Decorative Ceramics and Plates

Intricately designed porcelain and majolica plates and bowls featuring historical figures, mythological themes, and ornamental styles from various European cultures.

Dish, anonymous, c. 1730 - c. 1760 Dish multi -colored painted with two Chinese figures. Along the edges of cartouches filled with flower branches. Delft . Dish multi -colored painted with two Chinese figures. Along the edges of cartouches filled with flower branches. Delft .

EVENTAIL. "Pipeau lesson". Gouache on paper, openwork mother -of -pearl. Paris, Carnavalet museum. 99079-7 Fashion accessory, Eventail

Dishwill of earthenware, with lead glaze on the bottom and at the top white tinglaze with a representation of a person in Kimono in a landscape, damaged, anonymous, 1500 - 1799 earthenware. tin glaze. lead glaze earthenware. tin glaze. lead glaze

Ernest Chaplet (1835-1909) / Jean-Désiré Ringel d'Illzach (1849-1916). CHAP. Enamelled and gilded sandstone, inlaid of colored land. 1909. Museum of Fine Arts of the City of Paris, Petit Palais. 60202-3 Pot, dore, emaille, inlaid, color color

Screen with Landscape (reverse), 1736-1795. China, Beijing palace workshops, Qing dynasty (1644-1911), Qianlong reign (1736-1795). Painted enamel, glass painting, and cast-iron stand; without base: 65.8 x 32.4 cm (25 7/8 x 12 3/4 in.).

Eventail Program of the Jardin de Paris. Color lithography paper, wood. Paris, Carnavalet museum. 99090-26 Fashion accessory, Eventail

Casket with Scenes of David and Solomon. Attributed to the workshop of Pierre Reymond; French. Date: 1540-1560. Dimensions: 16.5 × 10.8 cm (6 1/2 × 4 1/4 in.). Painted enamel on copper, gilded bronze mounts. Origin: Limoges. Museum: The Chicago Art Institute, Chicago, USA.

Duvelleroy house EVENTAIL. "Reception in a palace", characters with ivory head. Gouache on paper, carved ivory, silk acorns. Paris, Carnavalet museum. Eventail: reception in a palace, ivory head characters; Signed Duvelleroy Fashion accessory, Eventail

Folded fan, Faced in the face: a young girl sings, a score on her lap, a couple of shepherd framing it, the scene is represented in a country landscape, a swan swimming in a river, on each side, small medallions Circular painted in greyness GAL1985.200.8 Facing leaf: skin painted with gouache, English bail, ivory frame, mother -of -pearl eye

. These plaques were made as ready-to-display faience paintings. The ornamental frames, plaques and hooks form a whole. Being of earthenware, the plaques could be hung in places that were not suitable for ordinary paintings, such as walls flooded with light or kitchens.

Anonymous / 'Leda and the swan'. Second third of the XIX century. Museum: Museo del Prado, Madrid, España.

Tile, painted multi-colored with a soldier or a standard bearer. Tile, painted multi-colored with a soldier or a standard bearer.

Plate with Shou Lao (the God of Longevity), Attendant, and Deer. China. Date: 1662-1722. Dimensions: H. 2.3 cm (15/16 in.); diam. 19.4 cm (7 5/8 in.). Porcelain with overglaze famille verte enamel decoration. Origin: China. Museum: The Chicago Art Institute, Chicago, USA.

Plaque with Jupiter Battling Titans. Wedgwood Manufactory; England, founded 1759. Date: 1780-1790. Dimensions: 19.1 × 25.4 cm (7 1/2 × 10 in.). Stoneware (jasperware). Origin: Burslem. Museum: The Chicago Art Institute, Chicago, USA.

Plate China. Plate. China. Porcelain decorated in underglaze blue. Qing dynasty (1644-1911), Kangxi period (1662-1722). Ceramics

EVENTAIL. "No one taking tea on a terrace; ladies and children circulating in a garden". Gouache on fabric and paper, openwork and painted ivory. Paris, Carnavalet museum. 99102-8 Fashion accessory, Eventail

Coffret (Minnekästchen) ca. 1325-50 German The inside of this coffret's lid depicts Frau Minne, the German goddess of love, aiming and arrow at a young man. At right, he gives her his heart. The inscriptions have been interpreted as: "Gracious lady, I have surrendered," and "Lady send me solace, my heart has been wounded." The coffret embodies the notions of courtly love, a concept that developed during the feudal period and imagined romance as playful warfare between the suitor and beloved. The arms on the box may be those of the Berstett family of Alsace, Baden, and Austria.. Coffret (Minnekästchen) 471357

Folded range, Facing decor: inside a palace open on a garden by columns, a woman lying on a couch welcomes a soldier led by love, near her, a table on which are laid mirror and bottles and all around, many servants GAL1981.96.13 Paper and gouache face sheet, ditto back, scattered and golden scale frame

Plate (France); Léon Parvillée (French, 1830 - 1885); enamel-painted, glazed and gilt earthenware

Wall Tile- Rampant Lion, c 1600s. Spain, 17th century. Glazed ceramic; overall: 13.3 x 13.3 cm (5 1/4 x 5 1/4 in.).

Armchair (one of four) 1755-65 Tapestry probably woven at Royal Manufactory Beauvais 1664-1789 These chairs are from a set of six armchairs and two settees supplied to the third Duke of Ancaster (1714-1778) for Grimsthorpe Castle, Lincolnshire. The set was originally partially gilt and upholstered with Gobelins coverings (now Rijksmuseum, Amsterdam) after designs by Francois Boucher. The present coverings were applied between 1934 and 1858.. Armchair (one of four). British and French, probably Beauvais. 1755-65. Mahogany; wool and silk (18-21 warps per inch, 7-9 per centimeter). Tapestry probably woven at Royal Manufactory Beauvais 1664-1789. Woodwork-Furniture

Pas de Trois ca. 1763 Ludwigsburg Porcelain Manufactory. Pas de Trois. German, Ludwigsburg. ca. 1763. Hard-paste porcelain. Ceramics-Porcelain

Shepherd Group, porcelain manufacturer Frankenthal, c. 1760 Image of porcelain, painted on the glaze in email colors and gold. The image presents a shepherd couple under an arc of rocailles on Zuilen. The woman sits next to the standing man and gestures at him. The pedestal is decorated with rocailles. Marked on the underside with the lion. Frankenthal porcelain. glaze. gold (metal) painting / gilding / vitrification Image of porcelain, painted on the glaze in email colors and gold. The image presents a shepherd couple under an arc of rocailles on Zuilen. The woman sits next to the standing man and gestures at him. The pedestal is decorated with rocailles. Marked on the underside with the lion. Frankenthal porcelain. glaze. gold (metal) painting / gilding / vitrification

Puzzle jug in the festoon style, with figures and quadrilles. Pot Trompeur, a riche ornementation composee de motifs du style rayonnant, de quadrilles et de figurines remarquable par l'empoie de jaune ocre.Chromolithograph after an illustration by Emilie Pottier from Andre Pottier's Histoire de la Faience de Rouen, Auguste le Brument, Rouen, 1870.

Prunk bowl from the courtyard service of Isabella d'Este, Mantua. A highlight of the Italian majolica production is the magnificent breaking bowl from the famous courtyard service of the Markgräfin of Mantua Isabella d'Este (1474-1539). The alliance coat of families Gonzaga and Este in the center and encrypted emblems refer to Isabella d'Este, which was one of the most important women of the Renaissance as a female conveyor and collector. The scenic representation of the mannalesis of the Old Testament follows Raffaels (1483-1520) famous fresco in the loggias of the Vatican in Rome. Majolica service adorned the princely blackboard and were built on showing views on show buffets. Mythological and biblical scenes served as a moral model and at the same time reflect the humanistic knowledge of time. Gift of Alfred Beit, London

Przeszo Przyszoci Fromry, Piotr (1659 1738)

Przeszo Przyszoci unknown

Embroidered map sampler. Culture: British. Dimensions: H. 17 1/4 x W. 14 1/4 inches (43.8 x 36.2 cm). Date: late 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Orpheus Attacked by the Maenads first quarter 17th century Suzanne de Court French The object is a fragment of a watchcase cover; the image was taken from an uillustration by Bernard Salomon (ca. 1508-ca. 1561) for an edition of the Latin poet Ovid's Metamorphoses, first published in Lyon by Jean de Tournes in 1559.. Orpheus Attacked by the Maenads 197122

Corner cupboard with japanese lacquer door with landscape with houses, people, trees and birds. Corner cupboard is glued with satin and ebony and other types of wood. The door carries a Japanese paint panel with a landscape with houses, people, trees and birds. The broken front legs are conical. The styles above show two defined panels; In the middle, a rosette has been applied within a square. The sloped sides displayed a framed panel, glued with herringbone pattern; Rosettes in the corners. Above a block edge, the blue-gray damaged marble top is located. Key no. 112.

Window with a representation of a farmer who is pruning. Building round diamond. Imaginant a farmer in curved attitude, cutting with a crook knife a branch of a tree, to the right before him a standing woman with yellow hood, leading the branches of a tree along a fence.

Print with the worship by Maria and Joseph, Anonymous, c. 1650 - c. 1700 Print with the worship by Maria and Joseph, oval etching on parchment, colored with gouache and gold paint. Cauted behind glass in a frame of oak, glued with black -colored pear wood. On the list a copper plate with hole for confirmation. Antwerp Parchment (Animal Material). Glass. Printing ink. List: Oak (Wood). Gouache (Paint). List: Pear (Wood) etching Print with the worship by Maria and Joseph, oval etching on parchment, colored with gouache and gold paint. Cauted behind glass in a frame of oak, glued with black -colored pear wood. On the list a copper plate with hole for confirmation. Antwerp Parchment (Animal Material). Glass. Printing ink. List: Oak (Wood). Gouache (Paint). List: Pear (Wood) etching

Flower pot or planter from Rouen, France, with a landscape scene of Pan playing pipes to a goat and leopards. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.

Pen-and-ink drawing.Ticket drawing on oval handmade white paper.The subject shows, in the middle of the image a muscular man with open tap, crown, long hair and an elevated sword in violation of dragon.To the left in picture, vines, THEN Five men wearing vessels, an open the other with lid.To the right, three men on their way to a ship with their cargo, wine pot and basket.The picture can be a mythological motif.Note: Belongs to ACC 2/83 in mm archive.

. Ornamental tile of faience of a woman portrait

Decorative plate from Rouen, France, with vignette of animals within borders of foliage and cupids. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.

Field of four tiles with animals, anonymous, c. 1580 - c. 1625 Field of four tiles each with a multicolored (blue, orange, green, yellow and purple) animal on a ground within a circle frame. In the corners, filling technique ornament. Netherlands earthenware. tin glaze majolica Field of four tiles each with a multicolored (blue, orange, green, yellow and purple) animal on a ground within a circle frame. In the corners, filling technique ornament. Netherlands earthenware. tin glaze majolica

Anonymous. "Jean la Pillionne" patronymic plate. Earthenware. 1799. Paris, Carnavalet museum. 73801-8 Patronymic plate, arms, cross, revolutionary faience, flower, man, lift, wear, French revolution, animal

Window with the presentation of a farmer who is pruning, master of the death of Absalom (Possible), c. 1500 - c. 1525 Standled round window representing a farmer in a bent position, who cuts a branch of a tree with a crooked knife, a standing woman with yellow hood in front of him, busy leading the branches of a tree along a fence. Northern Netherlands glass. lead (metal).. silver stain Standled round window representing a farmer in a bent position, who cuts a branch of a tree with a crooked knife, a standing woman with yellow hood in front of him, busy leading the branches of a tree along a fence. Northern Netherlands glass. lead (metal).. silver stain

Georges Redon and Louis-Abel Truchet (1857-1918). EVENTAIL. "Couple" ('era of Gavarni), 1903. Paper, wood. Paris, Carnavalet museum. Eventail: couple of the time of Gavarni; Georges Redon and Truchet 1903 Fashion accessory, Eventail

Walter Doran, Bandbox Firemen Scene, c 1939 Bandbox - Firemen Scene

Plate 1808 Pennsylvania. Glazed redware . Artist unknown

Roda Island, Old Cairo, Cairo, Egypt. Ornate table top in the Manial Palace. (Editorial Use Only)

Portion of a paneling of oak in the form of a head frame with a wide center piece and wings in two uneven parts. The Frisian is decorated with embossed mythological representations (Paris judgment) and Biblical performances (Lot). The courses are separated by hermatlants. At the paneling, two channeled half columns are kept with decorated shaft foot and four fluted pilasters, which partially date from later time. From Enkhuizen.

Luc Maufry. Advertising event of the State railways. Batager surrounded by various views, 1902. Printed paper. Paris, Carnavalet museum. 99102-24 Fashion accessory, Eventail

Plaque with Portrait Bust of Benjamin Franklin. Richard Champion's Factory (England, Bristol, 1770-1781). England, circa 1775. Sculpture. Porcelain, biscuit

Snuff Bottle, 1875-1925, 3 1/2 x 2in. (8.9 x 5.1cm), Ivory, glass, silver, China, Carved from ivory, this bottle was then etched with a rocky, mountainous scene scattered with trees and tiny temples. A river flows in the background. The artist seems to have mimicked the spontaneous style of ink landscapes, using brushstroke-like lines to render the leaves on the trees and the outlines of the mountains.

Pieter Brueghel the Younger (1565-1638). Oil on panel depicting a peasant with a sack by his feet points towards a tree. There is a thief, robbing a nest, clings to a branch as his hat falls off.

Folded range, Facing decor: in the center, Rebecca holds a jug, leaning against the well and turns his head towards Eliezar who approaches on the left, behind him we see 2 children, a chest and 2 dromedaries, on the right are the companions of Rebecca amused by the situation. GAL1981.96.3 Sheet: skin side, gouache, ivory frame with gouache and mother -of -pearl applications

Tile with portrait of a woman, anonymous, c. 1580 - c. 1625 Tile with a multicolored (blue, orange, green, yellow and purple) portrait of a woman with pleated remedy in a circle frame with leaves in filling technology in the corners. Netherlands earthenware. tin glaze majolica Tile with a multicolored (blue, orange, green, yellow and purple) portrait of a woman with pleated remedy in a circle frame with leaves in filling technology in the corners. Netherlands earthenware. tin glaze majolica

Half of a Circular Ceiling Design with Nymphs. Artist: Anonymous, British, 19th century. Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Folded range, Facing decor: 4 women on a bluish background, one in a tank pulled by 2 goats, 2 others hold wreaths of wheat, the one on the left is standing, the one on the right is crouching, a first plane presents leaves of bush, on the upper part, Guirl GAL1981.95.9 Facing sheet: paper, upper border in golden paper., Golden glitter

Flaçon prize ca. 1540 German, probably South Tyrol This figure was made as a prize for the winner of an archery contest.. Flaçon prize 200877

Anonymous. Plate. Earthenware. Paris, Carnavalet museum. 71680-40 Former diet, decoration, faience, revolutionary period, French revolution, third party state, lively, plate

Anonymous (n. - d.), The Virgin and two angels (main title), 1600. Enamelled gold, precious stones (amethysts), pearls. Petit Palais, Museum of Fine Arts of the City of Paris.

Albarello. Italian, Urbino (Castel Durante); Castel Durante Potteries, founded 16th century. Date: 1545-1555. Dimensions: H: 31.4 cm (12 3/8 in.). Tin-glazed earthenware (maiolica). Origin: Urbania. Museum: The Chicago Art Institute, Chicago, USA.

Folded range, Facing decor: in Versailles park, Louis XVI accompanied by courtiers is presented to a lady also in company, in the background, we can distinguish the castle of Versailles. GAL1981.95.29 Facing sheet: lithogrphié paper, gouache, frame in picked and remedied blonde horn, brass plumes, gilded metal rter

Lovers and Jester Made 1760-1770 Derby. Soft-paste porcelain, polychrome enamels and gilding . Derby Porcelain Manufactory

Walter Doran, Bandbox, c 1939 Bandbox

Woman ca. 1760-65 Bow Porcelain Factory British. Woman. British, Bow, London. ca. 1760-65. Soft-paste porcelain. Bow Porcelain Factory (British, 1747-1776). Ceramics-Porcelain

JARRON DE PORCELANA CON ESCENA COSTUMBRISTA. Location: CONGRESO DE LOS DIPUTADOS-OBJETOS. MADRID. SPAIN.

Folded range, painted back on the back: a woman reading in a park. GAL1986.270.31A Canepin painted with gouache, golden, burned background, engraved, pearl mount

Sideboard and Wine Cabinet 1859 London. William Burges was one of the preeminent architect-designers of the 19th-century Gothic Revival. The patterns and designs on this cabinet draw inspiration from the tracery and stained glass of Gothic cathedrals, as well as medieval manuscript illumination.In contrast to the reverent approach of fellow archictect-designer Augustus Welby Northmore Pugin, Burgesís interpretation of the Middle Ages is more playful and humorous. The scenes on the cabinetís four projecting panels are painted in brilliant colors and an abundance of gold by Nathaniel Westlake. They illustrate a 14th-century French poem called ìLe Martyre de Saint Bacchusî (The Martyrdom of Saint Bacchus). In a witty parody of the lives of the saints, the anonymous poet contended that healing the sick and consoling the unfortunate are not just the stuff of sainthood, but the work of wine as well.On the sideboard, Saint Bacchus is depicted as a handsome young man dressed in a pink medieval

Cabinet on Stand; Attributed to André-Charles Boulle (French, 1642 - 1732, master before 1666), and medallions after Jean Varin (French, 1596 - 1672); Paris, France; about 1675 - 1680; Oak veneered with pewter, brass, tortoise shell, horn, ebony, ivory, and wood marquetry; bronze mounts; figures of painted and gilded oak; with drawers of snakewood; 229.9 x 151.2 x 66.7 cm (90 1,2 x 59 1,2 x 26 1,4 in.)

Helmut Hiatt, Platter State House, Boston, c 1936 Platter - State House, Boston

Folded range GAL1981.95.44

Tile. Amsterdam (ośrodek ceramiczny ; ca 1580- ), factory

Ice sled from Hindelopen with painting and cutting, anonymous, c. 1400 - c. 1950 Ice sled from Hindelopen with painting and cutting. The sled shows sliced leaf ornament with angel figures and birds. The sled is partially gilded at the front and back. The side walls show a painted representation of flower arrangements with children's figures and on the front and back a painted representation of Bacchus and Love, to Goltzius. Northern NetherlandsHindeloopen wood (plant material). linden. oak (wood). spruce (wood). gilding (material) cutting / gilding Ice sled from Hindelopen with painting and cutting. The sled shows sliced leaf ornament with angel figures and birds. The sled is partially gilded at the front and back. The side walls show a painted representation of flower arrangements with children's figures and on the front and back a painted representation of Bacchus and Love, to Goltzius. Northern NetherlandsHindeloopen wood (plant material). linden. oak (wood). spruce (wood). gilding

Couly Nouailher (around 1514). "Box: the work of Hercules (lateral face B)". Museum of Fine Arts of the City of Paris, Petit Palais. Centaur, box, fight, lateral face b, hero, Greek mythology, mythological character, renaissance, scene combat, work

Dartmouth, Devon, UK - January 17. Plaque dedicated to Edith Grounds in St Saviours Church interior in Dartmouth, Devon on January 17, 2024 Dartmouth, Devon, UK - January 17. Plaque dedicated to Edith Grounds in St Saviours Church interior in Dartmouth, Devon on January 17, 2024 Copyright: xZoonar.com/PhilxBirdx 21228773

Tankard early 18th century M. Schmid Schmid was among the few faience painters who signed his work. But even without signature, his style would be instantly recognizable, for no other faience painter featured these bold figures in continuous landscape around the walls of large tankards. Such plain shapes were ideal for his compositions, which ignore all inhibitions or limitations of scale that other faience painters seem to have imposed upon themselves.. Tankard 205837

Maiolica, also called majolica, is Italian tin-glazed ceramics from the Renaissance period, digitally restored reproduction of an original 19th-century pattern

Two Bulls by Pablo Picasso, painted ceramic, 1881-1973

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