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Decorative Textile Patterns

A collection of printed fabrics showcasing floral and ornamental designs. Featuring intricate patterns in various colors, suitable for upholstery or fashion.

Textile, Medium: cotton Technique: roller (mule) printed on plain weave, England, ca. 1830, printed, dyed & painted textiles, Textile
Textile, Medium: cotton Technique: roller (mule) printed on plain weave, England, ca. 1830, printed, dyed & painted textiles, Textile
377 assets in this story
Fragment; silkCotton galon made of cotton with Feulles Mortes; On a white soil are woven up rising large and small bee leaves on straight steel, in various autumn tones., 1920 - 1930 Cotton galon made of cotton with Feulles Mortes; On a white soil are woven up rising large and small beuke leaves on straight stem, in various autumn tones. cotton (textile) Cotton galon made of cotton with Feulles Mortes; On a white soil are woven up rising large and small beuke leaves on straight stem, in various autumn tones. cotton (textile)Piece 18th-19th century Japan. Piece 66192Doily, Medium: cotton, glass beads Technique: embroidery, Square white cotton textile made of two pieces stitched together with lace stitches. Fringed on all four sides. Flowers scattered over ground. Two ends trimmed with flowering vine design. Polychrome beads used., Mexico, early 19th century, embroidery & stitching, DoilyTextile (France); silk; Warp x Weft: 40 × 22.2 cm (15 3/4 × 8 3/4 in.); Anonymous bequest in memory of Albert and Rebecca Elsberg; 1938-82-63-bPiece 1780-90 British, London, Spitalfields. Piece. British, London, Spitalfields. 1780-90. Silk. Textiles-WovenSidewall - Sample (USA); machine-printed paper; 70 x 48 cm (27 9/16 x 18 7/8 in.)Textile, Medium: silk Technique: satin weave with supplementary weft, Off-white satin with large multicolored flowerheads and curving stems that show Chinoiserie influence., Lyon, France, 1750-1800, woven textiles, TextilePiece French 19th centuryPiece 16th-17th century Italian. Piece 223399Fragment of silk fabric colourful pattern made of symmetrical styIIsed flower vases (middle of a gore) unknownSurround for Turkish Silk Cushion Cover, early 1600s. Iran, Safavid period, late 17th - 18th c.. Plain weave with inner warps and with continuous and discontinuous supplementary wefts bound in plain and 1/3 Z twill order; silk, silver-metal thread; overall: 109 x 23.3 cm (42 15/16 x 9 3/16 in.).Apparel made into Cushion 17th century Spanish This apparel and another in the Lehman Collection (1975.1.1893), from the front and back of a dalmatic (a liturgical vestment), have been backed with a modern silk fabric and finished as cushions. The embroidered designs were worked separately and then appliquéd to dark red silk cut velvet. On each apparel a center medallion framed by strapwork depicts a saint in three-quarter view. Both saints hold books, and one holds a bow and arrow, the other a standard with two banners. The compositions are completed with more foliate strapwork and scrollwork (in mirror image based on a center axis) embellished with couched gilt cording highlighted with silvered thread cording.. Apparel made into Cushion 461373Turksih traditional woman scarf with floral embroideryFragment, Medium: Technique: printed, USA, 19th century, printed, dyed & painted textiles, FragmentRing pebble marble in green, red and brown, anonymous, 1700 - 1900 marbled paper Ring pebble marble in green, red and brown. Probably part of a cover. paper. paint (coating) shell marbled paperField of sixteen tiles with flowers, anonymous, c. 1640 - c. 1660 Field of 16 tiles (4 x 4) each with a blue painted flower on a ground. In the corners, a lily. Netherlands earthenware. tin glaze majolica Field of 16 tiles (4 x 4) each with a blue painted flower on a ground. In the corners, a lily. Netherlands earthenware. tin glaze majolicaMedieval ornamentChiné piece, early 20th century, 15 x 11 1/4 in. (38.1 x 28.58 cm), Silk; printed, France, 20th centurySamples unknownTextile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. 42 silk; 40 nylon; 18 metal, largest component (a): 22 x 17 1/2 in. (55.9 x 44.5 cm). 1948-1959Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. Silk, 22 1/4 x 17 1/2 in. (56.5 x 44.5 cm). 1948-1959Textile, Medium: birch bark embroidered with dyed porcupine quills, USA, late 19th century, embroidery & stitching, TextileSampler (England); silk and metal-wrapped silk embroidery on linen foundationPiece 16th-17th century Italian. Piece 223569Piece. Culture: Italian. Dimensions: L. 9 1/4 x W. 6 1/4 inches (23.5 x 15.9 cm). Date: 16th-17th century. Museum: Metropolitan Museum of Art, New York, USA.Sidewall (possibly USA); machine-printed on textured paper; 47 x 27 cm (18 1/2 x 10 5/8 in.)Sewing sample, France, late 19th century, Sewing sampleBorder fragment, Medium: crewel wool on linen Technique: stem, roman, speckling, knots, chain, surface satin, buttonhole embroidery on plain weave, Linen embroidered in polychrome wool, in branch leaf and flower design. Linen warp and weft., USA, 1700-1750, embroidery & stitching, Border fragmentCarolina Lily quilt, c. 1870, 81 7/16 x 80 7/8 in. (206.85 x 205.42 cm), Cotton; pieced, appliquéd, and quilted, United States, 19th century, Brown flowers' Theyre not too common. The blossoms on this quilt probably started out red. Red and green color schemes were all the rage with quilters in the mid and late 1800s. The best-quality red cottons at the time were dyed Turkey red, a plant-based color achieved by a complex dyeing process that originated in Turkey and India. The bright hue would not fade with washing. However, by the 1870s cheaper, synthetic dyes were also in use. Fabrics dyed with synthetic reds were often sold as genuine Turkey red, but the color soon faded to brown or pink.Sampler (USA); Embroidered by Mary Cole (American); Student at Ellisburg School; silk embroidery on linen foundationVector wooden ornamentPiece 16th century probably Spanish. Piece 226397Textile Sample Book 1870s British or American. Textile Sample Book. British or American. 1870s. Textiles-Sample BooksPair of Small Banners (sewn together), early 18th century, L.32-1/8 x W.6-3/8 in., silk, satin, China, 18th centuryRibbon French 19th centuryBirth and Baptismal Certificate. Culture: American. Dimensions: 12 x 15 1/2 in. (30.5 x 39.4 cm). Maker: Johan Zug. Date: 1788. Museum: Metropolitan Museum of Art, New York, USA.Field of sixteen tiles with fruit scales. Field of 16 tiles (4 x 4) each with a multicolored (blue, green, yellow and orange) painted fruit bowl. An oxen head in the corners.Glass mosaic inlay 1st century B.C.-1st century A.D. Egyptian, Ptolemaic or Roman Semi-opaque cobalt blue ground; decoration in opaque white, yellow, red, and greyish green.Square, thin, flat plaque, with slightly beveled edges.Symmetrical lotus and palmette motif arranged around a central compressed four-petaled rosette, with a large palmette at each corner with double spiral volutes forming a frame to a small distorted lotus flower on each side.Broken and repaired with small holes and cracks; upper side ground and polished; pitted surface bubbles, weathering on edges and back.Square, many colored; leaves and spirals.. Glass mosaic inlay. Egyptian, Ptolemaic or Roman. 1st century B.C.-1st century A.D.. Glass; cast. Late Hellenistic or Imperial. GlassTextile, "Les Medallions"; France; cottonBag, Medium: linen, glass beads Technique: beaded knitting, Knitted purse with colored glass beads in a design of floral bands on a white ground scattered with green beads., USA, mid-19th century, costume & accessories, BagTuch mit Blumendekor - Cloth with flowers Tuch mit Blumendekor - Cloth with flowers Copyright: xZoonar.com/lantapixx 6143679Purse, Medium: silk, metallic thread Technique: embroidered, Flat envelope-shaped case, probably for letters. Embroidered in colored silks and metal thread. Border of flowers. On flap, 'Souvenir D'Amitie' in gold. On back, initials 'M.M.' in gold. Bound in gold. Button and loop., France, early 19th century, costume & accessories, PurseTextile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. Silk, a and b: 21 x 22 in. (53.3 x 55.9 cm). 1948-1959A puppy on a cushion, flowers in a lacy surround, and these simple words, 'I Love Thee !' Date: circa 1860Fragment 18th century Italian or French. Fragment. Italian or French. 18th century. Silk. Textiles-WovenSample, Medium: cotton Technique: printed on plain weave, Woven cotton printed in black on white ground showing a pattern of poodles in a variety of playful poses., USA, late 19th century, printed, dyed & painted textiles, SampleQuiltFour tile, Glazed earthenware, Painted in blue, green, yellow band brown; tulips, grapes and oranges, with foliage and foliated circles., Netherlands, 17th century, tiles, Decorative Arts, Four tileScarf isolated on the white backgroundHand-printed Trijp, design "ships", in dark purple, violet and red on gray-beige stock, Carel Adolph Lion Cachet (Possible), c. 1920 - c. 1930 Confirmation or stress, hand-printed Trijp, with design "ships", in dark purple, violet and red on gray-beige stock. Eindhoven Pool layer: mohair. Ground tissue: Cotton (textile) Confirmation or stress, hand-printed Trijp, with design "ships", in dark purple, violet and red on gray-beige stock. Eindhoven Pool layer: mohair. Ground tissue: Cotton (textile)Fragment ; silk, metallicSampler Made 1825-1875 México. Linen, plain weave; cut and drawn work embroidered with silk floss in Algerian eye, back, buttonhole, coral, cross, detached chain, feather, hem, herringbone, interlocking lace, knotted back, knotted insertion, long-armed cross, overcast, Roman, running (pattern darning), Russian overcast, satin, square open work, and wave stitches; darned, open buttonholed, overcast, and zig-zag overcast bars; darned and satin squares; darned and woven wheels; French knots; beaded with glass and metal beads; edged with 2/2 silk, twill weave tape .Fragment (England); cottonTextile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. cotton; wool, largest component (a): 21 x 17 in. (53.3 x 43.2 cm). 1948-1959Field of four tiles with fruit scales. Four tiles (2 x 2) each with a blue-painted fruit bowl. In the corners, an oxen head.Border, Machine-printed paper, Baguette motif formed of blue ribbons and green rod, with alternating clusters of moss roses and forget-me-nots, printed in colors on a white field., England, ca. 1890, Wallcoverings, BorderNoh costume jacket (happi), first half 20th century, Unknown Japanese, 48 1/2 × 79 1/8 in. (123.19 × 200.98 cm), Silk, Japan, 20th centuryHandkerchief late 19th century French The delicate fabric of this handkerchief is worked in fine embroidery depicting manly pursuits. Needlework of this type was created by convent nuns. The handkerchief's large size and imagery indicate it is for a man's use.. Handkerchief 155767Textile Sewing Floral Decoration Detail view of floral sewing decorative design in pale colors Copyright: xZoonar.com/DanielxFerreira-LeitesxCiccarinox 9878105Textile 15th century or later () European. Textile 479783 European, 15th century or later (), Velvet, 10 ft. 8 in. 83 1/4 in. (325.1 211.5 cm). The Metropolitan Museum of Art, New York. Source Unknown (INST.16.103.12)tapa cloth (ngata), Tonga, hand painted on hand-beaten mulberry bark clothTextile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. Wool blend, a: 21 x 17 1/2 in. (53.3 x 44.5 cm). 1948-1959With Lamb unknownEmbroidery, Germany 19th century. Crown of vine leaves and a bunch of roses embroidery design in the middle.Embroidery, Germany 19th century. Pelmet pattern with roses, violets and ears of wheat.Piece French 19th centuryNeedlework sampler unknownBaby Carrier, 19 x 18 5/8 in. (48.26 x 47.31 cm), Cotton, silk (); needlework, ChinaPouch, 13 × 11 in. (33.02 × 27.94 cm) (approx.)19 3/4 × 17 1/2 × 2 in. (50.17 × 44.45 × 5.08 cm) (outer frame), Beads, wool, United StatesClose-up of collection of old French labelsFlowd pattern, Anonymous, 1860 - 1930 decorated paper Japan Japanese paper (handmade paper). paint (coating) ornament derived from plant formsTextile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. Silk, a: 41 3/4 x 24 3/4 in. (106 x 62.9 cm). 1948-1959Cloth with boySampler, 1750, maker unknown. Bequest of Judge Julius Isaacs, New York, 1983.Watercolor bright pumpkin seamless pattern. Hand painted pumpkin ornament with flower, leaves and branch isolated on white background. Halloween print Watercolor bright pumpkin seamless pattern. Hand painted pumpkin ornament with flower, leaves and branch isolated on white background. Botanical illustration for design and fabric. Halloween Copyright: xZoonar.com/LiubovxPonomarchukx 18909153Embroidered message on a wall hanging, Sweden.