Elegant Historical Textiles

A collection of exquisite embroidered garments and textile designs from the 18th to 19th centuries, showcasing intricate details, vibrant colors, and diverse cultural influences.

Skirt, c. 1940, 38 x 46 in. (96.52 x 116.84 cm), Silk, synthetic satin, metallic thread; needlework, Syria, 20th century

Embroidery Tatreez pattern, Palestinian fashion vector ornament

Madrid manton de Manila shawl typical in San Isidro fest

Woman's Kesi Butterfly Vest, late 19th century, 25 7/8 x 24 1/8in. (65.7 x 61.3cm), Silk, brass, stone, China, 19th century

Skirt, 19 1/8 x 29 7/8 in. (48.58 x 75.88 cm), Cotton, China

Apparel early 17th century Italian. Apparel 213037

Pattern for traditional clothes. Pattern for vintage traditional clothes include batik Copyright: xZoonar.com/PENCHANx 8463529

Apron. England, circa 1740. Costumes; Accessories. Silk embroidery on silk taffeta, silk fringe trim

Fashion concept with scarf on white

Kloskant collar with seven diamonds surrounded by C-volutes that form bows, anonymous, c. 1910 Collar of natural -colored bobbin. Sailors model with connecting round neck and square back and two diamond -shaped fronts. Symmetrical pattern with seven windows. Each window is surrounded by C-Voluten that form bows. The motifs are connected by braids with picots. A traly land has been applied in the C-Voluten. In each window there is a flower with six petals made in shape. Such flowers in shape also come back in other parts in the pattern. Belgium (possibly) cotton (textile) bobbin lace Collar of natural -colored bobbin. Sailors model with connecting round neck and square back and two diamond -shaped fronts. Symmetrical pattern with seven windows. Each window is surrounded by C-Voluten that form bows. The motifs are connected by braids with picots. A traly land has been applied in the C-Voluten. In each window there is a flower with six petals made in shape. Such flowers in shape also come

Embroidery Tatreez pattern, Palestinian fashion vector ornament

Embroidery Tatreez pattern, Palestinian fashion vector ornament

Apron, 28 3/16 x 26 in. (71.6 x 66.04 cm) (without fringe), Synthetic fibers, cotton, China

Vest with standing collar of white satin, decorated with black velvet stripes with chenille cream and embroidered sprinkling and floral motifs with lovers and blue stones; 12 buttons., Anonymous, 1790 - 1800 Vest of white satin. Imposed black velvet stripes and colored silk flowers with sequins, forces and chenille. Decorated standing collar. silk. glass. linen (material). satin embroidering Vest of white satin. Imposed black velvet stripes and colored silk flowers with sequins, forces and chenille. Decorated standing collar. silk. glass. linen (material). satin embroidering

Embroidery Tatreez pattern, Palestinian fashion vector ornament

Jacket, 20 1/4 x 50 in. (51.44 x 127 cm), Cotton, silk, seeds, metal buttons, metallic strips, China

Embroidery Tatreez pattern, Palestinian fashion vector ornament

Grandma knitting pattern for Ugly Sweater

Male manual clothing unknown

Pair of Sleeve Ruffles Made 1725-1775 France. The lace decorations that ornamented womenís dresses were separate from the dresses themselves. They required many yards of lace and, since fine lace was expensive, people sought substitutes that mimicked the light, translucent nature of the fabric. Here, the sleeve ruffles are made of a woven linen that has been skillfully embroidered to look like lace.. Linen plain weave foundation; embroidered in linen with shadow, chain, and buttonhole stitches, and drawnwork with various fillings . Unknown

Skirt 19th century China. Skirt. China. 19th century. Silk. Qing dynasty (1644-1911). Costumes-Embroidered

Set of three womens kimonos decorated with cranes, 1920 - 1940 The outer (uwagi) of a set of three formal kimono with long sleeves for an unmarried young woman (Furisode), with on the bottom of sleeves, front and back a decoration of cranes above a rough sea with rocks. Black crepe silk (surgery) with yuzen decoration in white, black, brown, green, blue and red, the cranes with embroidered detailing and the waves with detailing in silver wire and white paint. Red silk lining. Five family weapons (Mon) van Anjelieren (Nadeshiko). Japan silk painting / embroidering The outer (uwagi) of a set of three formal kimono with long sleeves for an unmarried young woman (Furisode), with on the bottom of sleeves, front and back a decoration of cranes above a rough sea with rocks. Black crepe silk (surgery) with yuzen decoration in white, black, brown, green, blue and red, the cranes with embroidered detailing and the waves with detailing in silver wire and white paint. Red silk lining. Five family

Vintage tshirt design Royalty Free Vector Image

Costume design by Leon Bakst (1866-1924) for a Baydere (Temple Dancer) in Le Dieu Bleu (The Blue God), produced in 1911 by Sergei Diaghilevs Ballets Russes. Music by Reynaldo Hahn, Choreography by Michel Fokine.

Emperor's Jifu (Semiformal Court Robe) Made 1790-1820 China. Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; embroidered with silk in satin and stem stitches; painted details; sleeves bands of silk, plain weave and of silk and gilt-metal-strip-wrapped silk, plain weave; edging and closures silk, cotton, and gold-leaf-over-lacquered-paper-strip-wrapped cotton, satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, satin damask weave; sleeves lined with cotton, plain weave; metal buttons . Manchu

Embroidery Tatreez pattern, Palestinian fashion vector ornament

Ella Josephine Sterling, Lady's Overshoes, c 1936 Lady's Overshoes

Embroidery Tatreez pattern, Palestinian fashion vector ornament

Neckline ethnic print design and border ethnic pattern vector for ethnic fashion. Neckline ethnic print design and border pattern

Embroidery sample for a mans suit or waistcoat ca. 1785-1815 French. Embroidery sample for a mans suit or waistcoat 224690

Embroidery vector Tatreez template, Palestinian fashion neck ornament

City bodice of a dressed dress which would have belonged to the Empress Eugénie ". 1869-1875. Black silk taffeta paperback of silk roses (of several tones of purple, green and yellow, taffeta of purple silk, ribbon ribbon Black silk fluted; lining of the sleeve in iced cotton canvas. would have belonged to the Empress Eugénie (1826-1920). Galliera, fashion museum of the city of Paris. City bodice of a dressed dress which would have belonged to the Impector Eugenie Brock, Corsage City, Detail fabric, lining, flower, haute couture, handle, female mode, female model, pink motif, dress dress, ribbon, silk, black taffeta, canvas, purple

Child's Embroidered Jacket with Sequins Child's Embroidered Jacket with Sequins. Velvet, Metallic thread, shoulder to shoulder: 11 7/16 x 16 9/16 in. (29 x 42 cm). Asian Art

Textile, Semiramis; Designed by Dagobert Peche (Austrian, 1887-1923, active Vienna, 1911-1923); Made for Wiener Werkstätte (Austria); silk

Women Haori with abstract pattern, 1960 - 1980 Haori for a woman with a decoration throughout the plane of irregular orange and yellow surfaces with round shapes, surrounded by black lines and scattered white motifs. Nice crepe silk (kinsha) with a damask woven motif (rinzu) from Kris-Kras lines and tie-dye decoration (Shibori). Folding of stenciled silk. Japan silk painting Haori for a woman with a decoration throughout the plane of irregular orange and yellow surfaces with round shapes, surrounded by black lines and scattered white motifs. Nice crepe silk (kinsha) with a damask woven motif (rinzu) from Kris-Kras lines and tie-dye decoration (Shibori). Folding of stenciled silk. Japan silk painting

Woman's hanbok jacket or robe, by Choi Bokhee (1930-2008). Korean, 1980s Silk and synthetic fibre

Woman's blouse (Huipil), c. 1980, 24 x 31 in. (60.96 x 78.74 cm), Cotton; embroidery, Guatemala, 20th century

Ladies floral caramel genuine leather boots

Collar of clusters inspired by lying 17th century collars and associated engagement photo (copy) from Bram Pleting and Jet Faber who made the collar and wore during her engagement. Collar of linen with an edge natural colosside. Trapezoidal model, with U-shaped neck opening. The repeating pattern consists of semi-relief slopes, with a quadruped rosette of eight spic oval leaves in the center, made in shape stroke. The rosette stands in the center of a braided wheel with eight points that form a star. The shelters are finished with picoted point braids. The four corner shellars, two rear and two of the front, are egg-shaped. The whole is inspired by a type of lying collar, which was popular in the 17th century. The collater of the collar, Johanna Henriëtte Faber (Jet), followed Louise van der Meulen-Nulle as a lace teacher at the Rijkschool for arts and crafts in 1916. In the same year, the collar contributes to her engagement with Abraham (Bram). The collar can be seen on the photo, ma

Embroidery Tatreez pattern, Palestinian fashion vector ornament

Blouse. Dated: c. 1937. Dimensions: overall: 35.5 x 24.3 cm (14 x 9 9/16 in.). Medium: gouache and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Mrs. Inez Montgomery.

Miniature Dress 12th-13th century Ica. Miniature Dress 312833

Dress with 17th-century French Embroidery, prepared during the exhibition Rétrospective of 1873 in Tours, France, Gabriel Blaise, 1873 photomechanical print Tours paper embroidery (ornamentation). temporary exhibition, 'Salon' Tours

Prehistory, Europe, Iron Age. Fur tunic worn under the cloak. Illustration.

Man's vest. Returned leather, beige, metal flowerbed braids. Golden metal boutons. 1750-1770. Galliera, fashion museum of the city of Paris. 101268-17 Costumes, 18th 18th 18th 18th 18th 18th century

Heart and floral necklace embroidery design for fashion women. Embroidery pattern with beautiful colorful Geometric Ethnic oriental for neckline

Vet, detail of the left pocket. Taffeta of cream silk, embroidery in the past, polychrome silk son, wooden buttons covered with fabric, around 1790. Galliera, fashion museum of the city of Paris. 53913-5 Embroidery, detail, flower, vest, man, male fashion, peacock, left pocket, cream silk, taffeta, 18th century

Female statue bodice. Damascus, moiré, silk, green, lining, linen, canvas, pink, silver lace, flags of whales. 1850-1900. Galliera, fashion museum of the city of Paris. 60567-6 Damascus, silver lace, lining, child, whale flanon, whale fanon, linen, moire, silk, canvas, green

Fashion concept with scarf on white

Beautiful textile

Cape for an ecclesiastical figurine, Medium: silk, metal sequins, paillettes Technique: embroidered on satin weave; lined with twill, Small cape for an ecclesiatic figure, the 'Bambino'. Pale blue satin embroidered with glass beads, paillettes, and gold and colored sequins. Small flowers sprinkled over ground. Edges in twining lead and flower design. Lined with red silk twill., France, 1750-99, costume & accessories, Cape for an ecclesiastical figurine

Sample (Dress Trimming) Made 1815-1835 France. Silk, twill weave; appliquÈd with silk, plain weaves; edged with cording covered with silk, satin weaves; turned and padded (cotton) hem .

Embroidery vector Tatreez template, Palestinian fashion neck ornament

Embroidered top from a pall unknown

Cowboy boot with floral pattern. Design element for poster, t shirt, emblem, sign.

Feathered Tabard. Culture: Ica (). Dimensions: H. 30 × W. 25 in. (76.2 × 63.5 cm). Date: 15th-early 17th century.Feathers were considered luxury materials in ancient Peru. They were used to embellish elite costume for thousands of years. Textiles densely covered with the brilliantly colored feathers of tropical rainforest birds are among the most spectacular works produced by ancient Andean artists. Feathered garments lent the wearer status and prestige and indicated wealth. Far-reaching contacts were necessary to bring the Amazonian bird feathers over the long distances between the eastern slopes of the Andes to the desert reaches of the Pacific coast, where this tunic was made. Feathers also referred to the birds' ability to fly. In Andean thought, they may have imbued the wearer with increased spiritual power, enabling communication with other realms.The sleeveless tunic has an opening for the head at the neck and is open at the sides with ties. The individual tiny green, red, ye

Cape For An Ecclesiastical Figurine (France); silk, metal sequins, paillettes

Eventail: Renaud and Armide (back), around 1720. Gouache, ivory. Galliera, fashion museum of the city of Paris. 34760-7 Accessory, Evening, gouache, ivory, literature, character, theater

Jacket, 31 3/4 x 54 3/8 in. (80.65 x 138.11 cm), Velvet, cotton, silk, China

Embroidery Tatreez pattern, Palestinian fashion vector ornament

Endleaves of Art. Goût. Beauté.. In November 1921 a new fashion magazine appeared under the name Art. Goût. Beauté. Its initials were taken from Albert Godde Beddin et Cie, a prestigious textile manufacturer and publisher established in Lyon in 1867. Textile designs of the companys own manufacture were used for the magazines decorative endleaves, with the name and number of the pattern noted in a small inset.

Corset 1780s-90s European. Corset. European. 1780s-90s. cotton, wood

Polynesian floral textile cloth, Waikiki, Honolulu, Hawaii.

Showcase with printed muslin samples, Spring Store, Boulevard Haussmann, 9th arrondissement, Paris Georgette pancakes Showcase with printed muslin samples, store "spring", boulevard Haussmann. Paris (ixème arr.). "Georgette pancakes". Anonymous photography. Draw at gelatin bromide of silver.

Embroidery Tatreez pattern, Palestinian fashion vector ornament

Feathered Tunic 15th-early 17th century Chimú. Feathered Tunic 309548

Embroidery sample for a mans suit ca. 1785 French. Embroidery sample for a mans suit 224686

Stage costumes by unknown artist, Russia, St. Petersburg, A. Pushkin Memorial Museum, 10, 2x28, 6

Showcase with distended floral patterned fabrics alternating with united tissues, spring the spring, Boulevard Haussmann, 9th arrondissement, Paris. Showcase with distended floral fabrics alternating with united fabrics, store "spring", boulevard Haussmann. Paris (ixème arr.). Anonymous photography. Draw at gelatin bromide of silver.

Embroidery vector Tatreez template , Palestinian fashion neck ornament

Embroidery vector Tatreez template, Palestinian fashion neck ornament

Vest. Taffetas, silk, cream, Beauvais Point Embroidery, polychrome silk sie, silk fringes, pink, green, cream, wooden pimples covered with taffeta, around 1790. Galliera, fashion museum of the city of Paris. 53917-3 Embroidery, cream, detail, flower, vest, character, point of Beauvais, silk, taffeta

portrait,man,indian culture,fashion,pattern

Fashion female lingerie with vintage lace ornament vector image

Back jeans pocket vector image

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