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Decorative Asian Pottery

A collection of intricately designed Asian pottery featuring colorful motifs, floral patterns, and historical influences from China and Delft.

Pot with lid of multicolored painted Faïence, the Greek A, After Pieter Adriaensz. Kocx, after widow Pieter Adriaensz. Kocx-van der Heul, c. 1700 - c. 1725 Pot of Faïence with a flat lid. Multicolored painted with flower branches and birds. Delft . Pot of Faïence with a flat lid. Multicolored painted with flower branches and birds. Delft .
Pot with lid of multicolored painted Faïence, the Greek A, After Pieter Adriaensz. Kocx, after widow Pieter Adriaensz. Kocx-van der Heul, c. 1700 - c. 1725 Pot of Faïence with a flat lid. Multicolored painted with flower branches and birds. Delft . Pot of Faïence with a flat lid. Multicolored painted with flower branches and birds. Delft .
269 assets in this story
Pair of Lidded Jars. UnknownBottle, multi-colored painted with a kakiemon decor, Meissener Porzellan Manufaktur, c. 1730 Octagonal bottle of painted porcelain and a gilded bronze frame. The vase has a slender neck and is painted on both sides with flowering plants in Kakiemon style. The vase is marked. Float porcelain Octagonal bottle of painted porcelain and a gilded bronze frame. The vase has a slender neck and is painted on both sides with flowering plants in Kakiemon style. The vase is marked. Float porcelainVase, 19th century, Unknown Japanese, 12-3/16 x 9-1/4 x 9-1/4 in. (31.0 x 23.5 x 23.5 cm), Cloisonné enamel over bronze, Japan, 19th centuryCache pin Kaszpot Louis XV in teeth HeavenlyVase, anonymous, c. 1740 - c. 1760 Long egg -shaped vase of porcelain, painted on the glaze on the glaze in blue, red, pink, green, yellow, brown, black and gold. The wall is covered with flower vessels with two large cartouches with curl work saved in it; one cartouche with a European woman in a landscape with rolled -up sleeves bearing a basket full of fruit, the other cartouche with a pipe -smoking European man in an interior at a table with a servant next to him who pours a glass full; On the edge a decorative band in Meissen style. Vase has been broken. European performance in email colors. Chinadraughtsman: Veniceprint maker: Paris porcelain. glaze. gold (metal) painting / gilding / vitrification Long egg -shaped vase of porcelain, painted on the glaze on the glaze in blue, red, pink, green, yellow, brown, black and gold. The wall is covered with flower vessels with two large cartouches with curl work saved in it; one cartouche with a European woman in a landscape with rolled -up. Sake bottle of porcelain with ribbed wall and narrow neck, upwardly spreading, painted on the glaze in blue, red, green and yellow. On the wall and shoulder a continuous, landscaped flower branch. Nabeshima.Octagonal, 'Gu'-Shaped Beakerase With Flowering Plants and Figures in a Fenced Garden in panels. Octagonal, 'gu'-shaped cup earridge made of porcelain, painted on the glaze in blue, red, pink, green, purple, black and gold. The wall is covered with piping branches against a background of a spiral pattern. On each of the eight sides a saved, scalloped cartouche with varied flower branches (peony, chrysanthemum, aster, prunus) at a rock or one or more people on a terrace or in a fenced garden in blooming plants and rocks. In the middle of the body a thickened ring with napkin interspersed with lobed cartouches with deer or birds at a peony plant. On the edge a band with flower branches on blue frog. A decorative band around the foot. Bekervaas is part of cabinet set AK-NM-11497. Family Rose.One of a Pair of Blue and White 'Antiques' Jars. China. Date: 1601-1700. Dimensions: H. 18.4 cm (7 1/4 in.); diam. 12.6 cm (4 15/16 in.). Porcelain painted in underglaze blue. Origin: China. Museum: The Chicago Art Institute, Chicago, USA.Barge Pot, "I Like It Good" Teapot And Lid; England; glazed earthenware; 30.5 x 26.5 x 17.3 cm (12 x 10 7/16 x 6 13/16 in.)Vase. Swansea Potteries & Porcelain Factory; Welsh, c.1767-1870. Date: 1810-1820. Dimensions: 35.2 x 18.1 cm (13 7/8 x 7 1/4 in.). Soft-paste porcelain with polychrome enamels and gilding. Origin: Swansea. Museum: The Chicago Art Institute, Chicago, USA.Square bottle with stopper (one of a pair) ca. 1690-1720 Japanese, for export market (Hizen ware, Imari type) The form of these bottles is based upon Dutch glass examples made for storing liquids. Potters in both Japan and China were quick to copy Western forms in order to make their export wares more easily saleable in European markets. While Japanese porcelains were imported into Europe in increasing numbers in the early eighteenth century, they nevertheless remained luxury objects and were prized in part due to the durability of porcelain, which was only beginning to be manufactured in Europe at this time.. Square bottle with stopper (one of a pair). Japanese, for export market (Hizen ware, Imari type). ca. 1690-1720. Hard-paste porcelain with underglaze blue and overglaze enamel and gilding. Ceramics-Porcelain-ExportVase; 19th/20th century (1891-00-00-1910-00-00);BUIRE. Porcelain decorated with "pink family" enamels. Paris, Cernuschi museum. 78835-31 Asian art, Chinese art, bun, porcelain, containerOvoid covered jar with women and flower pots, anonymous, c. 1700 - c. 1724 Egg -shaped lid pot of porcelain, painted on the glaze in blue, red, green, yellow, eggplant and black. The wall is divided into four compartments with alternately a woman with a fan in a fenced garden and a flower pot with flowering plants (chrysanthemum), a rock and a banner. Above the foot a tire with flower vines. The shoulder with a tire servetwork interrupted by antiques in cartouches (qin, rolls, books, go game). The lid with antiques and servetwork. Famle Verte. China porcelain. glaze. painting / vitrification Egg -shaped lid pot of porcelain, painted on the glaze in blue, red, green, yellow, eggplant and black. The wall is divided into four compartments with alternately a woman with a fan in a fenced garden and a flower pot with flowering plants (chrysanthemum), a rock and a banner. Above the foot a tire with flower vines. The shoulder with a tire servetwork interrupted by antiques in cartouches (qin, rZun-type vase. unknown, craftsmanSnuff Bottle with Cranes under a Pine Tree China. Snuff Bottle with Cranes under a Pine Tree 72437Tea or hot water urn 1760-65 British, South Staffordshire. Tea or hot water urn. British, South Staffordshire. 1760-65. Enamel on copper. Enamels-PaintedChinese Cinnabar Lacquer Vase with Bat Handles, Qing Dynasty, 19th centuryVase 1745-1755 Meissen. Hard-paste porcelain, polychrome enamels, gilding, and gilt bronze mounts . Meissen Porcelain Manufactory (Manufacturer)Vase with Dragon-Shaped Handles 1736-1795 China. Porcelain painted in overglaze enamels .Snuff Bottle, 1850-1925, 3 3/4 x 2 1/2in. (9.5 x 6.4cm), Ivory, ChinaPair of Garden Vases, De Metaale Pot, c. 1691 - c. 1724 Garden vase of earthwork. The vase stands on a low -cut foot and has two ears with volutes. The vase is rounded on the underside and provided with grunts. On the body large green acanthus leaves in relief, hanging down from the top edge. Along the foot and mouth edge, on a border above the grunts and leaves hanging on the ears in relief on blue stock. Vases with flowers are painted between the Acanthus leaves; on the grunts; A continuous flower rank on the foot; Everything in red, green and blue. Flower motifs have been saved between the groans in a green stock. Roads on the ears saved in a green stock. Delft . Garden vase of earthwork. The vase stands on a low -cut foot and has two ears with volutes. The vase is rounded on the underside and provided with grunts. On the body large green acanthus leaves in relief, hanging down from the top edge. Along the foot and mouth edge, on a border above the grunts and leaves hanging on the eVase 1879 John Bennett. Vase 9319. Fountain of faience with chinoiserie and Louis XIV decorations.JARRA DE LOZA DECORADA CON MOTIVOS ROMANTICOS. Location: PRIVATE COLLECTION. MADRID. SPAIN.Jug second half 16th century probably Italian, Squillache. Jug. probably Italian, Squillache. second half 16th century. Lead-glazed earthenware. Ceramics-PotteryCovered Vegetable Dish 1885 Union Porcelain Works Union Porcelain Works was one of the most important and inventive American porcelain manufacturers in the second-half of the nineteenth century. In addition to their imaginative works designed by the German-born artistic director, Karl H. L. Müller, the firms mainstay was the production of heavy porcelain hotel dinnerware. This extensive service was made by Thomas Carll Smith, head of the Union Porcelain Works, as a gift to his daughter, Pastora Forest Smith Chace. The neoclassical decoration of the gilt bellflower and basket motif is complimented by turquoise enamel. Unlike the firms more eccentric and lavish designs created for their display at the Philadelphia Centennial Exposition in 1876, the pottery favored a more restrained classical style for their dinner services. This service descended in the Chace family.. Covered Vegetable Dish 2576Vase. Hayakawa, Komejirô (act. c.1880-1912), craftsmanClose-up of an Apothecary jar, Venice, Veneto, ItalyIncense Burner China. Incense Burner 50523Chinese, Snuff Bottle, porcelain.Chinese, Snuff Bottle, porcelain.Roller car, blue painted on white tinglaze, anonymous, 1650 - 1799 Roller car, blue painted with in Chinese style with birds, flowers and and branches. A decorative edge at the top and top, also in Chinese style Delft earthenware Roller car, blue painted with in Chinese style with birds, flowers and and branches. A decorative edge at the top and top, also in Chinese style Delft earthenwareTankard Chesapeake Pottery American ca. 1883-85 View more. Tankard. American. ca. 1883-85. Stoneware, drab gray body, "severn" ware. Made in Baltimore, Maryland, United StatesSnuff Bottle with the Immortal Magu Carrying a Basket of Flowers 1860-1890 Japan. Ivory with painted decoration in reserve .A pair of vases; Mielów (faience and porcelain factory; 1804-); 19th century (1801-00-00-1900-00-00);Krystall, Bronisław (1887-1983) - collection, gift (provenance), decorative vasesBaluster Vase with Figures and Pavillions amid Moutaineous Landscape. China. Date: 1662-1722. Dimensions: H. 47.1 cm (18 9/16 in.); diam. 18.5 cm (7 1/4 in.). Porcelain painted in underglaze blue. Origin: China. Museum: The Chicago Art Institute, Chicago, USA.. Oil and vinegar set with lid placed in a cut-away two-piece basket on eight legs with an ear in the shape of a hose. The whole is decorated with seed beads and cartouches in relief within which multicolored flower bouquets. Marked with two crossed swords and three dumplings in underglazing blue.Waterpot ca. 1850 Japan. Waterpot. Japan. ca. 1850. Pottery covered with glaze and designs in enamel (Awata ware). Edo period (1615-1868). CeramicsBaluster jar with river landscape, anonymous, c. 1800 - c. 1899 Balus -shaped pot (lid is missing) of porcelain, painted in underlaze blue. On the wall a river landscape with people, rocks, trees, pavilions and a boat; On the shoulder a band with curl work, a decorative band around the neck. Craqueled glaze. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification Balus -shaped pot (lid is missing) of porcelain, painted in underlaze blue. On the wall a river landscape with people, rocks, trees, pavilions and a boat; On the shoulder a band with curl work, a decorative band around the neck. Craqueled glaze. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrificationCovered Milk Jug with Chinoiserie Vignettes, Royal Porcelain Manufactory, Berlin, German, established 1763, hard paste porcelain, vitreous enamel, gold, Pear-shaped, bracket lip, double-curved strap handle. Small flat cover with flower finial. Vignettes of Chinoiserie figures in landscape, with gilded and painted imbricated borders., Germany, ca. 1770, ceramics, Decorative Arts, milk jug, milk jugFlakonik - tabakierka. unknown, craftsmanTea leaf jar with ladies at leisure late 17th-early 18th century China. Tea leaf jar with ladies at leisure 48052Ewer last quarter 16th century A collection of animals appears here, their motifs suggesting a relaxed, pastoral procession on the neck and a more energetic free-for-all on the body of the jug. It is difficult to assign symbolic meanings to groups of animals this varied, though the lion, for example, has a long history in Islamic and pre-Islamic art as both a royal and an astrological symbol. Quite as likely is the possibility that the Iznik potter was attracted to animal forms solely as decoration.. Ewer. last quarter 16th century. Stonepaste; painted and glazed. Attributed to Turkey, Iznik. CeramicsJardinière 1876 Union Porcelain Works The Philadelphia Centennial Exhibition in 1876 was a critical catalyst for the development of the American Art Pottery movement. In celebration of the country's hundred-year history, the enormous fair--for which preparations began in 1871--was designed to demonstrate America's technological and artistic progress in the years since gaining its independence. Ceramics played a critical role at the fair, providing an anthology of world ceramics, the repercussions of which were felt for decades. American ceramics manufacturers saw the Centennial Exhibition as an opportunity to elevate the aesthetic and technical quality of their wares and to seize a greater part of the burgeoning ceramics market from foreign rivals. For the first time, the fair would provide a major international showcase for their products; it signaled an increasing emphasis on the artistic aspects of ceramic production. Among the important American potteries exhibiting special wares aFlask ca. 1680-1700 Dutch, Delft. Flask 206669The Portland Vase. Cameo glass, probably made in Rome About 15BC - AD 25. The Portland Vase is one of the finest surviving pieces Roman glass, and is named after the Duke of Portland who owned it from 1785 to 1945. It made of cameo glass a technique in which vessels and plaques, sometimes free-blown, sometimes cast, are created with two layers of glass. The outer layer (usually white) is carved away from the underlying dark layer (usually blue) to create decorative scenes and patterns.Apothecary jar (albarello). Culture: Italian, Naples. Dimensions: Height: 11 7/16 in. (29.1 cm). Date: 1480-1500. Museum: Metropolitan Museum of Art, New York, USA.Bowls, One of a Pair, 19th century, Dia.2-7/8 in., Porcelain, China, 19th centurySalt-glazed stoneware Tankard, with moulded decoration and copper gilt mounts. Dated 16th CenturyVase (part of a garniture) 1750-60 Chinese, for British market. Vase (part of a garniture) 201032Vase, probably Liverpool, c 1760. An unusually large piece. The sailing ships recall the decoration on ship bowls, while the scroll-pattern ground is reminiscent of the scale pattern found on Worcester porcelain of this period.Pharmacy Jar 16th century Spanish. Pharmacy Jar 467959Snuff Bottle China. Snuff Bottle 41206Water Container with Shell and Seaweed, c. 1914. Seifū Yohei IV (Japanese, 1872-1951). Porcelain with underglaze blue, blue glaze and molded design;Tankard with a painted underglaze with tulips on a blue ground from, Iznik, Turkey. Dated 16th Century. Bekvaan of porcelain with an annular thickening, painted in underglaze blue. The vase is divided into five rows of lotus leaf-shaped cartouches with landscapes. Above and below the thickening, above the foot and on the inside and outer edge a bond with a zigzag pattern. Bekervaas is part of a cupboard set. Blue White.Pitcher with a view of The Landing of the Fathers at Plymouth”. Manufacturer: Enoch Wood and Sons, British, 1820-1846After Probable source material a) painting by: Michele Felice Cornè, American, born Italy, 1752-1845After Probable source material b) engraved after: John Warner Barber, American, 1798-1885Engraver Probable source material c) engraved by: Samuel Hill, American, active 1789-1803Honorand: John Carver, American, ca. 1576-1621Honorand: William Bradford, American, 1590-1657Honorand: Edward Winslow, American, 1595-1655Honorand: William Brewster, American, 1567-1644Honorand: Myles Standish, American, ca. 1584-1656jug of the lizards, ceramic with metallic reflection, 1897-1910, La Roqueta factory, Museu de Mallorca, Palma, Majorca, Spain.Covered Incense Burner, late 18th-early 19th century, 9 x 12 in. (22.86 x 30.48 cm), White jadeite, China, 18th-19th centurySnuff Bottle with European Figures, 1736-95. China, Qing dynasty (1644-1911), Qianlong mark and reign (1736-95). Painted enamel on copper; overall: 7.4 cm (2 15/16 in.).Flower vase. Wenecja (ośrodek ceramiczny ; ca 1530- ), factoryA vase from the so -called Liwski arg, vase from the cover, from the so -called The suit of My Liwski ar, a vase from the so -called suit of My Liwski ar; Koenigliche Porcellain Fabrique, Meissen (1710-1763), Kaendler, Johann Joachim (1706-1775), Heintze, Johann George (1706/7-), Eberlein, Johann Friedrich (1695-1749); around 1739 (1739-00-00-1740-00-00);FondPorlan, Indianische Blumen, Hunting Scenes, AR SignaturesChristmas OrnamentMadrid, 09/10/2015. Interior of the Madrid Athenaeum. Photo: Ernesto Acute Archdc.CHINA, SHANGHAI, SHANGHAI MUSEUM, GIFT SHOP, REPLICAS OF TRADITIONAL CHINESE VASESVase, bottle -shaped, with inscription "pimpinelle", anonymous, c. 1530 - c. 1560 vase Bottle -shaped vase of multicolored painted majolica. Along the bottom edge of the vase, a banderol has been painted with inscription "Pimpinelle". Above the banderol, a man (David) is painted in a landscape with a sword in his right hand and a head in his left (head of Goliath). The vase includes a second vase with invnr. BK-NM-14387-A. Castelli earthenware. tin glaze. lead glaze majolicaParrot (one of a pair) ca. 1725, vase and gilt-bronze mount ca. 1745 Meissen Manufactory German. Parrot (one of a pair) 203031Two Flower Holders, De Greek A, c. 1690 - c. 1700 Flower holder Van FaiSence in the form of a child with a basket on the head Delft . Flower holder Van FaiSence in the form of a child with a basket on the head Delft .