Decorative Historical Tiles

Detailed images of various historical tiles, showcasing intricate patterns and colors from different cultural backgrounds.

Ottoman ancient Handmade Turkish Tiles with floral patterns

Closeup detail of old Portuguese glazed tiles.

Ottoman ancient Handmade Turkish Tiles with floral patterns

COMPOSICION ESTRELLADA DE LAZO DE DIECISEIS PUNTAS DESARROLLADA EN CUATRO AZULEJOS DE ARISTA- TOLEDO - HACIA 1550. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION. MADRID. SPAIN.

Detail of Portuguese glazed tiles.

Floral art pattern example of the Ottoman Islamic art

Old Spanish tiles, azulejos, Comillas, Cantabria, Spain, Europe

Ottoman Turkish art with geometric patterns in view

Tile Panel first half 17th century. Tile Panel 444997

Arabesques : panneau ovoïde de faïence (1/2). Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Decoration and ornament, Islamic, Arabesques, Faience

Floral art pattern example of the Ottoman time

Tile tableau of 96 tiles, decorated with geometric patterns, anonymous, 1840 - 1860 Field of 96 tiles (12 x 8) decorated with a geometric pattern. Tunesian eateries earthenware. tin glaze Field of 96 tiles (12 x 8) decorated with a geometric pattern. Tunesian eateries earthenware. tin glaze

Old Traditional Portuguese azulejos, painted ceramic tilework.

Ottoman art example of Mother of Pearl inlays from Istanbul

ALFOMBRA DE FONDO AMARILLENTO DECORADO CON FORMAS VEGETALES Y MOTIVOS GEOMETRICOS - SIGLO XVII - LANA - NUDO ESPAÑOL. Location: MUSEE D'ARTS DECORATIFS. MADRID. SPANIEN.

Closeup detail of old Portuguese glazed tiles.

mural, Rabat, Morocco, street scene, Africa, Medina, mosaic, travel

tile for wainscoting and flooring, edge tile, around 1544, Aragonese Mudejar tile makers, Huesca Diocesan Museum, Aragon community, Spain.

Ceiling mural in Topkapi Palace, Istanbul, Turkey, Europe, Asia

Mosaic of zeliges with Fes in Morocco

Eight tiles with a continuous pattern of floral scrolls, anonymous, c. 1550 - c. 1599 Tile field of eight large tiles belonging together, painted in blue, red and green with a continuous pattern of flower vines. Iznik earthenware. glaze painting / vitrification Tile field of eight large tiles belonging together, painted in blue, red and green with a continuous pattern of flower vines. Iznik earthenware. glaze painting / vitrification

Floral art pattern example of the Ottoman time

ARTE ISLAMICO-ESTILO OTOMANO. TURQUIA. Detalle de la cerámica esmaltada de tonos azulados cuyos delicados motivos florales eran primero dibujados en el taller imperial y posteriormente realizados por los ceramistas de IZNIK. RÜSTEM PASA CAMII. Mezquita proyectada por SINAN y encargada por el visir Rüstem Pasa. ESTAMBUL.

Detail of Japanese textile print

Medina alleyway fountain mosaic tilework, Fes, Fès-Meknès, Morocco

Khujand, Sughd Province, Tajikistan. Decorative ceiling at the Arbob Cultural Palace in Khujand. (Editorial Use Only)

Detail from a 19th century marble table from Italy. Using colourful floral inlays to create the design.

Spain, Seville, Close-up of decorative tiles

View of an intricately painted ceiling with vibrant geometric patterns and floral motifs showcasing the rich artistic heritage, Lahore, Punjab, Pakistan.

Ottoman art example of Mother of Pearl inlays

Wall painting, floral elements, Junagarh Fort, Rajasthan, India, Asia

Floral art pattern example of the Ottoman time

Stucco inlay from the 19th century Bahia Palace, a UNESCO World Heritage site. Marrakech, Morocco.

Ceiling decoration, Sala de los Embajadores, Ambassadors' Hall, in the Moorish Royal Palace Real Alcazar, Unesco World Heritage Site, in Seville

Panel, 19th century, 42 x 44 in. (106.68 x 111.76 cm), Silk, wool; embroidery, 19th century

Design for Ceiling with Plant and Arabesque Decoration 19th century Charles Monblond French. Design for Ceiling with Plant and Arabesque Decoration 343198

PANEL DE AZULEJOS POR TABLA - AZULEJOS DORADOS DE ARISTA - SIGLO XVI. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION. MADRID. SPAIN.

Tile Panel. Dimensions: H. 53 5/16 in. (135.1 cm)W. 53 9/16 in. (136 cm)D. 2 3/8 in. (6 cm) with tabsWt. 194 lbs. (88 kg). Date: second half 16th century.The tiles used in this panel are products of the Iznik kilns. Situated within forty miles of the Ottoman capital city of Istanbul, the ceramic workshops of Iznik began producing ceramic tiles for the Ottoman court in the early part of the sixteenth century. An explosion of Iznik tile production occurred in the mid-sixteenth century, stimulated by a surge of royal building in Istanbul supervised by the celebrated Ottoman architect-in-chief, Sinan. Colorful, repeating-pattern Iznik tiles such as these still enliven the walls of mosques and palaces throughout Istanbul. Museum: Metropolitan Museum of Art, New York, USA.

Ottoman marble carving art in detail

Detail of Japanese textile print

Wall Tile (Ottoman Empire (present day Syria)); lead-glazed earthenware

Illuminated Initial "O" 1830-62 Freeman Gage Delamotte British. Illuminated Initial "O" 363555

Merinide Abu al Hassan medersa, Sale, Morocco. Ceiling marquetry.

Traditional Portuguese azulejos, painted ceramic tilework.

Brazil, state of Bahia, Salvador. Pelourinho (Old City) UNESCO World Heritage Site. Historic Jesuit Cathedral Basilica, c 1657, built in Baroque and Rococo styles. Detail of Portuguese tiles. (Large format sizes available)

Floral art pattern example of the Ottoman time

Floral art pattern example of the Ottoman time

Granada, Spain. Tile and relief work. The Alhambra is one of the most famous monuments of Islamic architecture. Nasrid Palace

Tile Panel second half 16th century The tiles used in this panel are products of the Iznik kilns. Situated within forty miles of the Ottoman capital city of Istanbul, the ceramic workshops of Iznik began producing ceramic tiles for the Ottoman court in the early part of the sixteenth century. An explosion of Iznik tile production occurred in the midsixteenth century, stimulated by a surge of royal building in Istanbul supervised by the celebrated Ottoman architectinchief, Sinan. Colorful, repeating-pattern Iznik tiles such as these still enliven the walls of mosques and palaces throughout Istanbul.. Tile Panel. second half 16th century. Stonepaste; polychrome painted under transparent glaze.. Made in Turkey, Iznik. Ceramics-Tiles

Carpet Made 1701-1800 Portugal. Linen, plain weave; embroidered with wool and hemp chenille yarn couched with hemp; cut to form pile .

lord Krishna and milkman gopika colorful stained glass work, sheesh mahal, amber fort, jaipur, rajasthan, india Copyright: xNitinxKelvalkar/DinodiaxPhotox

CORDOBAN. Location: Museo Municipal. CORDOBA. SPANIEN.

Tile Panel second half 16th century The tiles used in this panel are products of the Iznik kilns. Situated within forty miles of the Ottoman capital city of Istanbul, the ceramic workshops of Iznik began producing ceramic tiles for the Ottoman court in the early part of the sixteenth century. An explosion of Iznik tile production occurred in the midsixteenth century, stimulated by a surge of royal building in Istanbul supervised by the celebrated Ottoman architectinchief, Sinan. Colorful, repeating-pattern Iznik tiles such as these still enliven the walls of mosques and palaces throughout Istanbul.. Tile Panel. second half 16th century. Stonepaste; polychrome painted under transparent glaze. Attributed to Turkey, Iznik. Ceramics-Tiles

Stained glass, painted glass and Grisaille windows from the Middle Ages, 13th to 15th centuries. Specimens from Cologne Cathedral, Bourges Cathedral, Strasbourg Cathedral, Chartres Cathedral and Tournal Cathedral. Moyen Ages. Hand-finished chromolithograph by Dufour & Launay from Albert-Charles-Auguste Racinets LOrnement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73.

Frieze, Block-printed on handmade paper, Gray and yellow floral swags frame gray and yellow sheet with vine decoration on ends held by rosettes. In center of cloth is a large green, yellow and gray medallion with radiating spokes ending in Grecian palmettes. At one side, a yellow and brown laurel border, at the other, a Greek key pattern. Printed on red and green ground., France, 1815-25, Wallcoverings, Frieze

Arabesques. Incrustations en stuc sur marbre blanc (du XVIe. siècle au XVIIIe.). Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Decoration and ornament, Islamic, Arabesques, Inlays

Islamic style ceramic tile produced during arts workshops led by artist Suhair-Al-Khayat with students from George Dixon International School, Birmingham, England

Large Qur'an Safavid Shiraz or Deccan 16th Century Islamic Art

35mm original

Mosaic detail Ulug Bek Madrasa Registan, Samarkand, Uzbekistan, Central Asia

Arabian art: illuminated manuscript. Handpainted borders and Cufic initials with elaborate rose-work from a huge Koran in the collection of Francois Firmin-Didot. Arabe. Hand-finished chromolithograph by F. Durin from Albert-Charles-Auguste Racinets LOrnement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73.

Glass panel. Culture: French. Dimensions: 16 1/8 x 15 3/4 in. (41.0 x 40.0 cm). Date: ca. 1325-30. Museum: Metropolitan Museum of Art, New York, USA.

Iznik faience tiles, Ruestem Pasha Mosque, Istanbul, Turkey, Europe, Istanbul, Istanbul Province, Turkey, Asia

Ottoman art example of Mother of Pearl inlays from Istanbul

Closeup detail of old Portuguese glazed tiles.

Court of the Myrtles - plasterwork and tiles , The Alhambra, Granada, Region of Andalusia, Spain, Europe.

ZOCALO DE MARMOL DECORADO CON RELIEVES DE ATAURIQUE - SIGLO X. Location: MEDINA AZAHARA / MADINAT AL-ZAHRA. PROVINCIA. CORDOBA. SPAIN.

Design for a carpet, anonymous, c. 1854 - c. 1864 Manufacturer: Deventeramsterdam paper. gouache (paint) brush Manufacturer: Deventeramsterdam paper. gouache (paint) brush

Iran, Yazd. Decorative wall tiles in the Jameh Mosque.

Tile decoration at Bahia Palace, Marrakech, Morocco.

Example of Ottoman art patterns applied on stone

MOROCCO, MARRAKECH, SOUK SCENE, DRINKING FOUNTAIN, MOSAIC

Medieval ornament

Detail of painted decoration, the Shiv Niwas Palace Hotel, Udaipur, Rajasthan state, India, Asia

Design for the decoration of a hexagonal ceiling with rinceaux. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 13 3/16 x 19 3/4 in. (33.5 x 50.2 cm)image: 10 11/16 x 12 1/4 in. (27.1 x 31.1 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

Miniature designs delicate fresco painted wall at Nayak s Darbar Hall, Thanjavur palace, Thanjavur, Tamil Nadu, India Copyright: xNitinxKelvalkar/DinodiaxPhotox

eramic Tiles in Mausoleum of Kaldyrgach-bey, Tashkent, Uzbekistan, Asia

Design for Dining Room Ceiling, Chteau de Cangé second half 19th century Jules-Edmond-Charles Lachaise French. Design for Dining Room Ceiling, Chteau de Cangé 345446

Ottoman art example of Mother of Pearl inlays from Istanbul

Samarkand, Uzbekistan, Central Asia. Historic decorative tile work at the Ustad Ali Nasafi Mausoleum at the Shah-i-Zinda.

Decorative grill from the Palace of Westminster ca. 1845-59 Augustus Welby Northmore Pugin These decorative grill panels exemplify the designs of Augustus Welby Northmore Pugin (1812-1852), who was the leading exponent of the Gothic Revival style in England. Pugins work is central to the transformation in British design that began in the mid-nineteenth century. He admired what he saw as the honesty and purity of medieval art, and deplored the meaningless repetition of historical motifs. Pugin coined the phrase "Brumagen Gothic," referring to "those inexhaustible mines of bad taste, Birmingham."The medieval Palace of Westminster, much altered by later additions, was almost entirely destroyed by a devastating fire which broke out on October 16, 1834. When the last flames were finally contained five days later, only Westminster Hall and parts of the chapel were standing. The following Spring, a competition was held for the design of a modern building that could accommodate the state apar

Morocco Fès Qarawiyin Mosque Unpublished image 7. Swaan, Wim. 1967 or earlier Photographic production materials for Morocco: Marrakesh, Fez, Rabat Photographs of architecture were selected and digitized from these materials. Portraits, ethnographic images, and images of museum objects were excluded. Digital images are arranged geographically, first by country, then by city, then by site complex or monument, with all names in alphabetical order. Location names are derived from the Getty Thesaurus of Geographic Names (TGN)®, Library of Congress subject headings, and scholarly publications. Published images are followed by unpublished images. Versos of prints and slide mounts were not digitized. The information in any handwritten identifications found on these surfaces was incorporated into the metadata for individual images. All digital images are cropped to the edge of the frame and are not color-corrected. Photographic production materials for Morocco: Marrakesh, Fez, Rabat is a small

Italy, Sicily, Cefalù, catherdal, central apse, detail of mosaic

Farbenfrohe Malereien an der Innenwand, Chitrashala, Garh Palace Complex, Bundi, Rajasthan Colourful paintings on the inner wall, Chitrashala, Garh Palace Complex, Bundi, Rajasthan LicenseRF Copyright: xZoonar.com/RealityImagesx 23325399

Ottoman art example of Mother of Pearl inlays

Topkapi Palace, Harem, Istanbul, Turkey, Asia

Tile, blue draft, orange, yellow and green on white, central flowerpot with marigolds, corner pattern, rosette, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted Yellow reddish and red shard square two nail holes.

Flowers, marble relief, Taj Mahal, UNESCO World Cultural Heritage Site, Agra, Uttar Pradesh, India, Asia

Morocco Fès Bou Inania Medersa Unpublished image 10. Swaan, Wim. 1967 or earlier Photographic production materials for Morocco: Marrakesh, Fez, Rabat Photographs of architecture were selected and digitized from these materials. Portraits, ethnographic images, and images of museum objects were excluded. Digital images are arranged geographically, first by country, then by city, then by site complex or monument, with all names in alphabetical order. Location names are derived from the Getty Thesaurus of Geographic Names (TGN)®, Library of Congress subject headings, and scholarly publications. Published images are followed by unpublished images. Versos of prints and slide mounts were not digitized. The information in any handwritten identifications found on these surfaces was incorporated into the metadata for individual images. All digital images are cropped to the edge of the frame and are not color-corrected. Photographic production materials for Morocco: Marrakesh, Fez, Rabat is a sma

Tabletop; tabletop 1580 - 1600; base 1825; Pietre dure and marble commesso (mosaic) top including breccia di Tivoli (or Quintilina), giallo antico, nero antico, breccia rossa, breccia cenerina, breccia verde, broccatello, bianco e nero antico, serpentine, alabaster fiorito and alabaster tartaruga, lapis lazuli, coral, rock and yellow and black jasper on a carved and gilt wood base; 136.5 x 113 cm (53 3,4 x 44 1,2 in.)

Morocco Fès Andalusian Mosque Plate 78. Swaan, Wim. 1967 or earlier Photographic production materials for Morocco: Marrakesh, Fez, Rabat Photographs of architecture were selected and digitized from these materials. Portraits, ethnographic images, and images of museum objects were excluded. Digital images are arranged geographically, first by country, then by city, then by site complex or monument, with all names in alphabetical order. Location names are derived from the Getty Thesaurus of Geographic Names (TGN)®, Library of Congress subject headings, and scholarly publications. Published images are followed by unpublished images. Versos of prints and slide mounts were not digitized. The information in any handwritten identifications found on these surfaces was incorporated into the metadata for individual images. All digital images are cropped to the edge of the frame and are not color-corrected. Photographic production materials for Morocco: Marrakesh, Fez, Rabat is a small portion of

Capa pluvial del Tern de Sant Valeri, siglo XII. Museu del Disseny de Barcelona.

Romanesque floor mosaic, St., Saint, Saint

Ottoman art example of Mother of Pearl inlays

Prayer niche. Late 13th century-early 14th century. From Kashan (Iran). Ilkhanid Period (125-1353). Stonepaste, moulded and painted under and over the glaze. Calouste Gulbenkian Museum. Lisbon, Portugal.

CUPULA DE MOCARABES - SIGLO XIV - FOTO AÑOS 70. Location: ALHAMBRA-SALA DE LAS DOS HERMANAS. GRANADA. SPANIEN.

Border, Block-printed on handmade paper, Three borders printed side by side on the length of paper. A frieze of roses and other flowers, printed in red, yellow, blue and green on a white ground. Above, a border of rope with one blue and four yellow strands., France, 1820-25, Wallcoverings, Border

Paintings on the inner wall of the Tomb of I timd-ud-Daulah, Agra, Uttar Pradesh, India Paintings on the inner wall of the Tomb of I timd-ud-Daulah, Agra, Uttar Pradesh, India Copyright: xZoonar.com/RealityImagesx 21561370

Painted frieze, detail of the officers' mess, Lower Fortress, Franzensfeste Fortress, Fortezza, Trentino-Alto Adige, Italy, 19th century.

Tile. Iran, Kashan, early to mid-13th century. Ceramics. Fritware, overglaze luster-painted

Tile Panel. William Frend De Morgan's Studio (England, London or Merton Abbey)William Frend De Morgan (England, 1839-1917). England, circa 1885. Architecture; Architectural Elements. Lustered earthenware

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