Etchings of Natural Landscapes

Beautiful etchings showcasing serene landscapes, emphasizing natural forms and textures, with a focus on tranquil scenes.

Alphonse Legros, Top of the Hill (Le haut de la colline) Top of the Hill (Le haut de la colline)

Liber Studiorum: Plate 17, A Study, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 7.7 x 11.1 cm (3 1/16 x 4 3/8 in.).

View of Reeds (Coin de roseau). Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Alphonse Legros, Top of the Hill (Le haut de la colline) Top of the Hill (Le haut de la colline)

My Farm (Ma ferme). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Liber Studiorum: Plate 8, Millbank on the Thames, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 32 x 49.7 cm (12 5/8 x 19 9/16 in.); platemark: 16.3 x 25.3 cm (6 7/16 x 9 15/16 in.).

Alphonse Legros, Remembrance of My Village (Souvenir de mon village) Remembrance of My Village (Souvenir de mon village)

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

Pres duMoulin. Artist: Alphonse Legros, French, 1837-1911

Un village , Villages, Alphonse Legros (1837-1911)

Slootkant, Anton Mauve, 1848 - 1888 drawing paper. chalk

Le fermier au repos , Farmers, Alphonse Legros (1837-1911)

Souvenir of Italy Camille-Jean-Baptiste Corot (1796-1875). Souvenir of Italy, 1863. Forter.

St. Francis Beneath a Tree Praying. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1657. Dimensions: 182 x 242 mm (image/plate); 183 x 244 mm (sheet). Etching and drypoint on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Landscape with a Pedimented Temple and Two Figures 17th century Giovanni Francesco Grimaldi Italian. Landscape with a Pedimented Temple and Two Figures 385494

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Garden with stairs with sculptures, Dionys van Nijmegen (Possible), 1715 - 1798 drawing Design for a painting. paper. ink. pencil pen garden

Hengelaars by a river, Louis Bernard Coclers, 1756 - 1817 print A group of men fishes from a boat in a river. In the background a bridge and the circumference of a mill. unknown paper etching / drypoint fresh-water fishery. rowing-boat, canoe, etc.

Thunderstorm (Small). Dated: 1896. Dimensions: plate: 7.2 × 11.1 cm (2 13/16 × 4 3/8 in.) sheet: 13.6 × 18.3 cm (5 3/8 × 7 3/16 in.). Medium: etching on laid cream paper. Museum: National Gallery of Art, Washington DC. Author: Emil Orlik.

Un Coin deRiviere. Artist: Alphonse Legros, French, 1837-1911

Près d'Amiens, les tourbières. Alphonse Legros (French, 1837-1911). Etching and drypoint;

Lane with Figures, May 1802, Sir George Howland Beaumont seventh Baronet, 1753-1827, British, 1802, Graphite on medium, slighlty textured, cream wove paper, Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm), figures, grass, horse (animal), landscape, lane (road element), trees

Landscape with a barn and two riders, Johannes Franciscus Hoppenbrouwers, 1829 - 1866 print Landscape with a shed with a smoking chimney. In the middle two riders, one of which has a stick over the shoulder. The Hague paper etching

Garden of the Villa Madama, outside Rome, Gerard ter Borch (I), 1609 drawing Rome paper. ink. brush Villa Madama

Le Petit Cavalier Sous Bois. Jean-Baptiste-Camille Corot (French, 1796 - 1875)

The Stork and Aqueduct, Etched by Joseph Mallord William Turner, 1775-1851, British, after Joseph Mallord William Turner, 1775-1851, British, between 1813 and 1823, Etching on medium, slightly textured, cream wove paper, Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm), Plate: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm), and Image: 7 1/4 × 9 3/4 inches (18.4 × 24.8 cm)

La Ronde Gauloise. Jean-Baptiste-Camille Corot (French, 1796 - 1875)

Landscape with three figures, Abraham de Miranda, 1898 - 1938 print In the foreground three figures on a bank. In the background a tree on a hill. paper etching low hill country. pond, pool. walking

Mythological representation: landscape with love couple, Landscape with love couple, draughtsman: Peter Paul Rubens, (school of), draughtsman: Remigio Cantagallina, 1600 - 1699, paper, pen, brush, h 281 mm × w 441 mm

Wright, Ferdinand von, work, Sketchbook, pencil, drawing, 16.5 cm x 25.8 cm, Wright, Ferdinand von, pencil

The Wash House (Le Lavoir, Dite "Les Laveuses"). Alphonse Legros (French, 1837-1911). Etching;

Nozal, Alexandre (n.1852-08-07-D.1929), Etretat (main title), 1880. Fusass and rants of white chalk and pink on gray paper glued to cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Seymour-Haden, Francis (Sir), England, Thames Ditton, The lovers' walk, Path along the water, recto lower right - stamped, A path with two walkers along a river, with trees on either side. On the water a rowing boat, on the other side a watermill., print, prints, verso middle - stamped, I. Fred.B., verso lower left - stamped, height 153 mm, width 238 mm, English, 1818-09-16 - 1910-06-01, print maker, printmaker, 1864 - 1866, third quarter 19th century, paper, papier, drypoint, dry needle, Work conception, after own design by

Clump of Trees near the Water Made 1763 France. This etching is modeled after a painting of the same subject by the Dutch artist Jacob van Ruisdael (1628-1682). This work was owned by the Chevalier de Damery (d 1803), who probably commissioned this reinterpretation. The painting is now in the Staatliche Museen PreussischerKulturbesitz, Gemldegaierie, Berlin.. Etching on paper . Jean Jacques de Boissieu

Landscape with Hoge Boom, George Hendrik Breitner, 1867 - 1923 drawing paper. chalk

Banks of the Oise (Bord de l'Oise). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Alphonse Legros, Salmon Fisher (Le pecheur de saumon) Salmon Fisher (Le pecheur de saumon)

Capt. Thomas Hastings, 1778-1854, British, Osborne House, East Cowes, Isle of Wight, 1829. Graphite on medium, slightly textured, cream wove paper.

Farmer with a cow in a hilly landscape. Draughtsman: Jozef Israëls. Dating: 1834 - 1911. Measurements: h 290 mm × w 190 mm. Museum: Rijksmuseum, Amsterdam.

A Trattoria in the Woods, Carlo Marchionni, Italian, 1702-1786, Pen and ink on paper, Figures and animals on a road within a wooded landscape. At right, an inn with mountains in the background., Italy, 1760-1770, landscapes, Drawing, Drawing

Kervelan. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1922. Dimensions: 126 × 263 mm (plate); 188 × 304 mm (sheet). Etching on off-white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Homme qui fend des bûches ('Squaring Logs') , Woodcutters, Woodcutting, Alphonse Legros (1837-1911)

Crowhurst, Print made by Joseph Mallord William Turner, 1775-1851, British, after Joseph Mallord William Turner, 1775-1851, British, between 1813 and 1823, Etching, printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 11 3/8 × 14 7/8 inches (28.9 × 37.8 cm), Plate: 8 3/8 × 11 1/4 inches (21.3 × 28.6 cm), and Image: 7 3/8 × 10 1/2 inches (18.7 × 26.7 cm)

Out of study window , Cities & towns. Francis Seymour Haden (1818-1910). Prints and Drawings

The Mill of Cuincy, near Douai (Le Moulin de Cuincy, pres Douai). Dated: 1871. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Camille Corot.

The Tower. Alphonse Legros (French, 1837-1911). Etching;

Glass cliché on chinapapier by Jean-Baptiste Camille Corot depicting a small rider in a forest, created in 1854.

La briqueterie , Factories, Brick industry, Alphonse Legros (1837-1911)

Brooklyn Etchers' Gift Plate. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 4 7/8 × 10 3/4 in. (12.5 × 27.3 cm). Date: 1923. Museum: Metropolitan Museum of Art, New York, USA.

Moored boat to a quay. In the background the silhouette of a city. Verso of a loose leaf with a wedding announcement between page 41 and the rear bract of a sketchbook with 41 sheets.

Perugia to the North, Sir Robert Smirke the younger, 1781-1867, British, 1804, Graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)

Jean-Baptiste-Camille Corot, The Gallic Tour (La Ronde Gauloise), 1857, printed 1921, cliché-verre, gelatin printing-out print.

Hyde Park. Date/Period: Between 1746 and 1750. Landscape. Black chalk with white gouache and buff-gray ground on medium, slightly textured, cream laid paper, mounted on thick, moderately textured, beige laid paper. Height: 225 mm (8.85 in); Width: 257 mm (10.11 in). Author: ALEXANDER COZENS.

A Mill Lock in the Middle of Willows, plate 97 from Figures de différents caractères, de Paysages, et d'Etudes dessinées d'après nature (Figures of Different Characters, Landscapes, and Studies Drawn from Nature). François Boucher (French, 1703-1770); after Jean Antoine Watteau (French, 1684-1721). Date: 1726. Dimensions: 215 × 308 mm (image); 230 × 328 mm (plate). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Francois Boucher.

Woman with child on bridge, print maker: baron Reinierus Albertus Ludovicus van Isendoorn à Blois, 1796 - 1856.

Jean Baptiste Camille Corot, The Cathedral of Florence (Le Dome florentin), c 1869 1870 The Cathedral of Florence (Le Dome florentin)

Le lavoir du moulin a Montgeron (2nd state). Michelin, Jules (1817-1870). 1857 - 1870. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Dogs, Manchester (England)

Les Rammasseurs deChampignons. Artist: Alphonse Legros, French, 1837-1911

L'orage.. 1848. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Rain, Storms

Greenwich Park. James McNeill Whistler; American, 1834-1903. Date: 1859. Dimensions: 128 x 205 mm (plate); 266 x 364 mm (sheet). Etching with foul biting in black ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Moonlight in Valmondois. Charles François Daubigny; French, 1817-1878. Date: 1877. Dimensions: 131 × 218 mm (image); 189 × 266 mm (plate); 296 × 389 mm (sheet). Etching and drypoint on ivory chine laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Francois Daubigny.

The Trout Stream. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1906. Dimensions: 218 x 180 mm (image/plate); 258 x 205 mm (sheet). Etching in black on cream wove paper, laid down on ivory wove paper (chine collé). Origin: United States. Museum: The Chicago Art Institute, USA.

La Masure sur laColline. Artist: Alphonse Legros, French, 1837-1911

Alphonse Legros, Harvesters (Les moissoneurs) Harvesters (Les moissoneurs)

The Great Oak. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1907. Dimensions: 149 x 159 mm (image/plate); 149 x 160 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Etching by Peter Paul Benazech around 1771, depicting line fishing with figures, water, and simple maritime detail.

Jean Louis Ernest Meissonier, Les Pêcheurs à la Ligne, 1825-1891, etching on paper.

On the Champs Elysées , Sitting, City & town life, Trees. Joseph Pennell (1857-1926). Prints and Drawings

John Constable, 1776-1837, British, Dedham Vale from Langham, between 1830 and 1831. Graphite on medium, slightly textured, cream wove paper.

La tour , Towers, Trees, Alphonse Legros (1837-1911)

La Chapelle Saint-Michel à l'Estre. Dimensions: plate: 14 x 27.2 cm (5 1/2 x 10 11/16 in.) sheet: 31.5 x 46.2 cm (12 3/8 x 18 3/16 in.). Medium: etching and drypoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Sawley Abbey. Francis Seymour Haden; English, 1818-1910. Date: 1873. Dimensions: 253 × 382 mm (image/plate); 309 × 445 mm (sheet). Etching from a zinc plate printed on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Tumulus gaulois. Alphonse Legros (French, 1837-1911). Etching;

Environs of Genoa (Environs de Genes). Dated: 1860. Medium: cliche-verre. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste-Camille Corot.

The Hague, Hartogensis, Joseph, Forest view, verso - stamped, print, prints, height 146 mm, width 109 mm, Dutch, 1822-05-07 - 1865-07-16, print maker, 1855 - 1855, paper, chine collé, etching, roulette, drypoint

William Brockedon, 1787-1854, British, A Massive Piece of Granite in Rushford Wood, 1800. Graphite.

Thames Ditton - With a Sail. Sir Francis Seymour Haden (England, London, 1818-1910). England, 1864. Prints; etchings. Etching and drypoint

Environs de Rome (NearRome). Artist: Jean-Baptiste-Camille Corot, French, 1796-1875

Francis Seymour Haden, 1818-1910, British, On the Thames, 1859. Etching and drypoint, with plate tone on moderately thick, smooth, cream wove paper with beige chine collé.

Swan and Iris (Sketch after Cecil Lawson's "Swan and Iris") 1883 James McNeill Whistler American Whistler's etching is based on an unfinished painting by the British landscapist Lawson, a member of the Idyllists. The tranquil riverscape is composed of a flowering iris in the foreground, and a swan with outstretched wings moving across an expanse of water, perhaps the River Thames, towards a bank in the middle distance. The composition is framed by the wide span of an arched bridge. The print was commissioned as an illustration for a posthumous biography of Lawson written by Edmund Gosse and published in 1883, a copy of which is in the Museum's collection (17.3.2983). Lawson's wife, Constance Lawson, was the elder sister of Whistler's wife-to-be Beatrice Philip Godwin, whom he married in 1888.. Swan and Iris (Sketch after Cecil Lawson's "Swan and Iris") 372600

Face of the Butte; trees on the right. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 78 mm × w 110 mm. Museum: Rijksmuseum, Amsterdam.

Greenwich Park 1859 United States. Etching with foul biting in black ink on cream laid paper . James McNeill Whistler

Félix Hilaire Buhot, Le Petit Chasseur (Little Hunter), 1892 Le Petit Chasseur (Little Hunter)

On the Test. Francis Seymour Haden (British, 1818-1910). Etching and drypoint;

Gezicht op Mol. Te Mol in Brabant (title on object). Draughtsman: Constantijn Huygens (II). Dating: 17-Oct-1673. Measurements: h 111 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.

Charles-François Daubigny, The Hydraulic Machine (La Machine Hydraulique), 1862, printed 1921, cliché-verre, gelatin printing-out print.

Lincent, Constantijn Huygens (II), 1675, draughtsman: Constantijn Huygens (II), 13-Oct-1675, paper, pen, h 104 mm × w 159 mm

Souvenir dItalie (Memory of Italy). Artist: Jean-Baptiste-Camille Corot, French, 1796-1875

Grotto with Friars. Dated: 1640. Dimensions: plate: 10 x 6.1 cm (3 15/16 x 2 3/8 in.) sheet: 11.2 x 7.3 cm (4 7/16 x 2 7/8 in.). Medium: etching with drypoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Bartholomeus Breenbergh.

Fish in aquarium with rock gate. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 345 mm × w 424 mm. Museum: Rijksmuseum, Amsterdam.

Le moissonneurs , Harvesting, Alphonse Legros (1837-1911)

Village de Wimille, Près Boulogne , Villages, Alphonse Legros (1837-1911)

Stone near a tree, Gerard van Nijmegen, 1790 print A square stone is located under a tree. In the background in the landscape is a farmer with two cows. On the right is a farm. Rotterdam paper etching boulder, stone. trees. farm or solitary house in landscape. cow

A black chalk drawing by Jan Josefsz. van Goyen depicting a bridge with riders and two figures in front of a village, showing brownish spots and light discoloration, circa 1630.

Sketch of a ruin. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 80 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.

Angers, létang Saint-Nicholas (Angers, Saint-Nicholas Pond). Artist: Auguste Lepère, French, 1849-1918

Stone near a tree, Gerard van Nijmegen, 1790 print A square stone is located under a tree. In the background in the landscape is a farmer with two cows. On the right is a farm. Bottom left: a. Rotterdam paper etching boulder, stone. trees. farm or solitary house in landscape. cow

Francis Seymour Haden, 1818-1910, British, Out of Study Window, 1859. Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper.

The Primitive Cottage, Shoreham, Samuel Palmer, 1805-1881, British, active in Italy (1837-39), undated, Pen and dark brown ink and gray wash on medium, moderately textued, cream heavy wove paper, Sheet: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm), cottage, landscape, primitive architecture, England, Europe, Kent, Shoreham, United Kingdom

Adolphe Appian, Une moria a Bordiquier (Italie), 1873 Une moria a Bordiquier (Italie)

Kensington Gardens (The Small Plate), 1859. Francis Seymour Haden (British, 1818-1910). Etching and drypoint;

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