Ethereal Etchings and Prints

A collection of historical etchings featuring diverse themes such as mystical figures, spiritual scenes, and artistic designs in muted tones.

Fighting of the young with wolves; Makowski, Tadeusz (1882-1932); Before 1924 (1915-00-00-1923-00-00);

Plander with text, satirical drawings, photography reproductions; around 1909 (1904-00-00-1913-00-00);Semerau-Siemianowski, Władysław (1849-1938), Semerau-Siemianowski, Władysław (1849-1938)-collection, gift (provenance), Islamic art, Turkish art

Bliżej Kultury Kunstwerlag Anton Schroll & Co., Vienna, Pacher, Michael (Ca 1430/1435 1498)

Lazio Roma Rome S. Ignazio di Loyola94. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Strack Johann Heinrich (1805-1880), a way for the Villa Borsig in Berlin () (Without Dat.): Walking wall with pictures, vases and statuettes, in front of it a sofa and lamps. Pencil watercolored on paper, 28.6 x 31.9 cm (including scan edges) Strack Johann Heinrich (1805-1880): Stellwand für die Villa Borsig, Berlin ()

Design for Two Caskets. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 9/16 x 12 1/4 in. (21.7 x 31.1 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Diebitsch Carl von (1819-1869), putten and busts, Florence (without dat.): 4 views. Pencil on paper, 29.9 x 46.5 cm (including scan edges) Diebitsch Carl von (1819-1869): Putten und Büsten, Florenz

Violin, Julie de Graag, 1920 print paper. watercolor (paint) flowers: violet

Etchings depicting a portrait of Frederick the Great and the royal Prussian family, created by Daniel Nikolaus Chodowiecki in 1768 and 1796.

Carnavalet museum, history of Paris.

Cnidus: Plan of the Harbor and Map of Sites, Giovanni Battista Borra, 1713-1770, Italian, ca. 1750, Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper, Sheet: 14 5/8 x 21 1/4 inches (37.2 x 53.9 cm) and Image: 8 x 12 3/8 inches (20.3 x 31.5 cm), ancient Greek, architectural subject, cartographic material, coastline, harbor, site plan, topographic map, Asia, Cnidus Nova, Ege kiyilari, Mugla Ili, Turkey

Dorota Lubomirska on the deathbed; Beedduz, Roman (1812-1876), Maurin, Antoine (1793-1860), Lemertcier, Rose Joseph (Paris; Litographic Plant; 1828-Post 1899); 1854 (1801-00-00-1900-00-00);

Scheppig Carl (1803-1885), sketchbook "Travel notes collected on the Rhine in France and Italy" (1833-1835): Pencil on paper, 10.1 x 16.5 cm (including scan edges) Scheppig Carl (1803-1885): Skizzenbuch »Reisenotizen gesammelt am Rhein in Frankreich und Italien«: Terracotte, Neapel

Stüler August (1800-1865), New Museum on the Museum Island in Berlin (1843-1843): Two wall views with perspective wall painting. Ink and pencil watercolored on paper, 67.3 x 52.6 cm (including scan edges) Stüler Friedrich August (1800-1865): Neues Museum auf der Museumsinsel, Berlin

William Finden, 1787-1852, British, The Sailor, 1834. Line engraving on thick, slightly textured, beige, wove paper, with beige, chine colle.

Cover design for: Richard Roland Holst, exhibition of the Nagelaten Works by Vincent van Gogh, 1892, Richard Nicolaüs Roland Holst, in Or Before 1892 print A withered sunflower in a landscape with rising or setting sun. A halo above the sunflower. Bottom left the text 'Vincent'. paper flowers: sunflower. nimbus, halo ~ radiance emanating from persons or things. sun as celestial body Panorama building

Madonna 1937 (Życzenia świąteczne). Goryńska, Wiktoria (1902-1945), graphic artist

Collection of spurs from various periods of history, from the collection of Antoni Strzałecki ; drawing for the publication: Dominika Jeżewskiego Skarbiec Zabytków Polskich znajdujących się w prywatnych zbiorach Warszawy, malował z natury Władysław Sztolc. Sztolcman, Władysław Roman (1873-1950), painter

John Singer Sargent, Study for The Fall of Gog and Magog, 1903 1916 Study for The Fall of Gog and Magog

Drawing, Design for a Decorative Vase; Italy; pen and ink on paper; 9.5 x 8.3 cm (3 3/4 x 3 1/4 in.)

Pheasants in landscape. unknown c. 1740-1780 Tapestry Dimensions: H 4'5" x W 5'3" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Mr. Lancashire, received 6/5/1920; sold to W. Miller 8/5/1941 SS 23154-a. French & Co. received from W. Miller 3/10/1944 () SS 75446. Bird in foreground amongst wild, flowering plants & trees; bird with opened wings on higher ground (L); buildings with bridge & flowing river in the background Borders missing. French & Co. stock sheet in archive, 23154-a also lists 10813, 10814 French & Co. stock sheet in archive, 75446 also lists 42757

The Tear, William Finden, 1787-1852, British, after Thomas Stothard, 1755-1834, British, 1834, Line engraving on thick, slightly textured, beige, wove paper, with cream, chine colle, Sheet: 17 × 11 7/8 inches (43.2 × 30.2 cm), Plate: 10 7/16 × 5 7/8 inches (26.5 × 14.9 cm), Chine collé: 10 1/16 × 5 5/8 inches (25.6 × 14.3 cm), and Image: 2 1/2 inches (6.4 cm)

Tree as a symbol for the origin of the form of government of the Netherlands, 1786, 1786 print A tree as a symbol of the form of the form of government of the Netherlands growing from a map of the Netherlands, published in 1786. The seven provinces connected as the roots of the tree together in the Union of Utrecht, closed in January 1579. The roots, tribes and branches stated with inscriptions. At the bottom of a cartouche with a spell of four lines stating Bato's offspring, on either side a wreath of oak blades (De Burgerkroon) and the freedom hat with Print Patria. This print includes an explanation on a separate leaf. print maker: Netherlandspublisher: Amsterdam paper etching tree as a scheme of relations, diagram in form of a tree

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book. Thomas Stothard; English, 1755-1834. Date: 1790-1800. Dimensions: 25 × 50 mm. Ink wash on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Anefo photo collection. Report Putten. An etching of Johannes, presenting shooting Germans on citizens who flight. The son of Johannes Bezaan also died in a concentration camp. October 29, 1945. Gelderland, Putten

Framm.ti di marmo della pianta di Roma antica(Fragments of the Marble Plan of Ancient Rome), plate 4 from volume 1 of Antichità romane (Roman Antiquities). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Reverse Copy of La Présentation au Peuple (The Presentation to the People), from La Petite Passion (The Little Passion) 17th century Anonymous. Reverse Copy of La Présentation au Peuple (The Presentation to the People), from La Petite Passion (The Little Passion). La Petite Passion. Anonymous. 17th century. Etching. Prints

Drawing, Textile Design: Ching-Chang; Designed by Mathilde Flögl (Austrian, b. Czech Republic, 1893 - 1950); Made for Wiener Werkstätte (Austria); Austria; brush and gouache on cream illustration board; 7.6 x 19.9 cm (3 in. x 7 13/16 in.)

Maud Schmid, Fire Screen, 1935 1942 Fire Screen

Design for Six Tripod Tables. Artist: Anonymous, British, 19th century. Dimensions: sheet: 9 7/16 x 11 7/8 in. (23.9 x 30.1 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Menning from the Society for Nut of 't General, Jan Dam Steuerwald, 1835 print Penning with a group of figures under a tree on the front (left), including a sitting female figure with a horn of abundance. A man with a hat on the back, a woman with children and an old man come to her. On the reverse (right) a laurel wreath. The medal was used as a honorary price of society for the use of general. Netherlands paper steel engraving / etching 'Cornucopia', Horn of Plenty

Rieß Carl (1831-1884), chair (1884): View. Ink on cardboard, 36.6 x 30.5 cm (including scan edges)

Design for stained glass, Alice Cordelia Morse, American, 1863-1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Five designs, similar but with variations. All yellow, framed with dark olive green and filled with row of diamonds., USA, late 19th century, architecture, interiors, Drawing, Drawing

Netherlands, Arendzen, Petrus Johannes, St Jans-kerk in 's-Hertogenbosch, Canopy at the North Portal, Cross-section and front view of the canopy at the north portal, print, prints, height 496 mm, width 330 mm, Dutch, 1846-10-23 - 1932-12-16, print maker, printmaker, 1875 - 1895, fourth quarter 19th century, paper, papier, etching, etchings, engraving, engraving (printing process)

a: Xie Zhi; b: Zhiliu. Artist: Unidentified Artist. Culture: China. Dimensions: Overall (a): 1 1/4 x 9/16 x 9/16 in. (3.2 x 1.4 x 1.4 cm)Overall (b): 1 3/16 x 9/16 x 9/16 in. (3 x 1.4 x 1.4 cm). Date: 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Wykopaliska z kości słoniowej znalezione w ruinach zamku wileńskiego. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Jehenne, Jean-Baptiste Joseph (fl. 185.-187.), graphic artist, Wilczyński, Jan Kazimierz (1806-1885), publisher

For Juan Gris #7. Joseph Cornell; American, 1903-1972. Date: 1949-1959. Dimensions: 18 × 10 1/2 × 4 1/8 in. Box construction. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Gouache detail of a wall painting in the 2nd Pompeian style by Carl von Hasenauer, showing decorative motifs, colors, and classical design elements, dated 1 April 1855.

Vignette with a horn, a crown and a monogram, anonymous, 1600 - 1699 print paper vignette. horn, trumpet, cornet, trombone, tuba. crown (symbol of sovereignty)

Lazio Roma Rome S. Sebastiano and Catacumbas6. Hutzel, Max 1960-1990 Medieval: Fresco paintings from chapel of Onorio III, "Sebastiano ad Catacumbas" (13th century, c. 1216-1227). Post-medieval: 17th century architecture (1609, architectural sculpture, sculpture, painting, fresco painting, stucco. On via Appia. General Notes: Missing 15-17, and 38-41. 94 prints total according to H. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two sculptures of temple guards (NIō). .

The catafalque raised under the Star (dummy title), 1885. Maison de Victor Hugo - Hauteville House.

Book Mark & Birthday Wish. Dated: 1938. Dimensions: overall: 37.5 x 50 cm (14 3/4 x 19 11/16 in.). Medium: watercolor and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: J. Howard Iams.

Rider for Pitcher No 7082. Artist: Tiffany & Co. (1837-present). Culture: American. Dimensions: Overall: 9 5/8 x 11 5/16 in. (24.4 x 28.7 cm)Design: 9 5/8 x 9 1/4 in. (24.4 x 23.5 cm). Date: 1883-91. Museum: Metropolitan Museum of Art, New York, USA.

Vosmeer, Willem van Egmond, Antoon Derkinderen, After Tresling & Comp., 1894 - 1901 print A horizontal, decorative title band in which Vosmeer and Willem van Egmond are announced. To the left of the title band a vertical decorative edge with the weapons of Haarlem, Borssele, Egmond, Vianen, Heemstede and Arkel. paper coat of arms (as symbol of the state, etc.) (+ city; municipal)

Giskras revenge , Karl Giskra, Kuckucsei, Austria, Giskras revenge caricature sequence from The Flea , Unknown

Arms of the family stapert, Friedrich Wilhelm Burmeister, 1855 - 1915 print The weapon consists of a red shield with a prancing white horse in a green meadow and and three long thin plants. Above the weapon red and white plant motifs, a helmet and again a prancing horse. Under the weapon the text: Stapert in the Rijksadelstand elevated by Karel V. by diploma of 4 May and 19 Oct. 1555. Netherlands paper armorial bearing, heraldry

Vlastislav Hofman: Nábytek. Náčrt.. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia, Furniture

Drawing, Design for clock; Manufactured by Lefebvre Manufactory, Tournai; Belgium; pen and black ink, brush and yellow, red watercolor, on cream laid paper; 50.2 x 33 cm (19 3/4 x 13 in.)

Paris Almanac, 1897: Decorative Border, Autumn, 1897. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Ex libris matilde monsalvatje; Roca and Simó, Francesc (1874-1940); after 1910 (1910-00-00-1939-00-00);Monsalvatje, Matilde Fossas (1887-1961), Monsalvatje, Matilde Fossas (1887-1961)-Ekslibris, PartaGe Plus, Witke-Jeżewski, Dominik (1862-1944)-collection, Spanish graphics, Catalan, Spanish (culture), Catalonian graphics (culture), women, books, modernism (style), ornaments, bird feathers, pen (tool), secession (style)

Design for Berlin Wool Work, A. L. Dittmarsch, Hertz and Wegener, Brush and gouache on pre-printed squared paper, A band of roses and leaves on graph paper., Germany, ca. 1860, textile designs, Drawing, Drawing

Lilies and Roses: The White Dove. Paul Gavarni (French, 1804-1866). Lithograph;

Drawing, Design for stained glass; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache, watercolor on paper mounted on tan illustration board; Image: 7.8 x 5.5 cm (3 1/16 x 2 3/16 in.) Image: 13.5 x 11.5 cm (5 5/16 x 4 1/2 in.)

William Kieckhofel, Mission Fountain, 1941 Mission Fountain

Design for a cover for an edition of Theosophia (volume 22, episode 1, March 1914). Draughtsman: Mathieu Lauweriks. Dating: 1914. Measurements: h 248 mm × w 497 mm. Museum: Rijksmuseum, Amsterdam.

Mask of Silenus 18th century Italian. Mask of Silenus 198358

Josef Gočár: Dům 'U černé Matky Boží' v Celetné ulici. Schodiště.. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia

Color print by an anonymous artist depicting the Secession VI Art Exhibition in 1900, showing artworks and exhibition layout.

Akrata. Le golfe de Corinthe et le Parnasse. Frédéric Boissonnas (Swiss, 1858 - 1946)

Valentine 1850-1870 Anonymous. Valentine. Anonymous. 1850-1870. Cameo-embossed open-work lace paper, chromolithography, colored paper, ink

Portraits, illustrations and a newspaper article for sloping panels, left a wheelbarrow; Thorbecke. .

The crown presented in the painting with a church in Biecz, exhibited at the exhibition "Polish Gothic Art" in Warsaw in 1935 (Cat. Exhibition No. 153); around 1935-ok. 1939 (1935-00-00-1939-00-00);

Title Page, from First Three Minutes. Robert Cumming, (American, born 1943); printed by Susan Steinbrook, Steven Anderson, Mary Pat Opatz; published by Vermillion Editions Limited. Date: 1986-1987. Dimensions: 225 x 203 mm (plate); 365 x 325 mm (sheet). Drypoint, with hand-coloring, on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Numa Pompilius, King of Rome.

Print, Design for "Eminent Victorians"; Written by Lytton Strachey (British, 1880-1932); Published by Chatto & Windus; USA; lithograph on paper; 41 × 26 cm (16 1/8 × 10 1/4 in.)

Vignette R.W.P. de Vries Jr. Edam, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 print paper

Publicidad de somiers Numancia. Barcelona, años 1930.

Plate, from Moonstrip Empire News. Sir Eduardo Paolozzi (British, 1924-2005); printed by Kelpra Studio, London. Date: 1967. Dimensions: 380 × 254 mm. Screenprint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Design for De Architect's cover. Draughtsman: Richard Roland Holst. Dating: 1878 - 1938. Measurements: h 321 mm × w 435 mm. Museum: Rijksmuseum, Amsterdam.

Souvenir. Jim Dine (American, born 1935); printed by Alan Uglow and Winston Roeth; published by Petersburg Press. Date: 1974. Dimensions: 602 x 450 mm (plate); 790 x 580 mm (sheet). Etching from one copper plate on Apta Blanc Fleuris handmade paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Plate, from Moonstrip Empire News. Sir Eduardo Paolozzi (British, 1924-2005); printed by Kelpra Studio, London. Date: 1967. Dimensions: 380 × 254 mm. Screenprint on paper. Origin: England. Museum: The Chicago Art Institute, USA.

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