Daily Life Illustrations

Etchings depicting scenes of everyday life, including domestic activities, market interactions, and character studies of peasants.

Rembrandt van Rijn (Dutch, 1606-1669), The Strolling Musicians, c. 1635, etching

Giovanni Domenico Tiepolo, Joseph and Mary Prepare to Leave, published 1753 Joseph and Mary Prepare to Leave

Bliżej Kultury Norblin, Jan Piotr (1745 1830)

The rat vendor. Mirror-image copy to the Print of the same name from Rembrandt.

Boy at the Spit, Daniel Nikolaus Chodowiecki, 1764 print paper etching spit ~ cooking. boy (child between toddler and youth)

George Jones, 1786-1869, British, The Blacksmith, undated. Brown wash and white gouache on moderately thick, rough, gray wove paper.

Group of Artists in Jean-Baptiste Isabey's Studio. Artist: Louis Léopold Boilly (French, La Bassée 1761-1845 Paris). Dimensions: sheet: 15 3/8 x 21 3/8 in. (39 x 54.3 cm). Date: n.d..This recently discovered sheet is a study for one of Boilly's most famous paintings depicting a gathering of artists in the studio of Jean-Baptiste Isabey (French, 1767-1855). The finished canvas, exhibited at the Salon of 1798, is a group portrait of thirty-one prominent artistic figures, each one a closely observed portrait that was studied in an individual oil sketch. Executed earlier in the preparatory process, this quickly worked study focuses on the arrangement of a group of figures around a table on the right side of the composition. Museum: Metropolitan Museum of Art, New York, USA.

The Bath Tub Cars. "- Say, Jerome....did you see these travellers yesterday who complained about our cars under the pretext that the rain inconvenienced them - For only 7 Francs they traveled to Orléans, including a four hour bath.... there are people who are never content! Next they will want us to serve them an almond-paté as part of the bargain... and then they don't even give a sou to the boy who cleans the bath tub," plate 10 from Les Chemins De Fer. Honoré Victorin Daumier; French, 1808-1879. Date: 1843. Dimensions: 212 × 269 mm (image); 268 × 360 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

The messenger.

Causerie villageoise (VillageTalk). Artist: Jean-Émile Laboureur, French, 1877-1943

Boy at the Spit, Daniel Nikolaus Chodowiecki, 1764 print paper etching spit ~ cooking. boy (child between toddler and youth)

Peter liberated from prison, Benjamin Gerritsz Cuyp, 1632 - 1652 drawing paper. chalk prison, jail

Sir John Everett Millais, 1829-1896, British, The Dying Man, ca. 1853. Pen and brown ink and brown wash on medium, slightly textured, cream wove paper.

Interior of an inn with drinking and fighting farmers, Adriaen van Ostade, after Jan Havicksz. Steen, 1620 - 1685 drawing paper. pencil. ink pen / brush drunken brawl (usually peasants fighting in an inn). inn, coffee-house, public house, etc.

Feast for the lost son, Pieter Cornelisz. called art, 1528 drawing paper. ink pen the parable of the prodigal son (Luke 15:11-32)

French Privateers, Cruising in the English Channel, Print made by unknown artist, eighteenth century, Published by Carington Bowles, 1724-1793, British, 1792, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 16 1/4 × 11 5/8 inches (41.3 × 29.5 cm), Plate: 13 7/8 × 9 7/8 inches (35.2 × 25.1 cm), and Image: 12 3/4 × 9 7/8 inches (32.4 × 25.1 cm)

Three Smokers at a Window. Nicolas van Haften; Dutch, 1663-1715. Date: 1683-1715. Dimensions: 334 × 247 mm. Mezzotint on ivory paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA. Author: Nicolas van Haften.

Square of the Black Forest Square of the Black Forest , in the Temple's tile. Paris (3rd arrest). Engraved wood. Fox Editor.

View of Jacob van Liesvelt's bookstore in Antwerp in the sixteenth century, Pierre Jean-Baptiste Van Reeth, after Henri Leys (Baron), 1832-1866 print Antwerp paper. etching book-stall, kiosk. house combined with shop. street Antwerp

IN THE SUNNY SOUTH, PACKING ORANGES IN THE MARKETPLACE AT SEVILLE, SPAIN

Alphonse Legros, English Beggars (Les mendiants anglais), 1875 English Beggars (Les mendiants anglais)

Grom from the bright sky according to Friedrich Hidedemann. A clip from a German magazine. Cject, Adolf (184094), Cirk Louis (N.n.), Hought HERRNH, Friedrich, Friedrich (1849 189)

The Refectory Made 1862 France. Etching on cream laid paper . Alphonse Legros

And you cry for that, my nice doe ... / 9. (title registered) | The end of the ear (title of all)

De Messenger, Johannes Christiaan d'Arnaud Gerkens, 1833 - 1892 drawing paper. ink. pencil pen / brush messenger

Men on a quay with tons of fish at work. .

William Caxton (c1422-1491) in his printing shop.

The departure of the prodigal son, shown at about to mount his horse, from a series of four prints ca. 1645 Pietro Testa Italian. The departure of the prodigal son, shown at about to mount his horse, from a series of four prints. The Prodigal Son. Pietro Testa (Italian, Lucca 1612-1650 Rome). ca. 1645. Etching. Prints

Blacksmiths at work. Mezzotint by J. McArdell.

A Palanquin, etching#53. Artist: Marius A. J. Bauer, Dutch, 1867-1932

The latest news according to David Teniers II. A clip from a German magazine Weigand, Friedrich (1842 1913), Teniers, David II (M .; 1610 1690)

Court Scene 1870-1891 England. Pen and brown ink, with brush and brown wash and touches of white gouache, over traces of black chalk, on cream wove paper, laid down on card . Charles Samuel Keene

Les mendiants Anglais , Beggars, Alphonse Legros (1837-1911)

Retour au Foyer. Théophile Alexandre Steinlen (Switzerland, Lausanne, active France, 1859-1923). France, circa 1918. Prints; lithographs. Lithograph

Roman painting. Thetis, whose image is reflected in the shield, look carefully at the golden armour that Hephaestus has made for Achilles. Pompeii (IX, 1,7). Italy.

Juliusz Kossak (1824-1899), Trial illustrations for `Wiesław`; from: "Tygodnik Ilustrowany" 1885 no. 51, general collection no. 467, year IX. unknown, reproduction atelier, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Umbria Perugia Trevi Palazzo Communale, Pinacoteca0. Hutzel, Max 1960-1990 Views of the 15th century facade of the Palazzo Communale and the Piazza Mazzini. Views of the fine collection of Umbrian painting, sculpture, metal work and Deruta Maiolica in the Pinacoteca. Of special note is a sculptural group which is an excellent example of the great 19th century sculptor Cesare Aureli. The photos also show the encycolpedic collection of Umbrian paintings (14th-16th centuries) highlighted by works of Giovanni Spagna, Giusto di Grand and Pinturricchio. Object Notes: Hutzel shot this campaign in 1984. General Notes: Prints H-35, 37, 46 and 48 were erroneously attributted to Benozzo Gozzoli by Hutzel. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including object

Strolling actresses dressing in a barn, a look behind the scenes of a backstage dressing room. Engraving by W. Hogarth.

Interior of an Inn, 1800s. Anonymous. Watercolor and graphite;

Christ at Emmaus: the larger plate. prints, etchings, drypoints, engravings, works on paper

Photo production of a painting by Velázquez, presenting women in a spinning mill; Velazquez. - Une Fabrique De Tapis.- Les Fileuses. (Au Musée du Prado) .. Part of travel album with pictures of sights in Spain and Morocco.

Netherlands, I have Dam, Draughts players in the coffee room of Felix Meritis in Amsterdam, ca. 1800, verso - stamped, Four men are sitting at a table, the two in front are playing at a draughtsboard. In the coffee room of Felix Meritis in Amsterdam, ca. 1800. The player on the left, bent over the bid, is said to be the Jewish broker Ephraim van Embden, the player on the right is said to be the hydraulic engineer Cornelis Zillesen and the third person is the draughts player JA Jourdani., print, engraving, prints, engravings, Frederik Muller Historieplaten, height 245 mm, width 173 mm, print maker, printmaker, 1800 - 1810, paper, papier, mezzotint

Venantius Fortunatus lies on a canap, print maker: Petrus Johannes Arendzen, (mentioned on object), after: Lourens Alma Tadema, (mentioned on object), Netherlands, after 1862 - c. 1900

He peep-box man, peep-box is a display and viewing device that allows a look inside and presents graphics with deceptively real perspective width to the viewer. From the second half of the 18th century onwards, the peep-box was a popular fairground attraction throughout Europe, Historic, digital reproduction of an original 19th-century artwork, original date not known

Interior with three men, Anonymous, 1700 - 1800 drawing Interior at candlelight with two standing men in a sitting man, behind a table on which are coins. paper. ink. pencil pen / brush interior of the house. candle. coin

Lazio Roma Subiaco S. Francesco7. Hutzel, Max 1960-1990 Exterior views of 14th c. church portals, facade and cloister. Interior views of simple francescan nave, altars, chapels, and refectory, with comprehensive coverage of panel paintings and frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The laundry of plaly Norbert GOENUETTE (1854-1894). La Lavoir de Plaille. Floor, Dry Tip, Roulette, Soft Varnish.

Prince Edward in Scotland, after Paul Delaroche, 1797-1856, French, 1833, Etching and mezzotint on medium, slightly textured, cream wove paper

The Flight Into Egypt Crossing A Brook, Rembrandt van Rijn, 1654 print paper etching / drypoint the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Un coin de cour.. Avery, Samuel Putnam, 1822-1904. Prints. 1864. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Children and adults, Animal feeding, Poultry

Engraving depicts a scene in the Market Platz in Würzburg a city in the region of Franconia, Northern Bavaria, Germany. Dated 1870. Dated 1870

Caridad de una muger.. Goya, Francisco (1746-1828). 1810. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Peninsular War, 1807-1814 , Atrocities, Famines , Spain

A maid clears snow for a house. Draughtsman: Johannes Jelgerhuis. Dating: 1780 - 1836. Measurements: h 231 mm × w 182 mm. Museum: Rijksmuseum, Amsterdam.

Adolph Menzel, Japanese Artist at Work, 1886 Adolph Menzel (German, 1815 - 1905 ), Japanese Artist at Work, 1886, graphite on paperboard, Ailsa Mellon Bruce Fund 1971.61.2

Interior of a Blacksmith's Shop (recto); Man Bending Over, Seen from Read (verso) Artist's working dates 1833-1894 France. Black pastel, with black crayon and with stumping (recto), and black chalk (verso), on ivory wove paper . Charles Émile Jacque

Cisaches with hot pepper! (in Warsaw in Wolnica); Piwarski, Jan Feliks (1794-1859), Bank Polski (Warsaw; Litographic Plant; 1829-1862); 1841 (1840-00-00-1841-00-00);

The Potato Peelers, 1863. Théodule Ribot (French, 1823-1891), A. Cadart & F. Chevalier, rue Richelieu, 66. Etching on chine collé; sheet: 43.5 x 29.3 cm (17 1/8 x 11 9/16 in.); platemark: 31.8 x 24 cm (12 1/2 x 9 7/16 in.).

Caught in the Act (from "Harper's Bazar," Vol. VIII) May 22, 1875 William Ludwell Sheppard. Caught in the Act (from "Harper's Bazar," Vol. VIII) 700208

Sir David Wilkie, 1785-1841, British, The Interior of Pitlessie Mill with a Man Sieving Corn, 1818. Watercolor and gouache over graphite on moderately thick, moderately textured, cream laid paper.

A pencil and watercolor drawing by Carl Schindler from 1840 depicting the last evening of a convict, focusing on figure, posture, and scene details.

The Sunday morning, vintage engraved illustration. Magasin Pittoresque 1844.

Nicholas Pocock, 1740-1821, British, Interior of an Inn, ca. 1815. Watercolor and brush and brown ink over graphite on thick, slightly textured, cream wove paper.

The country cobbler , Shoemakers, Children. Thomas Rowlandson (1756-1827). Prints and Drawings

Auguste Lepère, The House of the Woodcutter, Vendee (La maison du bucheron, Vendee), 1915 The House of the Woodcutter, Vendee (La maison du bucheron, Vendee)

Changing room of the artists at the Grand Theatre. Podkowiński, Władysław (1866-1895), draughtsman, cartoonist

Study sheet with figures and a resting fishmonger with a pipe Study print, Etudes grav, print maker: Jacob Ernst Marcus, (mentioned on object), Amsterdam, Mar-1808, paper, etching, h 123 mm - w 217 mm

Mephistopheles is a demon in German folklore. He originally appeared in the Faust legend about a historical scholar named Johann Georg Faust who wagers his sould with the devil. The German author Johann Wolfgang von Goethe incoroporated the tale into his tragedy titled Faust, which was published in the early 1800s. In this late 19th-century illustration, Faust (seated) is shown bargaining with Mephistopheles.

Family in an Iron Meder, Richard Earlom, After Joseph Wright of Derby, 1778 print London paper smith, blacksmith. family life. iron and steel industry

Henri Leys, Faust and Wagner, 1869 Faust and Wagner

Artist: Henri Leys, Belgian, 1815-1869, LesArchers, Etching, sheet: 15.5 × 20 cm (6 1/8 × 7 7/8in.), Yale Art LibraryTransfer, Made in Belgium, Belgian, 19thcentury, Works on Paper -Prints

The Rest on the Flight into Egypt. Dated: 1909. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

François Bonvin (French, 1817 - 1887), La Porte de St Malo à Dinan, 1871, etching on laid paper

Sculptors in Lutery during the Gallo-Roman Era: Orangery Decoration Project (Lapidaire Museum) of the Carnavalet Museum (Factituator Title)

Alphonse Legros (French, 1837 - 1911), Archers (Les archers), 1862, etching

Albrecht Dürer: The worship of the kings, Galleria degli Uffizi, Florence. Donation of the Ballheimer family, Hamburg

Shifting, Reinier Craeyvanger, 1822 - 1880 print A skipper helps a family of a father, a mother and a daughter on the rowing boat. Amsterdam paper etching family group, especially parents with their child(ren). rowing-boat, canoe, etc.. seaman

Abruzzo, L'Aquila, San Stefano di Sessanio, Parrocchiale, Italy, 20th century, photo, photography, Europe

The Parable of the Prodigal Son: The Departure No. 1 1882 James Tissot French. The Parable of the Prodigal Son: The Departure No. 1. The Parable of the Prodigal Son series. James Tissot (French, Nantes 1836-1902 Chenecey-Buillon). 1882. Etching on laid paper; second state of two. Prints

Artist: Christina Rüppe Chalon, Dutch, 1748-1808, CourtyardScene, Pen and gray ink and watercolor, 21 × 19 cm (8 1/4 × 7 1/2in.), Made in The Netherlands, Dutch, 18thcentury, Works on Paper - Drawings andWatercolors

Tartar Family in Their Home, Kapskhor, Crimea, October 21, 1837. Denis Auguste Marie Raffet (French, 1804-1860); printed by Auguste Bry (French, 19th century); published by Chez Gihaut Frères (French, 19th century). Date: 1846. Dimensions: 216 × 265 mm (image); 218 × 266 mm (primary support); 299 × 368 mm (secondary support). Lithograph in black on ivory chine laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

John Raphael Smith, 1752-1812, British, Cottage Family, 1803. Handcolored mezzotint on moderately thick, moderately textured, beige, laid paper.

Sous le charme, final state. Chardon & Sormani (Paryż ; drukarnia ; fl. ca 1886-ca 1892), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Worms, Jules (1832-1914 aut 1924), painter

Kamchadal or Koryak people inside a yurt, Kamchatka, 1800s. A man in reindeer-skin clothes starts a fire, watched by a woman with child. Two dog carcasses hang from a wall. Interieur d'une habitation Kamtschadale. Handcoloured copperplate engraving from A. Antoine de Saint-Gervaiss Album des Peuples, ou Collection de Tableaux, Album of Peoples, or Collection of Paintings, J. Langlume et Peltier, Paris, 1835. Reprinted from Moeurs et coutumes des Peuples, Hocquart, 1811.

Millet, Jean François, Goupil & Cie, Michelez, Charles, La greffe, Reproduction of La greffe by Jean-François Millet, recto - printed, photomechanical print, reproduction, page, photos, photographically illustrated books, Millet, Galerie Contemporaine, Ludovic Baschet, éditeur., height 191 mm, width 250 mm, 1817 - 1883, photographer, 1873 - 1878, paper, Woodbury type, French, cliché maker, Work conception, 1814-10-04 - 1875-01-20

Types de petits Gens: Le Déménagement, 1894. Jean-François Raffaëlli (French, 1850-1924). Etching and roulette; sheet: 26.5 x 20.2 cm (10 7/16 x 7 15/16 in.); platemark: 20.2 x 15.7 cm (7 15/16 x 6 3/16 in.).

In the inn accord to the drawing Stanisław Masłowski. Cleastle from Tygodnik Ilustrowany 1875 (1) 225 Służki Ski, Józef (1857 1928), Masków, Stanis Aw (1853 1926)

Josi, Christiaan, Ostade, Adriaen van, Amsterdam, Ploos van Amstel, Cornelis, Interior with a woman at a cradle, verso - stamped, Interior with a woman at a cradle. The woman is talking to a man who is standing outside at the open window. A child plays by the hearth., print, prints, height 136 mm, width 201 mm, Northern Netherlands, 1726-01-04 - 1798-12-20, print maker, printmaker, 1821 - 1821, paper, drawing, carbon copy, roulette, hand colouring, Dutch, 1768 - 1828-11, 1610-12-19 - 1685-04-28, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Christian Inspiration 1883-1886 Pierre Puvis de Chavannes French Combining watercolor and pastel, this work lays out the composition for one of three major murals Puvis designed for the staircase of the Musée des Beaux-Arts of Lyon. To treat the subject of Christianity as a source of inspiration for making art, Puvis shows a "Fra Angelico-type" working to complete a mural while younger artists look on. He dedicated the sheet to one of his own students, Paul Baudoüin, who became a leading practitioner of fresco in late nineteenth-century France.. Christian Inspiration 339665

Kamchadale at a winter stop; Unknown, Niemirów, Leopold (1810-1883), Draeger, F. (Moscow; Litographic insole; Ca 1850-1860); 1856 (1856-00-00-1856-00-00);Boczkowska, Maria Celestyna (1840-1931) - collections, Boulchov, Ivan (Fl. Ca 1856). Voyage Dans La Siberie Orientale, Kamchatale, Siberia (Russia), Album Factis, Ethnography, Illustrations, Unknown (provenance)

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Pod niebem Grecji Sztuka ; Pracownia artysty Artist’s Workshop; Art; Under Greek Skies; from: `Wędrowiec` 1903, no. 4 (January 24th), p. 66. unknown, photographer, Wierzbicki, B. i S-ka (Warszawa ; zakład graficzny ; 1897-1944), reproduction atelier, Wędrowiec (Warszawa ; czasopismo ; 1863-1906), publisher

Bliżej Kultury Cassell and Company Ltd., London, Paris, New York and Melbourne, Penrose, James Doyle (1862 1932)

Teniers, David (II), Antwerp, Maes, Joseph, L'Ivrogne, Reproduction of a painting of a drunken man by David Teniers II, photomechanical print, page, reproduction, photographs, photographically illustrated books, height 118 mm, width 159 mm, Belgian, 1838 - 1908, photographer, 1873 - 1878, paper, Woodburytypie, cliché maker, South Netherlands, 1610 - 1690-04-25

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