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Elegant Vintage Jug Collection

A selection of antique jugs and tankards made of silver and pewter, showcasing exquisite craftsmanship and historical significance.

Jug; Wiehr; 19th century (1885-00-00-1890-00-00);
Jug; Wiehr; 19th century (1885-00-00-1890-00-00);
166 assets in this story
TeaCaddy. Maker: John Payne, British, ca. 1720-ca. 1799Teapot. Maker: Jonathan Clarke, American, 1705-1770Pottery Pitcher. Dated: 1939. Dimensions: overall: 33.1 x 24.9 cm (13 1/16 x 9 13/16 in.) Original IAD Object: 6 High 3 1/2 Dia (top) 3 Dia(bot). Medium: watercolor and colored pencil on paperboard. Museum: National Gallery of Art, Washington DC. Author: Bisby Finley.Gerardus Peeters, Four-piece tea set, silver teapot with black handle, teapot tableware holder tableware silver wood, Four-part tea set consisting of teapot milk jug tea caddy and sugar bowl. Boat shaped convex profile edges around body (Biedermeier) BiedermeierTeapot to a design by Mathieu Lauweriks, performed by Frans Zwollo, c. 1910 photograph cardboard. photographic support tea-pot; samovarCovered bowl China. Covered bowl. China. White jadeite. Qing dynasty (1644-1911), Qianlong period (1736-95). JadeCreampot 1845 Andrew Ellicott Warner. Creampot 2585Peg tankard 1812 Isack Andersen Feldthus. Peg tankard 188785 Maker: Isack Andersen Feldthus, 18111860, Peg tankard, 1812, Silver, H. 8 1/4 in. (21 cm). The Metropolitan Museum of Art, New York. Gift of Rev. Alfred Duane Pell, 1903 (03.2.2)Silver tobacco spot decorated with pearl edges, on wooden leaves, Daniël Scholenaar, in or after 1791 Tobacco spot of silver on wooden leaves. Cylindrical barrel on a low foot; Faint curved once interrupted lid with a flat button, on which a vase. Five pearl edges along the deposits. Marked under the foot: city choir Gouda, annual letter M = 1791, Hollandse Leeuw, Master's sign Ds = Daniël Scholenaar (Gouds Silver, Brand van Haarlem with a small running lion, yearl. M.. Gouda silver (metal). wood (plant material) Tobacco spot of silver on wooden leaves. Cylindrical barrel on a low foot; Faint curved once interrupted lid with a flat button, on which a vase. Five pearl edges along the deposits. Marked under the foot: city choir Gouda, annual letter M = 1791, Hollandse Leeuw, Master's sign Ds = Daniël Scholenaar (Gouds Silver, Brand van Haarlem with a small running lion, yearl. M.. Gouda silver (metal). wood (plant material)Bennington Pitcher. Dated: c. 1937. Dimensions: overall: 34.5 x 24.2 cm (13 9/16 x 9 1/2 in.) Original IAD Object: 6" High 3" Dia(base) 3 3/16" x 3 3/4" Dia(top). Medium: watercolor, graphite, gouache, and heightening on paper. Museum: National Gallery of Art, Washington DC. Author: Howard H. Sherman.Cup-Hilted Rapier Spanish, Toledo 17th century; grip and restorations, 19th century The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of makers marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany. View more. Cup-Hilted Rapier. Spanish, Toledo. 17th century; grip and restorations, 19th century. Steel, copper wire, velvet. Toledo. SwordsSugardish. Maker: Louis Robitaille, American, born Canada, 1768Coffee service, Johannes Steltman, 1940 Coffee service consisting of (a) coffee pot, (b) milk jug, (c) cream can and (d) sugar bowl. Marked and dated. The Hague silver (metal). wood (plant material) casting Coffee service consisting of (a) coffee pot, (b) milk jug, (c) cream can and (d) sugar bowl. Marked and dated. The Hague silver (metal). wood (plant material) castingChamber candlestick or taperstick 1828-29 Charles Lias. Chamber candlestick or taperstick 232366Kettle; Malcz, Karol (1797-1867); around 1830 (1826-00-00-1835-00-00);Tea Caddy from the Kirkhill Teaservice, c. 1730Chamber candlestick ca. 1670-80 British, London This chamber candlestick is engraved with the crest of Bridgeman.. Chamber candlestick 232274Flash; Jachman, Hans (m.; Fl. 1681-1728); End of the 17th century (1690-00-00-1700-00-00);Baroque (style), flowers, message (provenance), plant decorationPewter Teapot. Dated: c. 1937. Dimensions: overall: 35.5 x 30.5 cm (14 x 12 in.) Original IAD Object: 7 1/8" high; 9" in diameter. Medium: gouache and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Eugene Croe.Measure. Dated: c. 1940. Dimensions: overall: 35.6 x 27.9 cm (14 x 11 in.) Original IAD Object: 8 1/4" high; 4 5/8" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Hester Duany.Flash; Non -like Lona Huta; before 1763 (1734-00-00-1763-00-00);Henry Daniel, Coffeepot, 1729, silver.First World War (1914-1918). Austro-Hungarian army water bottle. Latvian War Museum. Riga. Latvia. Tea caddy with a goldenbrown glaze, anonymous, anonymous, c. 1600 - c. 1724 Dust bar or Chare van Steengoed with an ivory lid, partly covered with a golden brown glaze. The lower part of the bus is unglazed. Old label on the bottom with 'W638'. SETO. Japan stoneware. glaze. deksel: ivory vitrification Dust bar or Chare van Steengoed with an ivory lid, partly covered with a golden brown glaze. The lower part of the bus is unglazed. Old label on the bottom with 'W638'. SETO. Japan stoneware. glaze. deksel: ivory vitrificationJug ca. 1872-75 Christopher Dresser British, Scottish Listen to experts illuminate this artwork's story Listen Play or pause #418. Christopher Dresser and the Birth of Industrial Design Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Jug. British, Torquay. ca. 1872-75. Earthenware, silver mounts. Ceramics-PotteryHerbert Marsh, Tea Kettle, 1935 1942 Tea KettleArgyle and stand ca. 1790-95 British, Sheffield. Argyle and stand. British, Sheffield. ca. 1790-95. Sheffield plate, wood. Metalwork-SilverplateAntique moonshine jug fired with a white glaze.Mug 1830-40 American. Mug 5290Locking Gauntlet for the Tournament. Culture: German, possibly Augsburg. Dimensions: H. extended 11 5/8 in. (29.5 cm); H. locked 8 7/8 in. (22.5 cm); W. 5 1/2 in. (14 cm); D. 5 7/8 in. (14.9 cm); Wt. 1 lb. 2 oz. (510.3 g). Date: about 1525 to 1550. Museum: Metropolitan Museum of Art, New York, USA.Tankard ca. 1580-85 Probably Abraham Riederer, the Elder The sixteenth century was Augsburgs golden age. The city was wealthy from its silver and copper mines and hometown to the Fugger family of merchants. With offices throughout Europe, their astonishing success was based, in part, on canny access to mining concerns and agricultural land—concessions given by nobility as securities against massive loans the Fuggers made them. The broad strapwork design on the tankard typifies the style of successful local artists like the printmaker Bernhard Zan.[Elizabeth Cleland, 2017. Tankard. German, Augsburg. ca. 1580-85. Gilded silver. Metalwork-SilverFleischwolf. Alte Retro-Fleischwolf Grunge Rost isoliert auf weiß mit Clipping-Pfad. Design-Element. Meat grinder. Old retro meat grinder grunge rust isolated on white with clipping path. Design element. LicenseRF Copyright: xZoonar.com/KatsiarynaxHuravax 23237565Milk jug with an image of the capture of Kattenburg and Abraham Valentijn, anonymous (attributed to), after Jan Gerritsz. Visser, after 1794 service (set) Porcelain milk jug with a cylindrical wall, triangular spout and angular ear, painted on the glaze in sepia and gold. On the belly twice a medallion with a performance of a battle in one with the inscription 'Taking Kattenburg, 1787' and in the other a protret with the inscription 'Valentyn.'. A bond with a leaf vendor around the medallions. Leaf vank on the ear. Marked on the bottom with N-103. porcelain company: Schwarzburgafter print by: Amsterdam porcelain. glaze. gold (metal) painting / gilding / vitrification KattenburgCrystals jug with metal stopper out of the Louvre, Charles Thurston Thompson, c. 1866 - c. 1890.chrismera intended to store the Holy Oils and the Chrism, 9th-10th century, monastery of Sant Pere de Roda, high Emporda, Girona art museum, Girona, Catalonia, Spain.Five piece teaservice. Maker: John Wolfe Forbes, American, 1781-1864 Maker: William Forbes, American, 1799-1864Ornament, Christmas Tree (USA); sugarAlter Kupferkrug isoliert auf weiß. Alter Kupferkrug isoliert auf weiß. LicenseRF Copyright: xZoonar.com/DmitrixMarutax 23255860Frank Fumagalli, Mug, c 1940 MugErwin Stenzel, Sugar Pail with Cover, 1939 Sugar Pail with CoverAmsterdam, Close-up of Overlamp in artic MuseumLamp. Dated: c. 1938. Dimensions: overall: 23 x 32.8 cm (9 1/16 x 12 15/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Hans Mangelsdorf.PortmonetkaToby Mug Set (2 pieces). Dated: c. 1936. Dimensions: overall: 35 x 22.5 cm (13 3/4 x 8 7/8 in.). Medium: watercolor and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: John Cutting.S 633, 635, Biörman, Michel, Pikari, approx. 1700, original: VTM 26738, Duoscan/PS4.0 U.K 21.08.98Old milk jug close -up of an aluminum milk jug - released on white background copyright: xzoonar.com/heikexbrauerx 86801010Mina Lowry, Toleware Coffee Pot, c 1936 Toleware Coffee PotMug (England); red transfer; 5.4 x 6.8 x 4.6 cm (2 1/8 x 2 11/16 x 1 13/16 in.); Bequest of Jane M. Epstine; 2006-20-54Crock. Dated: c. 1937. Dimensions: overall: 30.5 x 22.8 cm (12 x 9 in.) Original IAD Object: 6" High 4" Dia.(top). Medium: watercolor, colored pencil, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Edward L. Loper and Gordon Saltar.Ton, wrapped from duffs wound with nine and six hoops. A ton made of loose oak sees, wound with nine and six hoops of unsaved willow.Tin Teapot. Dated: c. 1939. Dimensions: overall: 44.3 x 32.3 cm (17 7/16 x 12 11/16 in.) Original IAD Object: 10 7/8" high; 6" in diameter. Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Frank Gray.Glass craft, Castril, Granada province, Region of Andalusia, Spain, Europe.Arthur J. Stone, Child's Cup, 1908-36, Hand-cast silver.Pot of beer Sigismund Augustus, preserved in a collection of Paris, vintage engraved illustration. Magasin Pittoresque 1869.Bottle. Dimensions: H. 7 in. (17.8 cm). Date: 1770-1820. Museum: Metropolitan Museum of Art, New York, USA.Jar with cover China. Jar with cover. China. Nephrite, white with faint greenish tinge. Qing dynasty (1644-1911), Qianlong period (1736-95). JadeHot Water Pot. Japan. Date: 1392-1573. Dimensions: H. 33 cm; diam. 33 cm. Lacquer on wood. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.Elizabethan pewter mug for drinking Ale. From Blakesley Hall is a Tudor hall on Blakesley Road, Yardley, Birmingham, England. It dates to 1590Unbranded perfume bottle standing on stone podium. Perfume presentation on the black background. Mockup. Trending concept in natural materials. Women’s and men’s essence. Natural cosmetic. Unbranded perfume bottle standing on stone podium. Perfume presentation on the black background. Mockup. Trending concept in natural materials. Women’s and men’s essence. Natural cosmetic.Elizabethan pewter mug for drinking Ale. From Blakesley Hall is a Tudor hall on Blakesley Road, Yardley, Birmingham, England. It dates to 1590Cup with an imprisoned Amor, anonymous, c. 1790 - c. 1800 Porcelain head with a cylindrical wall and C-shaped ear, painted on the glaze in enamel colors and gold. The head is completely covered with gold, with two rectangular compartments on the outside wall. At the front a performance of Amor, chained in a prison. Two winged hearts float through the bars. On either side of the ear two golden cartouches and the inscription 'Malgre Les Obstacles' on a dark brown background. A rosette has been saved in gold on the bottom. Marked on the underside with I. France porcelain. glaze. gold (metal) painting / gilding / vitrification prison, jailLiège clock with inscription. The object shaped with the templates consists of the actual clock of the so-called Gothic model and the crown. This is formed by six arms, which connect to the bracket in the middle. The clock is decorated with three ornamental rings on the shoulder and on the fame and with two ornamental rings every time in the upper cover, on which the next inscription is applied in Gothic minuskeys: in that honor Goods and Sinte Peter Bin IC Ghemaect M CCCC Liii // Butendiic and the Sloterdiic Fecit.TeaCaddyOn July 8 1776, the Liberty Bell rang out from the tower of Independence Hall summoning citizens to hear the first public reading of the Declaration o...Pharmacist bottle with stop, with the inscription: Medicine: Ünivers, Anonymous, c. 1700 - c. 1800 Flat ground. Cylinders -shaped body, rounded shoulder, short, cylindrical neck with a protruding edge, ground stop with flat round button. On the body in white, black, yellow and red a crowned cartouche, held by two standing lions, with the inscription Medic: Nivers. On the shoulder, RAD 14 and the stop VII is engraved. Middle Europe glassblowing Flat ground. Cylinders -shaped body, rounded shoulder, short, cylindrical neck with a protruding edge, ground stop with flat round button. On the body in white, black, yellow and red a crowned cartouche, held by two standing lions, with the inscription Medic: Nivers. On the shoulder, RAD 14 and the stop VII is engraved. Middle Europe glassblowing