, engraving, engraving (printing process), Noord-Nederlands, 1610-12-19 - 1685-04-28, after, after painting by, Publication (Event), Publication, 1624 - 1677, publisher

The Adoration of the Shepherds: With the Lamp Rembrandt Harmensz. van Rijn (Dutch, 1606-1669). The Adoration of the Shepherds: With the Lamp, ca. 1654. Etching on laid paper, Plate: 4 1/8 x 5 1/16 in. (10.5 x 12.9 cm). European Art ca. 1654

Kellen, David van der (1827-1895), Summer house, verso - stamped, Under the veranda of a summer house a lady with a hat is working, she is possibly the wife of the printmaker. In front of her is a cart, with a child in it, next to a girl. The scene is depicted in an oval frame., print, prent, prints, prenten, height 125 mm, width 175 mm, 1827-01-02 - 1895-09-09, print maker, printmaker, 1837 - 1882, paper, papier, etching, etchings

The Sint Nicolaasfeest, Johannes Arnoldus Boland, after Jan Havicksz. Steen, 1875 - 1876 print paper. etching festivities on St. Nicholas (Eve) (December 5)

A family are saddened by the sale of their pet lamb. Engraving by C. Rolls after W. Collins, 1813.

Three eating old women at a table, Nicolaes van Haeften, 1694 print Three eating old women at a table. A standing old woman behind them. Left front one ton on which a jug. There is a print on the wall Paris paper etching eating

The Pancake Woman, 1635. Rembrandt van Rijn (Dutch, 1606-1669). Etching; sheet: 10.1 x 8 cm (4 x 3 1/8 in.). The Pancake Woman exemplifies Rembrandt's observation of daily life. The scene includes closely observed details, such as the child on the right who gazes thoughtfully into the frying pan and the toddler in the foreground holding his pancake out of reach of a hungry dog who chases him.

Laer, Pieter Bodding van, Wijck, Thomas, Spinner and blacksmith, verso lower left - stamped, A man is forging an iron. On the left sits a spinning woman. A man and a woman are watching. In the background a donkey., print, prent, prints, prenten, height 88 mm, width 77 mm, Noord-Nederlands, 1624 - 1677-08-19, print maker, printmaker, 1626 - 1677, paper, papier, etching, etsen, Work conception, 1599-12-14 - 1642-06-30

Robert Blyth, 1750-1784, Banditti...Representing Banditti Variously Employed: Enjoying Domestic Happiness, 1779. Etching.

Harmensz Van Rijn Rembrandt (1606-1969). "Joseph telling his dreams (B 37 - 1st state), 1638". Museum of Fine Arts of the City of Paris, Petit Palais. 26993-18 Adolescence, Old Testament, Bible, Catholic, Chretian Christian, Biblical Scene

Flute shepherd and spinster; The man sitting on the fountain. With JUST address. Danckertz.

Le Cordondier Renommé (Dutuit 14) Dusart, Cornelis. The renowned shoemaker (DuTUIT 14). Etching.

Bernard, Michel and Alvin-Beaumont, Rijn, Rembrandt van, Three oriental figures (Jacob and Laban), verso center bottom - pencil, print, engraving, prints, engravings, Rembrandt f. 1641 (mirror image), upper right, Coppier, height 143 mm, width 113 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1641 - 1641, second quarter 17th century, second quarter 17e eeuw, third quarter 19th century, fourth quarter 19th century, fourth quarter 19e eeuw, first quarter 20st century, first quarter 20e eeuw, paper, papier, etching, etchings, drypoint, dry needle, Work conception, after own design by, Publication (Event), Publication, publisher

Beggar eating grapes. Scene from the Anonymous Spanish Schelmenroman Lazarillo of Tormes. The young Lázaro steals grapes from a poor blind beggar. A bridge in the background.

The peasant paying his ecot (Bartsch 42) Adriaen van Ostade (1610-1685). The peasant paying his ecot (Bartsch 42). Floor and dry tip, 1647-1653.

Cicero in Catilinam March 17, 1785 James Sayers British In November 1784, a year after King George III appointed him chief minister, William Pitt faced a general election that secured his claim to office. Here, he stands before the House of Commons, addressing his bitter rivals, Charles James Fox and Frederick Lord North, who squirm with anger at being forced onto Parliaments Opposition Benches. Fox demonstrates disrespect by wearing his hat and chewing his fingers. North scowls and buries his head in papers. The printmaker expresses his admiration through the title which compares the youthful Pitt to Cicero, a statesman who preserved the Roman Republic by suppressing a coup détat led by the patrician Catiline. Sayers has brilliantly reduced the complex rivalries driving British politics to a dynamic among three figures. Expressively, densely etched lines set the scene in a half-light suggestive of moral darkness.. Cicero in Catilinam 392484

La marchande de moutarde , Merchants, Doors & doorways. James McNeill Whistler (1834-1903). Lithographs

Peter and John Healing the Cripple at the Gate of the Temple, Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Etching on laid paper, An archway in the foreground; SS. Peter and John stand above the figure of the crippled man, left foreground. Groups of figures to the left and right in the background., Netherlands, 1659, figures, Print, Print

Amsterdam, Schenk, Leonard, 't Monkey Game in the World, Monkey Game in the World, Monkeys Weigh and Count Money, verso - stamped, Monkeys as bankers, on the right a monkey weighs coins on a scale. Part of a series consisting of a title print with 16 unnumbered plates from ca. 1720 in which monkeys appear as people in all kinds of scenes from daily life. Each print with a two-line verse in the caption., print, prints, Frederik Muller Historieplaten, height 155 mm, width 192 mm, Noord-Nederlands, 1696-02-26 - 1767-06-11, print maker, printmaker, 1720 - 1720, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publicatie, publisher

Le rémouleur., 1845 - 1850. Grinding wheels., Etching, drypoint, and roulette; state noted with standard reference number

Joseph's jacket is shown to Jacob. Copy to the Print of the same name by Rembrandt.

The Quack 1610-85 Adriaen van Ostade Dutch. The Quack 396338

Rijn, Rembrandt van, Christ the Emmaus: large plate, verso bottom center, print, prints, Rembrandt f. 1654, lower left, upper right, height 210 mm, width 161 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1654 - 1654, third quarter 17th century, Eastern paper, etching, etchings, Work conception, after own design by

The Adoration of the Shepherds early 1640s Samuel van Hoogstraten Dutch. The Adoration of the Shepherds. Samuel van Hoogstraten (Dutch, Dordrecht 1627-1678 Dordrecht). early 1640s. Pen and brown ink, brush and brown wash, over black chalk. Drawings

Inneration with man on horseback who gives a letter to a young woman, Jan Stobbaerts, 1848 - 1879 print On the Verso part of a table with numbers and place names. paper etching / letterpress printing letter, envelope. riding a horse, ass, or mule; rider, horseman. courtyard. adolescent, young woman, maiden

The Pancake Woman 1635 Rembrandt (Rembrandt van Rijn) Dutch. The Pancake Woman 391622

The five senses (taste), 1642-1650, Utrecht, by Jan Both, Andries Both.

Wrapped in "sweating" blankets and close to the fire Moll Hackabout nears death as two doctors argue. Engraving by William Hogarth.

Judgment at Matejk; Care, Ignacy (1865-1941), Matejko, Jan (1838-1893), Society of Zach 1901-1902 (1901-00-00-1902-00-00);Leopold (1850-1912) - collection, Matejko Jan, Méyet, Dar (provenance), Personality, TZSP bonus

Man speaks to a company. A man at a kitchen table speaks to a careful listening company. A large fireplace behind him. On the ground a jug, baskets, an ax and an enclosed stool.

Inn interior, Jacob Gole, after Adriaen van Ostade, 1670 - 1724 print Interior of an inn with two men who play tricks and men who watch, drink and talk. Some men are sitting by the fireplace. Amsterdam paper backgammon, tric-trac. inn, coffee-house, public house, etc.. open hearth, fire-place. pipe ~ tobacco

Leasters (Bartsch 50) Adriaen van Ostade (1610-1685). Taste (Bartsch 50). Floor and dry tip, 1647-1652.

Artist at work in his studio, Léon Brunin, 1889 print paper etching / drypoint workshop, studio ~ painter

Several adults and children listen to the story of a quack trying to sell his wares near a large tree and tent . In the foreground is a small boy with a hoop watching with his back to the viewer. The scene has a semi-circular top, Quack selling his wares, print maker: Adriaen van Ostade, (mentioned on object), Adriaen van Ostade, Haarlem, 1648, paper, etching, h 148 mm × w 122 mm

What a golden beak!; Que Pico de Oro!; Los Caprichos. A parrot on an increase, all around is a group of lute earners, including two monks. Three-three-fifth print from the Los Caprichos series.

Alexandre Gabriel Decamps, The Slave Market (recto) The Slave Market recto

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Święto róż Wieńczenie grobów Laying wreaths on graves; The celebration of roses; from: `Tygodnik Ilustrowany` 1907, no. 34 (24 August), p. 690. Bong, Richard (1853-1935), printing house, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Flemish Interior. Dated: 1873. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Rodolphe Bresdin.

Dark gray-brown brush and leading handle drawing by Christian Wilhelm Ernst Dietrich, c.1732, showing Don Quichote approaching, with figure, horse, and landscape elements.

Study for a second edition, never published, of Colle's La Partie de Chasse de Henri IV , Act III, Scene 10 1699-1766 France. Pen and black ink, over black chalk, on oval- shaped gray laid paper, incised for transfer and perimeter mounted on ivory laid paper . Hubert François Gravelot

Christ at Emmaus: The Larger Plate 1654 Rembrandt (Rembrandt van Rijn) Dutch. Christ at Emmaus: The Larger Plate 391998

The Sad Discovery of the Graceless Apprentice November 30, 1785 Thomas Rowlandson. The Sad Discovery of the Graceless Apprentice. Thomas Rowlandson (British, London 1757-1827 London). November 30, 1785. Etching. John Raphael Smith (British, baptized Derby 1751-1812 Doncaster). Prints

Life class , Artists' models, Classrooms, Art education, Drawing. George Bellows (1882-1925). Prints and Drawings

The triumph of Mordecai.

Landscape with charlatans on a stage, Jean Jacques de Boissieu, after Karel du Jardin, 1772 print France paper. etching / drypoint quack, charlatan, mountebank, 'saltimbanco'. performance in the open air (pleasure fair)

TWE PRATING PASSED, FRIDUEDIVE THERODORE FASUE, 1828 print A sitting man in conversation with a standing man with a bowl in his hands. Brussels paper etching address, talk, lecture (~ meeting) - AA - in the open air

A Young Man Caressing the Young Hostess Artist's working dates 1640-1664 Netherlands. Etching in black on paper . Cornelis Pietersz. Bega

Intérieur de ferme., 1845 - 1846. Farms., Etching, engraving, and drypoint; state noted with standard reference number

What a golden beak!, Francisco de Goya, 1797 - 1799 print A parrot on an elevation, around is a group of lute residents, including two monks. Fifty -three print from the Los Caprichos series. Spain paper etching ornamental birds: parrot. animals acting as human beings

Vegetable Market at Pontoise (Marche aux legumes a Pontoise). Dated: 1891. Dimensions: plate: 25.5 x 20.1 cm (10 1/16 x 7 15/16 in.) sheet: 39 x 29 cm (15 3/8 x 11 7/16 in.). Medium: etching and aquatint (zinc)posthumous impression . Museum: National Gallery of Art, Washington DC. Author: CAMILLE PISSARRO.

of 3