Decorative Ceramics

A collection of ornate ceramic plates and dishes featuring intricate designs and classical themes, showcasing styles from Art Nouveau to Renaissance.

Plate by Mikhail Alexandrovich Vrubel, Majolica, polychrome, 1909, Art Nouveau, 1856-1910, Russia, Moscow, State History Museum,

Claude Ramey. Fronton project for the Hôtel-Dieu. Plaster, 1804. Paris, Carnavalet museum. Fronton, Hotel-Dieu, Platre, Project

Folded event: the portrait, in paper, gouache and mother -of -pearl, around 1895. Galliera, fashion museum of the city of Paris. 34760-14 Accessory, Evening, Gouache, mother -of -pearl, paper, portrait, gallant life

Dish (piatto): Vulcan forging an arrow for Cupid. Artist: the "Milan Marsyas" Painter (Italian (Urbino), active first half of the 16th century) , Urbino. Dimensions: Diameter: 10 1/2 in. (26.6cm). Date: ca. 1530. Museum: Metropolitan Museum of Art, New York, USA.

EVENTAIL. Saint Cécile playing a hymn with the angels; E. de Metz 1890. Gouache on swan skin, ivory. Paris, Carnavalet museum. 99090-2 Fashion accessory, Eventail

Street art, white house facade, Venice, Italy.

EVENTAIL. "Catafalque of Napoleon descending the Champs Elysées", 1840. Colored lithography. Paper, ebony, mother -of -pearl and copper. Paris, Carnavalet museum. 99105-12 Fashion accessory, Eventail

. Plate of faïence with performances from the life of Christ to engravings by Hendrick Goltzius.

Armoried Licker with Unicorn, Italian Majolique of Urbino between 1550 and 1600 (face) ". Ceramics. Museum of Fine Arts in the city of Paris, Petit Palais. 26983-1 Coat of arms, ceramic, ecusson, face, Italian majolica, various object, urbino, animal, mythology

The Quack, Cornelis Dusart (manner of), c. 1690 - c. 1710 A group of interested parties are watching the quack, while he addresses his true. On the right in the background a market and a church tower. Amsterdam Oil Paint (Paint). Tin Alloy. List: Bronze (Metal) A group of interested parties are watching the quack, while he addresses his true. On the right in the background a market and a church tower. Amsterdam Oil Paint (Paint). Tin Alloy. List: Bronze (Metal)

Star Tile with Combat Scene. Date/Period: 2nd half 13th century (Ilkhanid). Tiles. Fritware with underglaze-painted and overglaze luster decoration fritware with underglaze-painted and overglaze luster decoration. Height: 20.50 mm (0.80 in); Width: 20.70 mm (0.81 in). Author: Iranian.

PLATO DE CERAMICA DE TALAVERA S XVI. Location: MUSEE D'ARTS DECORATIFS. MADRID. SPAIN.

Plaquette van Pietre Deal, representing the annunciation in two oval fields with gilded copper frames, surrounded by stylized leaf ranks, in gold -plated silver list, Opificio delle Pietre Deal, c. 1715 - c. 1720 Plaquette of Pietre Deal, representing the annunciation in two oval fields with gilded copper frames, surrounded by stylized leaf vines, in gilded silver frame. maker: Florencesilversmith: Berlin copper (metal). silver (metal) Plaquette of Pietre Deal, representing the annunciation in two oval fields with gilded copper frames, surrounded by stylized leaf vines, in gilded silver frame. maker: Florencesilversmith: Berlin copper (metal). silver (metal)

EVENTAIL. "Flute player, dancers, glitter, garland of flowers, gallant attributes". Gouache on silk, openwork ivory and enhanced with gold. Paris, Carnavalet museum. 99101-5 Fashion accessory, Eventail

Tondo mirror frame ca. 1490-1500 Italian, Siena Round, or tondo, frames housing mirrors or devotional images were a popular type of domestic furnishing in Tuscany in the fifteenth and sixteenth centuries. This example bears the coat of arms of the Cinuzzi family of Siena and is almost certainly of Sienese manufacture. It may have been designed by the sculptor Giovanni di Stefano, son of the famous painter Sassetta (whose work is on display in Gallery 956). The present mirror is not original. Listen to experts illuminate this artwork's story Listen Play or pause #4750. Tondo mirror frame Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Tondo mirror frame 459206

France, Alsace, Colmar, Unterlinden museum, Altarpiece of St. John Baptist

Handscreen, Engraved, hand-colored and painted paper leaf, turned wood handle, Obverse: palace gardens with carriages, pedestrians, and large equestrian statue in center, surrounded by scrolling border. Reverse: tributes to Louis XV, surrounded by hand-painted motifs., France, late 18th century, costume & accessories, Handscreen

PLATO CERAMICO SERIE DE LAS GOLONDRINAS - S XVII. Location: MUSEO RUIZ DE LUNA. TALAVERA DE LA REINA. Toledo. SPAIN.

In Safe Haven, 1914, 1914 plate (dishes) Earthenware board with the flat -colored image of Belgian refugees is a helmeted person with a weapon with the Dutch lion and a spear on his chest. In the background, people from the city of Antwerp () Want to be bombed. Rand decorated with orange apples with a blue coat of arms above including inscription and under the inscription. Night side marked. Part of a few plates. Maastricht earthenware personifications of countries, nations, states, districts, etc.. fugitives Belgium. Netherlands. Antwerp

Tapestry: Vénus sortant des eaux, from Les Tentures de François Boucher Series.

Plaque Depicting the Madonna and Frame, mid 1500s for plaque c. 1600 for frame. Italy, 16th century. Enamel on copper; framed: 18.8 x 15.9 cm (7 3/8 x 6 1/4 in.); unframed: 8.9 x 7 cm (3 1/2 x 2 3/4 in.).

Plaque with the portraits of Roman emperors, Ginori, c. 1749 Porcelain plate or plaque, painted on the glaze in red, green, purple, black and gold. The plate is in the shape of a medallion surrounded by leaf vines and a winged monster head on the underside. Within this in relief small medallions with portraits of Roman emperors. With each medallion a banderole with a name and a date. Leaves between the medallions. Marked on the underside with twice a 5. Shower porcelain. glaze. gold (metal) painting / gilding / vitrification Porcelain plate or plaque, painted on the glaze in red, green, purple, black and gold. The plate is in the shape of a medallion surrounded by leaf vines and a winged monster head on the underside. Within this in relief small medallions with portraits of Roman emperors. With each medallion a banderole with a name and a date. Leaves between the medallions. Marked on the underside with twice a 5. Shower porcelain. glaze. gold (metal) painting / gilding / vitrification

Iznik ceramics, 16th-17th century. Polychrome glazed Ottoman pottery is found throughout Greece and adorned houses of the affluent and churches.

Button, Gouache paint on tin verre fixé, ivory (backing), glass, gilt metal, Button depicting scene of five figures outside near a large house. From left: a seated man, wearing a pink shirt, playing a drum, a woman with only head visible standing behind another woman, wear white with pink stripes, who claps to the music. In the foreground, a lighter skinned woman wearing an open corset and skirt dances with a man who wears white clothing and a pink sash., late 18th century, costume & accessories, Decorative Arts, Button

Plaque with Sacrifice to Hymen 1789 Burslem. Stoneware (jasperware) . Wedgwood Manufactory (Manufacturer)

Vuurscherm van linnen, gespannen over geschulpt, houten() frame, aan de voorkant geborduurd met veelkleurige wol en aan de achterkant bedrukt met een putto met bloemenschaal, gemonteerd op notenhouten stok.The irregularly scalloped screen is embroidered at the front with multicolored wool in Petit-Point and Gros-Point. Central to the asymmetrical patterned pattern contains two donated birds on a branch, amid flour and leaf motifs. The long tails and the baroque structure of the pattern are unusual and for the time being not to return to examples from pattern books. The walnut stick has been placed on the screen from a nodus. The back side of the screen is printed with a beige putto with gray wings, holding a bowl of colored flowers above its head. The floral basket without the putto can be found in an album with Johan Teyler prints in the RP-1955-195 in the RP-P-1955-195, but in a more extensive album in the British Museum, London (Inv. 1871-12- 9-5027 (25)) is the entire representati

Folded fan, Facing decor: the central scene shows a couple sitting under a canopy assistant to a game, in front of them, a short girl to pick up a bullet, a young man runs in front of her, on the left, a character lying on a crescent of Moon leans towards a man dreaming under a tree while loves crowned with flowers above them, on the right, a woman followed by 2 companions advances to a man preceded by love and followed by Mercury.A Gland -shaped head.

Triptych. Triptych with the Crucifixion (centre panel), St Peter and a Male Donor (inner left wing), St James and a Female Donor (inner right wing), St Christopher and the Christ Child on the Road of Life (outer wings). Dating: c. 1525. Place: Leiden. Measurements: support: h 50 cm (centre panel) × w 33.5 cm (centre panel) × h 42 cm (left wing) × w 16.8 cm (left wing) × h 42 cm (right wing) × w 16.5 cm (right wing); painted surface: h 37 cm (centre panel) × w 25.5 cm (centre panel) × h 32.5 cm (left wing) × w 10 cm (left wing) × h 31.8 cm (right wing) × w 9.7 cm (right wing). Museum: Rijksmuseum, Amsterdam. Author: Pseudo Jan Wellens de Cock (attributed to).

Fan. Culture: probably Scottish. Date: second quarter 18th century.The luminous pastel colors are an outstanding feature of this fan. Typical of fan designs, this one is replete with contrasting imagery. The elaborate sticks have a decidedly Chinese aesthetic but depict the Three Graces from Greek mythology that represent joy, charm, and beauty. This imagery in turn contrasts greatly with the pastoral scene of a goat herder. Museum: Metropolitan Museum of Art, New York, USA.

Armchair designed ca. 1786, woven 1790-91; chair frame second half 19th century Tapestry upholstery by Beauvais Commissioned by Louis XVI, this ensemble belongs to a set of four wall hangings (1978.404.1-.4) and fifty-six pieces of furniture upholstery (1978.404.5a-c-.18a-c) depicting the four continents: America, Europe, Asia, and Africa.. Armchair 231934

Embroidered Picture. Culture: American. Dimensions: 7 5/8 x 7 5/8 in. (19.4 x 19.4 cm). Maker: Mary Wright (1740-1829); Possibly Sarah Osborn's School. Date: ca. 1754.At age fourteen Mary Wright, the only child of a prosperous farmer and brickyard owner in Middletown, Connecticut, was sent to school in Newport. In the mid-eighteenth century few schools in Connecticut taught more than the basics of reading, writing, and arithmetic. In order to gain the necessary feminine accomplishments, well-to-do girls were usually sent to either Boston or Newport. While at school Mary completed at least two needlework pictures based on engravings depicting the four seasons. Museum: Metropolitan Museum of Art, New York, USA.

. Painting with a woman's representation with the right arm raised. The woman is depicted in half, dressed in 18th-century gestation, consisting of a green dress with white battists wrap and cuffs and flower corsage on the chest. Her gray blonde hair raised with ribbon. Faced in an oval list of metal in neo-classicist style with pearl and ribbed edge, crowned by bow.

Four female figures; Heinsius, Johann Julius (1740-1812); 1780 (1780-00-00-1780-00-00);Hesja (Germany), Hessen und Bei Rhein, Ernst Ludwig (Grossherzog - 1868-1937) - collections, allegories, foreign miniatures, headgear, female portraits, collective portraits

. Plate, octagonal, painted in blue with an equestrian fight.

Kist met deksel, versierd met voorstellingen in "gesneden" lak..Coffin with lid decorated with performances in "sliced" lacquer in red, blue, white and green on black ground. On the front the poet li t'ai-po drunk on audience. On the top of the lid the emperor that visits the Yang Kuai-Fei, staying in heaven. Flower vases and utensils and on the back flower branches with a gold pheasant and other birds. The coffin is painted red on the inside. The lid protrudes on top and sides. Copper lock plate.

Pa. German Plate. Dated: c. 1936. Dimensions: overall: 46.1 x 36.3 cm (18 1/8 x 14 5/16 in.). Medium: oil paint on paperboard. Museum: National Gallery of Art, Washington DC. Author: Eugene Shellady.

Villa Borghese in Rome, painting kept in Castle Rambouillet in France, Italy 18th century.

'Tobias and the Angel'. Germany. Dimensions: 14x12 cm. Museum: State Hermitage, St. Petersburg. Author: Adam Elsheimer (circle of).

An oriental camp Henri-Joseph van Blarenberghe (1750-1826). An oriental camp. Watercolor and gouache on ivory. Paris, Cognacq-Jay Museum.

EVENTAIL. "Romantic". Lithography on paper, openwork and glitter bone. Paris, Carnavalet museum. 99080-6 Fashion accessory, Eventail

Triton; Padewska school - copy; 16th century (1500-00-00-1599-00-00);

Folded range, Decor Face sheet: Sarah Bernhardt supported by 2 winged figures bearing, one the mask of the tragedy, the other the mask of comedy, 2 other winged putti carrying cartridges: "passing ... Youth youth from Louis XIV ".

Duvelleroy. EVENTAIL. Drawings and autographs of personalities: Rodin, Ravel, Foch, Anatole France, etc., early 20th century. Swan, ivory and blonde horn. Paris, Carnavalet museum. 99089-19 Fashion accessory, Eventail

Godfroy de Bouillon ca. 1541 Colin Nouailher French Based on a woodcut from the Nine Heroes, a series by Jacob Cornelisz. van Oostsanen (before 1470, d. 1533).. Godfroy de Bouillon 208127

John Milton late 18th century Josiah Wedgwood British. John Milton. Josiah Wedgwood (British, Burslem, Stoke-on-Trent 1730-1795 Burslem, Stoke-on-Trent). British, Etruria, Staffordshire. late 18th century. Black basalt ware. Ceramics-Pottery

. Plate of faience. Multicolor painted with a text. Laet quite a tranquil man / already do what that he can / ter honor than den DIS / what benefits his soete language / and friendly DEA HAALL / Alst Wijff a Suer Muil is / 1683

Roundel with Joseph Buying Corn in Egypt. Culture: South Netherlandish. Dimensions: Overall Diam.: 9 3/4 in. (24.8 cm). Date: ca. 1520. Museum: Metropolitan Museum of Art, New York, USA.

Lebève, H., three anniversary centièrme, 1864. Plaster. Houses of Victor Hugo Paris - Guernsey.

. Model: Because the two right-hand legs have been put together in the past, the impeller nowadays has an asymmetrical decoration and now only the left reserve is visible with an inverted vase where water flows. A vase or jar applied as an attribute of the water nymphs or posts that lived at the water. Decoration: The central shown Nymph is based on a vase and watches how pan, her master, with a pan flute in hand suddenly rising out of the water. At her feet a putto bends over a vase. The Nymph right is busy with her toilet and looks into a mirror, which ceased to her by a putto. The two nymphs in the background seem embarked in a conversation. In Greek mythology, nymphs were originally marrying girls; Later they got goddesses, but they always remained the symbol of the young and beautiful woman. The mythological representation is surrounded by a border of golden fruit EB leaves in the trant of the French engraver Jean Le Pautre (1618-1682). In particular, the somewhat plump form of th

The Fall of Phaeton third quarter 19th century Adolphe David Phaeton, son of the sun god Apollo, rashly insisted on driving his father's chariot. Here, we witness the outset of his inexorable descent through the heavens after losing control of the quadriga. For this tour de force, Adolphe David drew on ancient glyptic typologies. He cut through three strata to set off the foremost horse and clouds in ocher and made reins from the threadlike remains of the middle white layer. Equally finely characterized at the top left are three signs of the zodiac. All are set against deathly, polished jet black. The sizable gem was conceived as an exhibition performance; David often showed cameos at the Paris Salon.. The Fall of Phaeton 198593

Kiyevskaya is a station on the Arbatsko-Pokrovskaya line of the Moscow Metro. Opened in 1953, it is lavishly decorated in the quasi-baroque style that predominated in the early 1950s. The square pylons are faced with white Ural marble and elaborately patterned ceramic tile and the plastered ceiling is decorated with a series of frescoes by various artists depicting life in Ukraine. A large mosaic at the end of the platform commemorates the 300th anniversary of the reunification of Russia and Ukraine. The architects were L. V. Lile, V. A. Litvinov, M. F. Markovsky, and V. M. Dobrokovsky.

Panoramic handscreen, Medium: paper, wood, bone, iron Technique: colored engraving on paper, turned wood handle, carved ivory fittings, A square handscreen with semi-circles cut away in each corner, and a black turned wood handle. The stiff outer area acts as a frame for a thin paper center, which contains seven views of a park, which can be rolled through the frame by means of ivory spindles on either side. By holding the handscreen up to the light, the scenes appear illuminated., France, ca. 1830, costume & accessories, Panoramic handscreen

Folded range, Facing decor: Falcon hunting scene, Louis XIII pastiche. Gal1995.71.21 Facing sheet: lithographed paper, golden garlands border, ivory frame raised and gouache, enhanced with gouache

Eventail: "Musicians and village dancers around a cocagne mast wearing revolutionary attributes. Revolution". Paper, gouache, ivory engraving, openwork and painted guards. Paris, Carnavalet museum. 99158-25

Przeszo Przyszoci unknown

Cabinet with scenes from the Life of Joseph. Culture: British. Dimensions: Overall: 13 3/4 × 11 1/2 × 8 in. (34.9 × 29.2 × 20.3 cm). Date: third quarter 17th century.During the sixteenth and seventeenth centuries, illustrations of biblical stories served as didactic examples of moral behavior. The life of Joseph might represent love of the family while individual episodes could be interpreted differently. The rejection of Potiphar's wife (on the back), for instance, may signify chastity, an important female virtue. Museum: Metropolitan Museum of Art, New York, USA.

The Sacrifice of Isaac. Probably Innsbruck, Austria. Date: 1675-1725. Dimensions: 17.8 x 22.5 x 4.1 cm (7 x 8 7/7 x 1 5/8 in.). Glass, paper, and wood. Origin: Innsbruck. Museum: The Chicago Art Institute, Chicago, USA.

EVENTAIL. Pilgrimage to Notre-Dame de la Salette. Paper printing, common wood. Paris, Carnavalet museum. 99099-7 Fashion accessory, Eventail

Medallion with a portrait of the Roman Emperor Domitian, 16th century. Artist: Unknown

Plate with a figure of an odalisque. Wąsowicz, Wacław (1891-1942), painter

Plate with the inscription: T is soo Salomon Sprack/ much better on a dack/ living quiet in rest/ as a lot of shift/ with a doubtful Wijff/ in a house full of well, anonymous, 1683 Fowence board, multi -colored painted with the text: T is soo Salomon Sprack/ much better on a dack/ living quiet in rest/ if with a lot of shift/ at a dispute Wijff/ in a house full of well -off/ 1683. Delft . Fowence board, multi -colored painted with the text: T is soo Salomon Sprack/ much better on a dack/ living quiet in rest/ if with a lot of shift/ at a dispute Wijff/ in a house full of well -off/ 1683. Delft .

Benditera de la Magdalena Penitente, XIII Century.

Snuff box with painting by Anonymous artist, Watercolor, Gouache on horn, circa 1780, Austria, Salzburg, Mozarteum (ISM),

Would it be done. Plate, blue painted with image of two farmers, one farmer points to the dark air. In the background water and two mills. With inscription. Back two blue edges and v.z.v. Two holes and iron wire to hang plate. Signature.

André Metthey (1871-1920). "Voiles dancers". Earthenware. Museum of Fine Arts of the City of Paris, Petit Palais. 79583-19 Threatening art, dancer, faience, woman, dishes, sail

One of a Pair of Cabinets; Attributed to Adam Weisweiler (French, 1744 - 1820 (master 1778)); Paris, France; about 1785; pietra dura plaque mid-17th-late 18th century; Oak, pine, and beech veneered with ebony and mahogany; pewter stringing; set with pietra dure plaques; gilt-bronze mounts; portor d'Italie marble top; 101.6 × 150.2 × 53 cm (40 × 59 1,8 × 20 7,8 in.)

Folded range, Facing decor: this is a game whose manual is written on the face, each "office" is represented by a character representing an allegory of the name of the "office". Gal1968.76.10 Facing sheet: white paper printed in black and enhanced with stencil colors, upper golden paper border.

Plaque with the Amsterdam Lepers Asylum, anonymous, 1753 Plaat van Faience, painted in blue with the Leprozenhuis in Amsterdam. Under the show The inscription: T. Testers. Huys Tamsterdam & Delft . Waterlooplein. Leprosy house Plaat van Faience, painted in blue with the Leprozenhuis in Amsterdam. Under the show The inscription: T. Testers. Huys Tamsterdam & Delft . Waterlooplein. Leprosy house

Goldsmith's art, Italy, 15th century. Pietre dure (semi-precious stones) coffer, Florentine manufacture.

Plaque The Geese of Brother Phillippe (Les Oies du Frere Philippe) 1745-1755 Germany. Tin-glazed earthenware and polychrome enamels . Künersberg Faience Manufactory (Maker)

Palmettes gag: landscape or genre scene on each, Japan. Gouache printing on paper, lacquered bamboo. Paris, Carnavalet museum. 99095-17 Fashion accessory, Eventail

Platter from Moustiers, France, 18th century. Bucolic scene wiith man, dog, goat and cow under a tree, in a border of foliage. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.

Plate 19th century Japan. Plate. Japan. 19th century. Pottery; flat surface is painted with a sketchy design (Seto ware). Edo period (1615-1868). Ceramics

Félix Bracquemond (1833-1914). Service of "Japanese thirteen graces". Flat plate. Porcelain. Museum of Fine Arts of the City of Paris, Petit Palais. Art Menager, Plate flat, Evening, woman, Japanese, porcelain, table service, service, thirteen Japanese grace, dishes, plate

Madonna and Child cameo ca. 1500, mount 19th century French or Franco-Flemish The composition, with tenderly interacting figures, is arranged in the manner of early Netherlandish paintings of Madonnas. The Italian Renaissance brought with it a wholehearted embrace of classical antiquity throughout the fifteenth and sixteenth centuries. Emulation of ancient cameos played a large part. Carvers invested ancient myths with increasingly refined compositions and techniques, paying close attention to the latest archaeological discoveries. Demand for Italian carvers took them to all the courts of Europe. Milan in particular developed a taste for cameos with wondrous atmospheric effects.. Madonna and Child 198262

Kopiec Kościuszk według pierwowzoru malarskiego Karola Hoffmana. unknown, painter

Apothecary jar (albarello) ca. 1530-40 Italian, Castelli. Apothecary jar (albarello). Italian, Castelli. ca. 1530-40. Maiolica (tin-glazed earthenware). Ceramics-Pottery

The Dancing Couple by Pablo Picasso, ceramic, 1881-1973

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