Floral and Botanical Etchings

A collection of prints featuring floral arrangements and mythical figures, showcasing intricate etching techniques with a vintage aesthetic.

High relief of Phidias metope of the Parthenon, Athens. Greece, drawing by Emile Therond (1821- 1883) A Winter in Athens, 1857-1858 by Antonin Proust (1832-1905) Le Tour du Monde 1862

Kuik, Dirkje, Mankes, Jan, Glass with blossoming branches, verso - stamped, print, prints, height 150 mm, width 100 mm, 1889-08-15 - 1920-04-23, print maker, printmaker, 1913 - 1913, paper, papier, etching, etchings, plaattoon, Dutch, 1929-10-07 - 2008-03-18, printer, 1968 - 1968

The Jerusalem Plant #2. Jim Dine (American, born 1935); printed by Thomas Cox; published by Universal Limited Art Editions (American, founded 1955). Date: 1982. Dimensions: 950 x 640 mm. Woodcut from one block on cream Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Rubbing of a Figure of Skanda, the God of War 20th century Cambodia. Rubbing of a Figure of Skanda, the God of War. Cambodia. 20th century. Ink on paper. Rubbing

"The Jabberwock with eyes of flame.". July 15, 1953.

Master of 1515, Italy, Trophies of arms including shields and spear and helmet, verso lower left - stamped, print, prints, height 78 mm, width 101 mm, Italian, print maker, printmaker, 1500 - 1548, first quarter 16th century, second quarter 16th century, paper, papier, engraving, engraving (printing process), drypoint, dry needle, Work conception, after own design by

Mary Cassatt at the Louvre: The Paintings Gallery, 1879-80. Edgar Degas (French, 1834-1917). Etching, softground etching, aquatint, and drypoint; platemark: 30.2 x 12.6 cm (11 7/8 x 4 15/16 in.); sheet: 36.3 x 26.6 cm (14 5/16 x 10 1/2 in.).

High relief of Phidias metope of the Parthenon, Athens. Greece, drawing by Emile Therond (1821- 1883) A Winter in Athens, 1857-1858 by Antonin Proust (1832-1905) Le Tour du Monde 1862

Umbria Terni Acquasparta Palazzo Cesi6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Work entitled Harpy by Norwegian artist Edvard Munch (1863-1944). This work was produced in 1900.

Gallen-Kallela, Akseli, work, Peikko ja impi, 1906, marker, drawing, 35.6 cm x 25, 5 cm, Akseli Gallen-Kallela 1865 - 1931, a Finnish painter who is best known for his illustrations of the Kalevala, the national epic of Finland.

Lazio Viterbo Bagnaia Villa Lante51. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Death like Harlekijn, Bilboquet playing, Johannes Josephus Aarts, 1881 - 1934 print Death, dressed like harlequin, with a bilboquet in his hand. He tries to get a skull with a wandering movement on a skewer. A part of a head is visible above death. paper Death as man. cup-and-ball, bilboquet

St. Jerome in the Desert Albrecht Dürer (German, 1471-1528). , 1495-1497. Engraving on laid paper, Sheet: 12 3/8 x 8 7/8 in. (31.4 x 22.5 cm). European Art 1495-1497

Who Would Have Thought It! (Quien lo creyera!) Francisco de Goya y Lucientes (Spanish, 1746-1828). , 1797-1798. Etching and aquatint on laid paper, Sheet: 11 7/8 x 7 15/16 in. (30.2 x 20.2 cm). European Art 1797-1798

God's Vengeance on Sennacherib by Philip James de Loutherbourg, 1740-1812

Design for a ceiling painting with Jupiter and Mercury, draughtsman: Elias van Nijmegen, 1677 - 1755, paper, brush, pen, h 260 mm × w 210 mm

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)01. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

La Guerre (War), published in lYmagier, January 1895. Artist: Henri Rousseau, called Le Douanier Rousseau, French, 1844-1910

The destruction of the Rus fleet at Constantinople by Bruni, Fyodor Antonovich (1800-1875) / Russian National Library, St. Petersburg / Classicism / before 1839 / Russia / Lithograph / History /

Woodcut by Albrecht Dürer from 1515 showing a griffin holding a fire steel on the honorary gate of Emperor Maximilian I, carved on a pearwood stick with detailed ornamentation.

Altdorfer, Albrecht, Germany, Saint George Slaying the Dragon, verso bottom center - handwritten, Saint George on horseback, with a lance in his right hand, stabs the dragon before him., print, prints, 47, height 60 mm, width 40 mm, 1480 - 1538, print maker, printmaker, 1506 - 1538, first quarter 16th century, second quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

The drawing of 'Mother with child in lamplight' 1889 by Giovanni Segatini (1858-1899) Italian painter known for his large pastoral landscapes of the Alps. In later life he combined a Divisionism painting style with Symbolist images of nature. He was active in Switzerland for most of his life.

Madonna With The Pear, by Hans Sebald Beham, circa 1520.

Dune Landscape with a Curving Bay, 1913. Ernst Ludwig Kirchner (German, 1880-1938). Woodcut;

The levels of hell depicted as circular stone tiers; purgatory lies outside its walls. Engraving.

Woodcut, Cometa portentosus et horribilis, awful, gate-like comet, flaming sword, severed heads, Aldrovandi, Historia Monstrorum, 1642, Renaissance

The Four Horsemen Albrecht Durer 1471-1528 German

Self-Portrait With A Dragon 1906 Spare, Austin Osman (1888-1956) Pencil, Ink and Wash Christie's Images, London, England

Hereward the Wake, 11th century Anglo-Saxon leader, attacking Peterborough Abbey in 1070 in protest at William I's imposition of a Norman abbot. Eponymous hero of Charles Kingsley novel of 1866. Early 20th century woodcut.

Winter according to K. Broża. A clipping probably from a Russian magazine. Berens, E. (N.N.), Bro, K. (N.N.)

Wenceslao Ayguals de Izco (1801-1875). Spanish writer. Poor and Rich or The Witch of Madrid. 1849. Illustration by Urrabieta and Coderch. Library of Catalonia. Barcelona. Spain.

Weapon trophies including harness and helmet and Hellebaard, 1500 - 1548 print Italy paper engraving / drypoint trophy ~ battle, war

Miss Carolina Sulivan - one of the obstinate daughters of America, 1776 Matting() D() del.. British Cartoon Prints Collection , Published in: The American Revolution in drawings and prints; a checklist of 1765-1790 graphics in the Library of Congress / Compiled by Donald H. Cresswell, with a foreword by Sinclair H. Hitchings. Washington : [For sale by the Supt. of Docs, U.S. Govt. Print. Off., 1975, no. 701. Pitt, William,Earl of Chatham,1708-1778. , United States,History,Revolution, 1775-1783,Campaigns & battles. , Sullivan's Island (S.C. : Island),1770-1780. , Forts & fortifications,1770-1780. , Hairstyles,1770-1780. , Flags,1770-1780.

The four heroic retainers of Raikō (Yorimitsu) with flaming torches, about to kill the great earth spider in its web. Colour woodcut by Kunisada I, 1810s.

Sinking steamship and Neptunus with three -span in the waves, Lourens Alma Tadema, 1846 - 1912 drawing paper. ink pen shipwreck. (story of) Neptune (Poseidon)

Umbria Terni Collescipoli S. Maria Maggiore2. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (15th century); Baroque interior (c. 1688); frescoes (c. 1690). In sacristy treasury: metalwork (13-16th century) Object Notes: Hutzel photo campaign date: February 6, 1986. General Notes: Re material in treasury, Hutzel refers reader to Terni-Narni Catalogue Should treasury be noted in location field German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Paris, Leviez, Charles, Pillement, Jean Baptiste, Hess, Johann Heinrich, Recueil Des Trophés Chinoises, Trophy with musical instruments, verso - stamped, A trophy with musical instruments such as a horn, a horn and flutes., print, ornament print, prints, ornament prints, height 243 mm, width 163 mm, 1746, print maker, printmaker, 1770 - 1770, paper, papier, etching, etchings, Frans, 1728-05-24 - 1808-04-26, intermediary draughtsman, after a drawing by, 1708 - 1778, seller

Millefleurs ground with fountain in wattled fence enclosure with deer and other animals. unknown c. 1500-1535 Tapestry Dimensions: H 5'8" x W 9'4" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from Arnold Seligmann, Rey & Co., Inc. 1/2/1920; sold to Oscar Webber 6/2/1928.

FOTOGRAFIA BLANCO Y NEGRO AÑOS 60.

Frontispiece depicting a philosopher reading aloud. Dated 20th century

Abruzzo L'Aquila L'Aquila S. Marco0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (15th century) Post-medieval: Architecture, architectural sculpture (17th century); sculpture, frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

DALI Salvador(1904-1989) Bon voyage Capricho-64 1977 Based on Capricho Francisco Goya's etchings etching 39x31

Two Figures 19th century Katsushika Hokusai Japanese. Two Figures. Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Japan. 19th century. Matted painting; ink on paper (wash drawing). Edo period (1615-1868). Paintings

An engraving depicting a cave dwelling in the side of the cliffs on a branch of the San Juan River, accessible only by steps. In the Arizona, Colorado, Utah region there are remains of many of these rock dwellings. Dated 19th century

Poster for Magasin des Buttes Chaumont. Chéret, Jules (1836-1932), French painter and lithographer who became a master of Belle Époque poster art. He has been called the father of the modern poster.

Siegfried kills Fafner in Siegfried - Arthur Rackham, circa 1911

Battle Scenes from a Bhagavata Purana Series Indian. Battle Scenes from a Bhagavata Purana Series, ca. 1650. Opaque watercolor and gold on thin paper, 8 5/8 x 4 3/4 in. (21.9 x 12.1 cm). Asian Art ca. 1650

Reproduction painting Le Pterodactyle van Wolfgang Paalen, Lilly Samuel, 1938 photograph Amsterdam photographic support gelatin silver print Amsterdam

Indian in aStorm. Artist: Victor Nehlig, American, 1830-1909

Arianna abbandonato da Teseo.

The rights of man; or Tommy Paine, the little American Taylor, taking the measure of the crown, for a new pair of revolution-breeches. Paine is lean and grotesquely caricatured. The author of two highly influential pamphlets at the start of the American Revolution, he inspired the Patriots in 1776 to declare independence from Britain.

War of the Worlds Illustration. The arrival of the Martians - The Thing, the cylindre opens. Vintage artwork by Henrique Alvim Corrêa, 1906

Miners. Henry Spencer Moore; English, 1898-1986. Date: 1942. Dimensions: 252 × 175 mm. Brush and gray wash, over white, black, and yellow crayon, over graphite, squared in graphite, on off-white wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Artwork: "Dynamic Environmental Simulator, Wright-Patterson" Artist: Mike Eagle. Country: Unknown

Lazio Latina Valvisciolo SS. Pietro e Paolo03. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Capua Chiesa dell'Annunziata2. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco, decorative arts (furniture, woodworking, tapestry, metalworking), marble Object Notes: constructed from 1531 to 1574, earlier church from c.1285-1309. Renaissance appearance with modifications of the 17th and 18th centuries. No information provided by Hutzel. See guidebook included in shipment of photographs, pp. 33-34. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, s

Loch Nes. Print maker: Peter van Straaten (signed by artist). Dating: c. 1984. Place: Amsterdam. Measurements: h 238 mm × w 312 mm. Museum: Rijksmuseum, Amsterdam.

Four Horsemen of the Apocalypse by Peter von Cornelius / Vier apokalyptische Reiter von Peter von Cornelius, historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt, koloriert, handcoloriert, Koloration.

Puck helping Wayland, Smith of the Gods, to forge a sword for the novice who, by sincerely wishing him well, released him from the spell which bound him. Engraving from 'Puck of Pook's Hill' by Rudyard Kipling, (London, 1909).

Lazio Viterbo Viterbo S. Maria della Verita, Cloister1. Hutzel, Max 1960-1990 Extensive coverage of 12th c. church, renovated between 14th and 15th c. Exterior views of facade, flank and portal. Interior views of altar, gothic transept, ciborium. Views of Cappella Mazzatosta, its ceramic floor and frescoes by Lorenzo da Viterbo. Comprehensive coverage of gothic structure, including views of garden, well, and portico where antiquities are stored. Single print stored in Hutzel a duplicate of one in Medieval. Antiquities: Sarcophagi; sculpture; architectural fragments General Notes: Two sets of prints fused into single numerical sequence. Cloister has separate numerical sequence and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of th

Cormar and the Furies, Alexander Runciman, 1736-1785, British, undated, Etching, Sheet: 14 3/4 x 9 1/8in. (37.5 x 23.2cm)

Paolo and Francesca (The Whirlwind of Lovers), Blake, William (1757-1827)

Story of Vengeance of Our Lord7. Grenier, Pasquier (Netherlandish (before 1600) - Flanders, act.1459-d.1493) (workshop, attr.) weaver c. 1460-1470 Tapestry Dimensions: H 12' x W 17'6" Tapestry Materials/Techniques: wool (warp: 11/cm); wool & silk Culture: Southern Netherlands Ownership History: French & Co. purchased from Raoul Heilbronner, invoiced 7/11/1927; sold to Musée d'Histoire et d'Archéologie, Tournai 1/3/1964. Belgium, Hainaut, Tournai, Musée d'histoire et d'archéologie. Roman soldiers on foot forcing gate, army composed of lancers, arbalesters, soldier entering house (center, middle ground) & discovering seated woman eating by fireplace (L of center), cityscape (background), scene flanked by 2 towers (L & R foreground) Possibly woven in Tournai. GCPA 0182022 shows the full tapestry; the other photographs are details. French & Co. stock sheet in archive, 14753 also lists: 30608 Brussels, S.O.S. wandtapijten (1994), 39,40 no.1 Cavallo, Medieval Tapestries (1993), 198-209, no.

Portière with cherubim playing as harvesters. Boucher, François (French, 1703-1770) (designed after) painter c. 1770-1775 Tapestry Dimensions: H 4'5" x W 3'11" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Beauvais Ownership History: French & Co. received from Mrs. Grace B. Everett, invoiced 11/18/1936; returned 12/1/1942. Sleeping cherub on bundle of wheat while 1 tickles him with straw, & another, holding sickle, watches; child near wheat field in background (L) Portière. French & Co. stock sheet in archive, 18782-a Related Works: Compositionally similar tapestry (with variations): GCPA 0184480

Inventions: various items including a fountain-pen, a pendulum, and a pantograph. Engraving by T. Jeffrys.

The 1918 caption reads: Hermes visits Calypso in her cave and says that Zeus wants her to let Odysseus go. In Greek mythology, Calypso is the daughter of the Titan Atlas (also known as Oceanus and Nereus). She is a nymph of the mythical island of Ogygia. In Homer's Odyssey, Book V (also Books I and VII), she entertained the Greek heroOdysseusfor seven years, but she could not overcome his longing for home even by promising him immortality. Here, the god Hermes delivers to Calypso the message from Zeus that she needs to let Odysseus return to Ithaca. She obeys.

Jeanne Bloch. Dimensions: 44.1 cm x 31.8 cm, 28.5 cm x 22.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: HENRI GABRIEL IBELS.

The Entombment. Dimensions: overall: 16.8 x 14.4 cm (6 5/8 x 5 11/16 in.) gross weight: 569 gr. Medium: gilded bronze. Museum: National Gallery of Art, Washington DC. Author: Attributed to Master AvB (Probably Arent van Bolten).

Vignette with lyre, burning heart, shield, freedom hat and sun, print maker: Willem Bilderdijk, (mentioned on object), Willem Bilderdijk, (mentioned on object), Netherlands, 1777, paper, etching, h 49 mm × w 86 mm

Vultures on a Tree 1810-75 Antoine-Louis Barye French Best known as an animal sculptor, Barye also made numerous finished watercolors. This is one of a series that the Havemeyer family bequeathed to the Metropolitan in 1929 and is notable as the first drawing by the artist to enter their collection. Signs of death and decay dominate. The vultures perch on a leafless tree with their distinctive shapes outlined against a sky reddened by the setting sun. At lower right a stripped animal skull and bones testify to a recent meal. These details have been freely painted upon textured paper to create an image both expressive and naturalistic.. Vultures on a Tree 333939

Henri Rousseau, La Guerre (The War), 1895 Henri Rousseau (French, 1844 - 1910 ), La Guerre (The War), 1895, lithograph on red paper, Rosenwald Collection 1950.16.221

Samson Carrying the Gates 1881 After Frederic, Lord Leighton British. Samson Carrying the Gates 359913

'Winged Nonsense', 1819-1823. Artist: Francisco Goya

Untitled. Wilhelm Morgner (Germany, Soest, 1891-1917). Germany, 1913. Prints; woodcuts. Woodcut on wove paper

Tijl owl mirror. Ollie owl mirror, leaning against a table. In his right hand, glasses, in his left hand a candle. On his right shoulder an owl.

Byblis; Leda ou La Louange des Bienheureuses Tenebres 1898, by Pierre Louys. engraved Art Nouveau pictorial initials, by Paul-Albert Laurens, one of the central figures in Art Nouveau book illustration on the Continent.

Henry II (1519-1559). King of France. Engraving depicting Henry II receiving a wound in a tournament. By Theo.

Gustave Doré; Black and White Engraving; The Death of Abel, Murdered by Cain;

Trial proof of a print from the series Bruges mystique et sensuelle. Dimensions: 41 cm x 56 cm, 34 cm x 27.3 cm. Museum: Van Gogh Museum, Amsterdam. Author: Georges de Feure.

Mythological Scene Unknown.. Oil on panel, 13 3/8 x 25 9/16 in. (34.0 x 64.9 cm). European Art

Drunken Tamboer with Roemer and Toorts, Jacob Gole, After Cornelis Dusart, 1695 - 1724 print Smiling tamboo with Roemer with an orange branch and a burning torch. Under the show a six -line verse in which the conquest of William III to France is hailed. The print is part of the series of eight prints made in response to the conquest of names in 1695. paper engraving Torch. Glass, holds Names (city)

Cartoon commenting on the infancy of electricity. Illustrated by John Tenniel (1820-1914) an English illustrator, graphic humourist, and political cartoonist. Dated 19th century

Gustave Doré (1832-1883), designer and Émile Crépeaux (born in 1828), engraver. "General hilarity (Epilogue of the 1st Tenan)." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101784-24 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

The Raising of Lazarus, larger. Norblin de la Gourdaine, Jean Pierre (1745-1830), graphic artist

The Buddha (Le Buddha) Odilon Redon (French, 1840-1916). The Buddha (Le Buddha), 1895. Lithograph on China paper laid down, 12 5/16 x 9 3/4 in. (31.3 x 24.8 cm). European Art 1895

Cry in the fog. Ernst Barlach (Germany, 1870-1938). Germany, 1912. Prints; lithographs. Lithograph on Van Gelder paper

The Pit and the Pendulum (1843) story by Edgar Allan Poe (1809-1849) American poet and story writer, creator of the American Gothic story. The prisoner, condemned to death by the Inquisition, lies looking up at the pendulum armed with a scimitar blade which is swinging nearer his heart with each sweep. At the last moment, rats eat through his bonds and free him to undergo the next ordeal. Illustration published London 1882.

Poem by Kanke, from the series One Hundred Poems Explained by the Nurse Katsushika Hokusai (Japanese, 1760-1849). Poem by Kanke, from the series One Hundred Poems Explained by the Nurse, ca. 1835-1836. Color woodblock print on paper, 10 3/16 x 14 3/4 in. (25.8 x 37.5 cm). Asian Art ca. 1835-1836

Cartoon - Sweeping the Cobwebs Off the Sky Arthur George Racey (1870-1941)

Three Studies of Écorchés after 1640 Paulus Pontius Flemish. Three Studies of Écorchés 369507

'The Witches Appear to Macbeth and Banquo', c1820. Artist: William Bromley.

Lazio Viterbo Bagnaia Villa Lante74. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Illustration to the national epic Kalevala, Kochergin, Nikolai Mikhaylovich (1897-1974)

The burning of Louisa Mabree, the French midwife in a cage filled with black cats suspended over a blazing fire. Aquatint.

Lazio Viterbo Bagnaia Villa Lante083. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

On Guard 1860-1870 France. Oil on canvas . Antoine Auguste Ernest Hébert

A Labetrunk for the Exhausted Knight, Historical, digital reproduction of an original from the 19th century

St George and the dragon, by Urs Graf the Elder (ca 1485-1527).

Engraving by British artist & engraver, William Hogarth 1697ñ1764: Receipt plate for 'The March to Finchley' 1755

Cultural Monuments from Ancient Egypt, Historical, digitally restored reproduction of an original from the 19th century, exact date unknown

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