Ethereal Etchings and Prints

A collection of historical etchings featuring diverse themes such as mystical figures, spiritual scenes, and artistic designs in muted tones.

Fighting of the young with wolves; Makowski, Tadeusz (1882-1932); Before 1924 (1915-00-00-1923-00-00);

La planche de Tzigane, Félicien Rops, Belgian, 1833 - 1898, Etching in dark brown ink on cream colored paper (proof state), Netherlands, ca. 1875, Print, Print

Fighting of the young with wolves; Makowski, Tadeusz (1882-1932); Before 1924 (1915-00-00-1923-00-00);

Gauloises Bleues (White). Robert Motherwell (American, 1915-1991); printed by Donn Steward (American, 1921-1986); published by Universal Limited Art Editions (American, founded 1955). Date: 1970. Dimensions: 292 x 162 mm (plate); 579 x 395 mm (sheet). Color aquatint from one copper plate and line cut from one copper plate on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Pessima, plate three from Yvette Guilbert. Henri de Toulouse-Lautrec (French, 1864-1901); printed by Westminster Press (English, 20th century); published by the Ernest Brown & Phillips (English, 20th century). Date: 1898. Dimensions: 297 × 242 mm (image); 349 × 268 mm (primary support); 497 × 371 mm (secondary support). Lithograph (crayon) in purple or violet on cream wove paper hinged at top corners to gray-brown wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Koch Friedrich (1828-1922), travel studies from Italy 1851-53 (05.11.1852): Deruta (perspective view), Perugia: S. Creole (perspective view), Assisi: S. Pietro (Details). Pencil on paper, 19.1 x 22.4 cm (including scan edges) Koch Friedrich (1828-1922): Reisestudien aus Italien 1851-53

Fragment of a front of a banknote of twenty-five guilders. Fragment of a rectangular frame that is decorated with plant motifs. At the top right the number '25'.

Quast Ferdinand von (1807-1877), Church in Frose (without date): West view and numerous details: capitals, bases, Sims and socket profiles, fighter. Pencil on transparent, 34.6 x 28.5 cm (including scan edges) Quast Ferdinand von (1807-1877): Kirche, Frose

Blad with five vignettes and initial, Willem Bilderdijk, 1766 - 1785 print Leaf with five vignettes: Architecture ornament with writrol, pen and ink jar decorated with flowers, architecture ornament with flowers, a small column with flowers and corn sheaf, landscape with two men and a female personification sitting on cloud with lily branch and corn shovel. Between the Vignettes there is an initial with twice the letter J. Netherlands paper etching ornament derived from architectural details. flowers ~ ornament. sheaf. vignette

Design for the company B.H. Manus. The design presents a number of facades with a floral pattern around it. Leaf 4 Verso from a sketchbook with 27 sheets.

Four reliefs with flowers and leaf ranks, sculpted by Jean Herman, Charles Claesen (Possible), c. 1875 - in or before c. 1880 photomechanical print This print is part of a cover with 28 prints and a title page. Shutter paper collotype sculpture (+ relief ~ sculpture). ornament derived from plant forms

Drawing, Canal, Holland; Robert Frederick Blum (American, 1857-1903); USA; pen and ink, graphite on laid paper; 32.7 × 28 cm (12 7/8 in. × 11 in.)

Kenneth Koch Poem Lithograph. Jim Dine (American, born 1935); printed by Donn Steward; published by Universal Limited Art Editions (American, founded 1955). Date: 1966. Dimensions: 967 x 636 mm. Lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Clair de Lune from Eaux-fortes pour "Alcools". Artist: Louis Marcoussis (French (born Poland), Warsaw 1883-1941 Cusset). Dimensions: Plate: 6 1/16 × 3 7/8 in. (15.4 × 9.8 cm)Sheet: 17 3/4 × 12 1/2 in. (45.1 × 31.8 cm). Date: 1934. Museum: Metropolitan Museum of Art, New York, USA.

The etching by Johann Adam von Bartsch around 1802 depicts a farmer with children and two plow horses in front of a village landscape, showing figures, animals, and rural setting.

Relief with organic elements, sculpted by Jean Herman, Charles Claesen (Possible), c. 1875 - in or before c. 1880 photomechanical print This print is part of a cover with 28 prints and a title page. Shutter paper collotype sculpture (+ relief ~ sculpture). ornament derived from plant forms

In arte voluptas; Dasio, Maximilian (1865-1954); 1900 (1900-00-00-1900-00-00);

Plaster models for façade decorations on the Cour Visconti of the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Fragment of tile with floral decoration from the 16th century (glazed in green) - product of the Sunderland factory of Iłża, from the collection of the Society for the Care for Historic Monuments in the year 1915, in the collection of the National Museum . Sztolcman, Władysław Roman (1873-1950), draughtsman, cartoonist

Two engravings on one card: 1. Woman carried brushwood; 2. Motyk's husband; Gleichen-Russworm, Heinrich-Ludwig von (1836-1901); 1888 (1850-00-00-1900-00-00);

Drawing, Woman; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 17.4 × 10.3 cm (6 7/8 × 4 1/16 in.)

Gypsum Models for decorations at the Courtconti Court Core of the Louvre by François Théophile Murgey. Share of meeting of the Tuileries at the Louvre 1852-1857, album 3.

Hoffmann Emil (1845-1901), Pfeilerhof in the Museo Civico in Bologna (04.07.1894): Detail. Pencil heighted on paper, 32.5 x 24.7 cm (including scan edges) Hoffmann Emil (1845-1901): Pfeilerhof im Museo civico, Bologna

Indiciphered Drawing James Tissot (French, 1836-1902). , 1886-1887 or 1889. Ink on paper mounted on board, Sheet: 3 1/2 x 3 5/16 in. (8.9 x 8.4 cm). European Art 1886-1887 or 1889

Design for the Decoration of the Jaw of the Cock of a Firearm. Culture: French, Versailles. Designer: Workshop of Nicolas Noël Boutet (French, Versailles and Paris, 1761-1833). Dimensions: 1 x 1 in. (2.5 x 2.5 cm). Date: ca. 1795-1805. Museum: Metropolitan Museum of Art, New York, USA.

Etching by Matthäus Merian the Elder from the 17th century showing a map of La Rochelle with streets, buildings, harbor, and surrounding terrain.

Standard bearer, Anonymous, After Hendrick Goltzius, 1587 - 1596 print In the foreground the standard bearer, in the background the city of Haarlem can be seen. In the lower margin a two -line Latin text. Pendant of the print of the infantry captain. Copy in mirror image to engraving by Hendrick Goltzius from 1587. Reconstructed from three fragments. Northern Netherlands paper engraving (military) standard-bearer

Print made by Henry Le Keux, 1787-1868, British, Abbotsford, 1834. Line engraving on medium, slightly textured, cream wove paper with chine-collé.

Gypsum Model for a Coat of Arms at the Louvre Palace. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

Scheppig Carl (1803-1885), Villa Spada in Rome (1835): 2 views of gussets with Musen G/H. Pencil watercolored on paper, on cardboard, 33.9 x 59.3 cm (including scan edges) Scheppig Carl (1803-1885): Villa Spada, Rom

Diebitsch Carl von (1819-1869), Villa, Cairo. () (Without Dat.): Rosette and floral shapes in geometric casheton. Pencil on transparent, 36.1 x 28 cm (including scan edges) Diebitsch Carl von (1819-1869): Villa, Kairo ()

Deraisme, Pierre-Georges (n.1859-D.1932), Putti Colin-Maillard bracelet (main title), 1900. Graphite on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Durm Joseph (1837-1919), polychrome temple details, Athens, Palermo (1879-1879): Painted remnants made of porous limestone with stucco cover: 15 details. Ink and pencil watercolored on the box, 51.2 x 34.7 cm (including scan edges)

Marque de la maison Haviland & Co.. 1866 - 1878. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Decorative arts , France, Porcelain, French, Porcelain, European , Japanese influences

Table clock, Anonymous, Royal Dutch Stone Pressure of C.W. Mieling, 1864 print De Klokt comes from the eighteenth century and is decorated with leaf motifs. Printer: The Harwlisher: Haarletm paper clock

Raderboat (bottom leaf), Samuel Jessurun de Mesquita, 1883 - 1942 print Preroves of radio boat with flags. Around rectangular surfaces. transparent paper paddle-wheel boat

Image of a chimhara, James Ensor (attributed to), 1888 print Two more portraits can be seen left and bottom right. paper etching Chimera. piece of sculpture, reproduction of a piece of sculpture

Robert Adam, 1728-1792, British, Headfort House, Ireland: Staircase Ceiling, between 1771 and 1775. Graphite, gray wash, pen and black and brown ink on medium, slightly textured, cream laid paper.

Study for a plate from Telemachus 1793-1803 England. Ink wash on paper . Thomas Stothard

Print, Moitie du Balçon pose au Chateau deau de Commercy; Designed by Jean Lamour; France; etching and engraving on laid paper

Act VI (act of a woman sitting); Hulewicz, Jerzy (1886-1941); 1918 (1918-00-00-1918-00-00);Dominik (1862-1944)-collection, Witke-Jeżewski

Sommer Oscar (1840-1894), Palazzo Vecchio in Florence (1864): Perspective view of the ceiling painting. Pencil watercolored and white heighted on paper on cardboard, 65.7 x 49.4 cm (including scan edges) Sommer Oscar (1840-1894): Palazzo Vecchio, Florenz

Buste van Minerva, Daniel Nikolaus Chodowiecki, 1779 print paper etching (story of) Minerva (Pallas, Athena)

The Sint-Paulusbroedersklooster in Amsterdam, ca. 1544, Anonymous, 1760 print Vogdluchtgezicht and view of the Sint-Paulusbroedersklooster between the Oudezijds Achterburgwal and the Kloveniersburgwal in Amsterdam, in the situation around 1544. At the top in the middle the title cartouche. Left and right below the legend 1-7. Numbered at the top right: XIV. paper etching / engraving abbey, monastery, convent ~ Roman Catholic church Sint-Paulusbroedersklooster. The Oudezijds Achterburgwal. Kloveniersburgwal

View of Bosvoorde, Rik Wouters, 1911 print paper etching / drypoint city-view in general; 'veduta' Bosvoorde

Titre.. Buhot, Félix Hilaire (1847-1898). Avery, Samuel Putnam, 1822-1904. Prints. 1885. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Monkeys, Storks, Lizards, Frogs

Nohl Maximilian (1830-1863), the choir chairs in the chapter hall of the cathedral in Mainz, ed. M. Nohl u. R. Bogler, Glogau 1863 (1863-1863): View, detail. Lithograph on paper, 44 x 28.9 cm (including scan edges)

Bust van Man of Baljuw, Félicien Rops, 1895 print Bust van Man or Blajuw, possibly it is an actor. print maker: Francepublisher: Parisprinter: Paris paper male sex; man

Bull Gustav (1807-1880), ornaments for porcelain paintings on vases (without dat.): Ornamant details. Pencil on transparent, 45.1 x 35.3 cm (including scan edges) Stier Gustav (1807-1880): Ornamente für Porzellanmalereien auf Vasen

Eka , Nudes, Boats

Gypsum Models for Facade Decorations at The Courtconti Courtconti Rana of the Louvre. Share of meeting of the Tuileries at the Louvre 1852-1857, album 3.

March, c. 1625 - c. 1700 print Human activities in the month of March. Landscape with woodhakker and a man who ent. At the top left the constellation Ram. paper engraving woodcutting, woodcutter ~ forestry. March and its 'labours'. Aries (zodical sign of March)

Meryon, Charles, Eaux-Fortes sur Paris, Le tombeau de Molière (au Père -Lachaise), Tomb of Molière in wreath of olive branches, verso middle - stamped, Tomb of Molière on four columns seen from the side. On top is an urn from which flames rise. Behind the tomb a setting sun is depicted as a sign of the ended life. Two olive branches form a wreath around the tomb. Below the monument a reference to the city of Paris is recognizable in the form of a galleon with oars., print, prints, recto lower right - stamped, height 67 mm, width 70 mm, height 498 mm, width 324 mm, French, 1821-11-23 - 1868-02-14, print maker, printmaker, 1854 - 1854, third quarter 19th century, paper, etching, etchings, Work conception, after own design by, Frans, printer, drukker

Gypsum Models for An embellishment of the Louvre Palais by Pierre Edouard Charrier. Share of meeting of the Tuileries at the Louvre 1852-1857, album 3.

Quast Ferdinand von (1807-1877), S. Sergius and Bacchus, later small Sophienkirche (Kütschük Agia Sofia) in Constantinople, Turkey (without dat.): Grundriss. Pencil on transparent, 34.3 x 24.3 cm (including scan edges) Quast Ferdinand von (1807-1877): S. Sergius und Bacchus, später kleine Sophienkirche (Kütschük Agia Sofia), Konstantinopel

Paste Van Sekesta, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk

Schmalz Otto (1861-1915), travel sketches from Pompeii, Naples and Rome (12.03.1887): Naples: Grabrelief in S. Domenico Maggiore (view). Pencil on paper, 42.9 x 30.9 cm (including scan edges)

Loose fragments of a print by Adam and Eva, Anonymous, After Bartholomeus Spranger, After Hendrick Goltzius, 1585 - 1596 print Northern Netherlands paper engraving Eve takes the fruit from the serpent (or the tree) in the presence of Adam (who may be trying to stop her)

Plan and sections of a slate quarry. Etching by Bénard.

Etching with drypoint by Rembrandt, 1655, depicting a goldsmith at work, showing detailed figures, tools, and interior workshop setting.

Summer Oscar (1840-1894), window. () (Without Dat.): View. Pencil watercolored on paper, on cardboard, 65 x 49 cm (including scan edges) Sommer Oscar (1840-1894): Fenster ()

Thirteen birds on stylized tendrils; Frisians with birds.

Print made by Edward Goodall, 1795-1870, British, Johnnie Armstrong's Tower, 1834. Line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé.

Proposed Design for the West Wall of the Music Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779-1859, Brush and watercolor, graphite on paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. Elevation of the west wall, with two large painted panels of Chinese lions flanking the fireplace. The panels are, in turn, flanked by columns entwined by serpents. Other detail and section of wall are sketched in or indicated by outline, in graphite., England, 1817, interiors, Drawing, Drawing

Carving in ivory, 13th century; Cutting in yver. (13th century). Curvion with deer hunting, 13th century

Gypsum Model for decoration on the Imperial Library from the Louvre Palace. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

Nicolaes de Bruyn engraved a copper print in 1602 showing a landscape with a couple on a bridge, depicting figures, water, vegetation, and natural composition.

Hoffmann Emil (1845-1901), Baptistry, Florence (June 9, 1894): Floor pattern. Pencil on paper, 41.8 x 32.6 cm (including scan edges) Hoffmann Emil (1845-1901): Baptisterium, Florenz

Ice bathtub to ice at the beginning of the 18th century in the collections of Staniska Ursyn-Rusiecki from Warsaw in 1915-view from the side and cross-section in advance in a scale of 1: 2; Sztolcman, W Adys Aw Roman (1873-1950); 1915 (not after 15.05.1915) (1915-00-00-1915-00-00);

Edmond Morin (1824-1882). "What we drink: beer". Bois, 1880. Museum of Fine Arts of the city of Paris, Petit Palais. Beer, drink, drink, mug, malt, tavern, pour, engraving, mill

La Chanson du Mal-aimé from Eaux-fortes pour "Alcools". Artist: Louis Marcoussis (French (born Poland), Warsaw 1883-1941 Cusset). Dimensions: Plate: 6 1/16 × 3 7/8 in. (15.4 × 9.8 cm)Sheet: 17 3/4 × 12 1/2 in. (45.1 × 31.8 cm). Date: 1934. Museum: Metropolitan Museum of Art, New York, USA.

To Lesbos, Jules Pascin, 1895 - 1930 print Two standing naked women. Two more women can be seen on the left in the background. paper etching woman (showing herself) undressed, quasi-nude

Drawing, Petit Jardin Close (Ground Plan for a House and Small Enclosed Garden); Designed by André Vera (French, active Paris, 1881-1971), Paul Vera (French, active Paris, 1882-1957); Drafted by Eugène Verdeau (French); France; pen and black ink, brush and black wash, graphite on cream wove paper; 51.9 × 21 cm (20 7/16 × 8 1/4 in.) Mat: 71.1 × 55.9 cm (28 × 22 in.)

Dimostrazione in grande del criptoportico accennato nella tav. IX con la lettera C , Archaeological sites, Covered walks. The Antonio Cardinal Tosti Collection

The Assumption, by Guido Reni. Caldesi & Montecchi (British, active 1850s)

Plants in the Rain at Night. Paul Klee; German, born Switzerland 1879-1940. Date: 1913. Dimensions: 112 x 126 mm (plate); 184 x 276 mm (sheet). Etching on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Kraków (Salwator). Wąsowicz, Wacław (1891-1942), graphic artist

XIII. Initial n o with compartments and ginkgo - mandrel, rowan and fruits. State state plan Hamburg, collection of the history of photography

A Cap, Rembrandt van Rijn, c. 1629 - c. 1630 drawing Leiden paper. chalk head-gear: cap (+ men's clothes)

Etching by Virgil Solis the Elder, 1529-1562, depicting fight scenes with soldiers, military entourages, weapons, and banners.

Chéret, Jules (n.1836-05-31-D.1932-09-23), Dance, lithography published in the original print-Fourth Delivery (October-December 1893) (Main title), 1893. Lithography in of blood with white raises. Petit Palais, Museum of Fine Arts of the City of Paris.

Untitled. Donald Judd; American, 1928-1994. Date: 1982-1985. Dimensions: 891 x 620 mm (plate); 1,050 x 748 mm (sheet). Etching on white wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Schmalz Otto (1861-1915), travel sketches from Pompeii, Naples and Rome (07.04.1887): Rome: porch of S. Apostoli (Views Details). Pencil on paper, 42.9 x 31.2 cm (including scan edges)

Lazio Roma Subiaco Rocca Abbaziale5. Hutzel, Max 1960-1990 Distant and close range exterior views of castle, portals, papal crests. Interior views of entry hall, chapel, Appartamento dei Colonna, Appartamento di Pio VI, and Camara di Pio VI, with many detail views of ceiling and wall frescoes. General Notes: Views 1-7 extracted and filed separately under General views. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ucznik and (version C); Hulewicz, Jerzy (1886-1941); 1918-1923 (1918-00-00-1923-00-00);

Böhmer Franz (1907-1943), Reich Ministry of Nutrition and Agriculture in Berlin-Mitte (January 10, 1939): Door to the bathroom: Detail 1: 1. Pencil on transparent, 66.9 x 32.9 cm (including scan edges)

People and his profession, The executioner , the Feuerwercker , the tobacco transformer , the Meßner , The Badhaus owner , the mosaic worker , the language master , engineer, Ludwig Czerny -, Drawer, Matthias Rudolph Toma -, Printer, publisher

333/Seven Three-Part Variations. Sol LeWitt; American, 1928-2007. Date: 1968. Dimensions: 242 x 615 mm. Pen and black ink with graphite on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Amsterdam, Sichem, Christoffel van (II), Frames with foliate scrolls, candelabra motifs, vases with flowers and flowers, Frame consisting of two vertical panels and two friezes, Frame printed from four woodblocks. Both the panels and the friezes are decorated with flowers. The frames are largely variants or copies of late sixteenth-century French and Flemish prints. All frames were used to illustrate a Bible., print, ornament print, prints, ornament prints, height 160 mm, width 115 mm, Work conception, Northern Netherlands, 1581 - 1658-07-02, after a design by, 1646 - 1657, second quarter 17th century, third quarter 17th century, paper, woodcut, print maker, printmaker, Publication (Event), Publication, publisher

Deraisme, Pierre -Georges (n.1859 - D.1932), monogram (main title), 1898. Graphite, ink and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Carpet design for window in the northern transept of the Dom in Utrecht, c. 1868 - c. 1938 drawing cardboard. paper brush

Design for Ornamented Stair Railing. Artist: Anonymous, French, 18th century. Dimensions: 10 7/16 x 8 3/8 in. (26.5 x 21.2 cm). Date: ca. 1770-90. Museum: Metropolitan Museum of Art, New York, USA.

Sketchbook of Byzantine and Romanesque Decoration, 1887-1894. Studies of frieze/pattern decoration. Sir Edward Burne-Jones. 110 sketches of Mediaeval and Byzantine decoration made in connection with studies for the 'Holy Grail' tapestries for Morris & Co.

An etching and aquatint from 1882 by Max Klinger titled 'Apollo and Daphne I' (Opus II, sheet 10), printed on rolled French China paper, showing mythological figures and narrative interaction.

Design for rug with abstract pattern, Carel Adolph Lion Cachet, 1874 - 1945 drawing pencil. ink pen / brush tapestry. carpet, rug

Comb Case. Dated: 1937. Dimensions: overall: 34.3 x 24.5 cm (13 1/2 x 9 5/8 in.) Original IAD Object: 15"x9". Medium: watercolor, gouache, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Wilford H. Shurtliff.

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book 1790-1800 England. Ink wash on paper . Thomas Stothard

Etching by Constant Bourgeois depicting various views of Italy, created between 1785 and 1841, showing urban and landscape elements, architectural details, and perspective.

Unknown architect, wall and ceiling paintings of non-identifiable buildings (without date): wall and ceiling painting. Tusche, pencil watercolored, gold heighted on paper, 37.4 x 30.1 cm (including scan edges) N.N. : Wand- und Deckenmalereien von nicht identifizierbaren Bauwerken

Sievers Georg (1803-1887), Villa Sy in Berlin-Tiergarten (without date): Ceiling painting in the Vestibül through all two floors. Pencil watercolored on paper, 28.3 x 38.6 cm (including scan edges) Sievers Georg (1803-1887): Villa Sy, Berlin-Tiergarten

Two Geniuses hunting a deer and a rabbit (top); sphinx on cornice (bottom), Herculaneum, Campania, Italy, engraving by Francesco Cepparoli from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume V, plate 59, 1757-1787, Naples.

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