Festivals and Celebrations

Dynamic etchings capturing lively village fairs and celebrations, highlighting folk culture, music, and various characters in celebratory settings.

River view with rowing boat near Rijnsaterwoude., print maker: Daniël Nicolaas Chimaer van Oudendorp, (mentioned on object), Daniël Nicolaas Chimaer van Oudendorp, (mentioned on object), c. 1812 - c. 1828, paper, etching, h 83 mm - w 106 mm

Grote Village Fair, Cornelis Dusart, 1685 print In a Dorpsstraat, dancing and music is made for an inn where the drink flows abundantly. Acrobats show their skills on a stage and pigs and chicken roaming in search of food between the partying villagers. paper etching performance in the open air (pleasure fair)

A drawing by Charles Parrocel, dated around 1740-1745, showing a group of riders traveling through a mountainous landscape, executed with brown ink and gray wash.

Zomer, Mathamus Merian (i), after Sebastiaes VRANCX, After 1622 print paper etching summer landscape; landscape symbolizing summer (the four seasons of the year) (+ with scenes showing human occupations ~ seasons and months)

Francesco I d'Este Builds the Fortresses of Modena for the Security of his People, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... 1659 Bartolomeo Fenice (Fénis) Italian This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.. Francesco I d'Este Builds the Fortresses of Modena for the Security of his

View of the castle of Fontainebleau (right leaf), Adriaen Frans Boudewyns, after Adam Frans van der Meulen, 1666 - 1681 print View of the Fontainebleau Castle. In the foreground and on the road along the castle, hunters with horses and dogs. Paris paper etching landscapes in the temperate zone. castle Fontainebleau

Horsemen and hunters on foot shooting with bow and arrow at monkeys in the trees. In the foreground a monkey mother with two cubs. With 2 lines of caption in Latin. No. 22 from series of 43 hunts., Monkey Hunting Scenes (series title) In quibus omne genus venationis, aucupij, piscatusque (series title), print maker: Philips Galle, Jan van der Straet, (mentioned on object), publisher: Philips Galle, print maker: Antwerp, Florence, publisher: Antwerp, 1578, paper, engraving, w 283 mm × h 205 mm

River view with rowing boat near Rijnsaterwoude., print maker: Daniël Nicolaas Chimaer van Oudendorp, (mentioned on object), Daniël Nicolaas Chimaer van Oudendorp, (mentioned on object), c. 1812 - c. 1828, paper, etching, h 83 mm - w 106 mm

Dancing farmers for an inn, 1846 - 1900 On the left a flute player on an elevation next to a pergola. This print is part of an album. Haarlem paper etching On the left a flute player on an elevation next to a pergola. This print is part of an album. Haarlem paper etching

Paulus in Malta, Anonymous, After Harmen Jansz Muller, After Dirck Barendsz., After Johann Sadeler (I), After Maerten de Vos, 1652 - 1702 print During the trip to Rome, the ship of Paulus Schipwracht leads off the coast of Malta. On the left, the inhabitants of Malta have fired a fire for the shipwrecked people. Paul is bitten by a poisonous snake by the fire, but remains unharmed. Under the show the title in Latin, two two -line verses in Dutch and a reference to the Bible text in hand. 27 and 28. Amsterdam paper engraving shipwreck. the shipwreck on the coast of Malta (Melita) ~ story of Paul. Paul bitten by a viper (when throwing wood on the fire)

Village Fair, 1685. Cornelis Dusart (Dutch, 1660-1704). Etching;

Cornelis Ploos van Amstel after Jan van Goyen, Cattle Market, 1767 Cattle Market

Haven with merchants at Trekkar, Johannes Gronsveld, after Johannes Lingelbach, 1679 - 1728 print Haven with three merchants on the left, to the right of them three merchants loaded a draw cart behind a horse. On the right two merchants, one with tons and in the background sailing ships. Eighth print from a series of twelve with Italian ports. Amsterdam paper etching / engraving harbour (+ four persons or more ~ traffic and transport). horse (+ traffic ~ places)

Large depiction of the fair in a village. On the right, a stage is being built up for a play by a rederijers company and a farce is being performed for the assembled audience. The tambour stands on the ladder while the rederijkers' blazon is hung above the stage. With peasants and elegant citizens. Also dancing peasants, a meal in front of an inn, making music, drinking, playing children and vomiting. In the background a contest of goose-riding or bird-cutting. With caption in Latin and Dutch, Village Fair, ca. 1610, print maker: Willem Isaacsz. van Swanenburg, (mentioned on object), David Vinckboons (I), (mentioned on object), publisher: Frederik de Wit, (mentioned on object), print maker: Leiden, publisher: Amsterdam, 1595 - 1612 and/or 1645 - 1706, paper, engraving, h 445 mm × w 712 mm

Covered wagon escorted by riders, Robert van den Hoecke, 1632 - 1668 print A landscape in which riders on a path with a covered wagon in the middle. On the right a large tree including a group of figures. Southern Netherlands paper etching / engraving covered wagon, hooded wagon. riding a horse, ass, or mule; rider, horseman. road, path

Death of Atilius Regulus. Salvator Rosa; Italian, 1615-1673. Date: 1661-1662. Dimensions: 462 x 726 mm (plate); 527 x 763 mm (sheet). Etching with drypoint on thick ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Woman on packed donkey, man with cow and other travelers in mountain landscape, Dancker Danckerts, after Nicolaes Pietersz Berchem, 1643 - 1666 print Amsterdam paper etching riding a horse, ass, or mule; rider, horseman. rocks. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

In the year 496. Draughtsman: anonymous. Draughtsman: Jacques Kuyper (rejected attribution). Dating: c. 1789 - c. 1810. Place: Netherlands. Measurements: h 65 mm × w 55 mm. Museum: Rijksmuseum, Amsterdam.

Afternoon: Shepherd family Rest with herd, Dancker Danckerts, After Nicolaes Pietersz Berchem, 1660 - 1666 print Shepherd family rest with herd cows near trees. Herderin is sitting on your lap with child. Print number 2 from series of four prints with times of the day. paper etching rocks. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Gold and silver mines in Hungary, Jan Luyken, 1682

Figures under a tent cloth at an inn, Jan van de Velde (II), 1639 - 1641 print There are a few drinking farmers at a table under a tent cloth. Next to it an open fire with a pot above it. An inn on the other side of a ditch. A boat with tons on the water. Eighth print of a series with 36 prints of landscapes, spread over six parts. Northern Netherlands paper etching hotel, hostelry, inn. tent. kitchen-fire - CC - in the open air. wooden container: barrel, cask, bucket. table. signboard

Jan Josefsz. van Goyen's drawing shows peasant carts on a hill with a view of a level landscape, rendered in black chalk with gray lavation, showing terrain, carts, figures, and vegetation.

The Arrival of the Princely Carriage at the Starting Point of the Hunt. Artist: Johann Elias Ridinger (German, Ulm 1698-1767 Augsburg). Dimensions: sheet: 9 1/2 x 18 in. (24.1 x 45.7 cm). Date: ca. 1756. Museum: Metropolitan Museum of Art, New York, USA.

Parijs, Henriet, Israël, Nancy, Callot, Jacques, De doortocht door de Rode Zee, Paris, verso lower left - stamped, In the foreground are Moses and Aaron, the former with a staff in his raised left hand. In front of them the Israelites pass between the receding waves of the Red Sea (an extension of the Red Sea) and further through the mountains. On the left in the background the Pharaoh and his entourage can be seen being swallowed up by the returning water. Below the image two lines of Latin text., print, prent, prints, prenten, height 126 mm, width 233 mm, French, 1592-08-21 - 1635-03-24, print maker, prentmaker, 1629 - 1629, second quarter 17th century, tweede kwart 17e eeuw, paper, papier, etching, etsen, Publication (Event), Publicatie, 1590 - 1661, publisher

'Bathers'. From the Album No 2 "Souveni d'Italie". 1785 - 1787. Dimensions: 26,4x38,2 cm. Museum: State Hermitage, St. Petersburg. Author: Jean François Thomas de Thomon.

The relievance of Leiden, 1574. The relievance of Leiden, October 3, 1574. From the Geuzenboots, food is distributed to the inhabitants of the city. Links a city gate.

Ice graduate with monkeys, ca. 1720; Monkey game. Ice provision with monkeys outside of a city. Verses in French and Dutch in the caption. PRENT Nr. 12 in a series of 16 prints of approx. 1720 in which monkeys like people figurine in all kinds of household scenes.

The Skaters. Peeter Bout (Flemish, 1658-1719). Etching;

Gold and Silver Mines in Hungary , print maker: Jan Luyken, (mentioned on object), Jan Luyken, (mentioned on object), publisher: Jan Claesz ten Hoorn, Amsterdam, 1682, paper, etching, h 168 mm × w 283 mm

The cruelty of the bull, 1647; Stiers Wreetheyd, peged to master and wife, and wonderlyk is consistent to redemption of Hunnes child, takes place to Sardam 1647. Illustration of the events that are known as the cruelty of the bull, 1647. De Boer and his pregnant wife in August 1647 in Zaandam were attacked by a bull. This small print shows how the woman is taken to the horns in which the child is hurled out of the belly. Under the performance in five columns a description of the events.

Performance of fireworks drawn from the Paris City Hall on October 1, 1758. (IT)

. Print at the top right labeled: second part fol. 214.

Coastal landscape with shepherds and cattle, Richard Earlom, After Claude Lorrain, 1774 print London paper etching pastorals, Arcadian scenes. cattle. landscape with bridge, viaduct or aqueduct. coast

Landscape with Four Peasants Conversing, 1626. Pieter Molyn (Dutch, 1595-1661). Etching;

Reception of Prince William III in London, 1688, 1689 print Festive reception of Prince William III in London on December 28, 1688. Plate G in the 'Engelants Schouwtoneel' series about the Glorious Revolution 1688-1689 (second part). With captions in Dutch and French. Amsterdam paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' London

Gathering for theHunt. Artist: Ercole Bazzicaluva, Italian, c. 1610-after 1641 After: Jacques Callot, French, 1592-1635

Music a dancing Saters en nimfen, Wenceslaus Hollar, After Adam Elsheimer, After Willem Basse, 1650 print paper counterproof non-aggressive, friendly or neutral activities and relationships of satyr(s). nymphs (in general); 'Ninfe in commune' (Ripa)

Callot, Jacques, work, Crucifixion, (1000 - 2000), line etching, graphics, plate width 21.5 cm, plate height 10.8 cm, leaf width 22 cm, leaf height 12.1 cm

Heilige Joris in Draak, Jean Charles Le Vasseur, After David Teniers (II), 1744 - 1816 print In a sloping landscape with trees, in the middle, St. Joris defeated the dragon. He hands over the cord to which the dead dragon is attached to the lady. Behind the age of three frightened service. In the foreground three other women with two small children. A dead woman is lying on the left on the ground at the horse of St. Joris. Two putti with laurel wreaths in the air. paper etching / engraving the warrior martyr George (Georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword. dragon

Study for Painting 'The Landing of Columbus in America,' Sala del Minor Consiglio, Palazzo Ducale, Genoa, Italy, Francesco Solimena, Italian, 1657-1747, Pen and brown ink, brush and gray wash over black chalk on two sheets (joined) of cream laid paper; Verso: Graphite on two sheets (joined) of cream laid paper, Composition shows the figure of Columbus and his retinue landing in the New World. Columbus, standing at left between a monk with a crucifux and a soldier with a banner, raises his head and arms in prayer. Other men cluster around him or beach long boats at right; masts of two ships are shown in left distance. Groups of naked Native Americans flee in terror or kneel before the invaders. At center, above rock, is the allegorical figure of Faith with Cross, Host, and Chalice, borne up by angels., Italy, 1715-18, figures, Drawing, Drawing

Archduke Albert and Isabella on horseback among the ruins of the destroyed city of Ostend after the surrender, The Archdukes visit the destroyed Ostend after the surrender, 1604 Ostend, after the surrender to Archdukes Albert and Izabella, in the year 1604 , print maker: Simon Fokke, (mentioned on object), intermediary draughtsman: Simon Fokke, (mentioned on object), publisher: Isaak Tirion, (mentioned on object), Amsterdam, 1753, paper, etching, h 170 mm × w 204 mm

Village street with a quack and other figures. Draughtsman: Jan van Goyen. Dating: 1631. Measurements: h 135 mm × w 196 mm. Museum: Rijksmuseum, Amsterdam.

Pieter Molijn, Three Peasants and a Woman, 1626 Three Peasants and a Woman

Ice provision near Alkmaar, 1619; Outside Alkmaar, Ao 1619; North Holland landscapes. Ice provision near Alkmaar. Skating figures and kolf players are located on the ice. In the distance the city of Alkmaar.

Lime-Kiln, from Cabinet Reynst. Cornelis Visscher (Dutch, c. 1629-1658); after Pieter van Laer (Netherlandish, 1592-1642). Date: 1655-1659. Dimensions: . Engraving and etching in black on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with travellers surprised by thunderstorm, print maker: Adriaen Frans Boudewyns, (mentioned on object), Adam Frans van der Meulen, (mentioned on object), publisher: Adam Frans van der Meulen, (mentioned on object), Paris, 1666 - 1681, paper, etching, h 255 mm × w 378 mm

Ruiter fight, Hugo Allard (I) (Attributed to), After Adam Frans van der Meulen, 1630 - 1684 print Six riders compete in a rocky landscape. One of them fell on the ground. More fighting in the background. Netherlands paper etching battle. riding a horse, ass, or mule; rider, horseman

The wedding trap: allegory at marriage, Salomon Savery (Attributed to), After Adriaen Pietersz van de Venne, 1655 print The wedding trap, allegory at marriage. Couples walked in a large trap or safety net under the guidance of music from a small orchestra. Cupido is on top of the trap. Putti dancing around a wedding couple with a flower basket. Men and women walk around the trap, they make all kinds of erotic allusions. On the right, death waves with a heel ax. Amsterdam paper etching / engraving marriage, married couple, 'matrimonium'

Arrival of the Batavians in the Netherlands, ca. 55-10 BC, 1747 - 1749 print Arrival of the Batavians in the Netherlands. Netherlands paper etching / engraving extinct, 'historical' peoples (with NAME) Netherlands

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), horsemen directed to the right and passing a river to Gué. Fifth issue of a suite of 12 pieces (A. de Vesme 250. Dutuit 92) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Hudibras' First Adventure, plate three from Hudibras. William Hogarth; English, 1697-1764. Date: 1725-1726. Dimensions: 246 × 334 mm (image); 273 × 345 mm (plate); 276 × 348 mm (primary support); 360 × 459 mm (secondary support). Etching and engraving in black on cream paper edge mounted on cream wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

Amsterdam, Fokke, Simon, Illustrations of Dutch history, Frans van Brederode conquers Rotterdam, in 1488, Jonker Frans van Brederode conquers Rotterdam, 1488, Image from Dutch history. The army of Jonker Frans van Brederode storms the walls of Rotterdam. The Jonker himself is on a horse and appears to be giving out the orders. Illustration numbered at the top: XXVIII., print, book illustration, prints, height 90 mm, width 110 mm, Northern Netherlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1784 - 1784, paper, etching, etchings

Antwerp, Jode, Gerard de, Bol, Hans, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Jephthah, Jephthah's daughter mourns with her friends in the mountains, Jephthah's daughter retreats to the mountains to mourn her virginity with her friends. Behind them stands a shepherd with his sheep on a mountain. In the background a city. Below the image a reference in Latin to the Bible text in Judg. 11. This print is part of an album., print, album leaf, prints, height 200 mm, width 280 mm, Work conception, 1534 - 1593-11-20, after a design by, 1585 - 1585, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Fishermen and riders on the beach of Scheveningen, Jan van Goyen, 1648 - 1652 drawing paper. chalk brush beach Scheveningen

Passage through the Red Sea, Anonymous, After Angelo Bronzino, 1548 - 1570 print Almost all Israelites have reached the coast of the Red Sea, while Moses lets the Pharaoh swing through the waves with his army. print maker: Low Countriesafter design by: Italypublisher: Antwerp paper engraving with his people safe on the shore, Moses raises his hands and causes the water to return; Pharaoh's army perishes in the water (Red Sea)

Jacques Callot (1592-1635). "Saint Admond or Saint Nicolas and Saint Séverin" (Lieure 406, Meaume 140). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99592-27 Etching, engraving

La pesche chinoise (Chinese Fishing), from Chinoiseries after 1743 Jacques Gabriel Huquier French. La pesche chinoise (Chinese Fishing), from Chinoiseries 414265

Pieter Nolpe, Entry of Marie de Medici into Amsterdam (plate 6 of 6), 1639 Entry of Marie de Medici into Amsterdam plate 6 of 6

A gray and brown ink drawing by an anonymous artist depicting a country road at the forest edge with farmers and wagons traveling to the market, with blue-gray washes and graphite labels.

The martyrdom of Sebastiaan. Under the interest of a large crowd, the Saint Sebastian is shot at a plain at a city (Rome) in addition to a ruined amphitheater (Colosseum) by archers.

Samuel Ireland, active 1760-died 1800, British, The Death of Sir Philip Sydney (number 42 of Catalogue Mortimer Exhibition 1968).

Amsterdam, Luyken, Jan, Plague of the cattle plague, verso - manuscript in brown ink, print, prints, verso - stamped, 54, height 115 mm, width 150 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

The Hague, Agé, Johannes François Jacobs de, Fargue, Maria Margaretha la, Northern Netherlands, King, Theodoor, Joyful Meeting of Her Royal Highness Madame the Princess of Orange with His Majesty the King of Prussia Frederik the III at Cleeve, on 9 June 1788, Meeting of Princess of Orange with her brother Frederik II of Prussia, 1788, verso - stamped, Meeting of Princess Wilhelmina of Prussia with her brother King Frederik Willem II of Prussia, at Cleeve on 9 June 1788., print, prints, Frederik Muller Historical Plates, height 122 mm, width 169 mm, 1748-02-03 - 1829-01-31, print maker, printmaker, 1788 - 1789, paper, papier, etching, etchings, Dutch, 1743-12-29 - 1813-04-21, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Jacques Callot, Destruction of a Convent, c 1633 Destruction of a Convent

The First Spring Allart van Everdingen Dutch. The First Spring 398785

Hudibras' First Adventure. 1725. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Amsterdam, Jonghe, Clement de, Berchem, Nicolaes Pietersz., Visscher, Jan de, Landscapes with people and animals, Riverbank with fishermen, verso - stamped, A gentleman points out to a lady - on a horse - two fishermen who are bringing in their catch on the bank of a river. A young woman is resting on the bank and on the side of the road on the left a man is drinking from a jug. In the background mountains can be seen., print, prent, prints, prenten, height 258 mm, width 357 mm, Northern Netherlands, 1633 - 1692, print maker, printmaker, 1670 - 1670, paper, papier, etching, etchings, 1620 - 1683-02-18, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1624 - 1677, publisher

Willem III honored as Lord of Friesland, 1328; Inauguration of the Graave van Holland, to Lord of Friesland. Count Willem III raised and honored as a lord of Friesland, 1328.

Cartoon of French counter-revolutionaries planning to cross the Rhine into France, ca. 1791. Procession of several groups, represented as fools and trolls, some riding on donkeys. The group is led at left by Louis Francis II of Bourbon-Conti, Prince of Cond, print maker: anonymous, publisher: anonymous, (mentioned on object), print maker: France, publisher: Paris, c. 1791, paper, etching, h 407 mm × w 560 mm

Landscape with figures during a falcon hunt representing the element air. On a country road stands a stationary coach with two horses in front. A group of falconers surround it. Second print in a series of four with landscapes depicting the four elements, Air (Aer) Aer (title on object) The four elements A (series title), print maker: Jan van de Velde (II), (mentioned on object), Willem Pietersz. Buytewech, (mentioned on object), Northern Netherlands, 1603 - 1641 and/or 1782 - 1882, paper, etching, engraving, h 187 mm × w 284 mm

Face on Bethune (left leaf); Veuë de la Ville de Bethune and Artois. View of the city of Bethune, left the castle and on the right two churches. For the tower of the city, horsemen, hikers and farmers are on the road.

Roma with horses and cart on the road, Jacques Callot, 1621 - 1631 print A group of Roma on the road. On the far right, as the front of the group, a man with a peak runs. Next to him two women with young children on horseback. Behind it a horse cart with goods, a man, a woman and some children. At the very back, a man leads a donkey on which a woman sits with her baby. At the top of the show two lines of French text. This print is part of a series of four prints with performances of the life of the Roma. Nancy paper etching / engraving wandering communities: Romani or Roma. travelling; tourism. riding a horse, ass, or mule; rider, horseman

Les grandes miseres de la guerre: No. 16 - Les mourants sur le bord desroutes. Artist: Jacques Callot, French, 1592-1635

Water, plate three from The Four Elements. Jan van de Velde II (Dutch, c.1593-1641); after Willem Buytewech (Dutch, 1591/92-1624). Date: 1622. Dimensions: 173 × 285 mm (image); 190 × 290 mm (sheet). Etching and engraving on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA.

Francesco d'Este Leads the French Army After the Difficult Resolution of Cremona without Losing Men or Belongings due to the Duke's Prudence and Corageous Strength, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Artist: Bartolomeo Fenice (Fénis). Author: Domenico Gamberti. Dimensions: Sheet: 4 13/16 × 6 7/16 in. (12.2 × 16.3 cm)Plate: 4 13/16 × 6 5/16 in. (12.2 × 16 cm). Published in: Modena. Series/Portfolio: L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Date: 1659.This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in ba

Order of the angel to Noah to Leiden the animals in the Ark, Charles Macé (Attributed to), after Giovanni Benedetto Castiglione, 1641 - 1665 print print maker: Francepublisher: ParisFrance paper etching / engraving the embarkation of the ark (+ angel(s))

A Lady and Gentleman Hawking. Esaias van de Velde (Dutch, 1587 - 1630)

Winter; Hyems; Four Seasons. Elegantly dressed figures entertain themselves on the ice in a wooded area in various ways. On the left is a building.

Returning hunting company, Jean Moyreau, After Philips Wouwerman, c. 1733 - 1762 print publisher: ParisFrance paper etching / engraving return from the hunt

Village view.

. .

Audience with John the Baptist, Franz Ertinger, 1650 - 1710

The Peasants Avenge Themselves. Dated: c. 1633. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Le Crucifiement (The Crucifixion), from La Petite Passion (The Little Passion) 1624-25 Jacques Callot French. Le Crucifiement (The Crucifixion), from La Petite Passion (The Little Passion). La Petite Passion. Jacques Callot (French, Nancy 1592-1635 Nancy). 1624-25. Etching; first state of two (Lieure). Prints

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), seen from the port of Livorno. Loading a hassle of the Order of Saint Etienne. Second number of a suite of 6 rooms. (A. de Vesme 845; Dutuit 184) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Event of July 12, 1789. At six o'clock in the evening. / Prince Lambesc entering the Tuileries ...

Drawing by Jean-Baptiste Martin from 1685 related to a Luxembourg view, executed in red and black chalk with black chalk raster.

Pastoral landscape with a peasant woman seated on a mule, c. 1659-1664, by Dancker Danckerts, Nicolaes Berchem the Elder, P Schenk.

Winter landscape with skating at mill direction Westland near to The Hague, The Netherlands, Iven Besoet, 1757.

Plague of the vepest.

Jacques Callot, The Bohemians Marching The Vanguard, 1621 The Bohemians Marching: The Vanguard

Camping with a pointed tent, Robert van den Hoecke, 1632 - 1668 print Southern Netherlands paper etching tent-camp. tent. covered wagon, hooded wagon

Le Martyre de St. Sébastien (The Martyrdom of St. Sebastian) ca. 1630 Jacques Callot French. Le Martyre de St. Sébastien (The Martyrdom of St. Sebastian). Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1630. Etching and engraving; second state of two (Lieure). Israel Silvestre (French, Nancy 1621-1691 Paris). Prints

Group of beggars in the landscape, monogrammist CLPAGI, c. 1600 - c. 1699 print A group of five beggars, including one begging with a child on the back, in a landscape with ruins. Text in Latin in STUDMARGE. Italy paper engraving landscape with ruins. beggar

Jerzy Ossola's entry to Rome in 1633Ossoliński, Jerzy (1595-1650), Ossoliński, Jerzy (1595-1650)-iconography, Rome (Italy), Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, Italy (State), Dar (provenance), Entrady (iconogr.), Italian graphics, riders, horses, travel, Polonica, Poland (culture), messages, deputies, Italian (culture)

Prince Willem V leaves from Scheveningen, 1795; Departure from Prince Willem de 5th of Scheveningen. 1795. Departure from Prince Willem V from the beach of Scheveningen to England, January 18, 1795. The Stadholder says goodbye to the beach between the crowded audience. On the left wait the pink.

Landscape with Figures. Artist: Hendrick Verschuring (Dutch, Gorinchem 1627-1690 near Dordrecht). Dimensions: sheet: 7 1/2 x 11 3/8 in. (19.1 x 28.9 cm). Date: 1642-90. Museum: Metropolitan Museum of Art, New York, USA.

Jacobus Vrijmoet. Burial scene. Plume, ink bistre, bistre wash. 18th century. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, burial scene, 18th 18th 18th 18th 18th 18th 18 century

Canaletto, The Market at Dolo (lower left), c 1735 1746 The Market at Dolo lower left

Laenas pulls a circle around Antiochus IV Epiphanes in Het Zand, Jurriaan Andriessen, 1752 - 1819 drawing paper. ink. graphite (mineral) pen / brush the consul C. Popilius Laenas, commissioned by the Roman senate to order Antiochus IV Epiphanes to abstain from war, with his staff draws a circle around the monarch and asks him not to go beyond it before answering

In the year 69, Anonymous, c. 1789 - c. 1810 drawing Netherlands paper. ink pen / brush extinct, 'historical' peoples (with NAME)

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