Festivals and Celebrations

Dynamic etchings capturing lively village fairs and celebrations, highlighting folk culture, music, and various characters in celebratory settings.

River view with rowing boat near Rijnsaterwoude., print maker: Daniël Nicolaas Chimaer van Oudendorp, (mentioned on object), Daniël Nicolaas Chimaer van Oudendorp, (mentioned on object), c. 1812 - c. 1828, paper, etching, h 83 mm - w 106 mm

Winter landscape, Jacob Cats (1741-1799), 1779 drawing paper. pencil. ink pen / brush ice ~ freezing weather. winter sports

Sample of the case of Mons. (IT)

A galley embarking at center, seen from behind, the stern of another galley to right under a fire, eight men in a rowboat to left, from 'Varie figure' ca. 1645 Stefano della Bella Italian. A galley embarking at center, seen from behind, the stern of another galley to right under a fire, eight men in a rowboat to left, from 'Varie figure' 410349

Jacques Callot (1592-1635). "The great miseries of war, discovery of criminals. Ninth number of a series of 18 pieces" (Lieure 1347, Meaume 572). Etching. 1633. Museum of Fine Arts of the City of Paris, Petit Palais. 99599-12 Etching, engraving

Months of the year: September. Engraving after P. Stevens.

Top right print marked: fol. 458., Capture of Buda, 1685-1686 Offen by Imperial stormtrooperhand taken in 't Year 1686 , print maker: Jan Luyken, (mentioned on object), printer: Jurriaen van Poolsum, print maker: Amsterdam, printer: Utrecht, 1689, paper, etching, h 114 mm × w 137 mm

Amsterdam, Wessing Willemsz., Johannes, Fokke, Simon, Title page for: Stepan Krasheninnikov, Geographical and natural description of Kamtschatka and the Kuril Islands, 1770, Description of Kamtschatka and the Kuril Islands, Allegory of Kamchatka and the Kurils, verso - stamped, A man, a woman with a baby, a young woman with a spinning top and a dog are standing in front of a house. In the background a boat on the water and a church tower in a mountain landscape., print, engraving, title page, prints, engravings, height 172 mm, width 107 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1770 - 1770, third quarter 18th century, derde kwart 18e eeuw, paper, papier, graveren (drukprocedé), etching, Work conception, after own design by, Publication (Event), Publication, publisher

Triumph of death; Triumphs. Death, as a skeleton with Zeis and Kroon, along with the three arranged goddesses (Clotho, laughing and atropos) on a triumphade that is drawn by two oxs. Behind the car the bodies of deceased historical figures, including Cleopatra, Alexander the Great, Hannibal and Scipio Africanus. Caption in Latin in undermarge.

Port with merchants by fire; Italian ports; Aliqui Pandus. Port with merchants around a kettle hanging above the fire. On the left in the background a palace with four statues on the cornice. And on the right at the quay a man waving to a leaving sailing ship. Twelve print from a series of twelve with Italian ports.

French atrocities in Bodegraven and Zwammerdam, 1672, Bernard Picart, After Romeyn de Hooghe, 1727 print paper etching / engraving rape, violation. torture Bodegraven. Zwammerdam

Yojada, the priest, proclaims the seven year old Joas king, while queen Atalia proclaims that this is high treason., Yojada proclaims Joas king, draughtsman: anonymous, France, 1720 - 1740, paper, h 217 mm × w 335 mm

Annual market. Draughtsman: Jan van Goyen. Dating: 1651. Measurements: h 102 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

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Landscape with travelling party and urinating horse Accident de voiage , print maker: Michel Picquenot, (mentioned on object), after: Philips Wouwerman, (mentioned on object), publisher: Michel Picquenot, (mentioned on object), Paris, 1757 - 1814, paper, engraving, etching, h 179 mm × w 244 mm

David and Abigaïl, Nicolaes de Bruyn, 1608 print When a stingy farmer refuses to help David and his men, they threaten to punish him. Abigaïl, the farmer's wife, kneels for David and offers him and his soldiers eat and drink. Behind her some servants and three donkeys packed with drinks and food. Antwerp paper engraving meeting of David and Abigail, who kneels before him. farm (building). castle. dale, valley (+ landscape with figures, staffage)

Cartoon on Emperor Joseph II, 1785, Anonymous, 1784 - 1792 print Cartoon on the German emperor Joseph II, 1785. The emperor pushed into a wheelchair (high chair or foolish chair) by the Duke of Brunswijk. In the chair documents with plans from the emperor. The Dutch Virgin, the Kings of France, Sweden, Prussia and Spain, the Turk and the Pope dance around the chair. Empress Catharina the Great of Russia is sitting on her throne and watches. In the foreground, people from Brabant and Dutch people cheer. On the magazine under the plate a statement of the performance. Northern Netherlands paper etching / letterpress printing political caricatures and satires

Cartoon on the English losses in battle with America (1), 1778, Anonymous, 1778 print First cartoon on the English losses in the battle with America in 1778. English commerce depicted by a dairy cow whose American congress saws the horns and that is milked by a Dutchman. A Frenchman and a Spaniard also want to have milk. In the background, the Americans conquered and dismantled English ship the Eagle (September 17, 1778) stranded near Philadelphia. In the foreground, a dog (a Steendogge) pisses on the sleeping British lion, hereby a hand -woning Englishman in funeral robe. The print includes a text sheet with an explanation of the performance. Northern Netherlands paper etching / engraving political caricatures and satires. cow Philadelphia

Jonghe, Clement de, Utrecht, Stoop, Dirk, Horses, A boy leads a horse to the water, verso - stamped, A boy leads a horse to the water to let it drink. In the background riders., print, prints, height 150 mm, width 194 mm, Dutch, 1621 - 1686, print maker, printmaker, 1651 - 1651, paper, papier, etching, etchings, Publication (Event), Publication, 1624 - 1677, publisher

Mirabeau arrive aux Champs Élisées (Mirabeau Arrives at the ElysianFields). Engraver: Louis Joseph Masquelier I, French, 1741-1811 After: Jean-Michel Moreau le jeune, French, 1741-1814

Charles Parrocel depicted an equestrian battle with castles in the center using brown pen and gray-laved brushwork around 1740-1745.

Four scenes. Draughtsman: anonymous. Dating: c. 1700 - c. 1799. Place: Netherlands. Measurements: h 159 mm × w 98 mm. Museum: Rijksmuseum, Amsterdam.

Itelmen Preparing Fish to be Dried 1769 Jean-Baptiste Le Prince French The French artist Jean-Baptiste Le Prince traveled extensively across the Russian Empire between 1757 and 1763. Upon his return to France, he was enlisted to produce illustrations for the Voyage en Sibérie (1768), which recounted the astronomer Jean Chappe dAuteroches (1728-1769) expedition to Tobolsk, Siberia in 1761 and included a French translation of Stepan Petrovich Krasheninnikovs (1713-1755) Opisanie zemli Kamchatki [Description of the land of Kamchatka (1755), which described the Great Northern Expedition (1733-1743), led by Vitus Bering (1681-1741).(1) Krasheninnikov drew on both his personal experiences and the manuscripts of Georg Wilhelm Steller (1709-1746), who joined Krasheninninkov in Kamchatka, a peninsula in eastern Russian, and sought to describe comprehensively the Indigenous peoples of the region, particularly the Itelmen, referred to in the eighteenth century as Kamtchadals or Kamchatkans.(2

Etching and copper engraving by Pieter Bruegel the Elder from 1555-1556 depicting a Belgian wagon, showing figures, vehicle, landscape, and composition.

Entry of Maria Henrietta Stuart, Princess of Orange in Amsterdam (Plate 3), 1660, 1660 print Visit from the Maria Henrietta Stuart, Princess of Orange, accompanied by Amalia van Solms, the young Prince Willem III and others in Amsterdam, 15 June 1660. The procession with riders. Third plate in an unassembled ensemble consisting of a seven magazines of the procession. Northern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'

Jacques Callot, Two Knights, 1628 Two Knights

Fokke, Simon, Northern Netherlands, Count Floris murdered, in the year 1296, Murder of Floris V, 1296, Floris V is murdered by Gerard van Velzen, 27 June 1296., print, history print, prints, Frederik Muller History plates, height 80 mm, width 102 mm, 1712-09-01 - 1784-04-10, print maker, printmaker, 1782 - 1784, fourth quarter 18th century, paper, etching, etchings" century, etchings, Work conception, after own design by

Entry of Maria Henrietta Stuart, Princess of Orange in Amsterdam (record 3), Pieter Nolpe, After Jan Martszen de Jonge, 1660 - 1662 print Visit by Maria Henrietta Stuart, princess of Orange, accompanied by Amalia van Solms, the young Prince Willem III and others in Amsterdam, June 15, 1660. The procession with riders. Third plate in an unassembled ensemble of the procession consisting of seven magazines. Northern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'

An Apple Harvest; Claude Simpol, French, 1666 - 1716; France, Europe; about 1700; Brush and gray wash and black chalk, incised for transfer throughout (recto); Covered with red chalk for transfer, previously indented with a stylus (verso); 24.3 x 32.4 cm (9 9/16 x 12 3/4 in.)

Illustration for a Book: Reception of a Bishop Leading an Army at a City Gate Giovanni Battista Tiepolo Italian 1696-1770

Plate 7: Two noblemen seated in center, seen from behind, conversing with a noblewoman seated between them, a noblewoman and man seated to left in background and standing to right in background, from 'Various Figures' (Agréable diversité de figures). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dedicatee: Artus Gouffier Marquis de Boissy (French, 1627-1696). Dimensions: Sheet: 2 3/4 × 4 1/8 in. (7 × 10.5 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: 'Various Figures' (Agréable diversité de figures). Date: 1642. Museum: Metropolitan Museum of Art, New York, USA.

Stranded whale on the beach in Noordwijk, 1614, Esaias van de Velde, 1614 - 1615 print According to the caption in the Cartouche, this sperm fish stranded on the beach of Noordwijk on December 28, 1614. The length of the animal had 58 feet. Van de Velde documents the event with this print. He shows the workmen who deal with the big fish and the fashionably dressed spectators on the beach. The cartouche is flanked by two fishermen. In the background, the dunes of the coast are visible and ships on the sea. Haarlem paper etching . Noordwijk

History of exploration - 16th century - Arab merchant caravan on voyage from Aleppo to Basra. Engraving from Theodore de Bry's Grand and Small Voyages (1527-1598)

Ice face with a cake and sophie; Les Amusemens de l'Hiver. .

Callot, Jacques, Nancy, The Martyrdom of Saint Sebastian, verso center bottom - stamped, In the presence of a large crowd, Saint Sebastian is shot at by archers on a plain near a city (Rome) next to a ruined amphitheatre (Colosseum)., print, prints, height 160 mm, width 323 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1631 - 1633, second quarter 17th century, paper, papier, etching, etchings, Work conception, Frans, after own design by

Prince and Princess of Orange view the Westcappelse Dijk, 1786, Mathias de Sallieth, 1786 - 1787 print The Prince and Princess of Orange and their children view the work on the Westkappelse Dijk on Walcheren, July 1, 1786. Illustrations of the Prince's visit and Princess to Zeeland 18 June - 25 July 1786. Print Maker: Zeelandafter Drawing by: Middelburg paper etching / engraving public festivities on the occasion of royal events Walcheren

Whale stranded in Noordwijk, The Netherlands 1629, Anonymous, 1629

Nach der Natur entworffene Vorstellungen wie alles Hoch u. Niedere Wild, samt dem Feder Wildproeth auf verschidene weise mit Vernunfft List u. Gewalt lebendig oder tod gefange wird!. Ridinger, Johann Elias (1698-1767). 1750. Prints, Illustrations, Scientific illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Animals, Hunting, Game & game birds

Smooth is stuck in a tree, Dirck Bosboom, 1681 print Members of the crew of the stranded VOC ship Terschelling try to sail an island with a raft and linger in a tree. Amsterdam paper etching / engraving / letterpress printing raft

Drawing - Holiday

Cats, Jacob (1741-1799), Haarlem, Wit, Izaak Jansz. de, The twelve months, Harvest month, Extensive landscape with corn harvest, verso - stamped, An expansive landscape with a man with a basket on his back in the foreground talking to a seated woman. In the distance a cornfield is being mown., print, prints, ro: I. de Wit Jz. fc; lo: J. Cats del., mo: HARVEST MONTH, height 202 mm, width 235 mm, Northern Dutch, 1744-12-09 - 1809-03-13, print maker, printmaker, 1807 - 1807, paper, papier, etching, etchings, Noord-Nederlands, 1741-06-11 - 1799-11-09, intermediary draughtsman

Cartoon for Printed Textile: The History of Henri IV L'Histoire de Henri IV, Hartmann et Fils, (Munster, France), Pen and black ink, brush and gray wash on cream wove paper (mounted), Scenes from the life of Henri IV (1553-1610), King of France, as described in Voltaire's 'Henriade': scene 1, upper left: Henri and his friend, Duplessis-Mornay, are seated near the port of Dieppe, conversing with a holy hermit (Canto, lines 229-232); scene 2, upper right: Henri, entering Paris in triumph, is received by his subjects (Canto X, lines 512-514); scene 3, center: Henri in the Battle of Ivry, in which the Duc de Mayenne was defeated and the Earl of Egmont slain (Canto VIII, lines 180-181); scene 4, lower left: before his tent on the battlefield outside Paris, Henri counsels the Chevalier d'Aumale before his duel with Henri, Vicomte de Turenne (Canto X, lines 48-49); scene 5, lower right: Henri taking leave of his mistress, Gabrielle d'Estrees, before the Temple of Love, returns with Mornay t

Figures on the ice at a house; Ruins in landscapes; Vetustae Ruinina et Venustissimae Aliquot Regions. Figures on the ice at a house. Tenth print of a series of sixteen.

Inauguration of the statue of Louis XV, Place Louis XV.

Part of Welbeck in 1658, UK, England, engraving 1870s, Britain

Entrance to Turkey Ambassador (IT)

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Joram on his car is shot by Jehu, Jan Luyken, 1712 print Amsterdam paper etching when Jehoram realizes Jehu's treason, he turns his chariot round to flee, but Jehu shoots an arrow that strikes Jehoram in the back; the king falls dead in his chariot

Allart van Everdingen (1621-1675). December. Drawing in the wash of bistre and ink from China, on sketch with black stone. Museum of Fine Arts of the City of Paris, Petit Palais. 76857-1 Bell tower, December, drawing, Church, ink of China, sketch, winter, bistre wash, ice skating, skating, black stone, 17th 18th XVII 17th 17th 17th century, dog

The Fair at Impruneta. Dimensions: overall: 36.8 x 47.7 cm (14 1/2 x 18 3/4 in.). Medium: pen and brown ink with brown wash over black chalk, squared in red chalk. Museum: National Gallery of Art, Washington DC. Author: Remigio Cantagallina.

Landscape with soldiers firing cannons at night, representing the element fire. Third print in a series of four with landscapes representing the four elements, Fire (Ignis) Ignis The four elements A (series title), print maker: Jan van de Velde (II), (mentioned on object), Willem Pietersz. Buytewech, (mentioned on object), publisher: Jan van de Velde (II), (mentioned on object), Northern Netherlands, 1603 - 1641, paper, etching, engraving, h 187 mm × w 290 mm

Amsterdam, Luyken, Jan, Calling of Peter, recto - manuscript in brown ink, print, prints, verso - stamped, 19, height 117 mm, width 152 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings

Arrival of William III at the Oranjepolder in a rowing out, 1691, Jan Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing being welcomed ~ travelling. rowing-boat, canoe, etc. Oranburg powder

. Title print for an unknown series. Landscape with an empty cartouche, crowned with a shell. On the right two shepherds who point to the cows that are on the left.

Intake of Brielle, 1572; BRIELE, due to the water giants, in the year 1572. The water giants of Lumey found fire and ram the city gate of Brielle, April 1, 1572. In the foreground two dromers and a vendel soldiers. In the background ships in the water.

Berchem, Nicolaes Pietersz., Northern Netherlands, Visscher, Jan de, Landscapes after Berchem, Shepherd talking to a young shepherd on a donkey, verso - stamped, print, prints, height 154 mm, width 201 mm, 1633 - 1692, print maker, printmaker, 1643 - 1670, paper, papier, etching, etchings, 1620 - 1683-02-18, intermediary draughtsman

La Mancha, Sir David Wilkie, 1785-1841, British, 1828, Watercolor and gouache over graphite and black chalk on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream card, Sheet: 7 3/16 x 6 11/16 inches (18.3 x 17 cm), child, dance, dress, family, genre subject, gesture, man, nude, top hat, woman, Castilla-La Mancha, Europe, La Mancha, Spain

Lebas, Jacques-Philippe, inventor: Charles Parrocel, work, Swiss Guard on break, 1736, etching, graphics, plate width 38.4 cm, plate height 28.8 cm, leaf width 38.7 cm, leaf height 29.1 cm, image width 36.7 cm, image height 25.1 cm

Print, Figures Climbing Up Stairs to Altar; Designed by Jean-Baptiste Pillement (French, 1728-1808); Print Maker: Pierre-Charles Canot (French, 1710 - 1777); France; etching on paper

Fountain Arethuse with spring, Louis Ducros, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Ducros, 1778, paper, pen, brush, h 327 mm × w 470 mm

Václav Hollar (1607-1677). "Entrance of a noble character". Etching. Museum of Fine Arts of the City of Paris, Petit Palais. 112276-25 Eat, XVIIth XVIIth XVII 17th 17th 17th century, engraving

Tobias and the angel. Draughtsman: Gesina ter Borch (signed by artist). Dating: 1655. Place: Zwolle. Measurements: h 90 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.

Hunters resting. Teniers, David II (Flemish, 1610-1690) (designed after) painter c. 1710-1760 Tapestry Dimensions: H 2.64 x W 2.80 m Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Before inn, hunters, seated around table, hold glasses; musician playing horn before attendant with hounds (foreground); landscape with farms & cattle (background) No French & Co. stock sheet in archive, no stock number Delmarcel, Flemish Tapestry (1999), 352-361, fig.13.16 Marillier, Teniers Tapestries (1932), 25, pl.10 Related Works: Compositionally similar tapestries (right side of composition), GCPA 0239762; Malines, Bernard Blondeel coll., "Rest during hunt"

Remigio Cantagallina, The Fair at Impruneta The Fair at Impruneta

Woman sinks through ice; The winter.; Winter scenes. Winter landscape with a woman dropped by the ice. Three men raise hair to a rope from the ice. Print from a series of thirteen with winter scenes.

Visitors Inspecting Classical Ruins n.d. attributed to Louis Jean Desprez French. Visitors Inspecting Classical Ruins 362015

Simon Francois Ravenet, 1721-1774, French, active in Britain, The Triumph of Britannia, c. 1765. Engraving.

Scenery to be used in a toy theatre: the camp of Cortez in Mexico. Lithograph.

Farmers at Kegelen, Quirin Boel, After David Teniers (II), 1635 - 1668 print A group of four farmers is bowling for a house. paper etching ninepins, skittles

The Good Samaritan 1633 Rembrandt (Rembrandt van Rijn) Dutch This etching depicts the final scene in the parable of the Good Samaritan (Luke 10:25-37) in which the Samaritan stopped to help a traveler who had been attacked by robbers. Here he has brought the wounded man on horseback to an inn and pays for the mans care and lodging. The is one of two etchings in which Rembrandt reproduced his own paintings; the other is Christ Before Pilate (see inv. No. 17.37.75). The Good Samaritan repeats with a number of variations the composition of his painting in the Wallace Collection, London. Among Rembrandts additions here to the largely empty foreground that appeared in the painting is the defecating dog that adds a note of everyday reality to the biblical scene.The Met has four impressions of the Good Samaritan, one of the extremely rare first state, before Rembrandt completed the hatching on the horses tail and added his signature, and three of this, the fourth (final) state. The first s

The Months: February and March. Artist: Joos de Momper the Younger (Netherlandish, Antwerp 1564-1635 Antwerp). Dimensions: sheet: 6 x 8 in. (15.2 x 20.3 cm). Former Attribution: Pieter Stevens (Netherlandish, Mechelen ca. 1567-after 1624 Prague). Date: late 16th-early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Cossack Horses in a Courtyard. Dated: 1818. Dimensions: plate: 17.1 x 22.7 cm (6 3/4 x 8 15/16 in.) sheet: 24.2 x 34.3 cm (9 1/2 x 13 1/2 in.). Medium: etching on wove paper proof. Museum: National Gallery of Art, Washington DC. Author: JOHANN ADAM KLEIN.

William Hogarth, Industry and Idleness 11: The Idle 'Prentice Executed at Tyburn, 1747, etching and engraving on paper.

Earth (Terra), Jan van de Velde (II), after Willem Pietersz Buytewech, 1622 print Landscape representing the Earth element: many figures with baskets on a market where the yields of the country are traded. Fourth print from a series of four with landscapes as imaginations of the four elements. Northern Netherlands paper etching / engraving earth (one of the four elements). 'Terra', 'Carro della terra' (Ripa). market. going to the market

The Triumph of Bacchus, Jan Thomas van Yperen, 1650, oil on canvas, National Museum of Fine Arts (MNBA), Buenos Aires, Argentina.

Fish quay. Teniers, David II (Flemish, 1610-1690) (designed after) painter c. 1700-1720 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Group of merchants talking with fisherman while man empties basket of fish (foreground); man whose head is cropped off leans over basket (R, middle ground); archway leads to harbor ( background) (L BRD) scrolling leaves around central rod This piece shows the left 2/3 of the full tapestry composition. Marillier, Teniers Tapestries (1932), 48, pl. 12

Avviso di Mercurio a Berecintia, dea della terra, et alle ninfe de campi Flora. Parigi, Alfonso, -1656. Prints. 1628. Jerome Robbins Dance Division. Ballet , Italy , 17th century, Opera ballet. La flora

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the headquarters of Rethel (Dutuit manuscript, Italian school, page 101. N ° 247) (main title ). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Claude Gillot, Les Obseques (The Funeral Rites) Les Obseques (The Funeral Rites)

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