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Decorative Textiles

Fabric fragments showcasing floral patterns, brocade techniques, and varied color palettes, reflecting historical textile craftsmanship.

Textile, Medium: silk Technique: float patterned satin; 7&1 satin patterned by weft floats bound on the front as a 1&3 twill, Length of blue silk with a pattern of flowers, leaves and scrolls in pink and light blue. Leaves and scrolls have diaper patterns., probably Italy, 17th century, woven textiles, Textile
Textile, Medium: silk Technique: float patterned satin; 7&1 satin patterned by weft floats bound on the front as a 1&3 twill, Length of blue silk with a pattern of flowers, leaves and scrolls in pink and light blue. Leaves and scrolls have diaper patterns., probably Italy, 17th century, woven textiles, Textile
393 assets in this story
Textile (Japan); silk, metallic threadFrieze (USA); machine-printed paper, liquid mica; 91.5 x 49.5 cm (36 x 19 1/2 in.)Sewing Case (USA); cottonTextile, Medium: silk Technique: satin weave, Fragment of upholstery fabric in red, black and white stripes., France, early 19th century, woven textiles, TextileDesign for Embroidery, Gentleman's Waistcoat Pocket, Fabrique de Saint Ruf, Lyon, France, Brush and watercolor, gouache, pen and black, purple ink, and graphite on cream laid paper, The waistcoat or gilet pocket flap shows garlands of light green leaves, while the area of the pocket below the flap contains garlands of yellow flowers. The flap shows a bird on the left, a bird and shovel upon a flower basket in the center, and a tree on the right. The area below the pocket flap includes rabbits, assorted birds, and a mouse in a trap. Lilac edges with rows of yellow beads and purple, blue, and yellow floral garlands appear along the edge of the waistcoat pocket and pocket flap., Lyons, France, ca. 1785, embroidery & stitching, Drawing, DrawingTextile (France); silk, metallic thread; Anonymous bequest in memory of Albert and Rebecca Elsberg; 1938-82-44-dFragments (England); silk on linenMona Brown, Patchwork Quilt, 1935 1942 Patchwork QuiltFragment silk tissue .. Fragment silk tissue. The pattern has yellow horizontal stripes on which small vertical blue stripes.Fragment multicolor striped silk fabric .. fragment multicolor silk tissue. The pattern has white and light blue stripes. Since yellow stripes with black dots.Men Hanjuban with Horse Race Motives, 1926 - 1927 Half-length lower kimono (Hanjuban) for a man with a decoration on the front and back properties of a pattern of coins, with images of horses and wed cards of 20 yen for the 1926-1927 season on the sleeves. The KCR on the cards may stand for Kyoto Racing Club. Cotton and silk (sleeves) with stenciled Yuzen decorations. Lining white cotton and ivory silk (sleeves). Japan silk. cotton (textile) painting Half-length lower kimono (Hanjuban) for a man with a decoration on the front and back properties of a pattern of coins, with images of horses and wed cards of 20 yen for the 1926-1927 season on the sleeves. The KCR on the cards may stand for Kyoto Racing Club. Cotton and silk (sleeves) with stenciled Yuzen decorations. Lining white cotton and ivory silk (sleeves). Japan silk. cotton (textile) paintingTextile (England); cottonSet of Vintage Realistic graphic flowers - hand drawn images Sarah F Williams, Handkerchief Case, c 1938 Handkerchief CaseSquare (Italy); silk, linen net foundationDesign for a Waistcoat, Pencil and various gouaches on paper, Design for the embroidery at the border of a man's waistcoat. Lilac edges. A waved line runs parallel to the edge of the waistcoat. Boughs, leaves fan blossoms grow from it. A bunch of flowers is shown beneath the pocket; it is flanked by two hanging flowers, the right one being a pansy., France, 1780-1790, Drawing, DrawingMessage cover. Satin cream embroidered at the point of Beauvais of polychrome silk and green caterpillars. Golden cannetille and glitter. Around 1775-1780. Paris, Galliera Museum, fashion museum of the city of Paris. 25396-5 Accessory, embroidery, embroidery, cannetille, green caterpillar, female mode, golden glitter, message pouch, beauvais point, satin cream, polychrome silkSampler; Embroidered by Caroline Dunn; silk embroidery, wool foundation; Warp x Weft: 34 x 50 cm (13 3/8 x 19 11/16 in.); Bequest of Mrs. Henry E. Coe; 1941-69-201Textile, Medium: silk, paper with applied gold foil Technique: plain compound weave, Beige and gold background with weft patterning of flowers, vines, and gourds in green, blue, red, white, brown, and tan silk threads., Japan, 18th century, woven textiles, TextileFragment (Greece); silk on linenRug; End of the 19th century (1881-00-00-1900-00-00);Flowers, modernism (style), decorative fabricsSample book, Medium: paper, printed cotton textile samples, Oversized red cloth bound book with 2,239 French textile samples. Very good condition and quality. Predominantly dark colors and earth tones., France, 1850, sample books, Sample bookVeld van acht tegels.Field of 8 tiles (4 x 2) each with a blue-painted flowerpot on a ground. In the corners, a lily.Pouch made of cream -colored silk, embroidered with stylized butterfly pattern in green and yellow silk, anonymous, c. 1910 Pocket of cream -colored silk, embroidered with stylized butterfly pattern in green and yellow side. Model: square. Closure by means of a ribbon that is pulled through green sides. Lined with cream -colored satin. Decoration: Along the opening a band of square, green cubes filled with a waffle pattern of yellow silk. Three elongated rectangles under the tire closure, including a half -round butterfly -like motif. Along the hem green, lying rectangles filled with a yellow waffle pattern. Art Nouveau style. Amsterdam whole: Silk. embroidery: embroidering Pocket of cream -colored silk, embroidered with stylized butterfly pattern in green and yellow side. Model: square. Closure by means of a ribbon that is pulled through green sides. Lined with cream -colored satin. Decoration: Along the opening a band of square, green cubes filled with a waffle pattern of yellow silkEmbroidery with numbered examples., C. 1850 Embroidery patch from Batist mounted on cardboard covered with satin. The embroidery has various monograms, a weapon and a cartouche with and without a crown and the names Antonia, Betty, Sophie, Louise, Elise and in the middle Jenne Klaftenberger with a rosette branch. All motifs are numbered, from 25 to 45. Netherlands batiste. satin. cardboard embroidering Embroidery patch from Batist mounted on cardboard covered with satin. The embroidery has various monograms, a weapon and a cartouche with and without a crown and the names Antonia, Betty, Sophie, Louise, Elise and in the middle Jenne Klaftenberger with a rosette branch. All motifs are numbered, from 25 to 45. Netherlands batiste. satin. cardboard embroideringFragment early 16th century Italian. Fragment 230650Textile fragment. Textile fragment, embroidery and pressure of flowers and leaves on dark brown fond.Samples, Orinoka Mills, (Philadelphia, Pennsylvania, USA), a. gold color on gold color, b. pink ground with green and 2 other shades of pink, USA, ca. 1910, woven textiles, SamplesKeys on keyring hanging on wallCushion first half 17th century British. Cushion. British. first half 17th century. Silk and metal thread on canvas. Textiles-EmbroideredFragments, Medium: silk Technique: compound weave, Fragments have red and purple flowers and green leaves set in a diamond-shaped lattice of red and purple petals and leaves on a yellow-beige ground., Turkey, 18th century, woven textiles, FragmentsGeorge Washington Quilt about 1876 American The front and back of this whole-cloth quilt are constructed of two complete width and one cut-width lengths of fabric seamed at their selvedges. The front is a multicolored roller-printed cotton showing medallions with trompe-l'oeil relief busts of George Washington. Each medallion is topped with an eagle and surrounded with a wreath of flowers. The back is of a dark brown calico with a lozenge design in brown and red. The piece is fan quilted overall.. George Washington Quilt. American. about 1876. Wholecloth printed cottonCushion cover of Applicationant of Queen Sophie. Cushion cover of natural applicators, needle lace - Brussels gauze side - applicated on machining tulle. In the middle of a tulle rectangle, within a wreath, the oval coat of arms of Wurtemberg, held by a crowned climbing lion and a climbing deer and covered by a crowned helmet. The large initials, S and W are applied under an empty banderole. The wreath is made up of a winding rosary, interrupted by six standing oval medallions, which are covered by a dome with uivorous, rushed to the center. A large oval middle is saved by the edge, which consists of larger oval ovals and symmetrical branches; Large roses, carnations, blossom branches and long, incised leaves are growing on the branches. A soft rose satin edge completed the cushion cover. The corresponding bedspread has almost the same pattern on a larger scale. However, the edge is creamy, with large crêms.Field of sixteen tiles with birds. Field of sixteen tiles (4 x 4) each with a multicolored (blue, green, yellow, orange and purple) bird including 7 peacocks on a sprig of berries. In the corners, an oxen head.Textile; Manufactured by Schwartz-Huguenin; cottonTextile; silkWoven pillow Decorative pillow isolated with clipping path included Copyright: xZoonar.com/Baloncicix 7079606Guirlande en trofee met schildersattributen.A fan leaf with medallions, a floral guide and a trophy with painting attributes.Valentine. Artist: Anonymous. Dimensions: Sheet: 9 3/4 × 7 13/16 in. (24.8 × 19.8 cm). Date: 1819.Quarto double folded sheet, embossed makers' name: DOBBS PATENT, with cameo-embossed border, as in 1981.1136.513. The short sides are embossed with laurel leaves, while the long sides are embossed with oak leaves, and the paper has cherubs and romantic French phrases embossed in the corners; bordered with 2mm. line of pink watercolor. The central watercolor of an applied yellow parrot tulip and moss rose has been hand-cut into a cobweb, 8 mm diameter. Within the cobweb is a painting of a bird carrying two wreaths in his beak. The tulip and rose represent love in the Language of Flowers.The cobweb is also referred to as a beehive, a birdcage, and a flower cage. It was a popular device in which to carry a secret message or even a love token or ring. This may also be called a mechanical or movable Valentine.Six floral border designs painted in gold. Five are floral. The top one includes aPurse early 19th century French. Purse 117280Dorothy Posten, Materials from Quilt, c 1936 Materials from QuiltFragment Made 1540-1560 Florence. Silk and gilt-metal strip, warp-float faced satin weave with supplementary facing wefts and supplementary pile warps forming cut and uncut voided velvet .Textile (France); cotton; Warp x Weft: 93 x 86.5 cm (36 5/8 x 34 1/16 in.); Bequest of Elinor Merrell; 1995-50-230Valentine - Ever ThineCasket 1750-1799 Battersea. Metal and enamel .Anonymous. Embroidery drawing project. Pencil and gouache on a map, around 1780-1790. Galliera, fashion museum of the city of Paris. Embroidery, fashion drawing, 18th 18th 18th 18th 18th 18th 18 centuryWoman's necktie 1870-80 French. Woman's necktie 221663Tea tablecloth of clamping side with four-pointed star in diamond shaped grid. Tea tablecloth of natural colosside: Cluny side. Square model with deep slip edge. The circumference of a four-pointed star is in the square center, in a very open diamond-shaped grid. Around the square midfield runs a straight list of a braid soil, where the braids form whole and semicircles, which provides a kind of spider web pattern. The repeating pattern of the wide outer edge forms deep slots and consists of a row of impeller-shaped flowers with seven flower leaves. Under every flower is an oval scraper of braids, finished with pointed lobes. In the oval scallop a thin handle with spitsoval leaves made in vobling on either side. This motif with leaves in shape stroke also emphasizes the right list and then stands in between the flowers, with a more or less rectangular flat, including a range such as a shell, finished with pointed lobes. The motifs are made in a cut-off and linse stroke and are connectePiece French 19th centuryValentines and birthday cards depicting flowers.. Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. FlowersA fragment of embroidery on a tulle from a women's dress skirt unknownDouglas Campbell, Dress Material, c 1938 Dress MaterialElizabethan ornamentWoman's Comb 15th or 16th century French or Italian Combs and other personal grooming implements were often included in bridal trousseaux during the fifteenth and sixteenth centuries in Italy. In 1474, for example, Caterina Pico da Carpi had seven ivory combs in her wedding trousseau. This one is decorated on both sides with animals and birds, and the center of one side has the amorous device of a flaming heart.Combs were very much part of the pictorial imagery of the beautiful woman, not always in a virtuous context. The comb was also considered a privileged object in that it could touch the beloved directly. This idea was expressed in poetry as a metaphor for much-desired intimacy.. Woman's Comb. French or Italian. 15th or 16th century. Ivory, paint and gilding. IvoriesEmbroidery, Germany 19th century. Pillow or carpet pattern with roses, lilies of the valley and violets.Border ca. 1700 American. Border 13574Designs for a Dial and Other Gold- and Silversmiths Wares, c. 1614 - c. 1619 Design for goldsmith work. Central an oval pendant, above two heart -shaped ornaments. In between different birds. Numbered in the bottom right: 5. One (no. 1, 3, 5, or 6) from a series of 6 vertical designs for goldsmiths. paper engraving frequently used ornamental compositions. ornament derived from animal forms. birdsPersian ornamentChristmas and New Year cards depicting flowers, draperies, and glass vases.. Proofs, Greeting cards. 1884. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Flowers, DraperiesPersian ornamentLeather (Holland); leather, stamped, silvered, varnished and paintedSample ca. 1840 French, Mulhouse. Sample 220020Floral invitation cardCoverlet, 1852. America, Ohio, Jackson Township, Bristol, 19th century. Jacquard double weave: wool; overall: 214.6 x 179.7 cm (84 1/2 x 70 3/4 in.).Fragments of silk fabric lace pattern unknownRibbon (France); silkMiriam Y Solomon, Coverlet, 1935 1942 CoverletSample early 19th century French. Sample 224723Wallet. unknown, authorSidewall, Classic Colonial; Manufactured by M.H. Birge & Sons Co. (United States); USA; machine-printed; 79.5 x 49 cm (31 5/16 x 19 5/16 in.)Four-color Velvet with Medici Armorial in Rosettes, 1450-1500. Italy, Florence, 15th century. Silk, velvet: cut pile and voided; overall: 211.5 x 40 cm (83 1/4 x 15 3/4 in.); mounted: 222.3 x 49.5 x 7.6 cm (87 1/2 x 19 1/2 x 3 in.).Europe, France, Provence-Alpes-Cote d'Azur, Bouches-du-Rhone. Aix-en-Provence. Textiles, La Victoire, Place Richelme.Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. 47 silk, 36 nylon, 17 metal, 23 3/4 x 21 1/4 in. (60.3 x 54 cm). 1948-1959Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. silk; metal, largest component (a): 47 x 17 1/2 in. (119.4 x 44.5 cm). 1948-1959Birthday and New Year cards with botanical ornamentation.. Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Decoration and ornament , Plant formsPiece (one of twelve) Greek 19th centuryMargaret Linsley, Quilt Eastern Star, c 1940 Quilt - Eastern StarBirthday, Christmas and New Year cards depicting horseshoes, flowers, the sun, the moon, and decorative ornamentation.. Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. FlowersDamask liturgical stole, Lombardy. Italy, 18th century.Christmas and New Year cards depicting flowers and fall foliage.. Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Leaves, FlowersEmbroidered Footstool Cover. Dated: c. 1938. Dimensions: overall: 48.3 x 47.5 cm (19 x 18 11/16 in.) Original IAD Object: 18" in diameter. Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Edward Unger.Border (USA); block-printedLena Nastasi, Crazy Quilt, c 1936 Crazy QuiltApron, 30 1/2 x 25 in. (77.47 x 63.5 cm), Cotton, silk, ChinaBirthday cards depicting flowers, seashells, and human figures.. Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Flowers, Shells (Animal)Sample of the game cardsCHARAGE SHAP, Eight blades, covered with gold leather on which rocks with flowers and shrubs in which birds, butterflies and dragonflies, anonymous, c. 1700 - c. 1800 Gold leather screen consisting of eight sheets. The surface is divided into a rectangular surface, on which rocks are depicted with flowers and shrubs in which different birds, butterflies and dragonflies. A wide tire with cartouches has been installed around this, in which baskets and vases with flowers. Everything is executed in richly varied colors on gold and black stock. Great Britain . Gold leather screen consisting of eight sheets. The surface is divided into a rectangular surface, on which rocks are depicted with flowers and shrubs in which different birds, butterflies and dragonflies. A wide tire with cartouches has been installed around this, in which baskets and vases with flowers. Everything is executed in richly varied colors on gold and black stock. Great Britain .Easter cards depicting chicks, birds, feathers and an ornamental plant design.. Proofs, Greeting cards. 1881. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Feathers, Eggs, Decoration and ornament , Plant formsBrazil, Fortaleza. Emcetur Tourist Center, handicraft market housed within a former prison. Handmade textiles, lace and embroider work with cutouts, a specialty of the.Embroidered Strip, late 20th century, 64 x 2 1/2in. (162.6 x 6.4cm), Cotton, embroidery, China, 20th centuryPurse (France); silk, gold-wrapped silk, horsehair (id: lab)Birthday, Christmas, New Year and Valentine cards depicting flowers and hearts.. Proofs, Greeting cards. 1884. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. FlowersEmbroidered picture in the frame, isolated on white background Embroidered picture in the frame, isolated on white background Copyright: xZoonar.com/OleksandrxKostiuchenkox 9747195