Decorative Ceramics

Vibrant porcelain plates with intricate designs, featuring figures in nature and mythological scenes, showcasing detailed craftsmanship from various eras.

The Guest' plate, 1878, John Moyr Smith; Manufacturer: Minton and Company, Stoke-on-Trent, Staffordshire, England, est. 1793, 1 1/8 x 9 1/2 in. (2.86 x 24.13 cm) (each), Porcelain, gilt, enamel, England, 19th century

Plate with a man and woman in a garden, in the background a second women, anonymous, c. 1760 - c. 1780 Porcelain plate, painted on the glaze in blue, red, pink, green, yellow, black and gold. On the flat a representation of a lying woman in a garden with flowering plants and trees, a man sticks out his arm to her; Behind them an urn on a pedestal; In the background a woman looking at the couple from the window of a building; On the wall a band with decorative pattern; The edge with a tire flower vines. Two chips in the edge. Based on an engraving by Nicolas de Larmessin (1684-1753), entitled La Servante Justifiée. It is a verse from the stories of La Fontaine. European performance in email colors. Chinaprint maker: Paris porcelain. glaze. gold (metal) painting / gilding / vitrification Porcelain plate, painted on the glaze in blue, red, pink, green, yellow, black and gold. On the flat a representation of a lying woman in a garden with flowering plants and trees, a man sticks out his ar

Folding range with leaves, on which with gouache at the front 'Psyche in the Palace of Amor' and on the back a symmetrical combination of flowers and landscapes, on a turtle frame, anonymous, c. 1650 - c. 1675 Folding range with a thin leather leaf that is applied to the frame of turtle. The frame is partially cut out with circles and drop shapes. At the front on the leaf a brightly colored representation with the central figure probably the King's daughter Psyche, which was brought to his palace by the - for her invisible - God Amor. She was sitting in a rich interior at a table with a flying cupid (Amor) Next to her, in front of a bed with canopy. On the table gold plates and bowls, which are offered by a woman to the left of the table. To the right of Psyche, a woman arrives in front of the buffet with golden dishes. Have these two women's sisters, who encouraged her to unravel the secret identity of her loved one, who only visited her at night (in the dark!) Want to unravel her A t

Plaque with Selene and Endymion in Shadow Box 1775-1875 Burslem. Stoneware (jasperware) in partly gilded wood frame . Wedgwood Manufactory (Manufacturer)

LOZA DE PATERNA EN VERDE Y DORADO S XIII. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION. MADRID. SPAIN.

Red-Figure Fish Plate: Octopi, Mullet, Bream, Shellfish, c. 340-330 BC. Attributed to Asteas/Python Workshop (South Italian, Paestan, active c. 360-320 BC). Ceramic; diameter: 38.3 cm (15 1/16 in.); overall: 7.9 cm (3 1/8 in.); diameter of foot: 16 cm (6 5/16 in.).

A dish with a historical decor of theater scenes, China ", between 1662 and 1722. Porcelain and enamel. Museum of Fine Arts of the City of Paris, Petit Palais. Ceramic, China Dynasty Qing, Decoration, Email, Music Instrument, Decor dish, Porcelain, Theater

Dish with scene depicting Susanna and the Elders, 1568. By Pierre Courteys (c.1520-c.1586). Limoges. Copper, enamel. Grisaille painting and gilding. The State Hermitage Museum. Saint Petersburg. Russia.

Tile field, six tiles, animal decor, orange, green and blue on white, including deer, duck, dog and horse, in circle with quarter rosette in saving technique, tiled field wall tile tile sculpture ceramics pottery iron glaze metal, baked 2x glazed painted

Eugene Shellady, Pa German Plate, 1937 Pa. German Plate

Embroidered Picture (England); silk

Sun God Helios, riding his quadriga, (four horse chariot), Greece.

Fragment, c. 1900-1910. Benedetto Buglioni (Italian, 1461-1521). Glazed terracotta; overall: 198.1 x 165.1 cm (78 x 65 in.).

Harold Merriam, Bandbox, 1940 Bandbox

BATEA DE MADERA LACADA CON ESCENAS DEL QUIJOTE- ARTE MEXICANO - SIGLO XVIII. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN. DON QUIJOTE.

Hercules and Nessus. Artist: Annibale Fontana (Italian, 1540-1587). Culture: Italian, Milan. Dimensions: H. 3-1/16 x W. 4-1/16 in. (7.8 x 10.3 cm). Date: before 1584.One of the major glyptic artists working in Milan during the second half of the sixteenth century, Fontana engraved exquisitely luminous Late Mannerist scenes from classical mythology and biblical subjects in rock crystal. A casket, set with Fontana's rock-crystal plaques and made for Albrecht V, duke of Bavaria (r. 1550-79), can still to be seen in the Schatzkammer of the Munich Residenz. The Metropolitan Museum's medallion is one of a series of six surviving rock crystals engraved with episodes from the story of Hercules; the medallions were removed from a casket, now destroyed, that once belonged to the Gonzaga duke of Mantua, Vincenzo I (r. 1587-1612). The casket, ornamented with gold and pearls, would have been highly valued as a splendid example of Milanese goldsmiths' work, as well as of intaglio engraving. Museum:

Plate with Ecce Homo, De Roos (attributed to), c. 1700 - c. 1725 Faïence board with performances from the life of Christ to engravings by Hendrick Goltzius. Delft . Faïence board with performances from the life of Christ to engravings by Hendrick Goltzius. Delft .

Folded range, Faced decor: garland of flowers and leaves extending into bouquets on each side of the leaf, in the center, peasant scene: a family moves from the countryside to the city, on the left, a young woman sitting holding a basket , on the left a young boy with GAL1981.95.21 Facing sheet: chromolithized paper, golden paper edge, bélière en Mé, gouache and gold, engraved and gold, rowed bone frame, plumes with application of golden paper on the reverse, metal rivet, ivory eyes

Painting with inn scene. Painting, round, back glass painting, with a inn scene. In a gold-plated copper list.

Labors of Hercules third quarter 16th century Flemish or German, Rhineland The scene depicts Hercules carrying the columns of Gaza. The pendant was probably intended as a display piece for a Kunstkammer, or collector's cabinet, demonstrating the technical skill of its maker.. Labors of Hercules 193459

Evening, c. 1850. Erastus Dow Palmer (American, 1817-1904). Marble; framed: 72 x 5 cm (28 3/8 x 1 15/16 in.); diameter: 53.3 cm (21 in.). Early in his career, Palmer made cameo portraits-gems or shells carved in low relief. The delicate carving of his marble representations of Morning and Evening can probably be attributed to his early experience with cameos.

Penning from the University of Leiden, with the names of the professors and Minerva, Anonymous, After Nicolas Chevalier, 1685 - 1720 print Netherlands paper engraving insignia, seal ~ university. (story of) Minerva (Pallas, Athena)

Helmut Hiatt, Plate Waterworks, Philadelphia, c 1936 Plate - Waterworks, Philadelphia

Triumph of Ceres probably late 16th-early 17th century Suzanne de Court French The only female to earn a reputation in the enamel workshops of Limoges in the late sixteenth and early seventeenth centuries, Suzanne de Court may have been the daughter of Jean de Court (active 1550-1600). If so, she descends from one of the great dynastic families of enamellers in Renaissance France, artisans permitted to practice only by royal edict.The Lehman ewer, decorated with a brilliant combination of translucent enamel and grisaille, is divided into two narrative zones by a band of black arabesques on a white ground. The top zone illustrates the triumphal procession of Ceres in a landscape of turquoise green foliage; this scene is based on an earlier engraving. The bottom zone, drawn from a woodcut illustration, is taken from the story of Moses and the Daughters of Jethro as told in Exodus: "Moses fled from Pharaoh, and stayed in the land of Midian; and he sat down by a well. Now the priest of Mi

Plaque with Saint Peter in Glory ca. 1185-1200 French. Plaque with Saint Peter in Glory. French. ca. 1185-1200. Copper (plaque): chased, engraved, stippled, and gilt; (appliqué): repoussé, engraved, chased, scraped, stippled and gilt; champlevé enamel: medium and light blue, turquoise, green, yellow, red, and white; dark blue and turquoise glass beads. Made in Limoges, France. Enamels-Champlevé

'Chinese Porcelain Dish, Famille Verte. Period of K'Ang Hsi, 1662-1722', (1928). Artist: Unknown.

Display dish with Charles II (1630-1685) in a tree ca. 1680 Thomas Toft There are numerous large dishes from the late seventeenth century inscribed with the name Thomas Toft. This North Staffordshire potter, possibly of Scandinavian origin, used traditional pottery techniques but more ambitiously than any potter up to that time. Here, a white clay slip was applied over the upper surface of the charger; the design was then drawn and filled in with dark brown and orange red clay slips. The honey-colored lead glaze was applied to only this decorated surface, not to the underside, turning the stark white ground a pale yellow and harmonizing with the earth colors of the design. A lion and a unicorn, supporters of the royal coat of arms of England and Scotland, are rampant to each side of a spreading oak tree enclosing a young face by its spreading branches, with the letters "CR," for Charles Rex, below. This reference is to a popular true story that Charles II related to Samuel Pepys in 168

Plato azul, siglo XVII. Museu d'Història de Catalunya.

Victor Hugo (1802-1885), French writer. Chinese lounge, decor from Juliette Drouet's house in Guernsey. West wall. Gravated wood console and Chinese balustrous vase. Ceramic polychrome engraved wood. 1857-1864. Paris, house of Victor Hugo. 79110-13 Art crafts, arts decoratives, serious wood, Chinese cabinet, ceramic, chinoiserie, wood engraving, oriental influence, orientalism, wooden panel, Chinese living room, vase, 19th XIX 19th 19th 19th 19th century

Pen and Ink Box (lid), 1697-98. Iran, Safavid period (1501-1722). Lacquer over papier maché; overall: 3.6 x 22.3 x 4.2 cm (1 7/16 x 8 3/4 x 1 5/8 in.).

EVENTAIL. "The temptation of Saint Antoine to which we offer a picon". Paper printing, common wood. Paris, Carnavalet museum. 99097-5 Fashion accessory, Eventail

Tile, Earthenware, glazed and high fire decorated, Man dressed in white trousers, yellow knee long jacket and pointed blue hat; walking to the right. Chinoiserie type decoration., Alcora, Spain, late 18th-early 19th century, tiles, Decorative Arts, Tile

Cheval fire screen ca. 1755-60 Panel attributed to Thomas Moore British Made for the Countess of Shaftesbury (d. 1758) for Saint Giles's House, Dorset, this fire screen has a Rococo frame that is related to designs by Thomas Chippendale (The Gentleman and Cabinet-Maker's Director, 1754). The panel, based on a cartoon made for the Savonnerie manufactory in Paris, was woven in England, probably by Thomas Whitty at Axminister. Listen to experts illuminate this artwork's story Listen Play or pause #2144. Screen, Fire Cheval, Part 1 Play or pause #2144. Screen, Fire Cheval, Part 2 Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Cheval fire screen 203858

Joseph Rothenberg, Bandbox, c 1938 Bandbox

Fan with scene of gallantry by Marià Fortuny (1838-1874) Catalan painter. Dated 1870

Folded range GAL1981.95.57

Helmut Hiatt, Plate Boston State House, c 1936 Plate - Boston State House

Ludwik VIII Heski (1691-1768), Landgraf von Hessen-Darmstadt. Fiedler, Johann Christian (1697-1765), painter

Colgante, obra de Lluís Masriera i Rosés, siglo XX. Colección privada.

18th century French School, Eventail with the defeat of Porus, around 1710-1720. Broken, ivory, gouache, varnish, head covered with mother -of -pearl. On the main face the defeat of Porus after Charles Le Brun, on the back, a gallant scene. Paris, Cognacq-Jay museum. 35352-42 Eventail, King Macedonia, triumph

CERAMICA DE ALCORA - MONO - SIGLO XVIII/XIX. Location: MUSEO DE CERAMICA-MANUFACTURA DE ALCORA. Barcelona. SPAIN.

Folded range, Face Leaf: In a central medallion, a young girl fell on his knees under the weight of the harvest she carries on her back, Mercury, whose winged helmet is recognized and the caduceus leans towards her, a woman Do the same, while another is seated, an arm based on a medallion representing a boat, on each side of the central cartel, 2 medallions, on the left, a character with grapes in the hair and in the hands, Bacchus , and a young woman, hands joined and eyes raised to the sky as a sign of prayer, on the right, a boy, of ivy in his hair and on a stick near him, a mask in hand, and a young woman The Yeus raised to the sky, decorations of flower patterns, on the frame, decor of altars on which burn 2 hearts and baskets of flowers the altar motif is taken up on the plumes, associated with the musette and the mandolin. GAL1981.95.8 Eat, leaf: silk face, gouache on paper, glitter, multiple skin additions, silk back sheet, ivory frame remedied and silver

Bacchus driving in a goat wagon, 1572 - 1589 print Bacchus is accompanied by saters and children with grape bunches. One of 2 sheets. Germany (possibly) paper

EVENTAIL. "Baigneuses" and "Theater outing". Paper printing, common wood. Paris, Carnavalet museum. 99099-1 Fashion accessory, Eventail

Folded fan, Facing decor: a fairly elderly man is seated in a tent, near a erect table, he invites a young woman to sit by indicating a siege of one hand and driving it from the other, A woman between them seems to present it to him, on the left, to the first GAL1981.95.39 Facing sheet: skin and gouache, Englishwoman in a mother -of -pearl, redoor and burgamed, risthery decorated with a stone

painted fan holder including a self-portrait, and portraits of Franz Lizt, Frederic Chopin and the romantic music scene. By the writer George Sand. circa 1865

EVENTAIL. "Algerian". Lithographic paper, openwork wood. Paris, Carnavalet museum. 99077-17 Fashion accessory, Eventail

EVENTAIL. "Tahiti". Autograph of Pierre Loti (1850-1923), French writer. Watercolor on paper, blonde scales. Paris, Carnavalet museum. 99072-14 Fashion accessory, Eventail

Folded range, Face Face first leaf decor: large central cartel, in the center, a man affixing a crown of flowers on the head of a young girl sitting next to him, near them, architectural figuration with base and departure of wall and vase, on the left, in seco GAL1992.498.X Facing sheet: gouache paper, ditto back, ivory frame

Charger 1877 John Bennett The rare charger embodies John Bennetts penchant for Anglo-Japanese style, one of the defining characteristics of the Aesthetic Movement. Painted the same year that Bennett immigrated to New York from England, the charger strongly relates to an earlier example of Doulton Pottery, where Bennett developed and taught his method of underglaze decoration. The subject of two cranes deviates from Bennetts more typical floral and plant motifs with pronounced dark outlines as seen on the large vase with dogwood blossoms (1984.425) also in the collection.. Charger 19772

Mug ca. 1770 Fulda Pottery and Porcelain Manufactory The scene is copied from an engraving entitled "Caffe The und Tobac Zierathan" by Johann Esaias Nilson (1721-1788).. Mug. Based on an engraving by Johann Esaias Nilson (German, Augsburg 1721-1788 Augsburg). German, Fulda. ca. 1770. Hard-paste porcelain. Ceramics-Porcelain

Portrait of Katarzyna née Potocki Kossakowska; 1790-1800 (1790-00-00-1800-00-00);Potocki, Andrzej Stefan (1920-1995) - collections, amateurs, aristocracy, women, Polish miniatures, headgear, women's portraits, profiles, costumes, dresses

EVENTAIL. "Italian Vesuvius", 1767. Painted on Cabretille, Ivory. Paris, Carnavalet museum. 99067-24 Fashion accessory, Eventail

. Scale of porcelain with lobed edge, painted in underglaze blue. On the flat a seated Budai or Putai with a bale bush and a shoe in the foreground. Two servants behind him. The wall is modeled in challenge boxes with alternating a leaf motif in blue or saved in a blue background. The edge with a band with spiral work. Marked on the bottom with 'fuku' in a double square. Ko-Sometsuke in blue and white.

Goldsmith's art, Russia, 19th century. Gavrila Ustinov (active 1806-1852), snuffbox ornamented with niello, 1834.

Mr. Eliot and Louis-Abel Truchet (1857-1918). EVENTAIL. Pattern from the beginning of the early 20th century, evoking the characters of Gavarni. 1903. Paper, wood. Paris, Carnavalet museum. Eventail: woman in early 20th century evoking the characters of Gavarni; Mr. Eliot and Truchet 1903 Fashion accessory, Eventail

Plate with a landscape, anonymous, A.T. Vaillant, c. 1850 - c. 1860 Porcelain plate, painted on the glaze in sepia and gold. On the flat a landscape with the ruin of a castle, for which a group of people with a herd of animals. Golden Rand. Signed in the performance with A.T.V. Europe porcelain. glaze. gold (metal) painting / gilding / vitrification Porcelain plate, painted on the glaze in sepia and gold. On the flat a landscape with the ruin of a castle, for which a group of people with a herd of animals. Golden Rand. Signed in the performance with A.T.V. Europe porcelain. glaze. gold (metal) painting / gilding / vitrification

Tazza Farnese. ca. 150. Roman art. Early Empire. Decorative Arts. ITALY. CAMPANIA. Naples. National Museum of Archaeology. Proc: EGYPT. ALEXANDRIA. Alexandria.

ABANICO CON ESCENA GALANTE. Location: MUSEO DE HISTORIA DE MADRID-ABANICOS. MADRID. SPAIN.

Folding range with double sheet of paper, on which a round, cut out stopping engraving representing a sitting woman surrounded by lovers with a chinoiserie figure with silk clothes on either side, on an ajour cut frame of bone, francis wheatley (Possible), c. 1790 This fan is a European imitation of a Chinese type, which had developed in Canton in the course of the 18th century from a 17th century South Chinese model. These Cantonese fans, who were sought because of the particularly large number of small figures with minitious faces painted on ivory, were called 'a hundred faces' fans. Unlike their Chinese examples, the characters on the European imitations not only have a face but also a neck of ivory. The clothing of the warrior and the female is composed of glued pieces of satin and mother -of -pearl. The chinoiserie-like effect is emphasized by the exotic-looking environment in which these figures are placed. A symmetrical, classicist ornament on the back of the leaf. print maker:

EVENTAIL. "The return of the harvest" (couple returning from the vines dancing). Paper, gouache engraving, tinted wood. Paris, Carnavalet museum. Eventail: "The return of the harvest", a couple returning from the vines while dancing. Fashion accessory, Eventail

Pleated fan, Painted paper leaf, ivory sticks carved à jour, Pleated fan. Paper leaf painted in the style of Angelica Kauffman (Swiss, 1741-1807). Obverse: scenes of cupid tied to tree with women with bows, arrows and flowers. Reverse: plain. Ivory sticks carved à jour with a central cartouche in relief of a reclining woman., England, late 18th-early 19th century, costume & accessories, Pleated fan

Panel. Culture: French, Reux. Dimensions: Panel: 9 1/8 x 4 5/8 in. (23.2 x 11.7 cm); Frame: 18 1/2 x 14 1/4 x 2 1/4 in. (47 x 36.2 x 5.7 cm). Maker: Charles Lepec (French, Paris 1830-after 1888). Date: 1886/87.Trained as a painter, Charles Lepec is best-known today for his work in enamel. This decorative panel framing the portrait medallion of Mabel Morrison, wife of the English collector Alfred Morrison (1821-1897) and a patron of the artist, illustrates that he was a virtuoso carver as well. Museum: Metropolitan Museum of Art, New York, USA.

Roman cameo of the Emperor Augustus, 1st century. Artist: Unknown

Folded range, Faced decor: a man with blindfolded eyes is seated on the knees of a pink lady, in the air is represented a love in a cloud, above this scene, 2 yellow doves hold a banner "the colin Maillard seated ". GAL1998.99.1 Facing sheet: Eau printed cream printed, stencil colored, backdrop in cream paper lining, wooden frame, steel rter

Cameo with portraits of Septimius Severus, Julia Domna, Caracalla and Geta

Shield for the Field or Tournament (Targe) ca. 1450 German This shield is painted with a coat of arms belonging either to the Gottsmann family or to the related Türriegel family, both of Franconia. The female figure at the side holds a banderole inscribed in part with a motto in German: HAB MYCH ALS ICH BIN... (Take me as I am...). The decoration, with its brilliant colors on a silver-foil ground, is remarkably well preserved because it was hidden for centuries beneath layers of later paint. On the leather-lined back of the shield are traces of a painted figure of Saint Christopher, whose image was thought to protect against sudden death.. Shield for the Field or Tournament (Targe). German. ca. 1450. Wood, leather, linen, gesso, pigments, silver. Shields

¡CONSULTAR DISPONIBILIDAD! - CAJA DE MARFIL-CERRADA-PANEL LATERAL. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Saucer-dish with a portrait of theologist Willem Deurhof, anonymous, c. 1700 - c. 1724 dish Porcelain scale, painted in email colors, black and gold. On the flat an oval medallion with a golden edge in which the portrait of Willem Deurhoff (1650-1717). Four Biblical scenes on the edge: The Last Judgment, the Downfall of Sodom and Gomorra, the Flood and Hebrew letters in air (Jaweh) against a background of flower branches and birds. An inscription on the bottom: 'This' s Deurhoff, which has reformed the Cartes' t Beleed; Storms the non -odist with Kragt van Reeden; The Hijstig Kruysengeloof defends; The God-Leeven; With mouth, in pen and deed on the kiddest: this is a flaauwe sketch of 't Weesen; But his spirit is pretty well known, from those 'guilders' scriptures.' European performance in Encre de Chine with email colors. China porcelain. glaze. gold (metal) painting / gilding / vitrification historical persons. theologian China. Northern Netherlands

Helmut Hiatt, Plate Insane Hospital, Boston, c 1936 Plate - Insane Hospital, Boston

. Dish of porcelain, painted on the glaze in blue, red, green, black and gold. On the flat of the dish a portrait of Daniel Raap (1702-1754), a porcelain trader in Amsterdam. Decorated in Europe.

Plate with a view of the Italian city of Tarquinia.. Wąsowicz, Wacław (1891-1942), painter

Jacob Schut, Delft blue plate with the eye and taste satisfied by forest and leaf; So sign it is double Aatje, AA on the lid of lying ton, plate crockery holder ceramic earthenware glaze tin glaze, baked painted glazed Round plate slanting edge three prun prints Top edge painted blue underglaze: Virginia Delft blue tobacco trade tobacco shop interior

William Roper (1493/94-1578). Artist: Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Diameter 1 3/4 in. (45 mm). Date: 1535-36. Museum: Metropolitan Museum of Art, New York, USA.

Przeszłość Przyszłości unknown

Ferdinand welcome. "Woman portrait", late 19th century. E-mail. Museum of Fine Arts of the City of Paris, Petit Palais. Frame, oak, medieval costume, crown, email, supervision, woman, acorn, portrait

of 2