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Elegant Portraits of Women

A collection of three portraits featuring women in historical attire. Each image showcases intricate details and rich colors, evoking a sense of elegance and nostalgia.

Girl With A Rose Lucas Villamil, Eugenio(1858-1918 Spanish) Museo Romantico, Madrid, Spain
Girl With A Rose Lucas Villamil, Eugenio(1858-1918 Spanish) Museo Romantico, Madrid, Spain
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A Garden Idyll Edward Gurden Dalziel (1849-1888 British)The Wyndham Sisters: Lady Elcho, Mrs. Adeane, and Mrs. Tennant. Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 115 x 84 1/8 in. (292.1 x 213.7 cm). Date: 1899.The three daughters of the Honorable Percy Wyndham, a wealthy Londoner, appear in this monumental canvas. From the left, they are Madeline Adeane (1869-1941), Pamela Tennant (1871-1928), and Mary Constance, Lady Elcho (1862-1937). Sargent painted them in the drawing room of their family's residence on Belgrave Square. Seen on the wall above them is George Frederic Watts's portrait of their mother (private collection), which establishes their genealogy and reminds viewers of Sargent's ties to older artists. Displayed in 1900 at the Royal Academy, The Wyndham Sisters was hailed by the critics and dubbed "The Three Graces" by the Prince of Wales. Museum: Metropolitan Museum of Art, New York, USA.Girl with a Basket of Fish. Dated: c. 1889. Dimensions: overall: 130.7 x 41.8 cm (51 7/16 x 16 7/16 in.) framed: 151.1 x 61.9 x 5.1 cm (59 1/2 x 24 3/8 x 2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: AUGUSTE RENOIR.Woman at Rifle Range, Tissot, James Jacques Joseph, 1869Woman in harem by Ernest Karlovich Liphart, watercolour on paper, 1847-1932, Russia, Saratov, State A. Radishchev Art Museum, 36, 5x45Favorite Poet, Fine ArtAfter the marriage by Zhuravlev, Firs Sergeevich (1836-1901) / Regional Art Gallery, Tambov / Russian Painting of 19th cen. / 1874 / Russia / Oil on canvas / Genre / 124x93,4On the Terrace, Edward John Poynter, 1889,José de Ribera / 'Media figura de mujer (fragmento de "El triunfo de Baco")', ca. 1635, Spanish School, Oil on canvas, 67 cm x 59 cm, P01122. Museum: MUSEO DEL PRADO, MADRID, SPAIN.The Angel of Life (L'angelo della vita), by Giovanni Segantini, 1894, 19th Century, oil on canvas, 276 x 212 cmLady Gertrude Fitzpatrick, Sir Joshua Reynolds, 1777-1778, Lady Lever Art Gallery, Port Sunlight, Liverpool, England, UK, EuropeDessin original pour les "Maîtres de l'Affiche".. Chéret, Jules, 1836-1932. text. Prints, Posters. 1897. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture CollectionThe First Lesson; La Prima Lezione. Vincenzo Irolli (1860-1949). Oil on canvas. 38.1 x 57.2cm.Fruits Of The Garden David de Noter (1825- Belgian) Oil On Canvas Christie's Images, London, EnglandOrazio Gentileschi, The Lute Player, Italian, 1563 - 1639, c. 1612-1620, oil on canvas'Changeable Weather'. France, Paris, 1862-1863. Dimensions: 70x51 cm. Museum: State Hermitage, St. Petersburg. Author: Gustave Léonard de Jonghe.Purity and Passion. Franz Dvorak (1862-1927). Oil on canvas. 50.7 x 64.7cm.The Lament of Jephthah's Daughter. George Elgar Hicks (1824-1914). Oil on canvas. Painted in 1871. 122 x 76.2cm.Portrait of Madame de l'Horme and her son - Henry-Pierre Danloux, 1801Pygmalion and the Image - The Heart Desires, 1878. One in a series of four paintings. Artist: Edward Burne-Jones. Oil On CanvasCrytilla - among the most beautiful of Godward's single-figure compositions, depicting a striking model posed against a wall of marble selecting an anemone from a bunch she holds at her breast. Date: circa 1910sWoman with the Umbrella', 1900 Artist: Aristide Maillol. Aristide Maillol was a French Catalan Art Nouveau and Nabi sculptor and painter.Portrait of a Woman by a Lake. Albert Lynch (1851-1912). Oil on canvas. 100.3 x 76.2cm.Listening to stories, engraving by Mancastroppa from a painting by Camillo Innocenti, from L'Illustrazione Italiana, Year XXXI, No 49, December 4, 1904.The sick girl, 1875, by Antonio Mancini (1852-1930). Oil on canvas, 78x64.6 cm.The Seamstress. Dated: 1916. Dimensions: overall: 92.2 × 71.6 cm (36 5/16 × 28 3/16 in.) framed: 121.3 × 101 × 7.6 cm (47 3/4 × 39 3/4 × 3 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Joseph Rodefer DeCamp.A Month's Darning. Artist: Enoch Wood Perry (1831-1915). Dimensions: 20 x 15 3/4 in. (50.8 x 40 cm). Date: 1876.In their subject matter and compositional format, Perry's watercolor paintings are quite similar to his oils, and his method of applying paint was consistently characterized by fastidious attention to detail. Like his colleague Eastman Johnson, Perry studied in Düsseldorf and Paris, where he acquired a respect for careful draftsmanship. He exhibited "A Month's Darning" in 1876 at the American Society of Painters in Water Colors and later the same year at the Centennial Exposition in Philadelphia, where it was acclaimed for its evocation of times past. The critic for the "New-York Tribune" found the woman's head to be "the best part" of the composition and only regretted "that the sweet-faced girl . should have such large-footed men-folks to darn for.". Museum: Metropolitan Museum of Art, New York, USA.Le due bambole (The two dolls), Mancini, Antonio (1852-1930)'Suripanta, saliendo de los Bufos', 19th century, Oil on canvas, 40 x 28 cm, Inv. 2540. Author: JOSE CALA Y MOYA. Location: MUSEO DE HISTORIA-PINTURAS. SPAIN.Springtime , Fine ArtDesign for Christmas card , Flowers. Louis Prang & Company CollectionFrancisco de Goya y Lucientes / 'The Duchess of Alba and her Duenna', 1795, Spanish School, Oil on canvas, 33 cm x 27,7 cm, P07020. Museum: MUSEO DEL PRADO, MADRID, SPAIN.Pere Tanguy, Fine ArtThe winning bet, 1840, by Domenico Induno (1815-1878), oil on canvas, 77x59 cm.The Castalidi, 1905, by Adolfo De Carolis (1874-1928).Lady with a Lute oil on wood; 1886 Thomas Wilmer Dewing; American; 1851 - 1938Beata Beatrix, Dante Gabriel Rossetti, 1871-1872, Art Institute of Chicago, Chicago, Illinois, USA, North America,Souvenir of Velasquez, Millais, Sir John EverettLeisure Moments Alfred Augustus I Glendening (ac.1861-d.1903 British)1917 wartime calendar art. Photo: Courtesy Everett CollectionThe Blind Girl by John Everett Millais, 1829-1896, British, England, Birmingham City Gallery & Museum, 1856Anna Lea Merritt, War, detail, 1883,oil on canvas, Bury Art museum, Bury.The Elder Sister, reduction (La soeur aînée, réduction) William Bouguereau (French, 1825-1905). , ca. 1864. Oil on panel, 21 7/8 x 17 15/16 in. (55.6 x 45.6 cm). This painting portrays a young woman dressed in garments that seem at once rustic and classical, cradling a small child. The title identifies the figures as siblings, but their tender, entwined poses intentionally recall Renaissance paintings of the Madonna and Child. Such sentimentalized paintings appealed to a bourgeois clientele that appreciated delicately rendered Christian and humble domestic themes. Many people who bought art for their homes in the nineteenth century preferred paintings such as William Bouguereaus to those that displayed more radical approaches to brushwork and form. This was partly because their tastes were shaped by the burgeoning upper-middle-class merchant economy, which valued works that appeared fastidiously made over those that looked slapdash. Critics often compared painting techniques to typesThe Amateur Print Collectors, 1810, by Louis Leopold Boilly (1761-1845), oil on canvas, 32x24 cm.On the Summit. Charles Courtney Curran (1861-1942). Oil on masonite. Signed and dated 1932. 76 x63.5cm. A portrait of Dorothea Story, a friend of the artist's wife.Alice Lingard, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes. Dimensions: Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm). Lithographer: Lindner, Eddy & Claus (American, New York). Publisher: Allen & Ginter (American, Richmond, Virginia). Date: 1888.Trade cards from "World's Beauties," Series 2 (N27), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Museum: Metropolitan Museum of Art, New York, USA.Bartolomeo Giuliano (1825-1909), The Gallant Conversation, 1894, oil on canvas, 113x156.5 cm. Detail.Timoléon Lobrichon, First Love, c. 1872, oil on canvas.The Sinews of Old England, George Hicks, 1824-1914, British, 1857, Watercolor, graphite, gouache, gum arabic, and scraping out on moderately thick, slightly textured, cream wove paper, Sheet: 29 1/2 × 20 7/8 inches (74.9 × 53 cm) and Frame: 43 x 33 1/2 x 3 3/4 inches (109.2 x 85.1 x 9.5 cm), baby, door, family, genre subject, girl, home, laborer, love, pickaxe, portrait, sinews, workerLove Among the Ruins, Burne-Jones, Sir Edward Coley, 1894. The Grape Harvest. Vincenzo Irolli (1860-1942). Oil on canvas. 54 x 51.1cm.Portrait of Marina Nikolayevna Gritsenko (1901-1971) as Child, Bakst, Léon (1866-1924)(RETRATO FEMENINO) - SIGLO XX. Location: PRIVATE COLLECTION. MADRID. SPAIN.Friederike Elisabeth Brion von Sesenheim, 1752 to 1813, a daughter of an Alsatian priest and had a brief but powerful love affair with the young Goethe, Historical, digitally restored reproduction of a 19th century originalLa Belle Dame Sans Merci, Dicksee, Sir Frank, . Giovanni Sottocornola (1855-1917). Italian painter. Portrait of Anita, artist's daughter, 1903. Oil on canvas, 100 x 80 cm. Modern Art Gallery. Milan. Italy.Sir John Everett Millais, 1829-1896, British, L'Enfant du Regiment, 1854 to 1855. Oil on paper, laid on canvas, mounted on board.Feeding The Ducks Giroux, Ernest(1851- French) Oil On Canvas Christie's Images, London, England Frederic Leighton 1830-1896 Flaming June 1895Winged Figure. Abbott Handerson Thayer; American, 1849-1921. Date: 1889. Dimensions: 130.8 × 95.9 cm (51 1/2 × 37 3/4 in.). Oil on canvas. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.Alexander Pushkin and Anna Kern by Bozhy, Mikhail Mikhailovich (1911-1990)/ Regional Art Gallery, Tambov/ 1975-1977/ Russia/ Oil on canvas/ Modern/ 131x114/ Portrait,Genre,Mythology, Allegory and LiteratureFlaming June 1895 Lord Frederic Leighton (1830-1896/British) Oil on canvas Museo de Art, Ponce, Puerto Rico *Additional Rights Required The Salutation of Beatrice 1863 Dante Gabriel Rossetti (1828-1882 British) Oil on panelEin Planderstrundchen Schweninger, Karl I(1818-1887 German) Oil On Canvas Christie's Images, London, England The interview, 1870-1875, by Adriano Cecchi (1850-1936), oil on canvas, 17x31 cm.fine arts, Uhde, Fritz von (1848 - 1911), painting, ""Heidprinzesschen"" (""Heathland Princess""), oil on canvas, 1889, Berlin National Gallery,End of Summer. Gladys Rockmore Davis (1901-1967). Oil on canvas. 77.2 x 101.9cm.Little Coaxing, Fine ArtThe young smoker, 17th century, Georges de La Tour's studio (1593-1652).By a clear well within a little field , 1883, Marie Spartali Stillman (1844-1927), watercolour on paper, 48x53 cm.Mary Cassatt, Offering the Panal to the Bullfighter, 1873, oil on canvas.The Finished Landscape Cesare Tiratelli (1864-1933 Italian) Oil On CanvasThe Blue Bower, Dante Gabriel Rossetti, 1865,The Four Seasons-Autumn Cesare Saccaggi (1868-1934 Italian) Galerie George, London, EnglandIdyllic landscape from ancient Rome by Henryk Siemiradzki, Oil on canvas, 1843-1902, Private Collection, 42x70The Window. John Koch (1909-1978). Oil on canvas. 51.4 x 41cm.Florence, Italy - Circa August 2021. Angel playing a lute by Rosso Fiorentino, c.1521 - oil on panelMadonna of Giverny. Artist: Frederick William MacMonnies (American, New York 1863-1937 New York). Dimensions: 45 3/4 x 45 3/8 in. (115.1 x 114.7 cm). Date: 1901.MacMonnies created this autumnal-themed work during the four-year period (1900-1904) when he redirected his attention from sculpture to painting. Reimagining the Virgin and Child in a French grape arbor, he posed his son Ronald as the Christ Child. The models for the angels were the artist's daughters, as well as two children of the gardener of his Giverny neighbor, Claude Monet. The circular format, called a tondo, and the naturalistic setting reflect the influence of Italian Renaissance artist Raphael, whose paintings of the Madonna MacMonnies copied in Munich's Alte Pinakothek. Museum: Metropolitan Museum of Art, New York, USA.Playing Havoc. Charles van den Eycken (1859-1923). Oil on canvas. Signed and dated 1894. 82.9 x 118.2cm.Junges Mädchen mit einem Feldblumenstrauß, Historisch, digital restaurierte Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, genaues Origin...