← Artworks

Decorative Ceramics

A collection of ornate ceramic plates and dishes featuring intricate designs and classical themes, showcasing styles from Art Nouveau to Renaissance.

Plate by Mikhail Alexandrovich Vrubel, Majolica, polychrome, 1909, Art Nouveau, 1856-1910, Russia, Moscow, State History Museum,
Plate by Mikhail Alexandrovich Vrubel, Majolica, polychrome, 1909, Art Nouveau, 1856-1910, Russia, Moscow, State History Museum,
179 assets in this story
4266-4469
Plate by Mikhail Alexandrovich Vrubel, Majolica, polychrome, 1909, Art Nouveau, 1856-1910, Russia, Moscow, State History Museum,
6145-29179791
Dish ca. 1560-65 Probably Eleucadio Solombrino. Dish. probably Italian, Forlì. ca. 1560-65. Maiolica (tin-glazed earthenware). Ceramics-Pottery
6145-29164347
Dish probably 19th century Manner of Bernard Palissy French. Dish. French. probably 19th century. Lead-glazed earthenware. Ceramics-Pottery
6145-46621997
. This scene is based on a description of a famous, lost painting by the ancient Greek Apelles. A naked youth - Innocence - is dragged before a stupid judge (with asss ears!), whose view is blocked by Ignorance holding a white cloth. Slander (Calumny),with a torch, accuses the innocent youth. Naked Truth stands behind him, but nobody listens to her
6145-48510685
Drawing, Detail of panel of Salon of Louis XIII; Designed by Frederick Marschall; USA; brush and watercolor, tempera on heavy paper; 9.3 x 16.2 cm (3 11/16 x 6 3/8 in.)
4443-19551767
Medallion, Medium: silk and metallic embroidery on silk foundation, paper backing Technique: embroidered in satin, knotted and couching stitches, Roundel with an elderly man in a garden surrounded by flowering trees. In polychrome silks outlined in gold metallic embroidery., China, 19th century, embroidery & stitching, Medallion
6145-46625100
. Plate of faïence with performances from the life of Christ to engravings by Hendrick Goltzius.
6145-29231528
Bit Boss 16th century French, Limoges The center of this circular bit boss is decorated with a putto on a green ground. He holds an arrow in his raised hand, a quiver and a bow in the other. A substantial part on the right side, including the putto's left arm, is an old restoration. The rim is decorated with a frieze of blue, green and yellow scallops on a dark blue ground adorned with foliate scrolls painted in gold. Few of them are actually original, the restored part also covering the original rivets' holes used for attaching the boss to the side of a horse bit.The word originally painted in gold on the puttos side starts with OCH (likely to be the first letters of the middle French word Ochaision). It has been completed in the restored patch by PIDO for Cupido, (the restorer apparently not recognizing the letters OCH.) The word ochaision (occasion in contemporary French), means opportunity. It indicates that the little putto is not the god of Love, but actually an allegory of Oppo
6145-29169918
Dish with The Discovery of Achilles ca. 1555-60 Probably Fontana workshops. Dish with The Discovery of Achilles 188885 Maker: Probably Fontana workshops, Artist: After a drawing by Battista Franco, Italian, Venice ca. 15101561 Venice, Dish with The Discovery of Achilles, ca. 155560, Maiolica (tin-glazed earthenware), Overall (confirmed): 2 3/8 17 in. (6 43.2 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1904 (04.9.1)
6145-29135124
Wine Cooler with Judgment of Paris. Fontana Workshop (Italy, Urbino, circa 1510-1571). Italy, circa 1565-1571. Furnishings; Accessories. Tin-glazed earthenware (maiolica)
6145-58876885
Dish with the Expulsion from Paradise, anonymous, c. 1535 - c. 1545 Round dish of multicolored painted majolica with the sacrifice of Kain and Abel the expulsion of Adam and Eva from paradise. Paradise is presented as a walled garden. Adam and Eva walk on the wall, who are sent out by a flying angel. Inside the wall are Adam and Eva on the floor, with between them in their firstborn son Kain. Adam and Eva have attributes and hoe and a coil; Symbols for physical labor. Kain looks in the mirror of self-knowledge while for him the body of his murdered brother Abel is burning. A lamb head as a symbol of God's sacrifice, Christ, that will redeem man will relieve a lamb head. At the fire, Engel also hovers a banderole on which an unreadable text is written. maker: Urbinoprint maker: Italyprint maker: Italyprint maker: Italyprint maker: Italyprint maker: Italy earthenware. tin glaze. lead glaze majolica Round dish of multicolored painted majolica with the sacrifice of Kain and Abel the expuls
6145-48531676
Platter. Castelli (ośrodek ceramiczny ; ca 1400- ), potter's workshop
6145-58852360
Dish, octagonal, multi-colored painted with a Kakiemon decor, Meissener Porzellan Manufaktur, c. 1730 Scale of painted porcelain. The scale has an octagonal edge and is painted with the Shiba Onkô motif. The scale is marked. Float porcelain Scale of painted porcelain. The scale has an octagonal edge and is painted with the Shiba Onkô motif. The scale is marked. Float porcelain
6145-30190125
Plate with Isaac Blessing Jacob 1535-1545 Urbino. Tin-glazed earthenware (maiolica) . Urbino Potteries
6145-29194419
Plate (tagliere) ca. 1500-1510 Italian, Deruta. Plate (tagliere). Italian, Deruta. ca. 1500-1510. Maiolica (tin-glazed earthenware). Ceramics-Pottery
6145-58848800
Brisé fan with gold lacquer on the stock of green lacquer with a central cartouche in which figures in a landscape or garden with pavilions, around which leaf and flower motifs, anonymous, c. 1880 On the front: within the central cartouche a landscape with mourning willow, banana trees, bamboo and prunus with fanning branches. In the foreground water with rocks. Of the three figures, one man and one woman have a fan in their hand, the other man (with mustache) sits between them on a rock and seems to be watching the interaction between the others. The woman wears a complicated hair and is turned on in different places with red paint. On the back: Within a similar landscape, a walled hut is visible on the right with the woman looking over the low wall. In the middle, the man with mustache sits on a stool and looks at the woman, while on the left a man with a filled dish is already looking back. Again a few keys red in the figures. The edge decoration of leaf and floral motifs is the sam
6145-45524284
Przeszo Przyszoci Mancini, Giacomo
6145-58998042
André Metthey (1871-1920). Plate. Earthenware. Museum of Fine Arts of the City of Paris, Petit Palais. 79583-15 Art Menager, Faience, Woman, Crockery, XIXth 19th 19th 19 19th 19th century, plate
6145-58868411
Dish, painted with a flower -picking woman sitting on her knees., Anonymous, c. 1700 - c. 1750 Dish of multicolored painted majolica. A landscape is painted on the dish with houses on the left and a tree on the right in the foreground. For the tree, a woman picks flowers on her left knee. Behind her is an amoret with a pot in his hands and is an amoret with a bowl in his right hand. See also BK-KOG-331. Castelli earthenware. tin glaze. lead glaze majolica Dish of multicolored painted majolica. A landscape is painted on the dish with houses on the left and a tree on the right in the foreground. For the tree, a woman picks flowers on her left knee. Behind her is an amoret with a pot in his hands and is an amoret with a bowl in his right hand. See also BK-KOG-331. Castelli earthenware. tin glaze. lead glaze majolica
4409-17546173
Plate with Horatio at the Bridge. Italian; Urbino. Date: 1525-1545. Dimensions: Diameter: 26 cm (10 1/4 in.). Tin-glazed earthenware (maiolica). Origin: Urbino. Museum: The Chicago Art Institute, Chicago, USA. Author: Urbino Potteries.
6145-58827599
Saucer with an image of a young girl with a bucket on her head, anonymous, c. 1740 - c. 1760 Porcelain dish, painted on the glaze in blue, red, green, black and gold. On the flat a representation of a girl in a landscape, with one hand she holds a bucket on her head while lifting her skirts with her other hand. Her left foot rests on a wooden elevation. On the wall a band with leaf vines. European performance in email colors. China porcelain. glaze. gold (metal) painting / gilding / vitrification Porcelain dish, painted on the glaze in blue, red, green, black and gold. On the flat a representation of a girl in a landscape, with one hand she holds a bucket on her head while lifting her skirts with her other hand. Her left foot rests on a wooden elevation. On the wall a band with leaf vines. European performance in email colors. China porcelain. glaze. gold (metal) painting / gilding / vitrification
6145-58845256
Watch, J. Vrijthoff Le Jeune (1646-1730), c. 1650 - C. 1660 Large watch with first mail painting in the style of Huaud. On the back bottom a scene, representing Paris, who hands the apple to Venus, who stands between Juno and Minerva. For Venus there is an amor with a bow. On the convex edge, six landscapes in medallions, which are separated by rosettes. On the front bodem, the robbery of Europe is painted and as a contre-émail in the rear floor a river face with a Galei and four smaller ships, on the bank a young pair with two young people as a result. The dial with white enamelled figure ring, on which black Roman hour figures, is equipped with an Émail painting, representing Amor with arrow-and-bow, driving on a lion. Spillgang; One wiser. The Platine with beautifully processed gap is signed: J. Vrijthoff, Le Jeune, Maestricht. ClockMaker: Maastrichliers: FranceclockMaker: Maastright gold (metal). Large watch with first mail painting in the style of Huaud. On the back bottom a scene
6145-29065147
Bella Donna Charger, c. 1520-30. Italy, Papal States, Deruta. Tin-glazed earthenware with yellow and blue lustre (maiolica); diameter: 8.6 x 41.3 cm (3 3/8 x 16 1/4 in.).
6145-45956251
Dish with representation of the crucifixion of Christ. Round dish of multicolored painted majolica. On the dish, a show has been painted from the crucifixion of Christ to an engraving by Jacob Matham to Hendrick Goltzius. Buildings are painted in the background and under the cross: Anno 1623. A wide blue trope has been painted along the edge.
6145-59498445
Ivory box with a miniature of Neptune that brings the waves to calm, Anonymous, 1696 box Round ivory box with a lid painted on both sides. Outside: Naked man with trantand and right hand pointing forward (Neptune) in the left hand, right onto a car with a weapon at the rear of Amsterdam, pulled by 2 horses at sea, with l. and r. 2 blowing faces; To the top edge text. Inside: top part text, (see inscription). Below that show: Under or rising sun with little ships at the bottom left. The presentation of Neptunus Bavers The Sea has been taken over from a medal by the city of Amsterdam in 1696. Amsterdam ivory. paint (coating) Amsterdam
6145-29841756
Elmer G Anderson, Pa German Bandbox, c 1937 Pa. German Bandbox
6145-58992567
Anonymous. Plate to the allegory of justice. Earthenware. Paris, Carnavalet museum. 71683-52 Allegory, balance, decoration, faience, justice, revolutionary period, French revolution, plate
6145-58853422
Waterways of driven silver with show Johannes de Boper, Jan Baptista Buysens, 1725 Silver holy water tray. Rectangular driven relief with rounded corners. In a landscape with mountains and trees, John the Evangelist is on the right. Antwerp silver (metal) Silver holy water tray. Rectangular driven relief with rounded corners. In a landscape with mountains and trees, John the Evangelist is on the right. Antwerp silver (metal)
4443-19538931
Four tiles, Glazed moulded earthenware, Moulded in low relief, with white, blue, green and brown glazed, forming an octagonal motif, with conventionalized floral and foliate forms., Andalusia, Spain, late 16th century, tiles, Decorative Arts, Four tiles
6145-58827127
Saucer-dish with a hunting scene and moulded tulip-shaped panels on the rim, anonymous, c. 1700 - c. 1724 Porcelain saucer with modeled tulip motifs in the wall and scalloped edge, painted in underly glaze blue and on the glaze red and gold. A hunting scene on the flat. A man and a woman on horseback, the woman with a falcon, the man with a bow and bow; A third woman in a pavilion. On the wall tulip -shaped compartments with flowerpot or a bird on a flower branch, a flower branch between the courses. Wall restored. Chinese Imari. China porcelain. glaze. cobalt (mineral). gold (metal) painting / gilding / vitrification Porcelain saucer with modeled tulip motifs in the wall and scalloped edge, painted in underly glaze blue and on the glaze red and gold. A hunting scene on the flat. A man and a woman on horseback, the woman with a falcon, the man with a bow and bow; A third woman in a pavilion. On the wall tulip -shaped compartments with flowerpot or a bird on a flower branch, a flower br
4409-48288309
PLATO DE LOZA - SIGLO XVIII. Location: PALACIO EPISCOPAL / MUSEO DE ARTE. GERONA. SPAIN.
6145-58994173
Henri Husson / Adrien-Aurélien Hébrard. Cut. Copper, Champlevé enamel. 1909-1914. Museum of Fine Arts of the City of Paris, Petit Palais. 75296-10 Cutting, copper, champleve email, man, Vegetation
6145-29145632
Watch ca. 1645-50 Watchmaker: Jacques Goullons French Goullons specialized in watch movements with painted enamel cases, including one for King Louis XIV. This case exteriors miniatures depict the Virgin and Child with an angel, copying an engraving by Pierre Daret, and Joseph being awakened by an angel, after an engraving by Michel Dorigny. These engravings recorded paintings by Simon Vouet. Such enameled watchcases are rarely signed, and the best enamelers were so adept at reproducing the style of their sources that individual masters are difficult to identify.. Watch 194148
6145-46644410
. Porcelain plate, painted on the glaze in blue, red, pink, green, yellow, black and gold. On the flat a lady at a pond with reed boarding to three birds for her on the land, next to the lady a servant holding a rich decorated parasol above her head; Changed with a medallion on the wall flour branches; The edge with a honeycomb motif with four cartouches with a lady and four medallions with birds; The back with eight insects. The show is to design by Cornelis Pronk (1691-1754). European performance in email colors.
6145-58867082
Dishes of red -baking earthenware, with a foot ring, with a painting on the flat, of a mythological figure standing in the water, circled with different edges and flower shapes in yellow, green, orange, brown and blue, anonymous, 1600 - 1650 Northern Netherlands earthenware. glaze majolica Northern Netherlands earthenware. glaze majolica
4409-17510025
Hercules kills Nessus. Date/Period: 1555 - 1556. Oil painting on wood. Height: 80 mm (3.14 in); Width: 80 mm (3.14 in). Author: Marco Marchetti from Faenza.
6145-59041535
Flat. Bronze, partitioned enamel. Cernuschi Museum, Asia Museum of Asia in the city of Paris.
6145-29949813
Love grapes (element of a set of nine circular thumbnails featuring loves and representing allegories of the arts and seasons). French school, way of François Boucher (1703-1770). Love grapes (element of a set of nine circular thumbnails featuring loves and representing allegories of the arts and seasons). Watercolor and gouache on paper. Nineteenth century. Paris, Cognacq-Jay Museum.
6145-48527974
Plate with a miniature: Euphrosyne and Amor. unknown, painter, Kaiserliche Porzellanmanufaktur in Wien (1744-1864), factory
6145-30214835
Colonel Moncey's commemorative monument; Tribute of the 3rd Hussard (1818) Horace Vernet (1789-1863). Colonel Moncey Memorial; Tribute of the 3rd Hussard (1818). Watercolor.
6145-54598758
Mount Parnassus, 1600. Maiolica, tin glazed and painted earthenware, from Italy. After Marc Antonio Raimondo .
6145-59019467
18th century French School, Eventail with the triumph of Bacchus, around 1710-1720. Broken, ivory, gouache, varnish, head covered with mother -of -pearl. On the main face, the triumph of Bacchus, on the reverse, port scene. Paris, Cognacq-Jay museum. 35352-40 Roman divinity, Evening, triumph
6145-29214807
Plate with scene from "Les Oies de Frère Philippe" ca. 1745 Decoration after Nicolas Lancret This plate depicts a tale from a famous collection of stories by a seventeenth-century French author, Jean de La Fontaine. The story concerns a young man encountering women for the first time, as seen here, and it served as the subject of a painting by Nicolas Lancret, now in the Metropolitan Museum of Art (see 2004.86). The plate faithfully reproduces Lancrets composition, and it reflects the adoption of European images by Chinese potters in order to appeal to foreign markets.. Plate with scene from "Les Oies de Frère Philippe". Decoration after Nicolas Lancret (French, Paris 1690-1743 Paris). Chinese, made for export. ca. 1745. Porcelain. Ceramics-Porcelain-Export
6145-46625152
. .
6145-50633744
Plate Vienna (State Manufaktura)
4409-17546484
Plate with Scene of the Month of April. Workshop of Master I.C.; (French, active 1553-85). Date: 1545-1555. Dimensions: Diameter: 20 cm (7 15/16 in.). Painted enamel on copper with traces of gilding. Origin: Limoges. Museum: The Chicago Art Institute, Chicago, USA.
4409-17385372
Plate. Artist: John Monday (1809-1862). Culture: American. Dimensions: Diam. 11 in. (27.9 cm). Date: 1830. Museum: Metropolitan Museum of Art, New York, USA.
6145-29060636
Fire Screen Panel and Frame , c. 1775. Gobelins Manufactory (France, Paris, est. 1662), after a design by Jean-Baptiste Marie Hüet (French, 1745-1811), after a design by Maurice Jacques (French, 1712-1784). Tapestry weave: silk and wool; overall: 79.1 cm (31 1/8 in.).
4409-17377188
Roundel with Delilah Cutting the Hair of Samson. Culture: North Netherlandish. Dimensions: Overall: 9 5/16 in. (23.7 cm). Date: ca. 1520-25. Museum: Metropolitan Museum of Art, New York, USA.
4409-17557001
Plate. Netherlands, Delft. Date: 1601-1700. Dimensions: Diam. 34.3 cm (13 1/2 in.). Tin-glazed earthenware (Delftware). Origin: Delft. Museum: The Chicago Art Institute, Chicago, USA.
6145-45333766
Fan Wild, J.E.
4409-10320
PLATO DE CERAMICA DE TALAVERA - SIGLO XVII. Location: MUSEE D'ARTS DECORATIFS. MADRID. SPAIN.
4409-17406982
Capture of Christ. Culture: German, Augsburg or Nuremberg. Dimensions: Overall (confirmed): 2 7/16 × 1 3/4 in. (6.2 × 4.4 cm). Date: 1520-30.These sculptural reliefs (2015.388.1-.4) display extraordinary, jewel-like enameling accomplished through an innovative technique involving molten glass paste built up over an armature of gold wires on a silver base. In expressive detail, they represent four scenes of Christ's Passion at a tiny scale--fully appreciable only to those privileged enough to view the reliefs at close range. (The compositions owe more than a little to the Small Passion print series by the famous Northern Renaissance master Albrecht Dürer.) Expensive as they were, the plaques would have been worth only a fraction of the treasure in the container they decorated: most likely some lost relic, imbued with spiritual power and believed to bridge our world with the divine.Elizabeth Cleland, 2017. Museum: Metropolitan Museum of Art, New York, USA.
6145-46115979
Dish, painted with a woman with flower garlands and child. Dish of multicolored painted majolica. On the dish is a landscape painted with left in the background houses. In the landscape there is a woman with a flower garland in both hands and besides a child. Right behind the woman his columns are visible. See also BK KOG-330.
4409-17400541
Sacrifice of Noah. Artist: After a woodcut by Bernard Salomon (French, ca. 1508-ca. 1561). Culture: French, Lyons or Nevers. Dimensions: 3/8 × 9 in. (1 × 22.9 cm). Date: ca. 1580-1610.Having exited the ark with his family and the animals he has rescued, Noah offers sacrifices to God, who promises never to send another flood (Genesis 8:20-22). As suggested by the compositional style and the palette of bold ochers and blues, the plate may have been the work of an Italian maiolica painter active in France. The scene was adapted from a woodcut by Bernard Salomon (ca. 1508-ca. 1561) for a Bible published in Lyon in 1553. Museum: Metropolitan Museum of Art, New York, USA.
4443-73179910
S-1998-136, museum/owner: SFF, Unknown (according to Alexandre Cabanel), name: Birth of Venus, 1899, 6.3x8 (oval) cm, painting, image no.: 32102.562, MYTHOLOGY, Venus, cupids, 88x118 mm, photographer: Mäkinen, Janne, shooting, 9.10.2000, S9471100, Scan: Agfa T5000+/PS6.0/AdobeRGB1998/09.2001an,
6145-29237343
Dish (piatto); The story of Hercules: the gods called upon Hercules to help them defend Olympus against the attack of the Giants, sons of Uranus and Gaea (Heaven and Earth) ca. 1510 Italian, Deruta. Dish (piatto); The story of Hercules: the gods called upon Hercules to help them defend Olympus against the attack of the Giants, sons of Uranus and Gaea (Heaven and Earth). Italian, Deruta. ca. 1510. Maiolica (tin-glazed earthenware). Ceramics-Pottery
6145-29173407
Wide-rimmed bowl with Hercules and Cacus and arms of Cardinal Antonio Pucci ca. 1535-40 Probably workshop of Guido Durantino With its wide rim and small but deep well, this type of bowl is called a scodello. These were sometimes filled with soup or stew at the table, and at other times were put before diners already filled. In either case, they could not hold much food. Renaissance meals generally consisted of multiple small courses and often lasted for several hours. In addition to displaying the hosts sophistication, the decorated wares would help keep diners entertained throughout.. Wide-rimmed bowl with Hercules and Cacus and arms of Cardinal Antonio Pucci 201657
6145-29805371
Vase (vase cannelés à bandeau) (one of a pair) ca. 1770 Sèvres Manufactory French Works of art by the French artist François Boucher (1703-1770), who held the prestigious title of first painter to the king, served as a highly popular source of inspiration for artists working in a variety of media in the middle decades of the eighteenth century. Prints made after paintings by Boucher were widely circulated and provided artists with compositions that could be faithfully reproduced in smaller scale or adapted to three-dimensional porcelain sculpture. Works by Boucher served as the source not only for the painted scenes on vases and snuffboxes, but also for the porcelain figures which were listed as "Enfants Boucher" (Boucher Children) in the factorys sales ledgers.. Vase (vase cannelés à bandeau) (one of a pair) 202220
6145-29836337
Plate (tagliere) ca. 1550-60 probably workshop of Guido Durantino Italian This dish and its companion in the Lehman Collection (1975.1.1125) belong to the only known set of maiolica decorated entirely with landscapes, rather than narratives. Created for a member of the wealthy Salviati family of Florence, it is one of the largest services ever recorded, originally consisting of nearly two hundred dishes of five distinct types, each designed to serve a different function at the table.. Plate (tagliere). probably workshop of Guido Durantino (Italian, Urbino, active 1516-ca. 1576). Italian, Urbino. ca. 1550-60. Maiolica (tin-glazed earthenware). Ceramics-Pottery
6145-29159622
Watchcase cover: Perseus and Andromeda 1615-25 probably Jean II Reymond French, Limoges. Watchcase cover: Perseus and Andromeda 460604
6145-46083762
Watch with classical love stories, Paris judgment and saying goodbye to Dido and Aeneas. Watch with enamelled cupboard. On the top: Paris that the apple provides. On the bottom: saying goodbye to Dido and Aeneas. Landscapes are on the side.
6145-45538794
Przeszo Przyszoci unknown
6145-46477912
Dish With Three Chinese Ladies near A Pavilion. Dish of porcelain, painted on the glaze in blue, red, green, black and gold. On the flat two therescent Chinese ladies and a dog in a garden at a peony plant and pavilion; A third lady is in the pavilion; the edge of the flat with a bound curtain; On the wall a band with half floral rosettes; The edge with napkin with a chrysanthemum interspersed with four lobby cartouches with quail. Decorated in the Japanese Imari style in Europe.
4409-17503457
The Wedding Feast of Cupid and Psyche. Artist: Pierre Reymond (born 1513, working 1537, died after 1584). Culture: French, Limoges. Dimensions: 19 3/4 × 15 1/4 × 1 3/4 in. (50.2 × 38.7 × 4.4 cm). Date: 1558.Enameling is a technique whereby a vitreous substance, often containing pigment, is fused with metal to produce a glossy surface. Limoges became a center for enameling as early as the twelfth century, when the art flourished in monastic workshops. In the late fifteenth century, this city in central France emerged as a center of secular as well as ecclesiastical enamelwork, and the school flourished throughout the sixteenth century. Among the most famous and prolific of the enamel painters practicing in sixteenth-century Limoges was Pierre Reymond (1513-after 1584), the author of this dish. Reymond's mastery of his medium is evident in the rich tonal range, the accurate modeling of his figures, and the sense of life and action. The restricted palette, in which white, black, and red
6145-30393445
Memorial for Hannah Hodges(1780-1792). Artist, attributed to: John Ramage, British, born Ireland, ca. 1748-1802, active United States, 1775-94
1788-55460
Flask depicting a young Bacchus seated on a barrel, by Carlo Antonio Grue (1655-1723), ceramic, Castelli manufacture, Abruzzo. Italy, 17th-18th century.
6145-59036221
Anonymous, cantonnière with arms of the city of Paris (dummy title). Tapestry. Petit Palais, Museum of Fine Arts of the City of Paris.
4443-21945919
Jar with a Woman and Geese; Faenza, Emilia-Romagna, Italy; early 16th century; Tin-glazed earthenware; 24.8 × 16.8 × 12.9 cm (9 3,4 × 6 5,8 × 5 1,16 in.)
6145-29949812
Love musicians (element of a set of nine circular miniatures featuring loves and representing allegories of the arts and seasons). French school, way of François Boucher (1703-1770). Love musicians (element of a set of nine circular miniatures featuring loves and representing allegories of the arts and seasons). Watercolor and gouache on paper. Nineteenth century. Paris, Cognacq-Jay Museum.
6145-58844273
Excerpt (half-foot) with red shard, in sgraffito technique in partially visible circle a man's head with hat, to the left, a tree, vertical dotted lines over the stock, at the bottom horizontal lines, with scarce remains of ocher, green and blue bile acid , Anonymous, 1200 - 1899 Italy earthenware Italy earthenware
6145-29799680
Folding fan with The Finding of Romulus and Remus mid-18th century Italian. Folding fan with The Finding of Romulus and Remus. Italian. mid-18th century. Leaf: gouache and bronze paint on paper.Sticks and guards: tortoiseshell, carved and pierced, with gold-and silver-toned metal leaf, mother-of-pearl veneer, and paper underlay (upper guards only).Pivot: clear paste jewel.. Fans
6145-30150229
Plaque with Marriage Feast of Perseus and Andromeda 1800 Burslem. Stoneware (jasperware) . Wedgwood Manufactory (Manufacturer)
6145-29065286
Mars, Minerva, Venus, and Cupid, early 1500s. Valerio Belli (Italian, c. 1468-1546). Rock crystal intaglio, gilded from reverse with gold and silver, backed with lapis lazuli, mounted in a gold pendant; overall: 6 cm (2 3/8 in.).
4409-17290243
Anonymous / "Segmented wing plate", Towards 1750, Ceramics (Fine painted ware), Diameter: 34 cm.
6145-46644106
. Scale of porcelain, painted in underglaze blue and on the glaze red, green, yellow and black. On the flat two Chinese people (renemites) in a landscape with mountains and trees. The outer wall with three times a pearl with four dots. Marked on the underside with the four-character mark of Emperor Tianqi in a double circle. Bak sand at the foot ring. Ko-Sometsuke.
6145-59111160
Plate; Creil-Montereau, Stone, Coquerel et LEGROS d'Inizy (open 1808-1818); 1808-1818 (1850-00-00-1850-00-00);
6145-58992592
Anonymous. Plate to the execution of Louis XVI. Earthenware. Paris, Carnavalet museum. 71684-34 Decapiter, decoration, execution, faience, guillotine, revolutionary period, French republic, French revolution, king France, plate
6145-29949818
Loves birds (element of a set of nine circular thumbnails featuring loves and representing allegories of the arts and seasons). French school, way of François Boucher (1703-1770). Loves birds (element of a set of nine circular thumbnails featuring loves and representing allegories of the arts and seasons). Watercolor and gouache on paper. Nineteenth century. Paris, Cognacq-Jay Museum.
6145-29761649
Roundel with Pastoral Scene 1475-1500 British (). Roundel with Pastoral Scene. British (). 1475-1500. Colorless glass, vitreous paint and silver stain. Glass-Stained
6145-30362781
Circe transforming the Men of Ulysses intoAnimals. Artist: Unknown After: Jörg Breu the Elder, German, 1475/76-1537
6145-29717065
Watch ca. 1620-25 Watchmaker: David Ramsay In the first quarter of the seventeenth century a small group of enamelers in Limoges produced polychrome painted enamels for watchcases. Most of the surviving enamels, including the one displayed here, were adapted from the woodcut illustrations by Bernard Salomon (1505/1510-ca. 1561) for the editions of Ovids Metamorphoses published in Lyon by Jean de Tournes beginning in 1555. The case of the watch was cleverly modified, probably at some time in the second half of the nineteenth century, to fit a movement of equal rarity.. Watch. British, probably London. ca. 1620-25. Case: painted enamel on copper, partly gilt, and silver gilt; movement: gilded brass, steel, partly blued, and silver. Horology
4443-28725614
Dessert plate with seated figure, c. 1810, Pierre-André Le Guay; Decorator: Joseph Léopold Weydinger; Manufacturer: Sèvres Porcelain Factory, Paris, 1756-present, 1 3/8 x 9 1/8 x 9 1/8 in. (3.49 x 23.18 x 23.18 cm), Porcelain with enamel decoration and gilding, France, 19th century
6145-29151680
Plaque (one of a pair) ca. 1755 Alcora Manufactory. Plaque (one of a pair). Spanish, Alcora. ca. 1755. White enameled earthenware. Alcora Manufactory (Spanish, 1727-1895). Ceramics-Pottery
6145-58994630
Fontana (workshop of). Aiguiière: Venus and Adonis, Italian Majolic of Urbino, between 1540 and 1550 (front view). Museum of Fine Arts of the City of Paris, Petit Palais. 27008-13 Love, Ceramic, Roman divinity, Italy, Urbino Majolic, Italian Renaissance, mythology
4409-17502768
Dish (coppa). Artist: lustered by Maestro Giorgio Andreoli (Italian (Gubbio), active first half of 16th century). Dimensions: Diam. 8 1/8 in. (20.7 cm). Date: 1530. Museum: Metropolitan Museum of Art, New York, USA.
6145-48520143
Dwa amorki z rogiem obfitości i banderolą. unknown, painter
6145-29124546
Platter with Scene of the Death of Ananias. Martial Courteys (France, Limoges, circa 1544-1592). France, Limoges, circa 1580. Furnishings; Serviceware. Polychrome enamel, gold, on copper with foil
6145-29212488
Dish with figures in a landscape 16th century China On this dish, a lady, her maid, and two young attendants walk toward a gentleman standing in a pavilion on a moonlit night. The scene suggests a romantic tryst and may derive from a woodcut illustration of a popular novel of the period.. Dish with figures in a landscape. China. 16th century. Black lacquer with inlaid mother-of-pearl. Ming dynasty (1368-1644). Lacquer
6145-29164660
Armchair designed ca. 1786, woven 1790-91; chair frame second half 19th century Tapestry upholstery by Beauvais Tapestry-woven upholstery for two settees and twelve armchairs was commissioned at the same time as the wall hangings depicting the Four Continents (1978.404.1-.4).¹ The Four Continents was one of two suites-each including four wall tapestries and coordinating seating furniture-that were ordered from Beauvais in 1786; the subject of the other suite was to be a series illustrating the arts, sciences, agriculture, and commerce. An earlier suite of tapestry furniture covers depicting the continents was produced at the Royal Manufactory of Gobelins in 1748, and the arrangement of the motifs in Le Barbiers covers is similar: personifications of the continents are set against a landscape on the seat backs, and native animals populate the seat covers.² This subject in tapestry aligns with the contemporary popularity of the Four Continents in eighteenth-century European art: everyth
6145-46643873
. Dish of porcelain with lobby edge, painted in underglaze blue. On the flat a medallion with a river landscape with a person on a bridge, pavilions, trees and mountains. The wall is divided into eight courses with alternating a river landscape with pavilions, trees and mountains; Two birds on a rock in blooming plants or flying birds at a rock with blooming plants, trees and mountains. The outer wall with a continuous lotus drink. Marked with 'fuku' in a square. Three preen on the bottom. Blue White.
6145-59046646
Folded range, Faced in the face: a sworn couple, the girl shows the altar of love from which ranges from the flames, an angel with an torch is above them, on the left side, 2 loves transform a Basket of flowers, while right, 1 love poses a vase. Mounting decor: floral patterns in a cartels, on the plumes, a seated man and a bird. GAL1981.95.25 Face -facing gouache leaf on skin, burgamed, golden and gouache, ditto back, pierced and carved English frame
6145-58845324
The case law of Zaleuch, Anonymous, c. 1525 Stained glass, round, with the representation of the case law of Zaleucus. On the right, judge Zaleuch is on a throne while his right eye is out. On the left is the guilty son, held by three men, while one eye is also out of him. At the top left, the crime, which the son was guilty, is depicted. Low Countries glass. silver stain.. lead (metal) Stained glass, round, with the representation of the case law of Zaleucus. On the right, judge Zaleuch is on a throne while his right eye is out. On the left is the guilty son, held by three men, while one eye is also out of him. At the top left, the crime, which the son was guilty, is depicted. Low Countries glass. silver stain.. lead (metal)
4409-17417191
Plaque. Artist: James Callowhill (1838-1917). Culture: American. Dimensions: Diam. 18 in. (45.7 cm). Date: ca. 1890-1900.Callowhill, renowned for his decorative raised-gold-paste technique, was an important decorator at the Worcester Royal Porcelain Works in England. He, his equally gifted brother Thomas, and his son Sidney emigrated to the United States in the 1880s and worked for important art potteries such as the Faience Manufacturing Company in Greenpoint, Brooklyn, and the Willets Manufacturing Company in Trenton, New Jersey, decorating wares in the Aesthetic style. Although James later moved to Boston to complete a major commission for Louis Prang's lithographic firm, he continued to decorate ceramics. This plaque, painted in polychrome enamel with a bird on a branch among elaborate flowers and foliage and enriched with raised gold paste, is characteristic of Callowhill's best work and may have been exhibited at the World's Columbian Exposition in Chicago in 1893. Museum: Metro
6145-46801475
Bowl with a Rider, Hound and TwoBirds
4443-19537709
Coppa, Tin-glazed earthenware (maiolica), overglaze lustre, Maiolica dish with image of a man with a hat playing a violin in a landscape with a yellow sky. Iridescent overglaze luster., Gubbio or Urbino, Italy, 1526, ceramics, Decorative Arts, Plate, Plate
6145-30153265
Plaque with Marcus Antonius 1776-1780 Burslem. Stoneware (jasperware) . Wedgwood Manufactory (Manufacturer)
6145-58830599
Square vase with Immortals and a godess, anonymous, c. 1645 - c. 1660 Square vase of porcelain with rounded shoulder, wide, spreading neck and flat edge, painted in under glaze blue and on the glaze red, green, yellow and black. On the walls rectangular cartouches with four different representations: the first wall shows an immortal on a crane with a group of bystanders pointing to him; The second shows a goddess and her servant in a dream cartouche who appears with a scholar; The third shows five wise in a landscape that roll out a role on which a Yin Yang symbol stands; The latter shows an immortal on a Qilin that is accompanied by two servants. On the shoulder valuables (window, pearl); On the neck three playing boys (fools) in a rocky landscape. Some chips in the edge. Transition porcelain with email colors. China porcelain. glaze. cobalt (mineral). painting / vitrification Square vase of porcelain with rounded shoulder, wide, spreading neck and flat edge, painted in under glaze bl
6145-58856541
Two oval plates with figures and cattle in a river landscape, Manufactuur Oud-Loosdrecht, c. 1778 - c. 1782 Porcelain plate. Oval, with slightly raised gilded edge. Multicolored painted with a river landscape with figures and cattle and a castle in the background. On the right a man talks on horseback with a standing sheep herdster. In the middle of the top edge a slot as a hanging hole. Loosdrecht porcelain Porcelain plate. Oval, with slightly raised gilded edge. Multicolored painted with a river landscape with figures and cattle and a castle in the background. On the right a man talks on horseback with a standing sheep herdster. In the middle of the top edge a slot as a hanging hole. Loosdrecht porcelain
6145-29832927
Plate (tagliere) ca. 1530-35 Italian, Gubbio. Plate (tagliere) 460259