Ethereal Etchings and Prints

A collection of historical etchings featuring diverse themes such as mystical figures, spiritual scenes, and artistic designs in muted tones.

Fighting of the young with wolves; Makowski, Tadeusz (1882-1932); Before 1924 (1915-00-00-1923-00-00);

Koch Friedrich (1828-1922), travel studies from Rome and the surrounding area 1851-53 (October 15, 1852): Tivoli: Olive tree (perspective view), Subiaco: S. Scholastica (perspective view from the court side). Pencil on paper, 34.6 x 39 cm (including scan edges) Koch Friedrich (1828-1922): Reisestudien aus Rom und Umgebung 1851-53

Three cutscenes for the magazine "Count Wojtek" - 1. Satirical composition from the character Napoleon, 2nd three clergy, 3. Four of the monks; Wojtkiewicz, Witold (1879-1909); 1905 (1905-00-00-1905-00-00);Bondy-Glassowa, Alina (1865-1935), Glass, Jakub (1865-1942), Glassowie Alina and Jakub-collection, young Poland (style), Napoleon and (French emperor-1769-1821), PartaGe Plus, Dar (provenance (provenance ), Polish graphics, caricatures, monks, Poland (culture), symbolism (style)

Wooden stitch illustrations by Oscar Pletsch from 1850-1900 showing vignettes with initials and children engaged in daily activities, emphasizing playful scenes.

Farmers' Woman standing by a fireplace, Emanuel Samson van Beever, 1886 - 1912 print The woman wears a headscarf. A broom leans against the fireplace. About the show a grid of thirteen intersecting lines. Amsterdam paper etching farmers - AA - female farmer, farmer's wife. heating stove. interior of the house

Lehmmübner Paul (1855-1916), collegiate church in Marienborn. Conversion (1886): Fries (to the altar). Pencil on transparent, 70.1 x 39.2 cm (including scan edges) Lehmgrübner Paul (1855-1916): Stiftskirche, Marienborn. Umbau

Still Life. Giorgio Morandi Italian, 1890-1964. Date: 1933. Dimensions: 237 x 243 mm (plate); 375 x 500 mm (sheet). Etching in black on buff wove paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Earth, Jacques de Gheyn (ii), After Karel van Mander (i), 1580 - 1596 print Presentation of the Earth element in the form of a naked woman with a pry of grain on the head, seated between an ox and the horn of abundance. In the background a number of riders are busy with the deer show. In the lower margin a two -line Latin text. Reconstructed from two fragments. Amsterdam paper engraving earth (one of the four elements)

Castor Criss-Cross Pollux, from First Three Minutes. Robert Cumming, (American, born 1943); printed by Susan Steinbrock, Steven Anderson, Mary Pat Opatz; published by Vermillion Editions Limited. Date: 1987. Dimensions: 225 x 203 mm (plate); 365 x 325 mm (sheet). Drypoint, with hand-coloring, on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

6, from 0-9. Jasper Johns (American, born 1930); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 400 x 310 mm (image); 520 x 399 mm (sheet). Lithograph from one stone in gray on unbleached gray wove handmade paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Obliquely shown from the right front corner. Written in the lower right corner: E. St. Jacques. Graphite on brown paper. Date: 1830-1860. Museum: Cooper Hewitt, Smithsonian Design Museum.

Woodcut by Laurens Janszoon Coster depicting miniature portraits, created in the 15th century.

Head III (male). Hulewicz, Jerzy (1886-1941), graphic artist

Juda en Tamar, Hendrick Goltzius (attributed to), 1580 - 1596 print Round show of Judah and Tamar. Tamar is sitting in the foreground next to a tree, dressed like a Courtisane. In the background on the right you can see Tamar and Judah together. With reference to the Bible text in Gen: 38. Reconstructed from two fragments. Haarlem paper engraving story of Judah and Tamar (Genesis 38). Tamar changes from her widow's clothes and covers her face with a veil after the manner of the prostitutes; sitting at the entrance of a city on the road to Timnath she awaits Judah

Sievers Carl (1834-1891), decoration studies (1856-1856): Fries. Pencil watercolored, white heighted on paper, 41.9 x 57.3 cm (including scan edges) Sievers Carl (1834-1891): Dekorationsstudien

Summer Oscar (1840-1894), wall painting (without date): View. Pencil watercolored on paper, on cardboard, 65.6 x 49 cm (including scan edges) Sommer Oscar (1840-1894): Wandbemalung

Quilt - Meadow Lily Variant. Dated: c. 1937. Dimensions: overall: 22.9 x 23 cm (9 x 9 1/16 in.) Original IAD Object: 84" long; 84" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: C. H. Hastings.

Graf monument VanTransisalanus Adolphus van Voorst to Hagenvoorde van Bergentheim in the Nicolaaskerk in Wijhe, Anonymous (Monumentenzorg) (Attributed to), 1911 photograph Nicolaas Church photographic support. cardboard grave-building, monumental tomb Nicolaas Church

Gaiety stage door. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1887. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Installation view, 1865 Exposition des Beaux-arts, Alençon. Étienne-Xavier de Grisy (French, 1831 - 1866)

Côté Sud de la Cour de Rhamses Méiamoun.

Ornaments in the Palais des Tuileries in Paris, Édouard Denis Baldus, c. 1865 - in or before 1870 photomechanical print France paper ornaments ~ art

Black ink studies by Anton Hanak from September 1933 for a Joseph Haydn monument in Oberberg near Eisenstadt, Burgenland, created between 1926 and 1930, including sketches and compositional notes.

Ornament of a salon (presumably) in the Palais des Tuileries in Paris, Édouard Denis Baldus, c. 1865 - in or before 1870 photomechanical print Paris paper ornaments ~ art

Gypsum models for decorations at the Palais du Louvre by Emile Knecht.Part of Réunion des Tuileries au Louvre 1852-1857, album 1.

Vignette with keeshond and pink bow, 1795, anonymous, 1795 drawing Vignette in which a dog enters the keeshond in his loft. At the top under a pink bow, an eagle drops a flower guilland. Part of a group of six signed vignettes, possibly for chasinets at a party on the occasion of the Alliance with France in 1795. Netherlands paper. pencil. paint (coating) pen / brush dog

Umbria Terni Narni S. Domenico58. Hutzel, Max 1960-1990 Medieval: 1965 photos, 29 Architecture, architectural sculpture (12th century); Wall painting (13-16th century); Mosaic, cosmati style pavement (c. 1200) 1986 photos, 44 Architecture, architectural sculpture, cosmati pavement, sculpture. Post-medieval: 1965 photos, 56 Frescoes, painting (13-16th century); sculpture (14-16th century) 1986 photos 167 Frescoes, painting, sculpture, metalwork Antiquities: 1986 Weaponry Object Notes: Church deconsecrated and modified for use as museum, 1970 General Notes: Bibliographic material sent, Getty Center library () German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaiss

Reliefs of the Borobudur, Westzijde, C. Dietrich (photographer), After Anonymous, 1875 - 1890 photograph This photo is part of an album. Java paper. cardboard albumen print sculpture (+ relief ~ sculpture) Borobudur

15 Years (poster). Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1965. Dimensions: 887 x 570 mm. Collage of lithographs in black on white wove paper, cut and taped with red pencil additions, on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

An etching by Arthur Paunzen from 1918 depicting themes inspired by Beethoven's Ninth Symphony, illustrating musical imagination through visual art.

Edging. Culture: Italian. Dimensions: L. 7 x W. 2 7/8 inches (17.8 x 7.3 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Edward Alfred Goodall, 1819-1908, British, The Gipsy, 1834. Line engraving, engraver's proof.

Artist: Truman Seymour, American, 1824-1891, Blocks of Stone. Verso:ships, 19thcentury, Graphite, 21 × 30.5 cm (8 1/4 × 12in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Yvette Guilbert. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1894. Dimensions: 322 × 220 mm (image); 383 × 385 mm (sheet, folded, appro×.). Color lithograph, with letterpress, on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Different ornaments made of foliage and tape mechanism, leaf 3 from the episode "Gantz New Invintes Foliage and Bandelwertick first part". Different ornaments made of foliage and tape work, leaf 3 from the episode "Gantz New Invintes Foliage and Bandelwertick first part of the part, as a result of sculptor Mahler Goldschmidt and Silver Stecher, Invendirt and drawn by JJB relocated and accidental in Augspurge Bey Ioh. Andreas Steisslinger KupfferTecher A. 1736 .

Grotesque ornament print with birds, c. 1590 - c. 1606 Grotesque ornament print with birds, vases, terres, flowers, some insects, snails, a canopy and a winged female figure. paper engraving molluscs: snail. ornament derived from plant forms. ornament derived from animal forms. frequently used ornamental compositions. birds. insects

Revelers (Ribauds et Ribaudes). Léonce Justin Alexandre Petit (French, 1839-1894). Etching;

22. Vignettes made of musical instruments and palm trees. State state plan Hamburg, collection of the history of photography

Melita Hofmann, Beaded Moccasin, 1935 1942 Beaded Moccasin

Table countertop converted from the door, to the table from the Leopold Méyet collection, in the collections of the National Museum in Warsaw from 1915, loss - view from above; Kotarbiński, Mieczysław (1890-1943); 1916 (before 9.05.1916) (1916-00-00-1916-00-00);

Persius Reinhold (1835-1912), gable decorations: views, details. Pencil on paper, 34.7 x 21.2 cm (including scan edges)

Fifteen letter monograms (NOx-PQT), Daniel de Lafeuille, c. 1690 - c. 1691 print From series of 29 partially numbered sheets with number monograms. Amsterdam (possibly) paper engraving letters, alphabet, script

N.N., Manufacture, Sèvres. (From: Motifs historiques d´Architecture et de sculpture d´ornement, ed.v. César Daly, Vol. Stitch on paper, 31.6 x 45.6 cm (including scan edges)

A Garden, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and engraving, 1st state on moderately thick, slightly textured, cream, wove paper, with gray, chine colle, Sheet: 11 1/2 × 6 5/8 inches (29.2 × 16.8 cm), Chine collé: 11 3/16 × 5 7/8 inches (28.4 × 14.9 cm), and Image: 3 1/2 × 3 1/2 inches (8.9 × 8.9 cm)

Program for the play Le Chariot de Terre Cuite with actor Felix Fénéon standing on the balcony above Indian elephant, Henri de Toulouse-Lautrec, 1895 print Program for the play Le Chariot de Terre Cuite with actor Felix Fénéon as a Hindustani priest standing on the balcony above the image of Indian elephant. The title and roles are stated in a rectangular frame. paper actor (on the stage). trunked animals: elephant

Ptolémée-Cæsarion - Bas-relief du Temple de Kalabcheh (Talmis) April 8, 1850 Maxime Du Camp French Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their w

Nicholas Acampora, Wall Paper Border on Bandbox Lid, c 1936 Wall Paper Border on Bandbox Lid

Cross over Main Entrance to Mission. Dated: c. 1937. Dimensions: overall: 35.2 x 24.8 cm (13 7/8 x 9 3/4 in.) Original IAD Object: 6"to 2'=scale. Medium: watercolor, colored pencil, pen and ink, graphite,and heightening on paper. Museum: National Gallery of Art, Washington DC. Author: Geoffrey Holt.

Karl Joubert, Wall Paper Border, c 1937 Wall Paper Border

Wall Paper Border on Bandbox Lid. Dated: c. 1936. Dimensions: overall: 22.4 x 29.2 cm (8 13/16 x 11 1/2 in.) Original IAD Object: 1 1/16" wide. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Nicholas Acampora.

Flower (from Sketchbook) John William Casilear American. Flower (from Sketchbook). John William Casilear (American, New York 1811-1893 Saratoga Springs, New York). American. Graphite, pen, ink, and watercolor on paper

Design for a price list, Ernst Maximilian Büttinghausen, 1900 - 1902 drawing Most likely designed for his father's studio Max Büttinghausen. paper. pencil frame of painting, etc.

Barth Erwin (1880-1933), Luisenstadt Canal in Berlin (1926-1926): Perspective view with a view over the angel basin towards Michaelkirche, stamp. Light break on the box, 54.1 x 81 cm (including scan edges) Barth Erwin (1880-1933): Luisenstädtischer Kanal, Berlin

Etching by Max Klinger from 1884, sheet 8 of the 'A Life' cycle, depicting allegorical human figures in universal and symbolic composition.

Kleine Welten (Small Worlds). Artist: Vasily Kandinsky (French (born Russia), Moscow 1866-1944 Neuilly-sur-Seine). Dimensions: Plate: 9 5/16 × 7 7/8 in. (23.7 × 20 cm)Sheet: 10 1/2 × 11 13/16 in. (26.7 × 30 cm). Series/Portfolio: Kleine Welten. Date: 1922.Kandinsky made the Small Worlds (Kleine Welten) portfolio while teaching at the Bauhaus, the influential German art school founded after World War I. For Kandinsky, abstraction was a spiritual language. In these poetic images, he creates a vibrant interplay of line and form, while capitalizing on the strengths of each printmaking method, in order to evoke different sensations or "worlds." He used three techniques--drypoint, woodcut, and lithography--each of which had distinct, and for Kandinsky, symbolic, properties. Drypoint, which he regarded as "aristocratic," creates sharp, precise lines, while woodcuts produce a richer texture and depth. Contrasting with these traditional techniques is lithography, which the artist viewed as mo

Standing figure, Herman Kruyder, 1891 - 1935 drawing paper. ink pen standing figure

Ponte del Piovan 1879-1880 United States. Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper . James McNeill Whistler

Judaic Ornament (Rosette) James Tissot (French, 1836-1902). , 1886-1887 or 1889. Ink on paper, Sheet: 3 9/16 x 3 9/16 in. (9 x 9 cm). European Art 1886-1887 or 1889

Plaustra. Original caption: Plaustra. Die Wagen und Fahrwerke der Griechen und Romer und Anderer Alten Volker by Johann Christian Ginzrot, Vol I. Set of 66 - No. 57.

Pa. German Plate. Dated: 1937. Dimensions: overall: 49.3 x 36.8 cm (19 7/16 x 14 1/2 in.). Medium: oil paint on paperboard. Museum: National Gallery of Art, Washington DC. Author: Eugene Shellady.

With gauge, Design for choir stalls, draughtsman: anonymous, Southern Netherlands, c. 1770, paper, pen, brush, h 318 mm × w 127 mm

Umbria Terni Narni Palazzo Scotti1. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (16th century); frescoes (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ornament van Een living room (Vermoedelijk) in Het Tuileries Tuileries Palijs; Ministry of State. Theater lounge; Louvre Palace and Tuileries. .

Schmalz Otto (1861-1915), travel sketches from Italy (April 18, 1887): Siena: Forge iron torch holder on the Palazzo Magnifico (Views). Pencil on paper, 42.8 x 30.8 cm (including scan edges)

Water Stop. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 129 x 302 mm (image); 635 x 522 mm (sheet). Photolithograph in black mounted on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Pharmacie ivoire.. Buhot, Félix Hilaire (1847-1898). 1874 - 1885. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Decorative arts , Japan, Containers, Ivory carving

Portfolio (USA); Elizabeth A. Nedwill; watercolor, ink

Plate E. The butterflies and moths of New Zealand., circa 1927, by George Hudson.

Wis A" emblem; Gory, Wiktoria (1902-1945); 1932-1935 (1932-00-00-1935-00-00);

Nicholas Acampora, Wall Paper, 1936 Wall Paper

Venus in Love, Pietro Sante Bartoli, after Rafaël, 1645 - 1700 print Amor stands with his bow in front of the sitting Venus and grabs her by the arm. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: Rome paper etching / engraving Venus and Cupid (Cupid not being mere attribute)

Starożytna kolczuga z napisami sławiańskiemi. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Moulin, Sainte Marie Ludovic Hardouin Hippolyte (1809-post 1864), graphic artist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Design for a Stage Set at the Opéra, Paris 1840-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358689

Violinist; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);

Le voyageur à l'abri , Travelers, Alphonse Legros (1837-1911)

Sailing ship at sea at the rising or setting sun, Lodewijk Schelfhout, 1921 print paper drypoint sailing-ship, sailing-boat. sun as celestial body

Untitled. Ralston Crawford; American, 1906-1978. Date: 1954. Dimensions: 283 x 390 mm. Pen and black ink on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Edging and insertion 16th century Italian. Edging and insertion 226385

Plaster models for a vault decoration of the Palais du Louvre by Victor Corbel, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

White embroidery project for a napkin VOGTTYNA, H.

Ornamental frame with war trophies, Bernard Picart (Rejected Attribution), 1683 - 1783 print An ornamental list of war trophies: weaponry, parts of armor, musical instruments and shields with Medusahoofden. Netherlands paper etching 'tropaion', i.e. decorative ornament ~ weapons

Quilt Block. Dated: 1935/1942. Dimensions: overall: 46 x 35.7 cm (18 1/8 x 14 1/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Ada Barnes.

Designs for the Decoration of the Frizzen and Jaws of the Cock of a Firearm. Culture: French, Versailles. Designer: Workshop of Nicolas Noël Boutet (French, Versailles and Paris, 1761-1833). Dimensions: 3 1/2 x 1 1/2 in. (8.9 x 3.8 cm). Date: ca. 1797-1805. Museum: Metropolitan Museum of Art, New York, USA.

Two putti with dice game, a torch and an anchor, Adrien de Witte (attributed to), 1860 - 1913 print At the top of mirror image The letters: Bac. paper etching cupids: 'amores', 'amoretti', 'putti'. dice-games. parts of ship's exterior: anchor. torch

Drawing, Design for Round Table on Clustered-Column Support; Designed by A.N. Davenport Co.; pen and black ink on thin cream paper; 19.7 x 23.8 cm (7 3/4 x 9 3/8 in. )

Krakow (Salwator); W Sowicz, Wac Aw (1891-1942); around 1921-1922 (1920-00-00-1925-00-00);

Loose fragments of prints of the Great Hercules, Anonymous, After Hendrick Goltzius, 1589 - 1596 print Fragments of the left corner of eight prints. Northern Netherlands paper engraving (story of) Hercules (Heracles)

Sketchbook Jan Matejko from a trip to Constantinople. One sided drawing. Obverse: Studies of Three Kapiteli. Matejko, Jan (1838 1893)

Birthday, Christmas, and New Year cards depicting winter scenes, ceramics and plants.. Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Winter, Pottery, Plants

February. 1559. Brun, Franz (German draftsman and engraver, active ca. 1559-1596). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Design for a Work Table with a Railing early 19th century Anonymous, British, 19th century British. Design for a Work Table with a Railing 386869

Heliogravure by Alexander Hauger depicting a scene titled 'Letter Home', produced before 1893 and mounted on a box.

Cover design for: Cornelis Veth, Sports and Spel in Art (Winter), 1916, Reinier Willem Petrus de Vries (1874-1953), 1916 photomechanical print Design with a snowy pine tree in a circle and ornaments. paper printing block trees: pine. snow

'Illustration for Carlo Goldoni's Play 'Guardian''. Italy. Dimensions: 14x8,2 cm. Museum: State Hermitage, St. Petersburg. Author: Pietro Antonio Novelli.

Gustav Knoblauch (1833-1916), Landhaus Dr. Ruge, Nardevitz: Ornament. Pencil on transparent, 32.3 x 31 cm (including scan edges)

Unknown architect, table attachment. Monthly competition January 1879 (01.1879): View headpiece of the middle essay. Pencil watercolored on paper, 32.9 x 49.2 cm (including scan edges) N.N. : Tafelaufsatz. Monatskonkurrenz Januar 1879

Radoux, Louis-Gilbert, Libois, Photographic reproduction of a print of a portrait of an unknown woman, recto - printed, photograph, photo, reproduction, page, photos, photographically illustrated books, Duch. No. 347. col. V. Sestich, height 40 mm, width 29 mm, photographer, 1852 - 1857, photographic paper, salted paper print, salted print, Work conception, after a print by, French, Belgian, 1820, printer

Nohl Maximilian (1830-1863), relief (1858-1858): View. Pencil on paper, 23.5 x 30.7 cm (including scan edges) Nohl Maximilian (1830-1863): Relief

Persépolis. Restauration du palais no. 3 du plan général. Takht-i-Djemchid Takht-i Jamshîd. Coste, Pascal, 1787-1879. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Plaid Homespun Coverlet. Dated: 1937. Dimensions: overall: 24 x 23.5 cm (9 7/16 x 9 1/4 in.) Original IAD Object: 4 1/2" square. Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Frank J. Mace.

Portrait of Angelo, Marie-Anne, (1847-), (Actress) Theodore Schahl. Portrait of Marie-Anne d'Angelo (born in 1847), actress. Business card (verso). Draw on albuminum paper. 1870-1890.

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