Daily Life Illustrations

Etchings depicting scenes of everyday life, including domestic activities, market interactions, and character studies of peasants.

Rembrandt van Rijn (Dutch, 1606-1669), The Strolling Musicians, c. 1635, etching

Reinaert de Vos steals a capon, Allaert van Everdingen, 1665 - 1675 print Reinaert de Vos, with the stolen rooster next to him, runs away for the pastor who rises from the table with a knife and a candle. Isengrijn the wolf is hidden in the cupboard. Netherlands paper etching fable of Reynard the Fox

La Devidessuse (Bartsch 25) Adriaen van Ostade (1610-1685). The devidist (Bartsch 25). Forte, circa 1668.

Christ and the Woman of Samaria: An ArchedPrint. Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

The Angel Departing From The Family of Tobias, Rembrandt van Rijn, 1641 print Japanese paper (handmade paper) etching / drypoint other scenes ~ the book of Tobit

Men at work at a well, Auguste André Lançon, 1877 print paper etching / drypoint mining

A pencil drawing by Josef Danhauser from 1837 showing a variant study of an ophthalmologist, highlighting figure, posture, and occupation details.

Interior with a woman at the fireplace, Leopold Löwenstam, After Jozef Israëls, 1852 - 1898 print Interior with a woman who fires the fireplace. paper etching interior of the house. open hearth, fire-place

Figure photography:Karnicki, Justinian (1806-1876), Karnicki, Justinian (1806-1876)-collections, Rafael (1483-1520)-reproduction, raimondi, marcantonio (Ca 1470/1482-Ca 1527/1534)-reproduction, Smolikowski, Seweryn ( 1850-1920) - collection, gift (provenance), photography of a work of art (artist), collections, religious art

Singer Standing Between Two Smokers 1610-85 Adriaen van Ostade Dutch. Singer Standing Between Two Smokers 396230

Saenredam, Jan, Schreuder, Bernhard, Amsterdam, Ploos van Amstel, Cornelis, Pig slaughter, verso - stamped, In a courtyard a man and a woman are slaughtering a pig., print, prints, height 158 mm, width 160 mm, Northern Netherlands, 1726-01-04 - 1798-12-20, supervision, 1778 - 1787, paper, print drawing, etching, etchings, roulette, - 1780-10-16, print maker, printmaker, 1565 - 1607-04-06, intermediary draughtsman

Varkenslacht, Cornelis Ploos van Amstel, after Jan Saenredam, 1778 - 1787 print A man and a woman slaughter a pig in a courtyard. Amsterdam paper etching butcher, slaughterman. slaughtered ox or pig

The Dame's Absence, from "Illustrated London News" July 4, 1857 Harvey Orrin Smith In their teacher's absence, a group of children attending a country dame school grow restless and seem ready to get into mischief. One takes off her smock, another eats an apple, others look at a jug and mug at right. Rankley had trained at the schools of the Royal Academy and sent literary, poetic and dramatic subjects there for exhibition from 1841. By the 1850s he was moving towards genre and contemporary narrative with titles such as "The Sunday School" (1850), "The Village School" (1856). The present image belongs to the latter group, and the related painting was shown at the Royal Academy in 1857, then engraved by Harvey Orrin Smith for the "Illustrated London News." Founded in 1842 as the worlds first weekly news magazine, this periodical regularly published examples of contemporary art and exhibition reviews.. The Dame's Absence, from "Illustrated London News". After Alfred Rankley (British, 181

The Drunkard's Return, Matthijs Maris, c. 1856 - c. 1857 drawing The lost Son. paper. ink pen / brush drunkenness

Christ and the Woman of Samaria, Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Etching on laid paper, The arched print depicts Christ and a woman standing beside a well at left. Group of figures at lower right and in background. Foliage and houses in distance., Netherlands, 1657-58, figures, Print, Print

La Prière du matin. Jules Jacques Veyrassat (France, Paris, 1828-1893). France, 1857. Prints; etchings. Etching

François Philippe Charpentier after Jean Honoré Fragonard, La Culbute (The Tumble), 1766 La Culbute (The Tumble)

Joseph-Marie Vien (1716-1809). "The Sultan's caravan in Mecca. White sultana". Engraving (etching). 1748. Museum of Fine Arts in the city of Paris, Petit Palais. 74201-21 Seat, headdress, comedy, costume, etching, fantasy, woman, character, sultana, 18th 18th 18th 18th 18th 18th 18 century, engraving, feather

Giovanni Domenico Tiepolo, The Prison Visit, 1797 1804 The Prison Visit

Stable with cows: The season autumn, Pieter Nolpe, after Pieter Symonsz Potter, 1640 - 1706 print In a stable on the left are three cows in the straw. A woman puts the laundry in a tub. On the right in the foreground is a team. At the bottom of the margin a two -way verse in Dutch and a two -way verse in French. Numbered in the bottom right: 3. Print from a series of different months, which also depict an element or season. Amsterdam paper etching / engraving agricultural implements: plough. November ~ other concepts. autumn ~ human activities (the four seasons of the year). stall, stable. laundering

Street of the Girls of Bildah, sketch. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1912. Dimensions: 174 × 131 mm (image/plate); 198 × 160 mm (sheet). Etching on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Surgery and a patient in an interior; Feeling; The five senses. In an interior a surgery has been kneeling at the clarified leg of a man, which is frightening and with open mouth the viewer. Behind them is a woman with folded hands. In addition to her a dog. In the background a cupboard with bottles and jacks and left in the foreground a turtle, the symbol for feeling (attribute of Venus).

The hour of death.Copy to the print of the Same Name by Rembrandt.

18th century Dutch engraving showing the 'l'ecole du bon Gout' (the good school of gout) An 18th century Dutch inn, where men sit drinking

Man with hat sitting on the corner of a street near a box and monkey, Guillaume Joseph Vertommen, after Jules de Senezcourt, 1825 - 1863 print paper ETCHING / ROUCH adult man. street. monkeys, apes. chest, coffer

Youth; La Jeunesse; The ages of man, "Les Quatres Ages de la Vie Humaine". On a terrace for a hostel under a pergola is a young love couple in an intimate attitude at a table. They eat waffles and drink wine and beer. In the background a second love couple in a hug. The print is part of a series of four prints about the ages of man.

Christ and Samaritan Harmensz van Rijn Rembrandt (1606-1669). Christ and Samaritan (B 70 - 3rd state). Floor, dry tip, 1658. Museum of Fine Arts in the city of Paris, small palace.

The Blind Hurdy-Gurdy Player and Family Receiving Alms. Artist: After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: sheet: 6 1/2 x 5 1/16 in. (16.5 x 12.9 cm). Date: 1648. Museum: Metropolitan Museum of Art, New York, USA. Author: After Rembrandt (Rembrandt van Rijn).

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Merzbach, Ludwik (1820 1890), Żupański, Jan Konstanty (1804 1883)

Wijck, Thomas, Woman carrying two baskets, verso lower left - stamped, A woman in the harbour, with a basket on her head and a basket in her hand. She looks back at a man. A child sits along the path. In the background a church on a mountain., print, prent, prints, prenten, height 110 mm, width 119 mm, Noord-Nederlands, 1624 - 1677-08-19, print maker, prentmaker, 1626 - 1677, paper, papier, etching, etsen

Boeren Interieur, Anthonie van den Bos, After Adriaen van Ostade, 1778 - 1838 print A group of farmers are sitting around a table in a farmer's room. The farmers drink and are exhausted. A boy plays with a little girl on the floor. Netherlands paper etching farm (building) - AA - civic architecture: inside

Farm interior with two women, Bernhard Schreuder, After Cornelis Pietersz. Bega, 1772 - 1787 print Interior with two women at a cradle. The print is loose in an album, see page 42. Amsterdam paper etching interior of the house. cradle, crib. open hearth, fire-place

Woman at a Well. Charles Émile Jacque; French, 1813-1894. Date: 1842. Dimensions: 81 × 51 mm (image/chine); 88 × 57 mm (sheet); 140 × 105 mm (tertiary support). Etching on ivory wove paper laid down on white wove paper, laid down on ivory wove card. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Interior with a woman who makes sausage, Jacques-Philippe Le Bas, 1747 print Numbered bottom left: No. 50. Paris paper etching / engraving butcher, slaughterman. sausage. slaughtered ox or pig

Prinsjesdag. The company celebrates the birth of Prince William III, November 14, 1660, Johannes Arnoldus Boland, after Jan Havicksz. Steen, 1875 - 1876 print paper. etching public festivities

Christ and the Woman of Samaria among Ruins. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

Man opens against column. Scene from the Anonymous Spanish Schelmenroman Lazarillo of Tormes. The young Lázaro is the humiliation of his master was sitting on which he intentionally leaves him against a column. In the background a church (Santa Maria in Coeli in Rome).

Etching by Rembrandt Harmensz. van Rijn from 1641 titled 'The Schoolmaster', depicting a seated schoolmaster and a student in an interior setting.

Print made by Isaac Beckett, 1652/3-1719, British, The Dutch School, between 1683 and 1688. Mezzotint on medium, moderately textured, cream laid paper.

The Adoration of the Shepherds, from The Life of the Virgin Made 1503 Germany. Woodcut in black on tan laid paper . Albrecht Dürer

The Mouse's Petition, William Ward, 1766-1826, British, after James Ward, 1769-1859, British, 1805, Mezzotint, proof before all letters, Plate: 19 x 23 3/4in. (48.3 x 60.3cm)

Rijn, Rembrandt van, Smith of Chichester, John, Christ and the woman of Samaria among ruins, verso - stamped, print, prints, height 118 mm, width 107 mm, English, 1717 - 1764-07-29, print maker, printmaker, 1727 - 1764, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

Jews in the Synagogue. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1647-1648. Dimensions: 70 x 130 mm (image/plate); 78 x 135mm (sheet). Etching and drypoint on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

The Good Samaritan, Salomon Savery, After Rembrandt van Rijn, After 1633 - 1683 print paper etching the good Samaritan (Luke 10:30-37)

Abraham and Isaac (reverse copy) n.d. After Rembrandt (Rembrandt van Rijn) Dutch. Abraham and Isaac (reverse copy) 391764

. Interior with a woman who opens the fireplace.

Ford: Hang her, witch” - Act IV, Scene II, Merry Wives of Windsor. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Two rags dealers discuss a print; Il a raison l'Moutard (...)). Satire at the French Revolution. The razor dealers complain that those who have started the revolution do not benefit from the outcome.

Black chalk and greenish gray brushwork by Ernst Barlach for 'Teaching for the Dead Day', Act 5: Curse, showing figures, gestures, costumes, composition, and stage-like setting, circa 1912.

Dutch Peasant Family Pen, brown ink, grey and brown wash. Adrien van Ostade (1610-1685) Dutch painter and draughtsman. Domestic Interior M other Father Parent Child Fire Cooking Pot Food Preparation

Parijs, Basan, Pierre François, Teniers, David, France, The military preparations, Military preparations, Paris, verso - stamped, print, prints, height 427 mm, width 307 mm, French, 1723-10-23 - 1797-01-12, print maker, printmaker, 1733 - 1797, paper, papier, etching, etchings, engraving, engraving (printing process), after, after painting by, Publication (Event), Publication, publisher

La Devidessuse (Bartsch 25) Adriaen van Ostade (1610-1685). The devidist (Bartsch 25). Forte, circa 1668.

Thomas Rowlandson (1757-1827), a Laerd Academy of Blaastremper, assembled around a table in a book room, Beginning of 19th Century

Summer 1860-1870 France. Etching, engraving and roulette on ivory China paper laid down on ivory wove paper . Charles Émile Jacque

Study for The Mother's Bribe, or The Temptation to be Washed. Drawing. Graphite and gray wash on medium, slightly textured, beige laid paper. Height: 137 mm (5.39 in); Width: 175 mm (6.88 in). Author: James Ward.

Old woman delouses a girl, Jan van Ossenbeeck, 1647 - 1674

Violinist and Little Organgrinder. Artist: Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Sheet: 5 15/16 × 5 1/16 in. (15.1 × 12.9 cm). Date: 1610-85. Museum: Metropolitan Museum of Art, New York, USA.

Rembrandt van Rijn (1606-1669), Christ I Emaus, 1654

The Barricade Edouard Manet French Printer Lemercier & Cie. French ca. 1871, published 1884 This print presents Manets response to the French governments brutal suppression of the Paris Commune in 1871 filtered through the lens of art historical precedents and the artists own prior work. Manet borrowed the soldiers who fire upon the Communards from his censored print, "The Execution of Maximilian" (21.48), which referenced the work of Spanish painter Francisco Goya. Through this layering and the explicit depiction of violence, Manet makes clear his condemnation of the governments actions and, consequently, the print remained unpublished until the year following the artists death. Beyond its political critique, the work displays Manets lively use of the lithographic medium. He employed the side of the crayon to indicate the brightly lit architecture of the background with broad strokes and reserved areas of the paper to suggest the rifles smoke. View more. The Barricade. Edouard Manet (

Drinkers 1843 Charles Jacque. Drinkers. Charles Jacque (French, Paris 1813-1894 Paris). 1843. Drypoint. Prints

Fashionage ..

The Dutch Peasants', 17th century.

Théobald Chartran (1849-1907). "Bernard Palissy opening, with the permission of the king, a public minerology course (in 1575)". Sketch for the Sorbonne staircase. Oil on canvas and black pencil, around 1888. Museum of Fine Arts of the city of Paris, Petit Palais. 24956-7 Ceramist, public courses, writer, eleve, teaching, teaching, sorbonne staircase, sketch, education, francais, mininerology, professor, scientist, university

Le manège , Mills, Horses, Monks, Alphonse Legros (1837-1911)

The Entombment. Dated: c. 1654. Medium: etching, drypoint and burin. Museum: National Gallery of Art, Washington DC. Author: Rembrandt Harmensz van Rijn.

The workshop Ruprecht von der Pfalz, says Prince Rupert (1619-1682). The workshop. Engraving (black way).

Violinist and Little Organgrinder 1610-85 Adriaen van Ostade Dutch. Violinist and Little Organgrinder 396322

Spring Blossoms. Winslow Homer (American, 1836-1910); published by Harper's Weekly (American, 1857-1916). Date: 1870. Dimensions: 233 x 351 mm (image); 274 x 390 mm (sheet). Wood engraving on buff wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

The goldsmith.

Francisco Goya's 1799 etching and aquatint 'The Whims: What a Golden Peak!' depicts a satirical scene with human figures and symbolic elements, emphasizing composition and gesture.

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The five singers in an open window can be understood as a satire on the literary gatherings of the rederijers. At the bottom the text is etched in mirror image: het eersten van mijn leven tot Antwerpen., Five singers in an open window: the rederijkers, print maker: Nicolaes van Haeften, (mentioned on object), Antwerp, 1690, paper, etching, h 142 mm × w 93 mm

Two women watching themselves image; Scholtz, Julius (1825-1893); 1850-1893 (1850-00-00-1893-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Scholtz, Hanna (Flow. Ca 1912) - gift, paintings, portraits, German drawings, genre scenes, interiors

A drawing by Simon Fokke from 1744 depicting Hugo Grotius entering a chest, executed with pen, gray washes, and graphite pencil.

James McNeill Whistler, Longshoremen, 1859 Longshoremen

Four music -making men in an interior, William Unger, After Anton Seitz, 1870 print paper etching more than one musician with instrument. interior of the house

Francisco de Goya (Spanish, 1746-1828). Perhaps They Are of Another Breed (Si Son de Otro Linage), 1810-1815, printed 1863. From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint.

Jean-Baptiste Greuze, French (1725-1805), A Tired Woman with Two Children, 1750-1761, pen and brown ink with brown wash over black chalk on laid paper; laid down

Rijn, Rembrandt van, The Entombment, verso bottom left, print, prints, verso bottom center, height 211 mm, width 161 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1652 - 1656, third quarter 17th century, paper, papier, etching, etchings, plate tone, drypoint, dry needle, burin, Work conception, after own design by

Petits, petits!! 1864 Charles Jacque. Petits, petits!!. Charles Jacque (French, Paris 1813-1894 Paris). 1864. Etching. Prints

Rhine, Rembrandt van, The treasure coin, verso lower left, print, prints, height 73 mm, width 103 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1632 - 1637, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, burin, Work conception, after own design by

Amsterdam, Danckerts, Justus, Berchem, Nicolaes Pietersz., Noordelijke Nederlanden, Visscher, Jan de, Boerendans, Northern Netherlands, verso - stamped, In a barn, a couple is dancing exuberantly to the accompaniment of a violinist and a man with a hurdy-gurdy. Others watch, smoke their pipes or have a conversation. In the foreground a kissing couple., print, prints, height 456 mm, width 373 mm, 1633 - 1692, print maker, printmaker, 1643 - 1701, paper, etching, etchings, engraving, engraving (printing process), 1620 - 1683-02-18, after, after painting by, Publication (Event), Publication, 1635-11-11 - 1701-07-16, publisher

The Prison Visit. Dated: 1797/1804. Dimensions: overall: 34.9 x 46.5 cm (13 3/4 x 18 5/16 in.). Medium: pen and brown ink with brown wash over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Domenico Tiepolo.

Sultan with consequence, Marius Bauer, 1930 print A man sat on a horse is held a parasol above the head. Around him other men on horseback, guards and kneeling figures. paper etching riding a horse, ass, or mule; rider, horseman. parasol, sunshade. contrast between important and unimportant people; the inferior before the superior, the weak before the mighty

The Hague, Fuhri, Koenraad, Last, Carel Christiaan Antony, Parents listen to girl and her drum, The girl beats her drum with sticks. The father holds his hands over his ears., print, prints, height 275 mm, width 370 mm, Dutch, 1808-12-11 - 1876-12-17, print maker, printmaker, 1837 - 1855, paper, papier, lithografie (techniek), Work conception, after a design by, 1814 - 1858, printer, drukker

Fragment of a composition: Eastern dignitary (Tatar) and knight by a barrel. unknown, graphic artist, Witkiewicz, Stanisław (1851-1915), draughtsman, cartoonist

The Raid Made 1910 France. Woodcut in dark gray-tan, light gray-tan and black on cream wove Japanese paper . Louis Auguste Lepère

Leiden, Vliet, Jan Georg van, The five senses, Smell, Surgeon and a patient in an interior, In an interior a surgeon kneels by the bare leg of a man, who looks at the viewer, startled and open-mouthed. Behind them stands a woman with folded hands. Next to her is a dog. In the background a cupboard with bottles and mortars and on the left in the foreground a turtle, the symbol for feeling (attribute of Venus)., print, prent, prints, engravings, height 243 mm, width 199 mm, Noord-Nederlands, 1610 - 1668, print maker, printmaker, 1634 - 1634, paper, papier, etching, etchings, engraving, engraving (printing process)

Market Scene in City with the Parable of the Laborers in the Vineyard in the Background 1603 Jacob Matham After a painting by Pieter Aertsen in the Städelsches Kunstinstitut, Frankfurt. Lettered above "Lange Pier pinx. / Maetham sculp et excud". In the margin two columns of text, each four lines "Hon nisi ... minus ille iuvet." by "SSH" (Simon Sovius of Haarlem). Market Scene in City with the Parable of the Laborers in the Vineyard in the Background. Jacob Matham (Netherlandish, Haarlem 1571-1631 Haarlem). 1603. Prints

The Circumcision in The Stable, Rembrandt van Rijn, 1654 print paper etching circumcision of the Christ-child by Mary

Alphonse Legros, Procession in the Sepulchre of Saint Medard(Procession dans les caveaux de StMedard), 1859 Procession in the Sepulchre of Saint Medard(Procession dans les caveaux de St.Medard)

Alphonse Legros, Saint Peter and Saint Paul at the Door of Bonhomme Misere (Saint Pierre et Saint Paula la port du Bonhomme Misere) Saint Peter and Saint Paul at the Door of Bonhomme Misere (Saint Pierre et Saint Paula la port du Bonhomme Misere)

The homecoming of two members of the circle of friends, Jacob Cats (1741-1799), 1751 - 1799, draughtsman: Jacob Cats (1741-1799), 1751 - 1799, paper, brush, h 258 mm × w 287 mm

Three bird cages, containing a canary, a lark and a nightingale, hang on a gable The owner is listening to the birds singing In the background a church, Birdcages on a Gable The lark and the nightingale , print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), publisher: Johannes Allart, (mentioned on object), Amsterdam, 1777, paper, etching, h 235 mm × w 149 mm

Tod (Death), from the series Ein Weberaufstand (A Weavers Revolt). Artist: Käthe Kollwitz, German, 1867-1945

William Ludwell Sheppard, "Merry Christmas and Christmas Gift, Ole Massa", Dec. 31, 1870, woodblock print on paper.

The Anglers of the Dove - Farmer Chell's Kitchen,1862. John Everett Millais (d.1896) and Joseph Swain (d.1909)

Het opladen van een postkoets. Diligence onderneming by Stevens op 't Vreeburg te Utrecht (...) (title on object). Draughtsman: Pieter van Loon (mentioned on object). Dating: 1842. Measurements: h 129 mm × w 194 mm. Museum: Rijksmuseum, Amsterdam.

The merry farmer's meal, Leendert van der Cooghen, 1642 - 1681, draughtsman: Leendert van der Cooghen, 1642 - 1681, paper, h 365 mm × w 485 mm

The workshop, by EUG. Ladreyt.

VARSE WAAR VAN DEN EDEL, Anonymous, 1813 drawing A market woman offers the public meat for sale. paper. deck paint brush historical events and situations. shop, store. meat; still life of meat

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