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Decorative Ceramics and Plates

Intricately designed ceramic plates and dishes, featuring floral patterns, mythological figures, and cultural motifs from different eras.

Fontana (workshop of). Amphitrite plate, Italian Majolique d'Urbino, between 1560 and 1570 (face on a gray background). Museum of Fine Arts of the City of Paris, Petit Palais. 27007-11 Creature Marine, Woman, Italian Majolic, Nudite, Various Object, Urbino, Mythology, Naked
Fontana (workshop of). Amphitrite plate, Italian Majolique d'Urbino, between 1560 and 1570 (face on a gray background). Museum of Fine Arts of the City of Paris, Petit Palais. 27007-11 Creature Marine, Woman, Italian Majolic, Nudite, Various Object, Urbino, Mythology, Naked
164 assets in this story
4443-28733484
Della Robbia Dish, 1901, 1/2 x 6 1/2 x 6 1/2 in. (1.27 x 16.51 x 16.51 cm), Earthenware, England, 20th century
6145-46634147
. In a garden landscaped with many water features, nine figures have been collected around a set table. A number of them can be recognized by their attributes: Hera (Pauw), Ganymedes (donor of the gods: wine glass), Artemis (crescent), Hermes (staff with wings), Apollo (Lier and sun rays) and Zeus (scepter and eagle on lightning bolts). The fairly centrally placed pair would be able to imagine the armor of the man and the partially clarified upper body of the woman, Aphrodite and Ares (Mars and Venus), who maintained an illegitimate relationship. This identification is supported by one of the most striking parts in this representation: an amor, which keeps a mask for his face with his right hand. In the 'Amorvm Emblemata ...' from Otto Vaenius from 1608, 'Gheveynstheyt Love Philosophyt' is the caption at an amor, which partially covered his face with a mask. The corresponding verse is explained that a relationship can be kept secret in the interest of the (unfair) Love. (Antwerp 1608,
4409-37434
ARTE GOTICO. ESPAÑA. PLATO DE CERAMICA DE MANISES del s. XVI, decorado en reflejo metálico y azul. Museo Nacional de Cerámica González Martí. Valencia.
6145-29773982
Dragon Roundel from a Ceremonial Garment early 18th century China This piece, from a set of four roundels, decorated the chest, back, and shoulders of a princes formal ceremonial garment. Each roundel bears a dragon-in-clouds pattern on a navy blue ground, and seven of the eight auspicious Buddhist symbols appear in the clouds around the edges—the canopy, endless knot, fish, lotus, umbrella, vase, and wheel. (Only the conch is missing.) The roundels for the chest and the back feature a frontal dragon (zheng long), while those for the shoulders show a dragon in motion (xing long) with its head in profile.The emperors formal ceremonial garment is decorated in the same way, except that all four dragons appear frontally.. Dragon Roundel from a Ceremonial Garment 70338
6145-29185902
Cistern ca. 1545 Possibly by the workshop of Orazio Fontana Italian. Cistern. Italian, Urbino. ca. 1545. Maiolica (tin-glazed earthenware). Ceramics-Pottery
6145-29779473
Venus Rising from the Sea 19th century European. Venus Rising from the Sea 185942
6145-46802155
Plate. Maker: Unknown
6145-46125955
Rhombus with stony the Grievaards from the history of Susanna. Rhombus, round, stained glass in the colors brown and yellow with representation of stony of the Grievaards from the history of Susanna.
4409-17378280
Watch. Culture: British, probably London. Dimensions: Overall: 1 7/8 × 1 3/8 in. (4.8 × 3.5 cm). Enameler: Plaques by I. R. (probably Jean Reymond) (active ca. 1615-32) of Limoges. Maker: Watchmaker: David Ramsay (working 1600, died 1660). Date: ca. 1620-25.In the first quarter of the seventeenth century a small group of enamelers in Limoges produced polychrome painted enamels for watchcases. Most of the surviving enamels, including the one displayed here, were adapted from the woodcut illustrations by Bernard Salomon (1505/1510-ca. 1561) for the editions of Ovid's Metamorphoses published in Lyon by Jean de Tournes beginning in 1555. The case of the watch was cleverly modified, probably at some time in the second half of the nineteenth century, to fit a movement of equal rarity. Museum: Metropolitan Museum of Art, New York, USA.
6145-59045913
The farewells of Hector and Andromaque ". Belected Eventail. Leaf of gouache and gold paper. Graved mother -of -pearl mount. Ribrius decorated with a rhinestone, around 1725. Galliera, fashion museum of the city of Paris. Eventail - The farewell Hector and Andromache Accessory, farewell, panels folded, leaf, hero, female mode, grave mother -of -pearl frame, Greek mythology, gouache paper, rhinestone, rter
4409-17486142
Roundel. Date/Period: 15th century. Roundel. Medium: silk, metallic threads. Technique: embroidery. Author: UNKNOWN.
4409-17429169
Shallow bowl with Beautiful Cassandra. Culture: Italian, probably Urbino with Gubbio or Urbino luster. Decorator: Lustered by Vincenzo Andreoli (Italian, active Gubbio and Urbino, late 16th century). Dimensions: Overall (confirmed): 2 × 9 1/2 in. (5.1 × 24.1 cm). Date: 1538. Museum: Metropolitan Museum of Art, New York, USA.
6145-59043037
EVENTAIL. Assembly of the gods in Parnassus ". Gouache on swan skin, blonde horn. Paris, Carnavalet museum. Eventail: Assembly of the gods in Parnasse Fashion accessory, Eventail
6145-29890200
Charles Garjian, Pa German Plate, c 1937 Pa. German Plate
6145-59029817
Anonymous, 1785. Grave paper (enhanced with gouache), Metal (copper alloy), glass. Palais Galliera, fashion museum of the city of Paris.
4443-28735209
Fan-'Amore Scene-Verno Martin', 19th century, Unknown French, 16 1/4 x 9 in. (41.28 x 22.9 cm) (framed, mounted), Handpainted on ivory sticks, France, 19th century
6145-58845323
Window with the entrance of the blissful on Hemelpoort, Anonymous, Lambert van Noort (Rejected Attribution), 1550 - 1599 Round stained glass with the image of "the bliss -in -handed gate entering the gate". Left in front of the Renaissance Poort is Peter with the key, on the right an angel with yellow wings Northern Netherlands glass. lead (metal). silver stain. Round stained glass with the image of "the bliss -in -handed gate entering the gate". Left in front of the Renaissance Poort is Peter with the key, on the right an angel with yellow wings Northern Netherlands glass. lead (metal). silver stain.
6145-59071261
Josiah (1730-1795), Metamorphoses, Ovidius, Wedgwood, Jaspiska stoneware, mythology, transmission (provenance)
6145-59057371
Empress Maria Teresa née families on the terrace in Schonbrunn; Bencini, Antonio (1710-1765), Hanfstaengg, Franz Seraph (1804-1877), Franz-Hanfstaengl-Kłonstverlag (Munich, Dresden, London, New York; Publishing House; 1816-1925); 1910 (1910-00-00-1910-00-00);Ernst Ludwig, Grossherzog von Hessen (1868-1937) - collection, Hessen und Bei Rhein, Ernst Ludwig (Grossherzog - 1868-1937) - collections, Karpniki (Dolnośląskie Voivodeship - Fischbach), children, women, miniatures, alien, men, men, heaven , palaces, collective portraits, family, costumes, hairstyles, rulers
6145-45333780
Fan unknown
6145-59046869
Folded range, Decor Face sheet: 2 cartels highlighted by glitter overlaps, in the center is represented a sheepfold scene, a shepherd sitting near a sheepfold while behind them a young boy watches them. Above the cartel, the attributes of the AMO GAL1981.95.52 Face sheet: silk, gouache, embroidery at the point of Beauvais, silk, ivory back, skeleton frame, glitter, redoor and silver, repercussions, recent rter, sculpted
6145-58875717
Four rural scenes, Anonymous, c. 1700 - c. 1800 Glass plate in a wooden rough with four round images. The rest of the glass is blackened. Left: a man and a woman hug each other, Cupido is behind them. 2nd from the left: a man (right) plays whistle for a woman. 2nd from the right: a man (right), a woman and four sheep. Right: a man (left) and an ox look at a child who is bathing the feet in a river. Netherlands glass. wood (plant material). oil paint (paint) Glass plate in a wooden rough with four round images. The rest of the glass is blackened. Left: a man and a woman hug each other, Cupido is behind them. 2nd from the left: a man (right) plays whistle for a woman. 2nd from the right: a man (right), a woman and four sheep. Right: a man (left) and an ox look at a child who is bathing the feet in a river. Netherlands glass. wood (plant material). oil paint (paint)
6145-29072428
Fragment, c. 1900-1910. Benedetto Buglioni (Italian, 1461-1521). Glazed terracotta; overall: 198.1 x 165.1 cm (78 x 65 in.).
6145-29706085
Oval platter with lobster 1870-80 Thomas-Victor Sergent Though he began his career in the military, Thomas-Victor Sergent developed an enthusiasm for creating Palissy ware, a genre of nineteenth-century ceramics inspired by the work of the Renaissance potter Bernard Palissy (1510-ca. 1589). He won a bronze medal for his work at the 1878 Universal Exhibition in Paris.. Oval platter with lobster. French. 1870-80. Glazed earthenware. Ceramics-Pottery
6145-46635788
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6145-29143169
Plate ca. 1830-ca. 1835 British (American market). Plate. British (American market). ca. 1830-ca. 1835. Earthenware, transfer-printed. Made in Staffordshire, England
6145-29240891
Hercules and Antaeus 1780-90 Josiah Wedgwood British In his attempt to imitate ancient Greek vase painting, Wedgwood developed this type of decoration, known as encaustic painting, which he patented in 1769.. Hercules and Antaeus. British, Etruria, Staffordshire. 1780-90. Black basalt ware with "encaustic" decoration. Josiah Wedgwood (British, Burslem, Stoke-on-Trent 1730-1795 Burslem, Stoke-on-Trent). Ceramics-Pottery
6145-45379046
Talia kart Piwarski, Jan Feliks (1794 1859), National Card Factory in Warsaw. Gotti & Baumann
6145-30168038
Earthly Paradise 1888 France. This exceptional object attests to the spirit of collaboration and competition between Paul Gauguin and the younger artist Emile Bernard in the late 1880s. It also speaks to their experimentations with radical new styles and techniques and their desire to break down the hierarchy between painting and applied or decorative art. On three of the five panels, Bernard (left vertical) and Gauguin (center panel and probably top panel) carved men, women, animals, and apple trees inspired by village life at Pont Aven, motifs that they also used in their paintings. On the right panel, however, Gauguin carved figures from his trip the previous year to the tropical island of Martinique, which presaged his future voyages to Tahiti.. Chestnut and pine, carved and polychromed; glass, metal hardware . Paul Gauguin
6145-58862468
Spiegellijst, anonymous, c. 1675 - c. 1700 Mirror frame of walnut, sculpted with leaves and flowers on which in the middle of Mercury on a car, in the middle of Venus and Amor on a car, in the left side Jupiter and Juno and in the right side Neptunus and Amphitrite; In the top left corner two eagles (fire), In the top right corner a goat (earth), In the lower right corner a dolphin (water) And in the lower left corner two birds (air). The inside list is new. The Netherlands, third quarter 17th century. Netherlands walnut (hardwood). oak (wood). amalgam Mirror frame of walnut, sculpted with leaves and flowers on which in the middle of Mercury on a car, in the middle of Venus and Amor on a car, in the left side Jupiter and Juno and in the right side Neptunus and Amphitrite; In the top left corner two eagles (fire), In the top right corner a goat (earth), In the lower right corner a dolphin (water) And in the lower left corner two birds (air). The inside list is new. The Netherlands, thir
6145-59012509
EVENTAIL. "Dancers", C.1845. Lithography paper, openwork ivory. Paris, Carnavalet museum. 99067-4 Fashion accessory, Eventail
6145-59522501
Magic lantern pictures, anonymous, 1800 - 1900 A magic lantern plate on which a monkey and a bear is showing arts under the watchful eye of a man, wife and child. glass painting
4409-17355839
Tondo. Artist: Benedetto Buglioni (Italian, Florence 1459/60-1521 Florence). Dimensions: Diam. 53 cm.. Date: ca. 1500. Museum: Metropolitan Museum of Art, New York, USA.
6145-29115884
A Nature Spirit (Nat). Burma (Myanmar), Mandalay, circa 18th century. Sculpture. White marble
6145-59522498
Magic lantern pictures, anonymous, 1800 - 1900 A magic lantern plate on which a sitting man with a headdress, a standing man, a fountain, a sitting man and a standing woman and a building are depicted. glass painting
6145-58990206
Cup (Kylix). Black figures. Athens (Greece), 525-500 BC. AD Museum of Fine Arts of the City of Paris, Petit Palais. 58658-18 Anse, antiquity, Greek antiquity, Greek art, rider, ceramic, cut, horse, black figure, kylix, decorative motif, base, drinking vase, ancient vase, vieme vie 6th 6th 6th century av.jc
1746-4163
Librarian's Room. Dome showing stuccoed relief of a ring of Grecian girls by Weinert with the central disc displaying the mural Letters by Holslag. Library of Congress Thomas Jefferson Building, Washington, D.C
6176-67069303
'A Fifteenth-Century Florentine Cassone', (1927). Artist: Unknown.
1746-28969103
interior of Kenwood House. The original house dates from the early 17th Century and was then called Caen Wood House. Originally designed by Humphry Repton (1752-1818) English landscape designer. Dated 17th Century
6145-59012558
EVENTAIL. "Gender scene around 1850". Color lithography on paper, openwork bone. Paris, Carnavalet museum. 99065-18 Fashion accessory, Eventail
4409-17401493
Livery. Culture: Italian. Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.
6145-59253426
Tokens with the portrait of Queen Anna Stuart and the names of English Kings, Anonymous, After Nicolas Chevalier, 1702 - 1714 print Design of a round medal with, in six concentric circles, the names of English kings and their government years, starting with King Egbert of Wessex and ending with King Stefanus. In the middle of the medal the portrait of Queen Anna Stuart. Amsterdam paper etching seal (symbol of sovereignty). king
6145-59270014
Design for Painting General Dutch Diamond Workers' Association: Vrijheid, Richard Nicolaüs Roland Holst, 1878 - 1938 drawing Naked man, design for a painting. paper. deck paint. pencil brush Freedom, Liberty; 'Libertà' (Ripa) (+ abstract concept represented by male figure). Freedom, Liberty; 'Libertà' (Ripa) (+ abstract concept represented by male figure)
6145-59043086
Jean-Louis Forain (1852-1931) and Louis-Abel Truchet (1857-1918). Eventail in memory of the morning of Gala given to the Opéra-Comique, organized for the benefit of the monument in Gavarni. "The subscriber quote with a ballet dancer", 1903 ". Paper, wood. Paris, Musée Carnavalet. Eventail: "The subscriber quote with a ballet dancer" (Gavarni); Frain and Truchet 1903 Fashion accessory, Eventail
4409-17299322
ABANICO - SIGLO XIX. Location: MUSEE D'ARTS DECORATIFS. MADRID. SPAIN.
4409-17558503
Pole Screen with Venus and Cupid. England. Date: 1775-1799. Dimensions: 52.1 × 21.3 cm (20 1/2 × 8 3/8 in.). Mahogany, hand colored engraving, gilding, and metal mounts. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.
6145-46170176
The OS and the donkey. Roll, round, stained glass in red-brown and yellow, decorated with the show of an ox and donkey lying in a rocky landscape. A tree behind them. The air is closed with a meander.
6145-58872537
The Pharisee and the Tax Collector, anonymous, 1662 Plate of Faïence, painted in blue with a scene from the New Testament: the Pharise and the Tollenaar. Dated 1662 Delft . Plate of Faïence, painted in blue with a scene from the New Testament: the Pharise and the Tollenaar. Dated 1662 Delft .
4409-17579655
'Landscape with Pan and Syrinx'. The Netherlands. The Netherlands, Mid-1560s. Dimensions: diameter 15,4 cm. Museum: State Hermitage, St. Petersburg. Author: Hans Collaert I.
6145-29140194
Armorial panel with Stuart coat of arms ca. 1685-88 British The arms are those of the Stuart sovereigns: James I, Charles I, Charles II, and James II. For stylistic reasons, this panel is dated between 1660 (beginning of the reign of Charles II) and 1688 (end of the reign of James II).. Armorial panel with Stuart coat of arms. British. ca. 1685-88. Limewood, parcel-silver and gilt. Woodwork-Furniture
4409-17384328
Lady at her Breakfast. Artist: After a composition by François Boucher (French, Paris 1703-1770 Paris); Based on an engraving of 1734 by Laurent Cars (French, Lyons 1699-1771 Paris). Culture: Austrian, Vienna. Dimensions: Overall (confirmed): 6 1/4 in. × 8 in. × 5 3/8 in. (15.9 × 20.3 × 13.7 cm). Factory director: Du Paquier period (1718-1744). Manufactory: Vienna. Date: 1737-44.Chocolate was often consumed at breakfast, usually in the privacy of the bedroom or dressing room. Here, a servant is presenting the beverage to a woman in a dressing gown; there are also sweet Savoy biscuits on the table. Chocolate was considered healthy, particularly for the stomach and the voice, and its consumption was permitted even during the fasting days of Lent, provided it was served without milk or eggs. Museum: Metropolitan Museum of Art, New York, USA.
4443-21924895
Bottom fragment of majolica dish with polychrome decor, lady with yellow necklace, dish crockery holder fragment soil found ceramic earthenware glaze tin glaze lead glaze w 19.5, ring 12.0 hand turned fried glazed painted fried Fragment of majolica dish. Polychrome decor in blue and yellow Lady with necklace of yellow beads and probably cross with bird on her hand. Spruce-baked underside sparing lead glaze Yellow shard of archeology Coolhaven Dijkzigt City center Rotterdam indigenous pottery decorate serving Soil discovery Rotterdam found at the construction of the Coolhaven or during the war during the clearing of the rubble of the bombardment in the city center.
6145-59013593
EVENTAIL. "France by Brienne on the edge of its tomb led by Neker will be reborn again" (Song in supervision). Paper, gouache engraving, tinted fruit wood. Paris, Carnavalet museum. 99053-7 Fashion accessory, Event, Revolutionary Periode, French Revolution
4443-19529082
Button, Gouache paint verre fixeé, ivory (backing), glass, gilt metal, Circular form with painted scene depicting light skinned woman on left in white, low cut bodice with mid-length, ruffled sleeves, loose white overskirt, longer light blue underskirt, barefeet, white scarf on head, and long, tied black ribbon around her neck. She lifts skirts slightly while gazing at black man to her right; he wears short orange and brown skirt, possibly feathered, with brown strap draped diagonally across his bare chest and tall, orange feathered headdress. His left hand is on his hip while he points downward with his right hand as he gestures to the lighter skinned woman. Behind him to the right are two black women: one wears long orange, white, and black vertically striped skirt, scarf with black and orange stripes, draped head scarf with orange stripes, and gold beaded choker around neck; second woman at extreme right with her back turned to viewer wears long gold, white, and black vertically str
6145-30349551
Attributed to John Ferneley, 1782-1860, British, Lord Edward Thynnes Snuff Box, Decorated with Foxhunting Scenes by John Ferneley, 1832 or 1833. Oil on gold.
6145-46076532
Karel I, king of England. Plaque of faience. Blue painted with the portrait of Charles I, king of England. Possibly a counterfeit to Dutch or English example. The object is (probably) is a counterfeit.
4409-17419959
Bowl. Culture: British. Dimensions: H. 3 1/2 in. (8.9 cm); Diam. 7 1/4 in. (18.4 cm). Date: 1770-1800. Museum: Metropolitan Museum of Art, New York, USA.
4409-66125148
Lluís Masriera / Colgante de las holandesas, 1908. Colección privada. Author: LLUÍS MASRIERA I ROSÉS.
1075-424
Majolica Plate With Genre Scene 16th C. Ceramic Cummer Museum of Art & Gardens, Jacksonville, FL
6145-29733898
Gryllos: conjoined heads of a youth, a bearded man, a satyr, and a ram late 18th-early 19th century Italian The term gryllos, used for these bizarre combinations, is derived from the Greek word for caricature.. Gryllos: conjoined heads of a youth, a bearded man, a satyr, and a ram 207954
4409-17353799
Fan. Culture: British. Designer: Robert Delamotte. Date: ca. 1790.Cadiz is the oldest continuously inhabited city in Western Europe and became the home port of the Spanish Navy in the 18th century. Museum: Metropolitan Museum of Art, New York, USA.
4409-21350289
ABANICO CON IMAGEN DE ROSSINI. Location: MUSEO DE HISTORIA DE MADRID-ABANICOS. MADRID. SPAIN. GIOACCHINO ROSSINI (1792-1868).
4409-14907
PLATO CALIFAL EN VERDE Y MANGANESO CON PALMETAS E INSCRIPCION CUFICA - SIGLO X. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.
6145-45337383
Bell Urban (inscription: Ioannes Weidner et, Samuel Scholtz Me, Fecit Cracovi, in a frame with two angels supporting the crown) Zygmuntów Tower, Cathedral in Wawel, Krakow