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Elegant Wooden Furniture

Exquisite wooden chairs and tables featuring intricate designs and materials, showcasing craftsmanship and historical styles.

Walnut wall table, side table table furniture interior design walnut softwood wood, Thick solid leaves and four twisted legs connected by lines under the top two drawers with wooden buttons.
Walnut wall table, side table table furniture interior design walnut softwood wood, Thick solid leaves and four twisted legs connected by lines under the top two drawers with wooden buttons.
333 assets in this story
Footstool. Dimensions: overall: 30.5 x 40.8 cm (12 x 16 1/16 in.) Original IAD Object: 9 1/2" high; 10" wide; 13" long. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.Censer. unknown, craftsmanChair. Gebrüder Thonet (Wiedeń ; koncern fabryk mebli giętych ; 1853-1922), bentwood furniture factoryEasy Chair ca. 1870 American. Easy Chair. American. ca. 1870. Rosewood, ash, white oak. Made in New York, New York, United StatesWing Chair. Dated: c. 1936. Dimensions: overall: 30.3 cm (11 15/16 in.) Original IAD Object: 47 1/2"high, 27 3/8"wide, 23 3/8"deep. Seat 16 1/2"high.. Medium: watercolor, colored pencil and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Ferdinand Cartier.Side Cabinet, 1797-1803. Maker: James NewtonSofa c 1856-1865 New York City. Rosewood . J. & J.W. Meeks (Manufacturer)Sweden, Blekinge, Blekinge, Karlskrona, Karlskrona, external marina (depicted, town).Sweden, Blekinge, Blekinge, Karlskrona, Karlskrona, External War Gogs (depicted, City)Francis Borelli, Tilt top Table, c 1936 Tilt-top TableChest of drawers. Zjednoczeni Stolarze w Warszawie (Warszawa ; zrzeszenie stolarzy ; 187.-1939), furniture factoryConsole table; Zug, Szymon Bogumi (1733-1807); End of the 18th century (1791-00-00-1800-00-00);John Davis, Shaker Sewing Desk, 1935 1942 Shaker Sewing DeskSide chair, Fruitwood, This chair consists of two pieces of hard wood (seat and back) jointed at the back of the seat. The back tapers slightly and is characterized by leaf-like carvings. A small heart is cut out of the upper, central area of the seat back. The chair's seat is a simple slab of wood. The chair has four legs, each flaring outwards and tapering as they meet the floor., Switzerland or Germany, late 17th-early 18th century, furniture, Decorative Arts, Side chairHarpsichord ca. 1650 Jan Couchet the Elder Flemish Jan Couchet the Elder was the grandson of the famed Flemish keyboard maker Hans Ruckers. Couchet carried on the Ruckers tradition, inheriting the workshop of Ruckers's eldest son in 1643. This harpsichord originally had only one keyboard and one set each of unison and octave strings. In the eighteenth century the case was lengthened and a second keyboard and a second set of unison strings were added. The number of rows of jacks was increased from two to four: a close-plucking "lute stop" that plucks one set of unison strings from the upper keyboard, a second row that plucks the other set of unison strings and is operated from both keyboards, a third row that plucks the octave strings, and a fourth row that plucks the same strings as the lute stop. Both the first and the fourth rows divide at middle C, so that it is possible to play the lute stop in the treble from the upper keyboard while playing the farthest unison in the bass from thHull construction model. Longitudinal section of the middle section of a wooden ship's hull, over the length of three trusses of creation and the height of a deck. The skin is partially omitted, the model is quiet on the inside. Three brass welding between Kiel and Loze Kiel. The three trusses of creation and five trusses of padding consist of seven parts. The deck is indicated with three deck beams, scaffolding stick and waterway; Two of the three covernies lie diagonally.Grand Piano 1827 John Broadwood & Sons John Broadwood (1732-1812) began his professional life as a cabinetmaker. In 1761 he went to London and worked with the well-established harpsichord maker Burkat Shudi. After marrying Shudi's daughter in 1769, he became a partner in the firm, and eventually manager nine years after his father-in-law's death in 1773. In the 1760s, Broadwood collaborated with other English makers to develop a grand piano action. The English action was more closely based on Bartolomeo Cristofori's design than the German or Viennese actions of the period. Broadwood's had a deeper key dip and a touch quite similar to the modern piano action, which is derived from it.The cast iron frame, invented in America a few years before this piano was made, was not immediately accepted by British and Continental makers. A few, however, like Broadwood and Erard, bolted metal bars to the frame to improve tuning stability. The piano has three iron reinforcement bars bolted from pinblClose-up of a wooden furnitureJohn W Kelleher, Shaker Cabinet, c 1938 Shaker CabinetBrown Classical style sofa couch in vintage roomAnonymous. Chair. Cherry for the straps of the belt, sculpted and waxed maple; Garnish: Jouy canvas. 1790. Paris, Carnavalet museum. Mobilier, seat, 18th 18th 18th 18th 18th 18th 18 century, furnitureRnga (Lag-Rnga) 18th century Tibetan This double-headed frame drum, played with a crooked beater and supported by a handle, is part of the temple orchestra that accompanies Buddhist ceremonies and processions, ritual dance and theater. During chant, the drum may simiply accompany or it may add contrast by joining with other instruments to provide an interlude that interrupts the chant's flow. The handle, carved with lotus and lozenge motifs, is usually held by the left hand but may be inserted into a stand during long ceremonies. A suspension ring located at the top of the drum provides the option of hanging the drum while it is stored. 18th century. Listen to experts illuminate this artwork's story Listen Play or pause #9361. Rnga (Lag-Rnga) Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Rnga (Lag-Rnga) 504559Pa. German Pewter Cupboard. Dated: c. 1939. Dimensions: overall: 35.5 x 25 cm (14 x 9 13/16 in.) Original IAD Object: 64 1/2" high; 56 1/2" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Henrietta S. Hukill.Stool (Tabouret). unknown, creatorChair with a brown leather upholstery, Hendrik Petrus Berlage, c. 1902 Eikhout chair. The front and hind legs are interconnected by means of an H-shaped cross with pen and hole connections, the pens of which stick through the legs. The slanted billioned backstyles end in bird heads and rest on the cross. The handrail rests on Stutten near the seat and these also serve as hind legs. The backrest is connected both above and below by an intermediate rule. The top line contains a sliced star shape in the middle. There is a panel between the lines that is covered with brown leather and is secured with copper nails. The seat is also covered with brown leather and secured with copper nails. designer: Netherlandsmaker: Amsterdam oak (wood). leather Eikhout chair. The front and hind legs are interconnected by means of an H-shaped cross with pen and hole connections, the pens of which stick through the legs. The slanted billioned backstyles end in bird heads and rest on the cross. The handrail rWilliam H Edwards, Shaving Stand, c 1938 Shaving StandLon Cronk, Shaker Rocking Chair, c 1938 Shaker Rocking ChairLawrence Flynn, Stencilled Chair One of Set of Six, 1938 Stencilled Chair - One of Set of SixRolltop Desk.Painting on antique wooden almira, Jodhpur, Rajasthan, India Copyright: xSafatxAli/DinodiaxPhotoxRosewood Sofa. Dated: c. 1936. Dimensions: overall: 24.7 x 34.7 cm (9 3/4 x 13 11/16 in.) Original IAD Object: 3'9"high; 5'2"wide; 2'3"deep. Medium: gouache, watercolor, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Eugene Croe.Harpsichord. Culture: Italian. Dimensions: Inner instrument: L. 168.0 cm, W. 73.2 cm, D. 13.5 cm; 3-octave span 49.6 cm, Sounding length (longer choir, far plucking point)C/E132.8 (14.0)c225.5 (8.5)c312.4 (5.5). Date: 16th or 17th century. Museum: Metropolitan Museum of Art, New York, USA.Tiffany "Poppy" Table Lamp Antiques-Decorative Arts authentic art nouvea furniture doodles and jugendstil motif pattern, isolated on white